scholarly journals Studi Dramaturgi Presentasi Diri Da’i Migran di Kota Bengkulu

2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Robeet Thadi
Keyword(s):  
Impression Management ◽  
Social Life ◽  
Qualitative Approach ◽  
Communication Process ◽  
Self Presentation ◽  
Front Stage ◽  
Back Stage

This paper aims at descriptively revealing the impression management regarding self-presentation of da’i migran (migrant preachers) in Bengkulu that includes: front stage and back stage within the communication process of everyday social life. This research applies qualitative approach within the tradition of dramaturgy. Data were collected through observation, interview and documentation. Findings reveal that the life of migrant preachers that occur in the front stages are very different with those that happened in the back stages. When he/she is in his/her front stages, a migrant preacher is required to act in a distinct manner to match his/her role such as exemplary role, polite in speaking, appropriate and proper in dressings, and live a humble life. In his/her back stage, a migrant preacher is free from such norms since there are no one to watch him/her. Here, a migrant preacher can live his/her take off his/her social mask and can life more authentically because without having to follow the instructions as she/he has to do in the front stage. Keywords: Da'wah activities, dramaturgy, migrant preachers and self-presentation

scholarly journals The travel blogger as digital nomad: (Re-)imagining workplace performances of digital nomadism within travel blogging work

2020 ◽  
Vol 22 (3) ◽  
pp. 391-416 ◽  
Author(s):  
Nina Willment
Keyword(s):  
Everyday Life ◽  
Impression Management ◽  
Presentation Of Self ◽  
Self Presentation ◽  
Original Contribution ◽  
Front Stage ◽  
Back Stage

Abstract Through analysis of empirical fieldwork conducted with British travel bloggers, this paper details a novel and significant investigation into the nuances of self-presentation and performances inherent in travel blogging work, through the lens of digital nomadism. Working with Goffman’s (The presentation of self in everyday life. Penguin, London, 1959) ideas of front and back regionalisation, the paper explores the distinct ways in which digital nomadism is performed by the travel blogger. Firstly, the paper highlights how performances of digital nomadism are integral to the successful self-presentation of the travel blogger as an aspirational worker. Next, it showcases how travel bloggers use performances of digital nomadism in the strategic complication of the front and back-stage of their work, in order to demonstrate authenticity to their audience. The paper then considers how travel bloggers undertake performances of digital nomadism, explicitly within the front-stage to aid in their overall impression management of being a travel blogger. Subsequently, the paper turns to discussions of how technology becomes utilised in performances of digital nomadism which flow across the travel blogger’s front and back-stage. Finally, the paper reviews how, through performances of digital nomadism, the travel blogger appropriates their own back-stage leading to issues of overwork and precarity. The paper’s original contribution lies in its use of the lens of digital nomadism to enable us to explore and reimagine the workplace performances of travel bloggers. In doing so, the paper is able to speculate on the nuances and motivations implicit in these performances, digging deeper into issues of online self-presentation, authenticity and place.

scholarly journals DRAMATURGI DALAM PROSES LEGISLASI

2019 ◽  
Vol 9 (2) ◽  
pp. 42
Author(s):  
Tulus Tampubolon ◽  
Guntur Freddy Prisanto ◽  
Niken Febrina Ernungtyas ◽  
Irwansyah Irwansyah ◽  
Sekartaji Anisa Putri
Keyword(s):  
Qualitative Research ◽  
Impression Management ◽  
Political Communication ◽  
The Political ◽  
Communication Behavior ◽  
Observation Data ◽  
Political Actor ◽  
Front Stage ◽  
The Republic ◽  
Back Stage

