scholarly journals GLOBALISASI: ANTARA PELUANG DAN ANCAMAN BAGI MASYARAKAT MULTIKULTURAL

2020 ◽  
Vol 4 (2) ◽  
pp. 103
Author(s):  
Umar Sholahudin ◽  
Hotman Siahaan
Keyword(s):  
Local Culture ◽  
Multicultural Society ◽  
Literature Study ◽  
Study Approach ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
Living Together ◽  
Political Economic ◽  
Cultural Homogenization

This article examines globalization, between opportunities and threats for Indonesia's multicultural society. Globalization has brought changes in the social, political, economic, and cultural life of the people, especially for multicultural Indonesians. The swift flow of globalization that continues to move through various lines of life of people and reduce the borders of nations. Globalization will bring two consequences at the same time for the Indonesian cultural community, namely how the opportunities and threats of globalization to Indonesia's multicultural society. This study uses a literature study approach, where data and information relevant to the topic or problem are subject to study and compiled from various scientific sources and other sources. The theoritical framework used in this study is the theory of cultural homogenization. The results of this literature study indicate that the current of globalization will pose a threat as well as an opportunity for Indonesia's multicultural society. An opportunity that can be exploited is the emergence of a collective awareness about living together in differences that are co-existent. Meanwhile, the threat that needs to be watched out for is the strengthening of cultural homogenization that can erode and uproot the roots of local culture. Therefore, Indonesian multicultural society is not only required to think and act more critically and intelligently in dealing with the various subversive and destructive effects of globalization, but more than that it is able to build diversity immunityDOI: http://dx.doi.org/10.17977/um021v4i22019p103

scholarly journals Zakat dan Upaya Mengentaskan Kemiskinan

2019 ◽  
Vol 14 (1) ◽  
pp. 40-47
Author(s):  
Nurwati Nurwati ◽  
Heni Hendrawati
Keyword(s):  
Poverty Alleviation ◽  
Economic Prosperity ◽  
Literature Study ◽  
Study Approach ◽  
The Poor ◽  
The People ◽  
The Social ◽  
The Impact

The purpose of this study is to analyze the impact of zakat utilization on the effort of poverty alleviation. This study was conducted through a literature study approach. The results indicate that the utilization of zakat is increasingly visible in its contribution to support the government's efforts to poverty alleviation. The zakat was focused on the poor and allocated to the social humanitarian and education sectors. The implication of this finding is that the optimization of the potential of zakat will be able to bring economic prosperity to the people which is certainly encouraged by the participation of all elements of the nation

scholarly journals Kreativitas Sebagai Strategi Pengembangan Musik Kompang Grup Delima di Bantan Tua Bengkalis

Panggung ◽  
2018 ◽  
Vol 28 (3) ◽  
Author(s):  
Rosta Minawati ◽  
Nursyirwan Nursyirwan
Keyword(s):  
Local Culture ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
Performing Art

ABSTRACTThis article aims to discover the strategy of creativity used by performers of Kompang music in Bantan Tua, Bengkalis. The data was collected through observation, interviews, and documentation. The Kompang Delima Group is one of the kompang groups that has developed kompang as performing art. In 2012 the Delima Group started to include creative movements in their performances. The movement creativities were inspired by the social and cultural life of the people. “Nunduk” is one of the characteristic movements of the Delima Group in Bantan inspired by menoreh (harvesting a rubber). The creativities are developed through the elements of local culture, including movements, formations, and floor patterns, and the emphasis on the clarity of articulation in each line of the recitation of the barzanzi text in order to gain more aesthetic impression of performance.Keywords: creativity, Kompang music, Delima group, BengkalisABSTRAKTulisan ini bertujuan mengungkap strategi kreativitas pemain musik Kompang di Bantan Tua Bengkalis. Data dikumpulkan melalui observasi, wawancara, dan dokumentasi. Grup Kompang Delima adalah salah satu grup Kompang yang mengembangkan musik Kompang sebagai seni pertunjukan. Pada tahun 2012, Grup Delima mulai memasukkan gerak yang kreatif di dalam pertunjukannya. Hasil kreativitas yang dilakukan dengan menggarap gerak yang terinspirasi dari kehidupan sosial dan kultur masyarakatnya. Nunduk adalah gerakan yang khas yang dimiliki grup Delima di Bantan Tua yang terinspirasi dari menoreh (mengambil karet). Kreativitas dilakukan dengan mengembangkan gerak, formasi dan pola lantai, serta penekanan pada kejelasan artikulasi setiap syair barzanji yang dilafalkan agar tercapai kesan estetik dalam penampilannya.Kata kunci: kreativitas, musik Kompang, grup Delima, Bengkalis

scholarly journals Tahapan Pemberdayaan Berbasis Aset Komunitas pada Desa Wisata Pentingsari Yogyakarta

