scholarly journals Nadgrobni spomenici Ivana Rendića u Hrvatskom primorju

Ars Adriatica ◽  
2013 ◽  
pp. 175
Author(s):  
Branko Metzger Šober
Keyword(s):  
Elementary School ◽  
Funerary Monuments ◽  
Talented Student ◽  
The Public ◽  
Know How ◽  
The Family ◽  
Human Care ◽  
Attention To Detail ◽  
The Way

Ivan Rendić was born on 27 August 1849 in Imotski. He was brought up in the very poor surroundings of the quarries of Brač, and in his earliest childhood he discovered that he had a talent for sculpting and drawing.After elementary school, he continued his education in Trieste with the wood-carver Giovanni Moscoto, and then at the Academy in Venice where he received much praise as a very talented student. Having completed hisstudies, he trained in Florence with Giovanni Dupre, a famous master of the time. After his studies, he lived and worked at Zagreb but due to a lack of commissions and the disastrous earthquake of 9 December 1880 which ruined his Zagreb studio, he decided to move with his family to the richer city of Trieste where he could find more work. He resided and worked there on two occasions, from 1880 to 1899, and from 1902 to 1921.Ivan Rendić was the last itinerant artist who, like medieval sculptors, created his works along the way, from place to place, offering his services as a sculptor. This is how he made diverse, creative works in the cemeteries of the major towns along the Croatian coast and in the interior. And it is the very scattered nature of his works that characterizes the unique poetics which can be seen in each of his monuments. The motifs, treated lyrically and realistically so as to appear frozen in a moment of their story, are always more modelled rather than carved to fitinto the architectural frames designed to accommodate them, and are treated with exquisite attention to detail, making him an exceptional artist. The dignitaries and investors of Rijeka engaged local and foreign craftsmen alike to work on the projects and buildings in which they invested, and hired the same people as designers of their resting places. Apart from architects they hired for their funerary monuments, they also approached sculptors who were passing through Rijeka like Ivan Rendić who was en route to or from Trieste. The vicinity of Trieste and the numerous contacts between it and Rijeka encouraged co-operation between Ivan Rendić and many entrepreneurs from Rijeka, beginning in1882 with the land-owner Josip Gorup, and continuing with the Devet family in 1885, the Gelletich-Bartolich-Nicolaides family in 1886, the Ploech family in 1887, the family of Frano Pilepić in 1890, the family of Antonio Stiglich in 1891, the family of Antun Bakarčić, and the Copaitich-Battaglia and Manasteriotti families in 1892, and Marija Schalek and the widow of Tonhauser in 1896. In 1900 he made a funerary monument for Dr. Stanislav Dell’Asta-Mohović, and after that for Giovanni Fumi in 1902, for Đuro Ružić, Andrej Antić and the Haramija family in 1905, for Ivan Tomašić in 1907, the Cozulich de Pecine family in 1914, and the last one, for Ivan Smokvina in 1915.All these funerary monuments, mausolea and funerary chapels bear their own idiosyncrasies and highlight Rendić’s inexhaustible energy and diligence, a moment in his career and his individuality. His sculptures and shapes were carefully studied. He was a skilled imitator of nature. He had an excellent feeling for details which he depicted with a learned, highlydeveloped skill in the workmanship of the material. Unfortunately, his visual purity and expression could sometimes be lost in the over-bundant quantity and opulence of decorations and details, stemming from thedesire to give more.The state of Rendić’s monuments today witnesses that they have been forgotten and damaged. They speak to us about a forgotten artist whose works even in a state like this still attract attention with their beauty.If we were to isolate these sculptures in a space which is different to that in which they are now, I believe that in that new environment we would know how to enjoy the refinement of the workmanship of his motifs, their beauty, and realism of minutely sculpted scenes. Presently, perhaps because these funerary monuments are located where they are, they do not receive the attention of the public that they deserve. Having sunk into oblivion, and having lost their monumentality through the damage they have sustained, his monuments indicate once again that lack of human care can at times defy reason in the way it conspires with ravages of time to create the possibility that some things will perish and exist only in memory.

scholarly journals Communicative Constitution of Organization for Elementary School in Pandemic Covid-19

2021 ◽  
Vol 1 (4) ◽  
pp. 183-189
Author(s):  
Sigit Tri Pambudi ◽  
Basuki Agus Suparno
Keyword(s):  
Elementary School ◽  
Organizational Development ◽  
Teaching And Learning ◽  
Learning Processes ◽  
Important Thing ◽  
The Public ◽  
Communication Events ◽  
Communicative Constitution ◽  
One Year ◽  
The Way

