scholarly journals URUTAN DAN BENTUK KONSTITUEN KLAUSA BAHASA PRANCIS DAN BAHASA INDONESIA

Diksi ◽  
2018 ◽  
Vol 25 (2) ◽  
Author(s):  
Marliza Arsiyana ◽  
Pratomo Widodo
Keyword(s):  
Noun Phrase ◽  
Noun Phrases ◽  
Research Data ◽  
The Other ◽  
Victor Hugo ◽  
The Novel ◽  
Object A ◽  
Similarities And Differences ◽  
Prepositional Object ◽  
Bahasa Indonesia

Penelitian ini bertujuan untuk mendeskripsikan persamaan dan perbedaan urutan dan bentuk konstituen klausa dengan memokuskan pada klausa transitif BP dan BI berikut frase nominalnya sebagai argumen dalam klausa. Sumber data penelitian ini berupa teks tulis, yakni novel Le Dernier Jour d’Un Condamné karangan Victor Hugo dan terjemahannya oleh Lady Lesmana dengan judul “Hari Terakhir Seorang Terpidana Mati”. Metode analisis data menggunakan metode agih. Hasil penelitian menunjukkan urutan dasar klausa BP dan BI bertipe sama, yaitu verba mendahului objek. Perbedaannya pada sifat argumen objek. Pada BP objek berpreposisi termasuk dalam konstituen inti sedangkan dalam BI termasuk konstituen periferal. Pada BP, konstituen  Nod dan Np yang berupa pronominal berada di depan  verba, sedangkan dalam BI konstituen Nod dan Noi selalu di belakang verba. Pada tataran frase nominal, perbedaan terletak pada urutan modifikator demonstratif, dan pronomina persona. Pada BP sebelum nomina inti, sedangkan pada BI setelah nomina inti. Modifikator ekasilaba dan dwisilaba dalam BP terletak di depan nomina inti, sedangkan adjektiva yang lebih dari dua silaba, dan adjektiva yang berkaitan dengan warna, agama, dan verba partisif terletak di belakang nomina inti. Sementara itu, adjektiva dalam BI terletak setelah nomina inti.Kata Kunci: urutan dan bentuk konstituen, klausa, frase nomina, sintaks WORDS ORDERS IN FRENCH AND BAHASA INDONESIA CLAUSESABSTRACTThis research aims at analyzing the similarities and differences of the words orders and their forms in the transitive clauses and its argument, noun phrases, between French and Bahasa Indonesia. The research data resources are taken from written texts i.e.: The novel Le dernier jour d’un comdamné à mort by Victor Hugo and its translation Hari Terakhir Seorang Terpidana Mati by Lady Lesmana. This research uses “segmenting immediate constituent technique” to analyse the data. The result shows that French and Bahasa Indonesia have the same basic words orders in transitive clauses, i.e. verbs precede the object. The differences are found in the characteristic of the object. A prepositional object in French is categorized as the main argument, while in Bahasa Indonesia it is a peripheral argument. The position of Nod and Np constituent, which are pronominal, in French precedes the verb, whereas, in Bahasa Indonesia, they are always placed after the verb. Regarding the noun phrase, the differences are found at the position of demonstrative and possessive modifiers. Their position in French is placed before the main noun, while in Bahasa Indonesia after the main noun. The adjectives with one or two syllables are placed before the main noun and the adjectives with more than two syllables or the adjective related to color, religion, and participles are placed after the main noun. On the other hand, adjective in Bahasa Indonesia is always placed after the main noun.Keywords: words orders and form, clause, noun phrase, syntax

scholarly journals ORDERING OF MODIFIERS IN THE MULTI-NOUN PHRASE OF SL AND TL

2020 ◽  
Vol 1 (9(77)) ◽  
pp. 160-163
Author(s):  
Valery Mykhaylenko
Keyword(s):  
Noun Phrase ◽  
Word Order ◽  
Noun Phrases ◽  
The Novel ◽  
Semantic Model ◽  
Linguistic Analyses ◽  
Free Word