2021 ◽  
Vol 4 (1) ◽  
pp. 37-49
Author(s):  
Putri Noer Aini ◽  
Sri Dewi Wulandari
Keyword(s):  
Social Life ◽  
Local Community ◽  
Empowerment Theory ◽  
Literature Study ◽  
Community Members ◽  
Study Approach ◽  
Tourism Management ◽  
The People ◽  
The Social ◽  
Village Communities

One of the efforts to reduce poverty is through community asset-based empowerment, as has been done by the people of Pentingsari Village, Yogyakarta. Through the Pentingsari Tourism Village program, people who initially relied on income only from agriculture can now be more prosperous through village nature-based tourism management and the social life of village communities. Various development obstacles can be overcome by carrying out development stages. Therefore, the focus of this study is to determine the stages of asset-based empowerment carried out by the people of Pentingsari Village in 2008 - 2018. This study uses a literature study approach. Empowerment in Pentingsari Village shows a relevance to Christopher Dureau's asset-based empowerment theory. In this study, the findings of community asset-based development in Pentingsari Village from 2008-2018 include the six stages of empowerment. The implementation of these six stages has always involved the local community and has brought positive changes to the community. The implementation of the stage of studying and arranging scenarios (define), the stage of uncovering the past (discovery), and the stage of dreaming of the future are carried out continuously, with the role of the pioneer character being more dominant. After that, the asset mapping stage was carried out in a sustainable and sustainable manner, with the asset mobilization stage and the monitoring stage through routine forums attended by community members and village officials.

scholarly journals Tappan-Pelepai Woven Fabric, Social Status and Caring for Local Culture in a Multicultural Society at Lampung, Indonesia

2019 ◽  
Vol 6 (2) ◽  
pp. 608
Author(s):  
Bartoven Vivit Nurdin ◽  
Damayanti Damayanti
Keyword(s):  
Social Status ◽  
Research Method ◽  
Cultural Preservation ◽  
Woven Fabric ◽  
Local Culture ◽  
Multicultural Society ◽  
The People ◽  
The Social ◽  
The Village ◽  
Depth Interviews

This paper examines the tappan and pelepai woven fabric, a kind of woven cloth that shows the social status and position of a person in an ethnic group, as well as the preservation of the woven fabric in the Lampung Sanggi Unggak Museum which is now almost extinct. In fact, tappan woven fabric is an important symbol of identity for indigenous people of Lampung. Its extraordinary beauty is almost unrecognizable.The research method used is ethnography, by conducting in-depth interviews and engaging observations. The results of the study show that the tappan cloth was not known by the people of Lampung in general.However, one of the pioneers of local cultural preservation in the village of Sanggi Unggak Tanggamus, built a museum that collects various kinds of traditional objects, one of which is tappan cloth. The effort to preserve local culture is a form of concern of traditional leaders for extinction of Lampung culture, one of which is tappan cloth. The symbolic meaning becomes shifted or even extinct. This shows that this fabric attribute is a culture that is easy to change as indicated by Linton (1977) that there is a culture that is easy to change because it is no longer considered effective and efficient.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

scholarly journals Evaluasi Kebijakan Pemerintah Pasca Bencana (Studi Kasus Bencana di Sulawesi Tengah)

2020 ◽  
Vol 9 (1) ◽  
pp. 15
Author(s):  
Ahsan Samad ◽  
Erdiansyah Erdiansyah ◽  
Rina Wulandari
Keyword(s):  
Secondary Data ◽  
Economic Conditions ◽  
Literature Study ◽  
Study Approach ◽  
The People ◽  
Time Period ◽  
And Behavior ◽  
The Impact ◽  
The City ◽  
Post Disaster