This study focuses on an organizational development especially for an elementary school in which try to stabilize and adopt the changes of teaching and learning processes in relate to pandemic Covid 19 since it has been prevailing one year ago. Through Communicative Constitution of Organization (CCO) approach, it stressed on how elementary school as organization develop and adapt toward the uncertainty situation affected by pandemic covid 19. There are four locations which represent communication events in organization. First, membership negotiation, portraits how member of organization interact each other. Second, self- structuring, reflects how organization norms and culture were internalized within member of organization. Third, activity coordination- the way assignment was conducted and accomplished. It is an important thing in determine organization being successful. And finally, position of institution determines organization to the public. All has important roles to shape and develop organization being success.

scholarly journals Vanhuksen oikeus hoivaan ja omaisolettama

Gerontologia ◽  
2017 ◽  
Vol 31 (3) ◽  
pp. 227-242
Author(s):  
Laura Kalliomaa-Puha
Keyword(s):  
Family Members ◽  
Elderly Person ◽  
Social Health ◽  
Legal Responsibility ◽  
Public Authorities ◽  
The Public ◽  
Know How ◽  
The Family ◽  
The Right ◽  
To Receive

Jokaisella vanhuksella on Suomessa yksilöllinen, viime kädessä perustuslaissa taattu, oikeus riittävään hoivaan ja huolenpitoon. Silti tämä oikeus on usein käytännössä riippuvainen siitä, onko vanhalla ihmisellä omaisia tukenaan. Tässä artikkelissa tarkastellaan sitä, miten oikeus hoivaan ja hoitoon taataan lainsäädännössä. Omaisilla ei lain mukaan ole vastuuta hoivan järjestämisestä, mutta silti lainsäädäntö monessa kohdin ikään kuin olettaa omaisten olevan vanhuksen tukena. Vaikka omaiset usein ovatkin tukena, miten perusoikeus hoivaan ja huolenpitoon toteutuu niillä vanhuksilla, joilla ei ole omaisia? Artikkeli nostaa vakavimpana omaisolettaman riskinä esiin ne vanhukset, joilla on omaisia, mutta joiden omaiset eivät osaa tai halua auttaa. Right to care and presumption of family and friends in the Finnish legislation According to Finnish legislation the public authorities must guarantee adequate social, health and medical services for those old persons who cannot obtain means necessary for a life of dignity. Yet in practice this right to receive indispensable subsistence and care often depends on the fact whether the old person happens to have family or friends to help her or him. As if the legislation supposes there are friends and family to help, even though, according to Finnish law, family members do not have legal responsibility to take care of an elderly person. This article elaborates how the right to care is guaranteed in Finnish legislation and what the law says about the responsibilities of the family. Even though most of the relatives do help their elderlies, how is the right to care fulfilled for those old persons who do not have family? Perhaps the elderlies who have family and friends, which do not help or do not know how to, are in the most vulnerable situation.

scholarly journals Caracterización de las estrategias de producción utilizadas por empresas de la ciudad de Montería [Production strategies characterization used by the Monteria city enterprises]

2011 ◽  
Author(s):  
Juan Ángel Chica Urzola ◽  
Alirio Estupiñan Paipa
Keyword(s):  
Public Service ◽  
Current Situation ◽  
The Other ◽  
The Public ◽  
Know How ◽  
Goods And Services ◽  
Production Strategies ◽  
The City ◽  
The Way

