scholarly journals Diskriminasi Gender dalam Novel Ginko Karya Junichi Watanabe

2014 ◽  
Vol 8 (1) ◽  
pp. 40
Author(s):  
Linda Unsriana
Keyword(s):  
Medical School ◽  
Gender Discrimination ◽  
Japanese Literature ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Men And Women ◽  
Woman Doctor ◽  
Meiji Era ◽  
And Behavior

Discrimination is an attitude and behavior that violates human rights. Discrimination can also be interpreted as a treatment for individuals differently based on race, religion, or gender. Any harassment, restriction, or exclusion to race, religion, or gender includes discriminatory actions. The theme of discrimination experienced by many women made the writer want to examine it from literature point of view, especially Japanese literature. The problem in this paper is gender discrimination experienced by the main character in novel Ginko. In Ginko novel written by Junichi Watanabe, the theme of discrimination against women is very strong, as experienced by the main character named Gin Ogino. This study used feminist standpoint research with the assumption that gender discrimination in society in the novel cannot be separated from women’s real experiences perceived by the author. In addition to stand on or derived from real experiences from the first woman doctor in Japan, which with all her efforts to break away from discrimination against women endured throughout her life: before marriage, divorce, attending medical school to become a doctor, even after she was graduated from medical school, she still experienced gender discrimination. This study found that gender discrimination experienced by Ginko because she is a woman, in which at that time (the Meiji era) there were clear boundaries between men and women. Difficulty and discrimination experienced are because Ginko’s ideals were considered impossible, because she wanted to become a doctor. Her ability and cleverness were obstructed just because she is a woman. It can be concluded in the Meiji era, there was discrimination against women reflected in the Novel Ginko.

scholarly journals POTRET TOKOH UTAMA DALAM NOVEL CINTA SUCI ZAHRANA KARYA HABIBURRAHMAN EL SHIRAZY (PORTRAIT OF THE MAIN CHARACTERS IN THE NOVEL OF CINTA SUCI ZAHRANA BY HABIBURRAHMAN EL SHIRAZY)

2018 ◽  
Vol 3 (2) ◽  
pp. 302
Author(s):  
Hj. Laila Fitriani
Keyword(s):  
Life Style ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Language Style ◽  
Way Of Thinking ◽  
The Right ◽  
And Behavior ◽  
The Way

AbstractPortrait of the Main Characters in the Novel of Cinta Suci Zahrana by HabiburrahmanEl Shirazy. Literate is never separated from the intrinsic elements which included theme,plot, characters, background/setting, language style, message and point of view. Oneof the intrinsic elements is the characteristic that could be seen from how the author’screativity expressed and implied the characters of the story. The expressed one couldbe seen from the way of thinking, life style, outlook on life and behavior which pictureout whom and how the character lives and develops in the story plot, just like thecharacter in novel Cinta Suci Zahrana which tell about the phenomenon of a successfulwoman in education and work involved in finding the right one for her romance life.Keywords: intrinsic elements, main character, sociopsychologyAbstrakPotret Tokoh Utama dalam Novel Cinta Suci Zahrana karya Habiburrahman El Shirazy.Sastra tidak pernah lepas dari unsur-unsur intrinsik yang meliputi tema, alur, karakter,latar belakang/setting, gaya bahasa, pesan (amanat), dan sudut pandang. Salah satuunsur intrinsik adalah karakteristik yang dapat dilihat dari bagaimana ekspresikreativitas penulis dan pengaruh karakter dari ceritanya. Salah satu ekspresi yangbisa dilihat dari cara berpikir, gaya hidup, pandangan hidup, dan perilaku yangmenggambarkan seseorang dan bagaimana kehidupan karakter dan pengembangannyadalam plot cerita, seperti karakter dalam novel Cinta Suci Zahrana yang menceritakantentang fenomena seorang wanita yang sukses dalam pendidikan dan pekerjaan terlibatdalam menemukan seseorang yang tepat bagi kehidupan asmaranya.Kata-kata kunci: unsur intrinsik, karakter utama, sosiopsikologi

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

H. Kant’s Autobiographical Novel «The Stay» («Der Aufenthalt», 1976): Fiction and Reality

2021 ◽  
pp. 117-127
Author(s):  
Rimma Gurevich
Keyword(s):  
Psychological Process ◽  
The Novel ◽  
Main Character ◽  
Prisoner Of War ◽  
Russian Woman ◽  
The Real ◽  
Woman Doctor ◽  
Narrative Distance ◽  
Mature Person

