scholarly journals PERUBAHAN SOSIAL DALAM TARIAN SEUDATI PADA MASYARAKAT ACEH

Imaji ◽  
2018 ◽  
Vol 15 (2) ◽  
Author(s):  
Meipur Yanti

Agama Islam dan budaya masyarakat Aceh merupakan satu kesatuan. Agama Islam menjadi sumber utama dalam kebudayaan masyarakat Aceh, sehingga semua kesenian di Aceh, dalam hal ini seni tari, selalu dikaitkan dengan nilai keagamaan. Tari Seudati yang merupakan warisan budaya nenek moyang orang Aceh adalah salah satu tarian tradisional yang terus dilestarikan dan berkembang di kalangan masyarakat Aceh secara nasional maupun internasional. Proses perubahan meliputi: proses reproduksi dan proses transformasi, dari masa ke masa, dan mengikuti perkembangan zaman. Tari Seudati mengalami beberapa kali perubahan sosial, dikarenakan adanya penambahan norma-norma, nilai-nilai, adat, dan agama di masyarakat Aceh. Hasil dari perubahan sosial pada Tari Seudati kini terbagi menjadi dua yaitu: seudati agam (seudati laki-laki) sebagai tari tradisional dan seudati inong (seudati perempuan) sebagai tari kreasi. Seudati inong merupakan pengembangan dari seudati agam. Walaupun ada beberapa kali perubahan sosial dalam Tari Seudati, masyarakat Aceh tetap mengikuti norma-norma, nilai-nilai, adat, dan agama yang telah ditanamkan pada diri masyarakat Aceh sejak dahulu.Kata kunci: perubahan sosial, tari seudati, masyarakat aceh SOCIAL CHANGES IN SEUDATI DANCE IN ACEH SOCIETYAbstractThe religion of Islam and the culture of the people of Aceh is a unity. Islam is a major source of Acehnese culture, so that Art in Aceh, in this case dance, is always associated with religious values. Seudati Dance which is the cultural heritage of Acehnese ancestors is one of the traditional dances that continues to be preserved and developed among the people of Aceh nationally and internationally. The process of changes includes: the process of reproduction and the process of transformation, from time to time, keeping up with the changing times. Seudati dance experienced several times of social change, due to the addition of norms, values, customs, and religion in the people of Aceh. The result of social changes in Seudati Dance are now divided into two: seudati agam (seudati male) as traditional dance and seudati inong (seudati female) as dance creations. Seudati inong is the development of seudati agam. Although there are several times of social change in Seudati Dance, the people of Aceh still follow the norms, values, customs, and religions that have been implanted on Acehnese society long ago.Keywords: social changes, Seudati dance, Aceh society

2020 ◽  
Vol 12 (1) ◽  
pp. 71-81
Author(s):  
Peter Ndambiri Murage ◽  
Justus K. S. Makokha

This article seeks to discuss the point of intersection between globalization and localization. The study is aimed at discussing the effects of globalization on the lives and the characters exposed in Daya Pawar’s powerful book Baluta (translated in English under the same title in 2015 by Jerry Pinto). The characters, who are otherwise well rooted in the traditions practised in their localities, are forced to adapt to the strong waves of change occasioned by modernity. Globalization has occasioned migrants to settle in the localities of Kawakhana and the neighbouring regions. Consequently, popular social joints have sprung up in these localities, prompting the lives of characters to change drastically. Social vices such as betting, alcoholism and prostitution have risen drastically with the increase in clubs, betting dens and brothels. The individual lives of the dwellers of Kawakhana have deteriorated with increased modernization and urbanization. On the brighter side, modern schools have become more popular, with the parents seeing the need of taking their children to school. This element of social change has resulted to the emancipation of the people in the lower castes—the Mahar. Through education, the children of the Mahar have gained economic empowerment, enabling them to break the yoke of tradition that has relegated them to the inferior social position. It is in light of these drastic social changes that this article seeks to explore the aesthetic manifestation of globality, reflexivity and social change.


2021 ◽  
Vol 20 (1) ◽  
pp. 22
Author(s):  
Putu Nadia Aurelia Tasya

The world is currently experiencing a disastrous disease outbreak that is very disturbing to humans, namely the Coronavirus outbreak. This virus originates and originates from the city of Wuhan, China. Another name for Coronavirus is the Covid-19 outbreak. Indonesia is one of the countries in the world affected by this virus until it has entered a pandemic status. The Indonesian government and the people have tried their best to fight this pandemic and many policies have been issued regarding health protocols to protect the nation from this very fast-spreading disease outbreak. One of the policies issued is the new normal, which is a situation where all community activities can be carried out as usual but are still required to comply with existing regulations. For examples, wearing a mask, staying away from the crowd, and washing your hands cleanly. It cannot be denied that this policy can bring about social changes or changes in habits in society towards a society that is responsive to health, hygienic, and cares for the environment.