The purpose of this study is to identify and describe the impact and behavior of the community on post-disaster economic conditions in the city of Palu and to know the local government's public policies in handling these cases. Using qualitative methods with a case study approach, literature study, and secondary data processing from various social elements. In addition, data collection was carried out by interviewing informants who felt the direct impact of the earthquake, tsunami and liquefaction in Palu, Sigi and Donggala. The results showed that the post-disaster impact felt by the people of Palu City was generally in the "severe" classification. The socio-economic conditions of the people of Palu include several aspects, ranging from the geographical conditions that are in disaster-prone zones, to the extremely poor health conditions after the disaster. The conclusion of this research shows that the escalation of natural disasters in the city of Palu is considered quite large because it consists of three types of disasters, namely the Earthquake, Tsunami and Liquifation in the same time period. Palu City is the capital of the Province as well as the economic and administrative center of Central Sulawesi Province. Damage to warehousing infrastructure coupled with massive looting from unscrupulous people in logistics supply warehouses resulted in goods that were supposed to be distributed both to the city and the district finally unable to be implemented.Tujuan penelitian ini yaitu mengidentifikasi dan mendeskripsikan evaluasi dampak dan perilaku masyarakat terhadap kondisi perekonomian pasca bencana di kota Palu dan mengetahui kebijakan publik pemerintah setempat dalam menangani kasus tersebut. Menggunakan metode kualitatif dengan pendekatan  studi kasus, studi literature, dan pengolahan data sekunder dari berbagai elemen sosial. Selain itu pengambilan data dilakukan dengan cara wawacara kepada narasumber yang merasakan dampak langsung dari bencana gempa,tsunami dan likuifaksi di Palu,Sigi dan Donggala. Hasil penelitian memperlihatkan bahwa dampak pasca bencana yang dirasakan oleh masyarakat Kota Palu secara umum berada pada klasifikasi “berat”. Kondisi sosial ekonomi masyarakat kota Palu meliputi beberapa aspek, mulai dari kondisi geografis yang berada pada zona rawan bencana, kondisi kesehatan sangat memprihatinkan pasca bencana. Kesimpulan penelitain ini menujukkan bahwa eskalasi bencana alam kota Palu dinilai cukup besar karena terdiri dari tiga macam bencana yaitu Gempa Bumi, Tsunami dan Liquifasi dalam kurun waktu sama. Kota Palu merupakan ibukota Provinsi sekaligus sebagai pusat ekonomi dan pemerintahan Provinsi Sulawesi Tengah. Rusaknya infrakstruktur pergudangan ditambah dengan adanya penjarahan yang massiv dari oknum masyarakat pada gudang-gudang suplai logistik mengakibatkan barang yang semestinya didistribusikan baik ke kota ataupun ke kabupaten akhirnya tidak dapat dilaksanakan.

scholarly journals Prinsip-Prinsip Etika Kristiani Bermedia Sosial

2021 ◽  
Vol 1 (1) ◽  
pp. 56-68
Author(s):  
Simon Simon ◽  
Tan Lie Lie ◽  
Heppy Wenny Komaling
Keyword(s):  
Social Media ◽  
Public Space ◽  
Hate Speech ◽  
Christian Ethics ◽  
Media Ethics ◽  
Literature Study ◽  
The Public ◽  
Study Approach ◽  
The People ◽  
At Will

Indonesian netizens are often labeled as social media users at will without heeding politeness when interacting. This assessment is further confirmed by a survey conducted by Microsoft,  that Medsos users are labeled as netizens with the worst politeness level for Southeast Asia scale. The predicate is certainly aimed at allreligius netizens without emphasizing certain beliefs. The low politeness indicates the lack of social media ethics applied by the people of the country. Ironically, Indonesia is known as areligius and civilized country, it seems invisible if you look at the behavior of netizens who are. The method used in this paper is descriptive qualitative method with a literature study approach. The description of this topic religion certainly teaches how politeness and politeness in the public space are displayed especially in social media, because politeness is an indikator we are called ethical or not. The principle of Christian ethics teaches that when using social media what a believer must do is not to do body shaming with other online media users, or not to comment racistically. Because God does not differentiate between fellow humans by loving one and not loving another just because humans are different physically, race or nation. The next principle of Christian ethics in social media is not to argue theologically and not to spit negative things. The goal is to avoid quarrels, let alone hate speech. Netizen Indonesia kerap di cap sebagai pengguna media sosial sesuka hati tanpa mengindahkan kesantunan ketika berinteraksi. Penilaian ini makin dipertegas melalui survei yang dilakukan oleh Microsoft,  bahwa pengguna Medsos dilabeli sebagai netizen dengan tingkat kesopanan paling buruk untuk skala Asia Tenggara. Predikat itu tentu ditujukan kepada semua netizen yang beragama tanpa menitik-beratkan keyakinan tertentu. Rendahnya kesopanan menandakan kurangnya etika bermedia sosial diterapkan oleh masyarakat tanah air. Ironisnya, Indonesia yang di kenal sebagai negara yang religius dan beradab, hal itu seakan tidak terlihat bila melihat perilaku netizen yang bar-bar. Metode yang digunakan dalam tulisan ini adalah metode kualitatif deskriftif dengan pendekatan studi kepustakaan. Uraian dari topik ini agama tentu mengajarkan bagaimana kesopanan dan kesantunan di ruang publik ditampilkan terlebih dalam bermedia sosial, karena kesopanan itu merupakan indikator kita di sebut beretika atau tidak. Prinsip etika Kristiani mengajarkan bahwa ketika bermedia sosial  yang  harus dilakukan orang Kristen  adalah tidak melakukanbody shaming kesesama pengguna media online, maupun tidak berkomentar secara rasis. Karena Allah tidak membeda-bedakan sesama manusia dengan mengasihi yang satu dan tidak mengasihi yang lain hanya karena manusia itu berbeda secara fisik, ras atau bangsa. Prinsip etika Kristiani berikutnya dalam bermedia sosial adalah tidak berdebat secara teologis dan tidak mengumbar hal negatif. Tujuannya  agar tidak terjadi pertengkaran apalagi ujaran kebencian.