In this paper there is an overview of ordering in English multi-noun phrases (MNP) or poly-adjectival nominal phrases (PNP) and the model of semantic ordering is revealed:[Det] + MODIFIERS (+ size [Adj] + shape [Adj] + age[Adj] – colour [Adj + nationality [Adj] + HEADWORD [Noun]. The transformation patterns of rendering English MNPs into Ukrainian ones are recognized and we developed a relevant analysis of MNPs. This project concerns the ordering among modifiers in poly-adjectival nominal phrases (PNP) coined by Bache (1978) to refer to any noun phrase which contains more than one modifier(see also Georgi, 2010). We considered the concept of ordering the constituents in the multi-NP (MNP) in the process of translating from English into Ukrainian. Sproat and Shih (1988) provide one of the most comprehensive cross-linguistic analyses of adjective ordering restrictions, and suggest that the semantic-based ordering theories proposed for English are largely universal across languages. This rearrangement of ordering is triggered by the Ukrainian synthetic grammar structure which permits free word order in the phrase and a sentence, and a change of the communicative focus by the translator. A modifier is defined as words or phrases which premodify the head word of the phrase and can postmodify it as well. From 150 pages of the novel “Angels ad Demons” by Dan Brown and its Ukrainian translation by Aнжелa Кам’янець only 35 multi-noun phrases have been retrieved as an object of our study which we have classified into 4 groups according to the type of transformation (equivalent, permutation, addition, and omission). There is one of the main arguments for the rearrangment motivation of noun headwords and modifiers is the opposition of the author’s and translator’s intentional meaning. In addition we put forward a hypothesis – the both transformations are motivated by the semanticsof modifiers. The Semantic Model of ordering adjectives in the English multi- noun phrase must be verified in various discourse registers to define common and distinctivefeatures of this phenomenon.

scholarly journals Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s "La Goutte d’or"

Text Matters ◽  
2012 ◽  
pp. 250-263
Author(s):  
Richard J. II Gray
Keyword(s):  
Identity Construction ◽  
Visual Representation ◽  
The Other ◽  
Visual Images ◽  
The Novel ◽  
Spatial Property ◽  
Object A ◽  
Postcolonial Identity ◽  
Identity Based ◽  
The City

In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or (1986), the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” At the beginning of the novel, a French tourist takes a photograph of Idriss during her visit to the Sahara. The boy’s quest to reclaim his stolen image leads him from the Sahara to Marseille, and finally to the Rue de la Goutte d’or in Paris. The Rue de la Goutte d’or remains one the most cosmopolitan neighbourhoods of the city. In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self (the “Other”) through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions.

scholarly journals Translation Shift of Adverbs of Manner In Reference to: “City of Bones: Mortal Instruments” by Cassandra Clare

2021 ◽  
Vol 5 (1) ◽  
pp. 47
Author(s):  
Jaynne Ilyanora Patricia ◽  
Ida Bagus Putra Yadnya ◽  
Ni Ketut Alit Ida Setianingsih
Keyword(s):  
Noun Phrase ◽  
Target Language ◽  
Level Shift ◽  
Close Reading ◽  
Translation Theory ◽  
The Novel ◽  
Note Taking ◽  
Verb Phrase ◽  
Bahasa Indonesia

This study is entitled “Translation Shift of Adverbs of Manner in Reference to ‘City of Bones: Mortal Instruments’ by Cassandra Clare”. The aims are to identify the equivalences of adverbs of manner translated into Bahasa Indonesia and to analyze the shift of adverbs of manner in the novel. The data was collected by close-reading to identify the English adverbs of manner and its translation into Bahasa Indonesia found in the novel, highlighting the data found in both of the novels, comparing the data found to find the equivalences in both source and target language, then note-taking the data found to be analyzed afterward. The theories used in this research are the theory of translation proposed by Larson (1984) and the translation theory of shift proposed by Catford (2000). The results show that the English adverbs of manner found were equivalent to prepositions dengan, sambil, oleh, bagaikan, seperti, and secara that were followed with adjective, noun, verb, adjective phrase, noun phrase, verb phrase, or adverb after the preposition. The translation shift that occurred in the translation was category shift, in which the adverbs of manner shifted into an adjective, verbs, and numeral, and another type of translation shift that occurred was a level shift, in which adverbs of manner shifted adjective phrase, the noun phrase, and verb phrase.

scholarly journals Codes of teenage characters and mama in their talks portraying the sociolinguistic features

LEKSIKA ◽  
2020 ◽  
Vol 14 (2) ◽  
pp. 46
Author(s):  
Ajar Pradika Ananta Tur ◽  
Shella Antoro Putri
Keyword(s):  
Noun Phrase ◽  
Social Background ◽  
Code Switching ◽  
The Other ◽  
The Novel ◽  
Qualitative Design ◽  
Verb Phrase ◽  
Code Mixing ◽  
Descriptive Qualitative