ResumenLa Administración de Operaciones es una de las tres funciones principales de cualquier organización y está íntegramente relacionada con las otras funciones de negocios. Todas las organizaciones comercializan, financian y producen, para lo cual resulta clave saber cómo funciona el área de operaciones / producción de las organizaciones. Es por ello que muchos autores han estudiado cómo se organiza la gente para producir, y la forma en que los bienes y servicios son generados. De igual manera, estudiar las decisiones tomadas al administrar la producción se hace indispensable porque es una porción costosa de una organización, lo que la convierte en un proceso crítico, que tiene una fuerte repercusión en la productividad y rentabilidad de las organizaciones. La presente investigación busca evidenciar la situación actual del sector empresarial organizado de la ciudad de Montería en cuanto a las decisiones que toman para administrar sus operaciones, con el fin de determinar las debilidades, fortalezas, necesidades y oportunidades de las empresas del sector y además, servir como un referente teórico que brinde la posibilidad de realizar estudios de mayor profundidad al interior de las empresas que conforman el sector.Palabras ClaveEstrategias de Producción, Operaciones, Caracterización. AbstractThe operational administration is one of the three principal functions of any organization and it is integrally related with the other functions. Every organization commercializes, finance, and produce, to which, it is of great importance to know how the operational area/ the pro-duction of the organizations works. Therefore many authors have studied how people get organized to produce as well as the way in which goods and services are generated. Likewise, when deciding what decision should be taken to master the productions it becomes indispensable because it is a relevant part of the process, which can consequently turn into a critic process that contains high reper-cussions in the productivity and revenue of the organizations. The present investigation looks foreword to making evident the current situation enterprises sector of the city of Monteria as regard to the decisions that the public service takes to administer its operations, with the aim of determine the weaknesses, strengths, needs and opportunities of the enterprise.Keywords Production Strategies, Operations, Characterization.

scholarly journals Que font les communicants pour sauver leur métier ?

2017 ◽  
pp. 78-99
Author(s):  
Ivan Ivanov
Keyword(s):  
Public Sector ◽  
Public Organizations ◽  
Private Companies ◽  
The Public ◽  
Know How ◽  
The Past ◽  
Everyday Practices ◽  
Strategic Role ◽  
The Way

Les métiers de la fonction communication dans les organisations publiques françaises de sécurité sociale ont beaucoup évolué depuis deux décennies. Si dans les entreprises privées, la mise en place des services communication a été accompagnée par une prise de conscience du rôle et de la valeur des métiers de la fonction communication, dans les organisations publiques, les communicants sont toujours en train de chercher une reconnaissance et une légitimité de leur savoir- faire et de leurs compétences. Le manque de règlementation interne et externe et de cadres institutionnels de reconnaissance professionnelle oblige les communicants à chercher des voies pour préserver l’intégrité de leurs services qui est menacée par la réduction de leurs effectifs. Cette recherche s’intéresse à la façon dont les communicants publics tentent de garantir l’existence de leur métier, en projetant une image voulue et valorisée de soi. Dans cette quête de légitimité professionnelle, la métacommunication devient une des missions fondamentales des communicants dans la recherche de reconnaissance de la « typicité » de leur métier. The every-day activities of the communication practitioners in the French public organizations have evolved deeply for the past two decades. The establishment of the communication departments in the private companies was backed by the growing awareness of its primacy and the increasing strategic role of the communicator’s profession. In contrast, the communication practitioners in the public organizations are still on the quest for recognition of their legitimacy and know-how, because of the lack of internal and institutional regulations and rule-makings. This research aims to investigate the way in which the communication practitioners in the organizations of the public sector attempt to guarantee the existence of their profession through self-work everyday practices. In this struggle for professional legitimacy, the meta-communication becomes one of the fundamental missions of the communication departments in order to acquire recognition of their professional « typicity ».

Walter Stiles, 1886-1966

1967 ◽  
Vol 13 ◽  
pp. 343-357
Keyword(s):  
Elementary School ◽  
Technical College ◽  
The West ◽  
Public Elementary School ◽  
The Public ◽  
The Family ◽  
University College ◽  
Leading Position ◽  
The University ◽  
Grassland Research

Walter Stiles was born on 23 August 1886 at Shepherd’s Bush, Hammersmith. He was the eldest child of the family and had one sister born three years later. Both his parents were Londoners. His father, Walter Stiles (1861-1938), was an artist who worked in wood and clay and whose work ornamented many large houses in London and elsewhere. His mother was Elizabeth Sarah Stiles ( née Dury; 1859-1943). His grandfather, James Stiles, was a corn merchant of Pimlico and the family appears previously to have been long settled in Kent in the neighbourhood of Cobham. James’s brother, Walter Stiles, at Cobham, was the grandfather of Walter Stanley Stiles, F.R.S. On 7 July 1920 Walter Stiles married Edith Ethel May Harwood at St Mary’s Church, Stamford Brook, Hammersmith. Her parents came from the West Country, her father from Wiltshire and her mother from Dorset. There were two children; Walter born in 1922 and Ruth Mary born in 1927. The son graduated in physics at the University of Birmingham and now works on irrigation problems as a member of the staff of the Grassland Research Institute, Hurley, Berkshire. The daughter, after graduating at Birmingham in Spanish and Portuguese, went on to the University of Madrid and is now a lecturer in Spanish at Torquay Technical College. Stiles’s education commenced at the public elementary school in Westville Road, Shepherd’s Bush (1890-1897). He then, with the assistance of L.C.C. junior and intermediate scholarships, went to Latymer Upper School, Hammersmith, of which he afterwards wrote in enthusiastic terms. Very much, he said, was due to the wisdom of the headmaster, the Reverend C. J. Smith, who, from a modest beginning in 1895, raised the school to a leading position among the grammar schools of London. Personally, he felt that he owed a great deal to the teaching of the Mathematics and Senior Science Master, G. M. Grace, who was a source of inspiration to his pupils. Contemporary with Stiles were Harold Spencer Jones, later F.R.S. and Astronomer Royal; G. K. Livers, afterwards Professor of Mathematics at University College, Cardiff; and D. Orson Wood, for many years an Editor of Science Progress .