The theme of Kant’s autobiographical novel «The Stay» (Der Aufenthalt, 1976) is the spiritual rebirth of German prisoner of war, a soldier of the Hitlerite ar-my. The article reveals the interaction of two components found in the novel: the fic-tional and the real ones in depicting this complex psychological process. The analysis of the chapters (X, XV, VI) shows various forms of artistic –aesthetic processing of authentic autobiographical material. In Chapter X the author «collects» his own emotional impressions, experienced by him in different periods of his life (such as cold, loneliness, hunger) and «ties» them to the situation of the main character sitting in a lonely cell in a prison. In Chapter XV he «adds» to real autobiographical facts an important artistic detail –a school pencil case of a Jewish girl killed by Nazis. In Chapter VI Kant makes a masterful use of temporal and narrative distance: the hero estimates the decisive episode of his youth –a conversation with a Russian woman-doctor from the viewpoint of a mature person recalling his life.

scholarly journals ТРАНСФОРМАЦИЯ РОМАНТИЧЕСКИХ МОТИВОВ В РОМАНЕ ПАТРИКА ЗЮСКИНДА «ПАРФЮМЕР»

2019 ◽  
Vol 3 (93) ◽  
pp. 117-128
Author(s):  
С.Л. Лобзова
Keyword(s):  
Cultural Context ◽  
Point Of View ◽  
German Language ◽  
Main Function ◽  
The Novel ◽  
Main Character ◽  
Second Stage ◽  
Modern Novel ◽  
The Enlightenment ◽  
Romantic Hero

The article attempts to highlight the main romantic motifs that the modern German writer Patrick Süskind used in his novel Perfume: The Story of a Murderer. Symbolic for the contemporary cultural context figurative semantic constants (genius, loneliness, rejection, godlessness, etc.) are assigned to such motifs. The ways and means of rethinking romantic motifs in a modern novel are determined, the specifics of their transformation in a postmodern text is analyzed. The similarities between the work of Süskind and popular upbringing novels in the Enlightenment are noted: the main character of the modern German writer goes through the thorny path of formation, he improves his gift, thanks to which he hopes to change the world, subjugate other people to himself. The parody evangelical allusions that contribute to the deconstruction of the romantic figure of an unrecognized genius are analyzed. The postmodernist writer debunks and ridicules the hero, turning the imaginary king into a jester. Unlike the romantic hero, whose main function was to broadcast the divine will, Jean-Baptiste Grenouille refutes the truth of the Absolute by his existence and the ingenious gift inherent in him by nature. The article concludes that Süskind refers to a stable romantic model, implemented many times in literature and art, setting his own accents in his own way, bringing the romantic structure to its limit. This model goes through the second stage in its development, according to the Hegel’s triad, namely, the negation of negation, when any phenomenon turns into its opposite. Refuting the well-known Pushkin’s claim that “genius and villainy are two incompatible things”, the writer at the same time comes to the conclusion that evil, even without meeting a worthy opponent, is destructive to himself. We see further research prospects in the study of the novel in the context of the work of Süskind and modern German-language literature from the point of view of transforming the romantic tradition in the post-modern text.

scholarly journals ANALISIS KEARIFAN LOKAL NOVEL BIDADARI BERMATA BENING KARYA HABIBURRAHMAN EL SHIRAZY DAN RENCANA PELAKSANAAN PEMBELAJARANNYA DI KELAS XII SMA

2019 ◽  
Vol 1 (1) ◽  
pp. 58
Author(s):  
Murni Cahyani ◽  
Kadaryati Kadaryati ◽  
Bagiya Bagiya
Keyword(s):  
Human Life ◽  
Cultural Background ◽  
Point Of View ◽  
The Novel ◽  
Text Learning ◽  
Natural Flora ◽  
The Face ◽  
Third Person ◽  
Qualitative Descriptive ◽  
And Behavior