Code switching and code mixing have become a trend in teenagers’ communication today. Not only in communicating, code switching and code mixing also influence the author’s style in writing novels. However, recently, it is not easy to define which is code switching or code mixing because the occurrence of the codes is very tight recently. The characters in the novel often do codes at least Indonesian-English. The objectives of this study are to find out the form of codes and the sociolinguistic features of the characters in Refrain novel. This research uses descriptive qualitative design from collecting the data until analyzing them. The result of the analysis yields some forms of codes spoken by the characters in the novel. The forms are sentence, clause, phrases like noun phrase & verb phrase, and words like noun, verb, adjective, & adverb. The other problem indicating their social background reflects the sociolinguistic features of the characters. They are education, family, friendship, and occupation.

scholarly journals Compare noun phrases in Stieng language and Vietnamese

2020 ◽  
Vol 4 (1) ◽  
pp. First
Author(s):  
Phan Thanh Tam
Keyword(s):  
Noun Phrase ◽  
Noun Phrases ◽  
Structural Features ◽  
Central Component ◽  
Mass Nouns ◽  
Abstract Nouns ◽  
Closed Contact ◽  
Similarities And Differences

This article presents about structural features of the noun phrase in Stieng language in order to define the similarities and differences points between the noun phrase in Stieng language and noun phrase in Vietnamese. Noun phrase has a central component, previous sub-components, and the following sub-components. Also, it has played a role in creating a sentence. Base on situations in communication, the noun phrase may be previous vacant sub-components or following sub-components, but it can not be removed from the central component. The central component is mass nouns like as simple nouns, overall nouns, or abstract nouns. The previous sub-component includes quality words, numerals, or unit nouns. The following sub-component can be a noun, verb, pronoun, phrase, and followed by a demonstrative word. Stieng is a language of South Bahnaric subgroup, an Austroasiatic family, so there are many similarities with other languages such as Koho, Mnong, Ma, and Chrau. They belong to the Austroasiatic family, so they are closed contact with the Vietnamese.

Modification versus Complementation in the Structure of English Noun Phrases

2021 ◽  
Vol 66 (2) ◽  
pp. 251-266
Author(s):  
Alina Preda
Keyword(s):  
Noun Phrase ◽  
Noun Phrases ◽  
The Other ◽  
Unified Approach ◽  
Core Element ◽  
The Core ◽  
English Noun

"Modification versus Complementation in the Structure of English Noun Phrases. Apart from its head, the core element around which all the other phrasal constituents cluster, the noun phrase may contain dependent elements effecting determination (which poses few taxonomical issues), modification or complementation (two functions notoriously difficult to demarcate). This article outlines the inconsistent ways in which reference grammars make the distinction between modification and complementation in the structure of English noun phrases, and offers a more unified approach aimed to solve the terminological quandary. Keywords: complementation, modification, premodifier, postmodifier, complement, the noun phrase "

Von Satzbauplänen zu Nominalgruppenbauplänen

2019 ◽  
Vol 47 (3) ◽  
pp. 535-568
Author(s):  
Mathilde Hennig
Keyword(s):  
Empirical Study ◽  
Native Speakers ◽  
Noun Phrases ◽  
The Other ◽  
Other Hand ◽  
Wide Range ◽  
Similarities And Differences

Abstract In contemporary German, nominal structures are often prefered to verbal sentences. Since it is rather common to convert main verbs into nouns by the means of derivation, verbal propositions can easily be integrated into new sentences. As the main verb‘s valency is maintained, verbal complements can be transfered into noun phrases as well – now functioning as modifiers. Thus, contemporary German offers a wide range of possibilities of transferring propositions from sentences into noun phrases. On the other hand, it seems to be easier to transfer certain types of sentence structures into nominal structures than others. The article explores the possibilities and limitations of this process on the basis of an empirical study, in which native speakers of German were asked to „translate“ sentences into noun phrases. According to the results of the study, the possibilities and limitations of the transformation of verbal sentences into nominal structures depend on the following factors: amount of complements, form of complements and modifiers, formal similarities and differences of verbal complements and nominal modifiers.

scholarly journals ANALISIS KONTRASTIF PANDANGAN MAHASISWA PENUTUR BAHASA INDONESIA DAN MAHASISWA PENUTUR BAHASA JEPANG TERHADAP PRIVASI DALAM KOMUNIKASI: SEBUAH TINJAUAN SOSIOLINGUISTIK