SMART ◽  
2021 ◽  
Vol 7 (01) ◽  
pp. 71-84
Author(s):  
Rudi Permono Putro ◽  
Muhammad Rohmadi ◽  
Ani Rakhmawati ◽  
Kundharu Saddhono

Religion and culture are often confronted diametrically, including Islam and Javanese culture. However, the intellectual, cultural treasures of Javanese cultural heritage in Serat Wedhatama show that this serat has a dimension of Islamic religiosity. The content of the Serat Wedhatama is essential for strengthening the practice of Islamic religiosity in society amid the moral degradation of the nation's generation. This research has a necessary contribution to inculcating religious and cultural values in the nation's generation. The research used a qualitative approach to reveal the dimensions of Islamic religiosity in Serat Wedhatama Pupuh Gambuh by KGPAA Mangkunegara IV. The study of the manuscript's contents shows that Serat Wedhatama Pupuh Gambuh contains five dimensions of Islamic religiosity: the dimension of belief, dimensions of religious practice, the dimension of treachery, and religious knowledge; and practice dimensions. This study also confirms a relationship between (Serat Jawa) as a product of culture and religious values. The values in Pupuh Gambuh Wedhatama Fiber can be used as parameters and guidelines for life. This study can also be used to answer the conditions of the people who are amid deculturation and de-religiosity.


2021 ◽  
Vol 19 (2) ◽  
pp. 335-350
Author(s):  
Rudi Permono Putro ◽  
Muhammad Rohmadi ◽  
Ani Rakhmawati

Javanese society was awarded a noble cultural heritage. Every Javanese tradition and literature always contains the teachings of the value of goodness in it, including Serat Wedhatama pupuh Gambuh by KGPAA Mangkunegara IV. Serat Wedhatama pupuh Gambuh contains the value of Islamic religiosity, which is very important to be studied considering the occurrence of moral degradation among generations of the nation. Weak religious values are one of the factors in this moral degradation. So that this study is important to do with the hope that it can contribute to the cultivation of religious and cultural values to the nation's generation. The results of this study indicate that there is a value of Islamic religiosity in Serat Wedhatama pupuh Gambuh. These values can be used as parameters and guidelines for life. This study can also be used as a solution to answer the condition of the people who are in the midst of deculturation and dereligiosity.


Author(s):  
Ismail Ismail ◽  
Salahuddin S ◽  
Amirulkamar Amirulkamar

Post-Tsunami Aceh has a significant impact on the people of Banda City, especially during and after rehabilitation and reconstruction has caused dependence and various kinds of social problems as a problem that arises so that social change occurs. The social change of the people of Banda Aceh City does not all lead to positive things, but also the changes refer to the negative direction. The social change in question is a change in the social value of the people of Banda Aceh due to assistance (cash for work) given to the community during the rehabilitation and reconstruction so that social changes occur. This study aims to examine and describe why social change occurred in the people of Banda Aceh after the tsunami using a qualitative approach. Data obtained through observation and interviews with various speakers. Determination of informants was done by purposive sampling with consideration of the informants were part of the community of Banda Aceh and people who survived the tsunami disaster. To analyze the research researchers used the theory of social change. The results showed that after the tsunami there had been a social change in the people of Banda Aceh City, there were positive changes, some were negative. Positive changes in the community feel that many help so that they can meet their needs in the short term, while the larger negative impacts, especially regarding social values such as the level of community participation in Banda Aceh in the construction of village development decrease, are evident from the fading of mutual cooperation inherent in community members and weak social responsibility resulting from dependence and individualistic attitudes


2017 ◽  
Vol 21 (1) ◽  
pp. 101
Author(s):  
Suparta Suparta

The Values of Islamic Education in Nanggung Culture and Its Implication on Solidarity of People in Mendo Barat Sub-district of Bangka Regency. Each region has a different culture, including the existing culture in the District of Bangka Belitung. However, not all cultural heritage of the ancestors have an education of Islamic values. In Bangka Belitung, there is a culture of ancestral heritage that has an education of Islamic values, namely value education that is revealed in the culture of such as religious values, ethics, social values, ukhwah Islamiyah value, and gotong royong value. These values can ultimately have implications for the solidarity of the people in Bangka district. This paper concludes that Nganggung culture continues to be maintained and preserved in Bangka regency. As a tradition of Bangka community that has been done for generations, nganggung has good values of local wisdom and even including the Islamic tradition. This tradition can also instill a noble value education which is emphasized in the teachings of Islam. These values are like social values by strengthening the relationship, the value of psychiatric education, the value of togetherness or solidarity, and aesthetic value.