Abstract As a political communicator, members of the DPR RI need to realize good political communication for the sake of the continuation of democracy. The Indonesian Parliament as a political actor that has an important role in the sustainability of democracy needs to manage their political communication from the front stage, back stage, and impression management aspects according to Goffman's theory as well as possible. In this study, it was examined how the political communication of the Indonesian Parliament in revising Law No. 32 of 2002 using the Goffman drama theory. The method used in this research is qualitative research using observation data collection techniques to three groups of the Republic of Indonesia DPR. From this dramaturgical analysis the researchers found that DPR groups had three front stages and one backstage each. Also found was a shadowing stage faced by the DPR in carrying out political communication activities. Political communication behavior carried out at the front stage is more formal and prioritizes the interests of the community. As is the case at the back stage, political communication is more relaxed and personal and group interests emerge. Key words:  Dramaturgy, Legislative Dramaturgy, Indonesian Parliament Dramaturgy   Abstrak Sebagai komunikator politik, anggota DPR RI perlu mewujudkan komunikasi politik yang baik demi kelangsungan demokrasi. DPR RI sebagai aktor politik yang memiliki peran penting dalam keberlangsungan demokrasi perlu mengelola komunikasi politik mereka dari aspek front stage, back stage, serta impression management sesuai dengan teori Goffman sebaik mungkin. Dalam penelitian ini diteliti bagaimana komunikasi politik DPR RI dalam melakukan revisi UU No. 32 tahun 2002 dengan menggunakan teori dramatugri Goffman. Metode yang digunakan dalam penelitian ini ialah penelitian kualitatif menggunakan teknik pengumpulan data observasi kepada tiga kelompok DPR RI. Dari analisis dramaturgi ini peneliti menemukan temuan bahwa kelompok-kelompok DPR memiliki masing-masing tiga pangung depan dan satu panggung belakang. Ditemukan juga panggung bayangan yang dihadapi oleh DPR dalam menjalankan kegiatan komunikasi politik. Perilaku komunikasi politik yang dilakukan pada front stage bersifat lebih formal dan mengutamakan kepentingan masyarakat. Lain halnya dengan yang dilakukan pada back stage, komunikasi politik bersifat lebih santai dan muncul kepentingan-kepentingan pribadi maupun kelompok. Kata kunci:  Dramaturgi; Dramaturgi Legislasi; Dramaturgi DPR

Factionalism Observed: Behind the “Face” of Harmony in a Chinese Community

1978 ◽  
Vol 74 ◽  
pp. 241-272 ◽  
Author(s):  
Barbara L. K. Pillsbury
Keyword(s):  
Impression Management ◽  
Chinese Society ◽  
Social Scientists ◽  
Behavioural Patterns ◽  
The Face ◽  
Prime Determinant ◽  
Front Stage ◽  
Back Stage ◽  
Closed Sphere ◽  
Front Region

The importance of “face” (lien or mien-tzu) has long been recognized as a prime determinant of Chinese behavioural patterns whether those of an individual or of a group. We also know that the Confucian emphasis on “harmony” (ho-p'ing) has long constituted a basic ideal in Chinese inter-personal relations. Recently social scientists have drawn attention to “impression management” and to the relatively great disparities in some societies between an individual's or group's “front region,” “front-stage” or “public sphere” behaviour and the contradictory “back region,” “back-stage” or “closed sphere” behaviour. Applying these concepts in a Chinese society which still purports to uphold Confucian ideals we find that the front-stage impression a group seeks and often manages to convey is one of unity and harmony. Closer inspection may reveal, however, that, back-stage, factionalism is rife.

scholarly journals KAJIAN KEHIDUPAN SOSIAL PENGEMIS DI KOTA SURAKARTA

2020 ◽  
Vol 2 (1) ◽  
pp. 30
Author(s):  
Novi Ariyanti ◽  
Ratna Devi Sakuntalawati
Keyword(s):  
Social Life ◽  
Sampling Technique ◽  
Social Study ◽  
Naturalistic Inquiry ◽  
Snowball Sampling ◽  
Analysis Model ◽  
Analysis Technique ◽  
Front Stage ◽  
Inquiry Method ◽  
Back Stage