This research aims to describe: (1) intrinsic elements; (2) local wisdom contained in the novel Bidadari Bermata Bening by Habiburrahman El Shirazy; (3) the plan to implement the learning of Bening Edged Bening novel by Habiburrahman El Shirazy in class XII of SMA. This research is a qualitative descriptive study. The results of this study concluded that (1) the intrinsic elements of the Bidadari Bering Bening novel, namely (a) themes: the major themes of the story of a woman's struggle in sustaining life, minor themes include, matchmaking, self-esteem, romance; (b) figures and characterizations: the main characters, namely Ayna and Gus Afif. Ayna is intelligent, assertive, patient and loyal, Gus Afif is intelligent, shy, responsible, humble, and independent; (c) flow: forward, (d) setting: setting, including Kanzul Ulum Islamic Boarding School, Lombok and Bait Ibni Sabil; time settings include morning, afternoon, evening and night; socio-cultural background including Javanese socio-cultural background); (e) point of view: the point of view of the all-knowing third person; (f) mandate: never put down others, never give up, and always be patient in the face of life's trials; (2) Local wisdoms in the Bidadari Bering Bening novel include (a) languages: Javanese, (b) knowledge systems: natural surroundings, natural flora, natural flora, and the characteristics and behavior of humans, (c) social organizations: systems kinship, (d) equipment of human life: food and shelter and housing, (e) livelihood system: merchants, (f) religious system: religious rituals and teachers / religious leaders, (g) arts: shadow puppets; (3) The plan for implementing novel text learning in class XII SMA based on the 2013 curriculum is contained in the basic competence 3.9 analyzing the contents of the novel and the language of the novel. The method used is a scientific-based Inquiry Learning method. Keywords: Clear-eyed Angels, intrinsic elements, local wisdom.

scholarly journals Elaine Risley’s Character Development in Margaret Atwood’s Cat’s Eye

Lexicon ◽  
2018 ◽  
Vol 5 (2) ◽  
Author(s):  
Nur Afifah Widyaningrum ◽  
Eddy Pursubaryanto
Keyword(s):  
Young Woman ◽  
Character Development ◽  
Margaret Atwood ◽  
Early Adulthood ◽  
Theoretical Framework ◽  
Virgin Mary ◽  
The Novel ◽  
Main Character ◽  
Men And Women ◽  
Library Research

This research explores the character development of Elaine Risley, the main character of the novel Cat’s Eye by Margaret Atwood (2009), throughout her childhood, adolescence, early adulthood, and adulthood years. The objectives of this research are to explain how the character of Elaine Risley develops in Cat’s Eye and to examine the factors which affect Elaine Risley’s character development. This research employs the objective approach proposed by Abrams (1976) as its theoretical framework and the library research as its method of research. The results show that Elaine Risley always experiences development in her character throughout her life; she develops from a bullied little girl in her childhood, a mean but passionate girl in her adolescence, and an independent young woman in her early adulthood to finally become a woman who struggles to let go of her past in her adulthood. Elaine Risley’s character development is affected by several factors, namely, Toronto as her environment, her experiences with bullying, the men and women in the society around her, her own paintings, the cat’s eye marble, and the Virgin Mary.

scholarly journals NILAI-NILAI KEHIDUPAN PADA NOVEL MOGA BUNDA DISAYANG ALLAH KARYA TERE LIYE

2017 ◽  
Vol 1 (1) ◽  
pp. 89-100
Author(s):  
Lozi Septiana ◽  
Yayah Chanafiah ◽  
Amril Canrhas
Keyword(s):  
Research Problem ◽  
Value Of Life ◽  
Research Data ◽  
Point Of View ◽  
Research Approach ◽  
The Novel ◽  
Main Character ◽  
Story Line ◽  
Story Character ◽  
The One

This study aims to determine the values of life contained in the novel Moga Bunda Disayang Allah by Tere Liye. The formulation of this research problem is how the value of life contained in the novel Moga Bunda Disukai Allah by Tere Liye. The method used is descriptive. The research approach used in this study is an objective approach, focusing on intrinsic analysis. The source of this research data is the novel Moga Bunda Disayang Allah Tere Liye's work with data taken in the form of texts from the story line, theme and story, character and characterization , Point of view, the novel style of Moga Mother Dear Mother God by Tere Liye.Research Results Values of life contained in the novel Moga Mother Dear God is, judging from the main character of Bunda HK who is very fond of his disabled son and he endlessly fight against the disease Melati. Rough corals in caring for Jasmine, ugly physical but noble heart. Mr. HK is rich but inhuman, misjudging someone from his physical appearance, it turns out HK is wrong. The reef that was ostracized because of his appearance turned out to be the one who saved his daughter. Judging from the depressed Melati characters, the prestation with its limitations, suddenly can pray for Mother "met bobo Mother. Moga Mother Dear God".

scholarly journals Novel “Doctor Zhivago” by B.L. Pasternak: the specifics of the issue of the cultural hero

2019 ◽  
Vol 24 (3) ◽  
pp. 366-375
Author(s):  
Sergey V. Morozov
Keyword(s):  
Point Of View ◽  
The Novel ◽  
Catalytic Role ◽  
Cultural Self ◽  
The Aesthetic ◽  
The Individual ◽  
Cultural Reality ◽  
And Behavior ◽  
Cultural Hero ◽  
Individual Human