scholarly journals Dexiosis: a meaningful gesture of the Classical antiquity

2016 ◽  
Vol 6 (1) ◽  
pp. 209 ◽  
Author(s):  
Mgr. PhD. Lucia Nováková ◽  
Mgr. Monika Pagáčová
Keyword(s):  
Classical Antiquity ◽  
Ancient Greek ◽  
Funerary Art ◽  
Roman Art ◽  
Funerary Monuments ◽  
The Public ◽  
The Family ◽  
Specific Meaning ◽  
Public Character ◽  
Modern Term

Dexiosis is a modern term referring to the handshaking motif appearing in ancient Greek art, which had specific meaning and symbolism. Though it was a characteristic iconographic element of the Classical antiquity, its roots can be traced back to the Archaic period. Dexiosis was not merely a compositional element connecting two people, but carried a deeper meaning. Most often, the motif was associated with funerary art of the Classical Athens. On funerary monuments the deceased were depicted in the circle of their families, which reflected the ideals of contemporary society. Particularly notable is the contrast between the public character of the funerary monument and the private nature of the depiction. Its meaning should be perceived in terms of both the intimate gesture expressing emotions and the formal presentation of the family. Dexiosis emphasized a permanent bond as the fundamental element of the family in particular, and society in general. At the same time, it was associated with the theme of farewell. The gesture was performed by two people in a dialogical composition, which clearly showed their mutual relationship and the figures were depicted in various compositions regardless of their gender or age. The motif was also used in the Hellenistic and the Roman art.

scholarly journals Kondisi Sanitasi Lingkungan Sekolah (Studi Kasus Sd Negeri Di Kecamatan Nan Sabaris Kabupaten Padang Pariaman

JURNAL BUANA ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 184
Author(s):  
Rika Anggraini ◽  
Iswandi U ◽  
Endah Purwaningsih
Keyword(s):  
Elementary School ◽  
Water Reservoir ◽  
Sampling Technique ◽  
Septic Tank ◽  
Public Elementary School ◽  
The Public ◽  
Know How ◽  
Disposal Facility ◽  
E Mail ◽  
Descriptive Method