2019 ◽  
Vol 19 (2) ◽  
pp. 23-38
Author(s):  
Daniel Hummel

A small but growing area of public administration scholarship appreciates the influence of religious values on various aspects of government. This appreciation parallels a growing interest in comparative public administration and indigenized forms of government which recognizes the role of culture in different approaches to government. This article is at the crossroads of these two trends while also considering a very salient region, the Islamic world. The Islamic world is uniquely religious, which makes this discussion even more relevant, as the nations that represent them strive towards legitimacy and stability. The history and core values of Islam need to be considered as they pertain to systems of government that are widely accepted by the people. In essence, this is being done in many countries across the Islamic world, providing fertile grounds for public administration research from a comparative perspective. This paper explores these possibilities for future research on this topic.


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


2019 ◽  
Vol 10 (2) ◽  
pp. 285
Author(s):  
Yeni Maulina ◽  
Khairul Azmi

Pengkalan Kuras, Langgam, Kuala Kampar, and Bunut Subdistrict, Pelalawan Regency. Petalangan tribe has various cultures in the traditions of life. A good introduction to cultural heritage by the next generation can strengthen the nation's tradition in responding to the increasingly severe challenges of the future in this era of globalization. Cultural heritage in the form of moral-spiritual inheritance, one of which is obtained and known through the tradition of belief in the traditional proverb that exists in the community. The traditional adage in the Petalangan community, among others, explains the perspective on community life. This study aims to describe the style of language in the customary proverb that is related to the perspective of life in society. This research uses a qualitative approach with descriptive analysis method. The data source used was the book entitled Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. There are 16 traditional proverbs used as data in this study, which then obtained 3 language styles based on sentence structure and 2 language styles based on meaning. By knowing and learning the style of language in this traditional proverb, the philosophy of life and aesthetic tastes of the people of Riau can be understood. Petalangan merupakan salah satu puak asli di Provinsi Riau yang bermukim di Kecamatan Pengkalan Kuras, Langgam, Kuala Kampar, dan Bunut, Kabupaten Pelalawan. Suku Petalangan ini memiliki beraneka kebudayaan dalam kehidupan. Pengenalan yang baik terhadap warisan kebudayaan oleh generasi penerus dapat memperteguh tradisi bangsa dalam menjawab tantangan masa depan yang semakin berat dalam era globalisasi ini. Warisan kebudayaan yang berupa warisan moral-spiritual, satu di antaranya didapatkan dan diketahui keyakinan terhadap pepatah adat yang ada pada masyarakat. Pepatah adat dalam masyarakat Petalangan antara lain menjelaskan cara pandang mengenai hidup bermasyarakat. Penelitian ini bertujuan mendeskripsikan gaya bahasa di dalam pepatah adat yang berhubungan dengan cara pandang dalam hidup bermasyarakat. Penelitian ini menggunakanpendekatan kualitatif dengan metode analisis deskriptif. Sumber data yang digunakan adalah buku Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. Terdapat 16 pepatah adat yang dijadikan data dalam penelitian ini, yang kemudian diperoleh 3 gaya bahasa berdasarkan struktur kalimat dan 2 gaya bahasa berdasarkan makna. Dengan mengetahui dan mempelajari gaya bahasa dalam pepatah adat ini dapat dipahami filsafat hidup dan cita rasa estetika masyarakat Riau.


Author(s):  
Tim Watson

This chapter analyzes the novels of the British writer Barbara Pym, which are often read as cozy tales of English middle-class postwar life but which, I argue, are profoundly influenced by the work Pym carried out as an editor of the journal Africa at the International African Institute in London, where she worked for decades. She used ethnographic techniques to represent social change in a postwar, decolonizing, non-normative Britain of female-headed households, gay and lesbian relationships, and networks of female friendship and civic engagement. Pym’s novels of the 1950s implicitly criticize the synchronic, functionalist anthropology of kinship tables that dominated the discipline in Britain, substituting an interest in a new anthropology that could investigate social change. Specific anthropological work on West African social changes underpins Pym’s English fiction, including several journal articles that Pym was editing while she worked on her novels.


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