<p>The objective of this study is to examine the social life of beggars on the front stage and on the back stage residing in Joyotakan Village, Serengan, Surakarta, by using Dramaturgy Theory by Erving Goffman. This qualitative research uses the naturalistic inquiry method. In addition, the sampling technique uses purposive side and snowball sampling. Furthermore, the research informants taken are those who work as beggars. Data collection uses observation and in-depth interviews. The validity of the data uses triangulation of sources with the former management of Social Study Agency (LSK) Bina Bakat, and the head of the local neighborhood. The data analysis technique uses interactive analysis model from Miles and Huberman.</p><p>The results of the present research show that on the front stage, the actors act as <em>Me</em>, in order to be accepted by the audience. The setting of begging is done on the vital objects of the city such as the Great Mosque, PGS-BTC area, <em>Tugu Lilin</em> area, Jebres Police Station, <em>Matahari Singosaren</em>, <em>Indomaret Tipes</em>, and at Sebelas Maret University (UNS) and campus graduation events, and Surakarta Muhammadiyah University (UMS). In terms of appearance, they wear several attributes in the form of religious attributes (veils and prayer beads), supporting attributes (children, sling bags, plastic cups, and fingers), and general attributes (shirts, negligee, jackets, sandals, and clean clothes). They play sound, gesture, and expression as begging manner.The conclusion of the research is that theoretically the actor will play the role of <em>Me</em> on the front stage. However, in reality, <em>I</em> can also be seen when actors face disturbance in a show. The disturbance is in the form of rejection of the actors' presence; even the actors get a discrediting stigma from the audience, so that <em>I</em> appears as a response to the disorder. In the actors' social life of on the back stage, their human self will appear as <em>I</em>. However, the actors sometimes become <em>Me</em> when they have to take part in social activities that become the norm in society.</p>

scholarly journals Pengelolaan Kesan oleh Pengemis

2018 ◽  
pp. 173-179
Author(s):  
Gisky Andria Putra
Keyword(s):  
Impression Management ◽  
Body Language ◽  
The Other ◽  
Ordinary People ◽  
Strategic Location ◽  
Physical Limitations ◽  
Front Stage ◽  
Tone Of Voice ◽  
Back Stage ◽  
Face Expressions

The phenomenon of beggars is a problem faced by many cities, including Padang city. Permindo street of Padang city is a strategic location to serve as the location of the activity of begging. There are some beggars who take advantage of the real physical limitations, and there also beggars deliberately creating impressions as a beggar. The problem is how the beggars creating impressions on themselves to bring in the mercy of the other people (prospective benefactors). The purpose of this study is to describe how form the impression management that created by beggars. This research was carried out by using qualitative research methods and the type is descriptive. From the results of the data obtained, impression management by beggars, covering by verbal and non verbal aspects. Verbal aspect that used in front stage area (front stage) by saying Assalamualaikum and Alhamdulillah, while the non-verbal aspects include tone of voice, body language, appearance, face expressions, tools, and mystification. In the back stage area (back stage), beggars doing impression management through tone of voice, body language, appearance, and face expressions. Beggars showing a different impression on the two settings. In front stage area (front stage), beggars deliberately forming an impression to get a gift or alms from others (prospective benefactors), while in the back stage area (back stage), beggars forming an impression as ordinary people in a social environment.

scholarly journals DRAMATURGI DALAM PROSES LEGISLASI

2019 ◽  
Vol 9 (2) ◽  
pp. 42
Author(s):  
Tulus Tampubolon ◽  
Guntur Freddy Prisanto ◽  
Niken Febrina Ernungtyas ◽  
Irwansyah Irwansyah ◽  
Sekartaji Anisa Putri
Keyword(s):  
Qualitative Research ◽  
Impression Management ◽  
Political Communication ◽  
The Political ◽  
Communication Behavior ◽  
Observation Data ◽  
Political Actor ◽  
Front Stage ◽  
The Republic ◽  
Back Stage