KONDISI SANITASI LINGKUNGAN SEKOLAH (Studi Kasus SD Negeri di Kecamatan Nan Sabaris Kabupaten Padang Pariaman) Rika Anggraini1, Iswandi U2, Endah Purwaningsih3 Program Studi Geografi, Fakultas Ilmu Sosial, Universitas Negeri Padang E-mail : [email protected] ABSTRAK Tujuan dari penelitian ini adalah (1) Mengetahui bagaimana sarana jamban/toilet di SD Negeri Kecamatan Nan Sabaris Kabupaten Padang Pariaman. (2) Mengetahui bagaimana sarana pembuangan air limbah di SD Negeri di Kecamatan Nan Sabaris Kabupaten Padang Pariaman. Metode yang digunakan dalam penelitian ini adalah metode Deskriptif. Populasi penelitian ini adalah seluruh SD Negeri di Kecamatan Nan Sabaris Kabupaten Padang Pariaman. Metode pengumpulan data diperoleh dari hasil obsevasi, wawanvara, penyebaran angket dan dokumentasi penelitian. Teknik analisi data yang digunakan adalah dengan menggunakan teknik total sampling. Hasil penelitian memperlihatkan bahwa (1) sanitasi jamban yang terpisah dari ruang kelas, ruang guru, perpustakaan dan UKS memiliki nilai 100%. Jumlah jamban yang tidak mencukupi yaitu 56,5%, sabun cuci tangan 30%, kondisi jamban 71% tidak selalu dalam keadaan bersih, kondisi bak penampungan air 91%, bak dikosongkan pada saat libur panjang 56,5%. (2) sarana pembuanga air limbah yang tidak terpisah dari penuntas air hujan 65%, limbah dibuang tidaak melalui septic tank 13% akan tetapi di alirkan ke sungai dan ke empang. Kata Kunci : Lingkungan, Sanitasi, Sekolah ABSTRACT The of aims research are (1) to know how the toilet’s facility in public elementary school in district of Nan Sabaris Kabupaten Padang Pariaman regency. (2) to know how the condition of the waste disposal facility in public elementary school in district of Nan Sabaris Kabupaten Padang Pariaman regency. The method used in this research is descriptive method. The population of this research is all of the public elementary school in district of Nan Sabaris Kabupaten Padang pariaman regency. The method of data’s collecting is got from the result of observation, interview, quoestionnaire distribution, and the documentation of research. The technique for analyzing data is total sampling technique. The result of the research shows that (1) separated toilet sanitation from class, teacher’s room, libarary, and school medical room, has score of 100%. The amount of insufficient toilets is 56,5%, hand soap is 30%, toilet’s condition which is not always good is 71%, condition of water reservoir is 91%, and clearing the bath tub in periode of holiday is 56,5%. (2) water disposal facility which is not separated from rainwater removal is 65%, the disposed waste doesn’t go through the septic tank is 13% but it goes through river and canals. Keyword :Environment, Sanitation, School

Heritage

2018 ◽  
Author(s):  
Omar Shaikh ◽  
Stefano Bonino
Keyword(s):  
Facial Expressions ◽  
South Asian ◽  
Online Video ◽  
The South ◽  
Men And Women ◽  
The Public ◽  
Video Footage ◽  
Community Heritage ◽  
Personal Accounts ◽  
The Way

The Colourful Heritage Project (CHP) is the first community heritage focused charitable initiative in Scotland aiming to preserve and to celebrate the contributions of early South Asian and Muslim migrants to Scotland. It has successfully collated a considerable number of oral stories to create an online video archive, providing first-hand accounts of the personal journeys and emotions of the arrival of the earliest generation of these migrants in Scotland and highlighting the inspiring lessons that can be learnt from them. The CHP’s aims are first to capture these stories, second to celebrate the community’s achievements, and third to inspire present and future South Asian, Muslim and Scottish generations. It is a community-led charitable project that has been actively documenting a collection of inspirational stories and personal accounts, uniquely told by the protagonists themselves, describing at first hand their stories and adventures. These range all the way from the time of partition itself to resettling in Pakistan, and then to their final accounts of arriving in Scotland. The video footage enables the public to see their facial expressions, feel their emotions and hear their voices, creating poignant memories of these great men and women, and helping to gain a better understanding of the South Asian and Muslim community’s earliest days in Scotland.

Life as a Raw Material: Illusions of Control

Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 250-262 ◽  
Author(s):  
Oron Catts ◽  
Ionat Zurr
Keyword(s):  
Synthetic Biology ◽  
Cognitive Engineering ◽  
Raw Material ◽  
Future Scenarios ◽  
Short History ◽  
Know How ◽  
Political Forces ◽  
History Of ◽  
The Way

The paper discusses and critiques the concept of the single engineering paradigm. This concepts allude to a future in which the control of matter and life, and life as matter, will be achieved by applying engineering principles; through nanotechnology, synthetic biology and, as some suggest, geo-engineering, cognitive engineering and neuro-engineering. We outline some issues in the short history of the field labelled as Synthetic Biology. Furthermore; we examine the way engineers, scientists, designers and artists are positioned and articulating the use of the tools of Synthetic Biology to expose some of the philosophical, ethical and political forces and considerations of today as well as some future scenarios. We suggest that one way to enable the possibilities of alternative frames of thought is to open up the know-how and the access to these technologies to other disciplines, including artistic.

The End of History Museums: What's Plan B??

2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson
Keyword(s):  
Historic Sites ◽  
The Public ◽  
End Of History ◽  
House Museums ◽  
The Past ◽  
History Museums ◽  
Plan B ◽  
The End Of History ◽  
The Way

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.

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