2017 ◽  
Vol 2 (1) ◽  
pp. 40
Author(s):  
Sonda Sanjaya ◽  
Yuriko Ando
Keyword(s):  
College Students ◽  
Native Speakers ◽  
Native Language ◽  
The Other ◽  
Contrastive Analysis ◽  
Japanese Students ◽  
Similarities And Differences ◽  
The Relationship ◽  
Opening Up ◽  
Bahasa Indonesia

Perbedaan pandangan di antara mahasiswa penutur bahasa Indonesia dan mahasiswa penutur bahasa Jepang terhadap privasi dalam komunikasi memungkinkan menyebabkan terjadinya gangguan dalam proses berkomunikasi dan mengundang kesalahpahaman. Guna mengurangi gangguan komunikasi dan kesalahpamahan, maka kajian penelitian mengenai privasi dalam komunikasi sangat diperlukan. Penelitian ini mengkaji persamaan dan perbedaan ranah privasi mahasiswa penutur bahasa Indonesia dan mahasiswa penutur bahasa Jepang, siapa saja yang boleh dan tidak boleh mengetahui privasi penutur, dan bagaimana respons penutur terhadap mitra tutur yang membahas topik pembicaraan yang berkaitan dengan privasi. Penelitian ini dilakukan dengan teknik survey dengan mendistribusi kuesioner kepada 127 responden di Indonesia dan 107 responden di Jepang. Responden di Indonesia adalah mahasiswa penutur asli bahasa Indonesia dan responden di Jepang adalah mahasiswa mahasiswa penutur asli bahasa Jepang di Jepang. Hasil penelitian menunjukkan bahwa mahasiswa penutur bahasa Indonesia lebih terbuka terhadap privasi dibandingkan dengan mahasiswa penutur bahasa Jepang. Kemudian, mahasiswa penutur bahasa Jepang membicarakan privasi terhadap mitra tutur sembari mempertimbangkan apakah penutur dan mitra tutur memiliki hubungan kepercayaan atau tidak. Sedangkan mahasiswa penutur bahasa Indonesia memutuskan akan membicarakan hal yang berkaitan dengan privasi atau tidak dengan mitra tutur setelah memastikan apakah ada hubungan kepercayaan atau tidak.  The different perspectives on privacy between college students who speak Indonesian and those who speak Japanese as their native language may create some misunderstandings when they interact with each other. To avoid such misunderstandings, more studies on privacy in communication are needed. Meanwhile studies on the field are still scarce. Therefore, to fill the gap, this study aims at finding out the similarities and differences on topics that are considered as privacy by students who speak Indonesian language and Japanese language. Additionally, this study also revealed to which interlocutors they may be comfortable to open up talking about topics considered as their privacy and how they respond towards interlocutors who bring up such topics. To collect the data, a questionnaire on privacy was distributed to 127 participants in Indonesia and 107 participants in Japan. Respondents from both countries were college students who were native speakers of the language spoken in their countries, Japan and Indonesia. The data collected then were analyzed by employing contrastive analysis. The study indicated that Indonesian students were more open in comparison to Japanese students as indicated by the breadth of their preferred conversation topics with strangers. Additionally, when opening up to topics considered as private topics, Japanese students were simultaneously evaluating whether they had trusted relationship with the interlocutors throughout the interaction. On the other hand, instead of simultaneously evaluating the relationship, Indonesian students tended to decide whether they had the trusted relationship first before they proceeded to opening up about their privacy with their interlocutors.

scholarly journals An Analysis of Translation Procedures of Noun Phrases in Carlo Collodi’s Novel Entitled “Pinocchio”

LUNAR ◽  
2018 ◽  
Vol 2 (02) ◽  
pp. 1-17
Author(s):  
Nurul Anggraini
Keyword(s):  
Noun Phrase ◽  
Noun Phrases ◽  
Type I ◽  
The Novel ◽  
Type Ii ◽  
Analysis Method ◽  
Content Analysis Method ◽  
Functional Equivalent ◽  
Translation Procedure