scholarly journals Social Values Reflected in "Batu Dara Muning" An Oral Literature of Dayak Keninjal Tribe

2018 ◽  
Vol 3 (1) ◽  
pp. 34
Author(s):  
Martono Martono
Keyword(s):  
Cultural Heritage ◽  
Character Education ◽  
Social Values ◽  
Social Value ◽  
Local Culture ◽  
Oral Literature ◽  
Sociology Of Literature ◽  
The People ◽  
The Social

Oral literature has an important function in life because it can reflect people's lives and instil a sense of love for their own culture. Oral literature is a cultural heritage of the region passed down from generation to generation which is narrated from mouth to mouth and has a noble value. The noble value contained in oral literature reflects the local culture of the tribe. Certain noble values must be continuously preserved and implemented in the life of society and state. The noble value as a form of character education, such as social values. Therefore, positive social values must be maintained. The social values as many ancestral riches are also found in Dayak Keninjal oral literature titled Batu Dara Muning. The social value that can be found in oral literature entitled Batu Dara Muning is the value of a mother's love for a child, obedient to parents, forbidden marriage, obedience to customs. To analyze oral literature Batu Dara Muning used an approach of a sociology of literature. The reason literature is a mirror of the lives of the people who own the story. Stories or events expressed in oral literature are sourced from events in society with the narrator's imagination. The character used in oral literature is not the name of the character in his tribe, but the name made by the narrator.

scholarly journals BENTUK DAN FUNGSI TARI GATHOLOCO KELOMPOK SENI CIPTO BUDOYO KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Lenni Wulandari ◽  
Sri Rochana Widyastutieningrum
Keyword(s):  
Qualitative Method ◽  
Function Theory ◽  
Social Function ◽  
Literature Study ◽  
Form Function ◽  
The People ◽  
The Social ◽  
Depth Study ◽  
Form Theory ◽  
And Function