Abstract As a political communicator, members of the DPR RI need to realize good political communication for the sake of the continuation of democracy. The Indonesian Parliament as a political actor that has an important role in the sustainability of democracy needs to manage their political communication from the front stage, back stage, and impression management aspects according to Goffman's theory as well as possible. In this study, it was examined how the political communication of the Indonesian Parliament in revising Law No. 32 of 2002 using the Goffman drama theory. The method used in this research is qualitative research using observation data collection techniques to three groups of the Republic of Indonesia DPR. From this dramaturgical analysis the researchers found that DPR groups had three front stages and one backstage each. Also found was a shadowing stage faced by the DPR in carrying out political communication activities. Political communication behavior carried out at the front stage is more formal and prioritizes the interests of the community. As is the case at the back stage, political communication is more relaxed and personal and group interests emerge. Key words:  Dramaturgy, Legislative Dramaturgy, Indonesian Parliament Dramaturgy   Abstrak Sebagai komunikator politik, anggota DPR RI perlu mewujudkan komunikasi politik yang baik demi kelangsungan demokrasi. DPR RI sebagai aktor politik yang memiliki peran penting dalam keberlangsungan demokrasi perlu mengelola komunikasi politik mereka dari aspek front stage, back stage, serta impression management sesuai dengan teori Goffman sebaik mungkin. Dalam penelitian ini diteliti bagaimana komunikasi politik DPR RI dalam melakukan revisi UU No. 32 tahun 2002 dengan menggunakan teori dramatugri Goffman. Metode yang digunakan dalam penelitian ini ialah penelitian kualitatif menggunakan teknik pengumpulan data observasi kepada tiga kelompok DPR RI. Dari analisis dramaturgi ini peneliti menemukan temuan bahwa kelompok-kelompok DPR memiliki masing-masing tiga pangung depan dan satu panggung belakang. Ditemukan juga panggung bayangan yang dihadapi oleh DPR dalam menjalankan kegiatan komunikasi politik. Perilaku komunikasi politik yang dilakukan pada front stage bersifat lebih formal dan mengutamakan kepentingan masyarakat. Lain halnya dengan yang dilakukan pada back stage, komunikasi politik bersifat lebih santai dan muncul kepentingan-kepentingan pribadi maupun kelompok. Kata kunci:  Dramaturgi; Dramaturgi Legislasi; Dramaturgi DPR

scholarly journals Sisi Lain Pengadaan Barang dan Jasa dalam Sebuah Studi Dramaturgi

InFestasi ◽  
2017 ◽  
Vol 13 (1) ◽  
pp. 253
Author(s):  
Putri Harziani ◽  
Made Sudarma ◽  
Aji Dedi Mulawarman
Keyword(s):  
Impression Management ◽  
Main Part ◽  
Complete Sequence ◽  
Goods And Services ◽  
Self Image ◽  
Presidential Decree ◽  
Management Techniques ◽  
Front Stage ◽  
Back Stage

This study aims to explore the role of the actors involved in the procurement’s stage in Y’s Faculty of X’s University. The role of procurement personnel became main part of the show to see whether the procurement of goods and services in the Y’s Faculty that using direct procurement’s method have appropriate with the rules of Presidential Decree 70 of 2012. The Procurement’s stage is divided into the front stage and back stage that can not be separated in the show. Dramaturgy used as a method to analyze the role, coupled with using impression management’s analysis from John and Pittman Taxonomy. This research resulted in the conclusion that the procurement’s procedure has been carried out, although not fully follow the rules, because there are some procurement’s procedure were not met. Formal evidence is documented but not complete sequence and presented. Impression management techniques used by the actor to display the desired self-image, on time and under certain conditions.

scholarly journals Self-presentation dan kesadaran privacy micro-influencer di instagram