The article raises the question of the cultural landmarks of the heroes of the novel B.L. Pasternak “Doctor Zhivago”. As is known, the plot of the work takes place at the turn of the eras, and for some heroes this becomes an incentive to think about their cultural self-determination. Their actions and behavior model are directly related to the attitude to cultural reality described in the work, and sometimes even aimed at its transformation by practical, revolutionary methods. A certain catalytic role in relation to culture is one of the criteria of a cultural hero. From this point of view, a comparative analysis of the positions of B.L. Pasternak and A.A. Blok in relation to the revolutionary events of 1917, their reflection in “Doctor Zhivago” and in the poem “Twelve” is carried out. The image of Yuri Zhivago is investigated from the point of view of the type of cultural hero - the Ascetic. The characteristic is given to the image of Antipov (Strelnikov) as a representative of the type of cultural hero - Conquistador. It has been established that Zhivago’s ascetic cultural position is based on loyalty to timeless ideals, an idea of the aesthetic potential of the Personality in relation to reality, while Antipov's (Strelnikov) actions are aimed at suppressing the individual human principle and, therefore, are devoid of a genuine creative component that nourishes the culture of mankind.

scholarly journals Future and immortality in the religious philosophy of F.M. Dostoyevsky (from the novel «Crime And Punishment»)

2020 ◽  
pp. 137-149
Author(s):  
Li Tianyun
Keyword(s):  
Religious Faith ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Religious Philosophy ◽  
Crime And Punishment ◽  
Fundamental Point ◽  
Unusual Combination ◽  
The Relationship

This article attempts to establish the relationship between the concept of immortality and the future of mankind and the religious faith of the characters of F.M. Dostoevsky's works. This problem is considered with reference to the example of a detailed analysis of the views of the main character of Dostoevsky’s novel «Crime and Punishment» (Rodion Raskolnikov). The characterization of the hero is given in terms of his religiosity. The features of Raskolnikov's worldview are noted; they consist in a combination of faith in God and lack of faith in immortality. It is suggested that the source of such an unusual combination of religious ideas is the historical concept of I.G. Fichte. On the basis of the comparison of the views of other heroes of the novel, the article concludes that the most fundamental point is their idea of immortality as a continuation of the existence of a person in earthly reality. It demonstrates that this point of view corresponds to the religious faith of Dostoevsky himself.

scholarly journals El héroe en “Luna verde” como espacio de las contradicciones que constituyen el proceso de la nacionalidad

2018 ◽  
pp. 139
Author(s):  
Francisco Javier Ibáñez Castejón
Keyword(s):  
Point Of View ◽  
Panama Canal ◽  
The Novel ◽  
Main Character ◽  
Specific Point ◽  
North Americans ◽  
The North ◽  
Collective Response ◽  
Panama Canal Zone ◽  
And Gender

Luna verde, narración muy influyente dentro de la literatura panameña contemporánea, ha establecido y desarrollado los tópicos de lo que se conoce como novela canalera. Este subgénero se circunscribe a la denuncia de los hechos ocurridos en la Zona del Canal de Panamá, donde la ocupación norteamericana se constituye en un régimen despótico. El relato se basa en la construcción de un héroe que va de la soledad existencial al reconocimiento de sí mismo y de su pueblo. En función de ello, plantea diferentes dicotomías de índole político, racial, ideológico, de género e histórico, que se analizarán considerando su objetivo realista y testimonial, y su fuerte impronta relacionada con el nacionalismo romántico. El personaje, Ramón de Roquebert, en el contexto del fracaso de la nación liberal, que provocó la concesión a una potencia extranjera de parte del territorio panameño, narra su propio desencanto y su búsqueda de una respuesta individual y colectiva, primero como trabajador y luego como estudiante. En la unión de ambos roles yace la iniciativa que la nacionalidad espera para afirmarse a sí misma.Luna verde is a very influential narration within contemporary Panamanian literature. It has endowed and developed the topics of what is known as the «novela canalera». This subgenre denounces the events that occurred in the Panama Canal Zone, where the North Americans established a despotic regime. The story is based on the formation of a hero who goes from existential loneliness to the identification of his people and himself. Subsequently, the novel exposes various dichotomies of a political, racial, ideological, historical and gender character, which will be analyzed in the light of its realistic and testimonial purpose and its strong imprint related to romantic nationalism. The main character, Ramon de Roquebert, narrates his own disenchantment and his search for an individual and collective response, first as a worker and then as student. In the union of both roles lies the initiative that nationality hopes to assert itself. This should be analyzed from a specific point of view which takes into consideration the context of the failure of the liberal nation, that ultimately leads to the concession of part of the Panamanian territory to a foreign power.

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