AbstrakTari Gatholoco adalah tari kelompok berjenis tradisi rakyat dalam sebuah kelompok seni di Desa Kembangsari. Tari Gatholoco belum diketahui siapa penciptanya dan digarap oleh Badrun tahun 1965 kemudian digarap oleh Tono tahun 1980. Tari Gatholoco menarik karena pola lantai membentuk formasi huruf (terbalik dari arah depan) yang menyusun sebuah kata Temanggung. Juga terdapat gerak penghubung antar gerak satu ke gerak berikutnya dan gerak penghubung untuk perpindahan pola lantai dengan senggakan “sukseskan pembangunan”. Tari Gatholoco memiliki fungsi sosial dalam masyarakat Desa Kembangsari. Penelitian ini menggunakan landasan teori bentuk oleh Suzanne K. Langer dan Sri Rochana Widyastutieningrum dan teori fungsi oleh Raymond Firth. Penelitian ini menggunakan metode kualitatif, merupakan metode penelitian yang menekankan pada telaah mendalam suatu fenomena yang terjadi dengan melakukan wawancara, dokumentasi, pengamatan langsung, pengamatan tidak langsung, dan studi pustaka. Presentasi yang disajikan berupa data dan visual. Hasil dari penelitian ini dapat diperoleh gambaran yang berkaitan dengan bentuk sajian dan fungsi sosial tari Gatholoco yang hingga kini masih hidup dan berkembang di kalangan masyarakat Desa Kembangsari. Bentuk sajian tari Gatholoco terdapat gerak yang menggambarkan aktivitas masyarakat sehari hari. Fungsi sosial tari Gatholoco yaitu sebagai sarana kepuasan batin, sarana bersantai dan hiburan, sarana ungkapan jati diri, sarana integratif dan pemersatu, dan sarana pendidikan amat positif di kehidupan masyarakat Desa Kembangsari.Kata kunci: Gatholoco, Bentuk, FungsiAbstractGatholoco Dance is a group dance of the folk-type tradition in an art group in Kembangsari Village. Not yet known who the creator of Gatholoco dance it was cultivated by Badrun in 1965 then tilled by Tono in 1980. Gatholoco dance is very interesting, because pattern floor as like alfabet (upside down from the front) which composes the word means like Temanggung. That dance also relational between one of the movement to the next movement, and then the relational connecting the other movement of the pattern floor it is mean that “successful development”. Gatholoco dance has a sociocultural function in the Kembangsari Village. This research uses the foundation of form theory by Suzanne K. Langer and Sri Rochana Widyastutieningrum and function theory by Raymond Firth. This research uses qualitative method, is a research method that emphasizes in depth study of a phenomenon that occurs by conducting interviews, documentation, direct observation, indirect observation, and literature study. Presentation is presented in the form of data and visual. The results of this study can be obtained a picture relating to the form of course and social function of Gatholoco dance which until now is still alive and growing among the people of Kembangsari Village. There is a movement that describes the daily activities of society in the form of Gatholoco dance course. The social function of Gatholoco dance is as a mean of inner satisfaction, means of relaxation and entertainment, means of expression of identity, integrative means and unifier, means of educational, means of healing, symbolic means of meaning and power, and means of integration in chaotic times are very positive in the life of the community of Kembangsari Village.Keywords: Gatholoco, Form, Function.

scholarly journals Partisipasi Sosial-Politik sebagai Praktik Hospitalitas Kaum Pentakostal

2021 ◽  
Vol 6 (1) ◽  
pp. 378-396
Author(s):  
Fransiskus Irwan Widjaja ◽  
Harls Evan R. Siahaan ◽  
Nathanael Octavianus
Keyword(s):  
Social Life ◽  
Descriptive Analysis ◽  
Early Church ◽  
Literature Study ◽  
The Public ◽  
Study Approach ◽  
The Social ◽  
The Public Sphere ◽  
The One ◽  
The Church

Abstract. The involvement of the church in social life outside the church is something that continues to struggle from time to time; the church, on the one hand, felt compelled to be involved in all aspects of life; on the other, it felt sufficient to focus on the spiritual dimension of life. Meanwhile, participation in the social domain is often articulated with religious mission activities that wish to win souls and increase the number of church members. This article aimed to present a theological reflection framework on hospitality in a Pentecostal perspective, as a spirituality that drives the participatory philosophy of Pentecostals in the public sphere, both socially and politically. The method used is descriptive analysis, with a literature study approach. The result is that the hospitality attitude of the early church in the Acts constructs a Pentecostal reflection of the participation of Pentecostals in the public sphere.Abstrak. Keterlibatan gereja dalam kehidupan sosial di luar gereja merupakan hal yang terus mengalami pergumulan dari waktu ke waktu; gereja di satu sisi merasa harus terlibat dalam seluruh aspek kehidupan, di sisi lain merasa cukup untuk memfokuskan pada dimensi kehidupan rohani. Sementara itu, partisipasi pada domain sosial tidak jarang diartikulasikan dengan kegiatan misi gerejawi yang ingin memenangkan jiwa dan menambahkan jumlah anggota gereja. Artikel ini bertujuan menyajikan sebuah kerangka refleksi teologis tentang hospitalitas dalam perspektif Pentakostal, sebagai spirtualitas yang menggerakkan sikap partisipatif kaum Pentakostal pada ruang publik, baik secara sosial dan politik. Metode yang digunakan adalah analisis deskriptif, dengan pendekatan studi literatur. Hasilnya, sikap hospitalitas jemaat mula-mula pada narasi Kisah Para Rasul mengonstruksi sebuah perenungan Pentakostal mengenai partisipasi kaum Pentakostal pada ruang publik.

Sign in / Sign up

Export Citation Format

Share Document