This research is conducted to identify the noun phrase and its types in Carlo Collodi’s novel entitled Pinoccio as well as procedures used to translate them in the translation version entitled Pinokio which was translated by Wiwin Indiarti. The data of this descriptive qualitative research are noun phrases found in the novel and their translation in Indonesian. Documentation is used to collect the data. Meanwhile, content analysis method is applied for analyzing data in relation to their contexts. The result of this research shows that there are 5.283 noun phrases in chapter 1 to chapter 36 of Pinochio novel. It is also found that there are 3 types of noun phrase. They are: 1) noun phrase type I which is identified as Modifier + Head (M+H) with 2.985 data, 2) noun phrase type II which is identified as Head + Modifier (M+H) with 425 data, and 3) noun phrase type III which is identified as Modifier + Head + Modifier (M+H) with 1.873 data. Furthermore, the translator used eleven translation procedures to translate noun phrases proposed by Newmark. Those procedures are 1) translation by Transference with frequency of 93 data (1.8%), 2) translation by Naturalization with frequancy of 102 data (2.1%), 3) translation by Cultural Equivalent with frequency of 308 data (6.2%), 4) translation by Functional Equivalent with frequancy of 97 data (1.9%) translation by Componential Analysis with frequancy of 773 data (14.7%), 6) translation by Synonymy with frequancy of 738 data (14.9%), 7) translation by Through-translation with frequancy of 1.205 data (24.3%), 8) translation by Shift or Transposition with frequancy of 792 data (17%), 9) translation by Compensation with frequancy of 438 data (8%). 10 translation by Couplets with frequency 173 (3.4%), and 11) translation by Modulation with frequency 43 (1%). It can be concluded that the translator often used Through translation procedure to translate noun phrases into Indonesian. It was used because she wants to deliver the message of the text as natural as possible

scholarly journals Stilistika Novel "Ayat-Ayat Cinta" dan Implikasinya Sebagai Bahan Ajar Bahasa Indonesia

Dinamika ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 22
Author(s):  
Ridwan Arzak Mubarok
Keyword(s):  
Research Data ◽  
The Novel ◽  
Case Study Method ◽  
Specific Language ◽  
Sign Systems ◽  
Language Style ◽  
Language Styles ◽  
Aesthetic Values ◽  
Bahasa Indonesia

Artikel  ini membahas gaya bahasa yang terdapat dalam novel “Ayat-Ayat Cinta” karya Habiburraman El Shirazy dan implementasinya dalam pengajaran sastra di MTs. Penelitian dilakukan menggunakan metode studi kasus dan kajian pustaka . Metode ini untuk menganalisis penggunaan sistem tanda yang mengandung ide, gagasan dan nilai estetis tertentu, sekaligus untuk memahami makna yang dikandungnya. Data penelitian ini berupa penggalan gaya bahasa dalam novel “Ayat-Ayat Cinta” yang diduga berisi kalimat-kalimat bergaya bahasa tertentu. Dari hasil penelitian ini ditemukan jenis-jenis gaya bahasa dalam novel “Ayat-Ayat Cinta” meliputi gaya bahasa klimaks, antiklimaks, paralelisme, antitesis, repetisi, hiperbola, silepsis, aliterasi, litotes, asonansi, eufemisme, pleonasme, paradoks, retoris, personifikasi, ironi, sarkasme, metafora, perumpamaan/ simile, dan metonimia. Gaya bahasa yang dominan dalam novel “Ayat-Ayat Cinta”, yaitu gaya bahasa hiperbola. Implikasi gaya bahasa dalam novel “Ayat-Ayat Cinta” terhadap pengajaran sastra di MTs menitikberatkan pada sumber bahan ajar. Kata kunci: stilistika, novel, gaya bahasa, bahan ajarThis article discusses the style of language contained in the novel "Ayat-Ayat Cinta" by Habiburraman El Shirazy and its implementation in the teaching of literature at MTs. The study was conducted using the case study method and literature review. This method is to analyze the use of sign systems that contain ideas, ideas and certain aesthetic values, as well as to understand the meaning they contain. The research data is in the form of fragments of language style in the novel "Ayat Ayat Ayat Cinta" which allegedly contains sentences in a specific language style. From the results of this study found the types of language styles in the novel "Ayat Ayat Ayat Cinta" include climax, anticlimax, parallelism, antithesis, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification. , irony, sarcasm, metaphor, simile, and metonymy. The dominant language style in the novel "Ayat-Ayat Cinta", namely the hyperbole language style. The implication of language style in the “-Ayat Cinta” novel towards the teaching of literature in MTs emphasizes the source of teaching material.Keywords: stylistics, novels, language style, teaching materials

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