2020 ◽  
Vol 4 (1) ◽  
pp. 239
Author(s):  
Mohammad Reza Prasetya
Keyword(s):  
Social Media ◽  
The Self ◽  
Self Presentation ◽  
Erving Goffman ◽  
Privacy Issue ◽  
Front Stage ◽  
Back Stage ◽  
Positive Content

Instagram is a platform that can be used to express online self-presentation by uploading contents. Micro-influencers also perform the self-presentation to maintain their existence on social media. However, we cannot be sure if everything shown in social media are actual representation of the influencer’s real lives. Social media users also threatened by privacy issue. This research attempted to find out self-presentation strategies applied by micro-influencers on Instagram, as well as the differences between front stage and back stage by using dramaturgy theory by Erving Goffman. This research also studied the privacy awareness of micro-influencers on Instagram. The results of this study indicated that micro-influencers only display positive content on Instagram. The study also revealed that there are differences between front stage and back stage shown by micro-influencers on Instagram. Then, this study also found that both influencers are concerned of their privacy on Instagram. Consequently, they use privacy features offered by Instagram.

Penerapan Fungsi Manajemen Dalam Meningkatkan Jama’ah Shalat Shubuh Dan Shalat Jum’at

2020 ◽  
Vol 5 (1) ◽  
pp. 17-32
Author(s):  
Apriyanti Kartika Agustin ◽  
Irfan Sanusi ◽  
Herman Herman
Keyword(s):  
Planning Process ◽  
Control Process ◽  
Qualitative Approach ◽  
Communication Process ◽  
Coffee Break ◽  
Leadership Process ◽  
Motivational Process ◽  
Management Functions ◽  
Descriptive Method ◽  
Organizing Process

Penelitian ini bertujuan untuk mengetahui penerapan fungsi manajemen pada Masjid Al-Anshari dalam meningkatkan Jama’ah Shalat Shubuh dan Shalat Jum’at. Secara lebih rinci tujuan penelitian ini adalah untuk pengetahui proses perencanaan, proses pengorganisasian, proses penggerakan dan proses pengendalian di Masjid Al-Anshari. Penelitian ini menggunakan metode deskriptif dengan pendekatan kualitatif, dipandang tepat untuk digunakan dalam penelitian ini. Adapun metode pengumpulan data yakni dengan cara observasi, wawancara, rekaman audio dan studi dokumentasi. Hasil penelitian ini menunjukan bahwa Masjid Al-Anshari di dalam meningkatkan jama’ah Shalat Shubuh dan Shalat Jum’at memiliki proses perencanaan berupa penyusunan unsur tujuan, unsur kebijakan, unsur kemajuan, dan unsur program. Proses pengorganisasian yang dilakukan dengan pembagian kerja melalui struktur organisasi, departementalisasi dengan deksripsi kerjanya, distribusi otoritas, dan koordinasi yang dilakukan setiap Briefing di Coffee Break. Proses penggerakan dilakukan melalui proses motivasi, proses kepemimpinan dan proses komunikasi. Proses pengendalian dilakukan dengan memperbaiki penyimpangan-penyimpangan yang ada.   This study aims to determine the application of management functions in the Al-Ansari Mosque in improving Jama'ah Shubuh Prayer and Friday Prayers. In more detail, the purpose of this research is to find out the planning process, the organizing process, the mobilization process and the control process at Al-Ansari Mosque.  This study uses a descriptive method with a qualitative approach, considered appropriate for use in this study. The data collection method is by observation, interview, audio recording and documentation study.  The results of this study indicate that the Al-Ansari Mosque in improving the congregation of the Shubuh Prayers and Friday Prayers has a planning process in the form of compilation of objectives, policy elements, progress elements, and program elements. The organizing process is carried out with the division of labor through the organizational structure, departmentalization with its work description, distribution of authority, and coordination that is carried out every Briefing at Coffee Break. The mobilization process is carried out through a motivational process, a leadership process and a communication process. The control process is carried out by correcting the existing deviations.

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