scholarly journals LANGUAGE FEATURES OF BOOKS FOR CHRISTIAN TATARS AND KARAMAN TURKS

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Okan Guler ◽  
Zoya N. Kirillova ◽  
Liaisan Sahin

This article is carried out in line with comparative studies and is devoted to the study of the specific language features of baptized Tatars and Karamanlid Turks. The need to study this topic is caused by increased attention to the Kryashen and Karamanlid dialects, their linguistic features and history. The objects of study were religious texts, textbooks and literary works in Kryashen and Karamanlid dialects. As the subject of the study, the language features of these texts were examined, as well as the history of the appearance of baptized Tatars and Karamanlid Turks. The scientific novelty of this work lies in the fact that the Kryashen and Karamanlid dialects were studied for the first time in a comparative aspect. The analysis was based on data from a continuous sample of explanatory, etymological, encyclopedic dictionaries of the Tatar, Turkish, and Ottoman-Turkish languages ​​based on the following sources: religious texts, textbooks, and literary works. The theoretical basis of this study is the following main points: language and religion are interconnected and interdependent; phonetic and lexical features reflect the specifics of the language; sacred texts, textbooks and literary works make it possible to identify the history and origin of the people, the belonging of the language to certain language groups

2019 ◽  
Vol 15 (1) ◽  
pp. 71-81
Author(s):  
F. O. Nofal

In this article the philosophical and religious heritage of the Zaydi ‘alimof the 13th century, al-Sayyid Humaydan ibn Yahya al-Qasimi, is investigated. For the very first time in the history of philosophical Islamic studies, the theory of knowledge of the thinker is considered: in particular it is proved that gnoseological constructions of as-Sayyid have anti-Mu‘tazilte character and sum up the result of Mutazilite’ philosophy domination in the XI–XIX culture of Yemen. Separately the original Humaydan’s doctrine about prerequisites of reliable speculation, which designating a knowledge limit by borders of a material universe, is described. Besides, the conceptualistic theory belonging to the theologian’s plume is given in this work: according to Humaydan, the subject comprehends the things in its attributes called as ‘truths’ of all created-by-God objects. As for the Mu‘tazilte’ categories, the ‘alimdevotes to it so many interesting passages of his apology, calling it a "blamed innovation", which seems false according to early Muslim thinkers. Also, the anthropology of the outstanding Zaydi philosopher is considered by the author of article: being a consecutive dichotomist, as-Sayyid assigns to soul a number of negative properties (as like as natural tendency to doubt and defect). Contrary to soul the reason, according to the theologian, is a divine virtue and the pure informative ability which is selectively granted by the Creator to the people. The diff erence between people’s reasons truly defines their degree of ‘right duty’.


2020 ◽  
Vol 7 (1) ◽  
pp. 118-132
Author(s):  
Ekaterina L. Smirnova

The article examines the problem of attribution of an essay from F. M. Dostoevsky's workbook of 1864—1867 (Russian State Archive of Literature and Art. Fund 212.1.5. p. 10), titled “The Usurer”. The novelty of the study is in that Nero (the artist), a character who emerged from the writer’s knowledge and concept of Emperor Nero, for the first time becomes the subject of detailed analysis. Based on the evidence from the classical and early Christian writers, as well as on scientific and literary works written during Dostoevsky’s lifetime, the author makes an argument for Nero’s figure to be considered a junction of at least three elements. He is not merely Nero-the-artist, but also Nero-the-persecutor of Christians and Nero-the Antichrist. This image reveals a ramified network of extensive ties with the preparatory materials for an early draft of “The Idiot”. Thus, it augments the aggregate of B. N. Tikhomirov’s arguments regarding other records, characters, motifs and prototypes in this essay. It also support his theory regarding “The Usurer”, which states that it is not the author’s independent and unexecuted idea, but, rather, should be examined in the framework of the creative history of “The Idiot”, specifically, its initial stage.


2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.


2019 ◽  
Author(s):  
Tilman Venzl

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.


2014 ◽  
Vol 54 (3) ◽  
pp. 303-322 ◽  
Author(s):  
KuuNUx TeeRIt Kroupa

In May 2009, the Arikara returned to the land of their ancestors along the Missouri River in South Dakota. For the first time in more than a half century, a Medicine Lodge was built for ceremony. The lodge has returned from its dormant state to regain its permanent place in Arikara culture. This event will be remembered as a significant moment in the history of the Arikara because it symbolizes a new beginning and hope for the people. Following this historic event, Arikara spiritual leader Jasper Young Bear offered to share his experience and deep insight into Arikara thought: You have to know that the universe is the Creator's dream, the Creator's mind, everything from the stars all the way to the deepest part of the ocean, to the most microscopic particle of the creation, to the creation itself, on a macro level, on a micro level. You have to understand all of those aspects to understand what the lodge represents. The lodge is a fractal, a symbolic representation of the universe itself. How do we as human beings try to make sense of that? That understanding, of how the power in the universe flows, was gifted to us through millennia of prayer and cultural development… It is important for us to internalize our stories, internalize the star knowledge, internalize those things and make that your way, make that your belief, because we're going to play it out inside the lodge. It only lives by us guys interacting with it and praying with it and bringing it to life… We're going to play out the wise sayings of the old people… So you see that it's an Arikara worldview. A learning process of how the universe functions is what you're actually experiencing [inside the Medicine Lodge]. What the old people were describing was the functioning of how we believed the universe behaves. And we had a deep, deep understanding of what that meant and how it was for us. So that's what you're actually seeing in the Medicine Lodge.


TELAGA BAHASA ◽  
2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Ramis Rauf

This study wants to reveal the truth procedures in Ahmad Tohari's novel Orang-Orang Proyek, as a part of an event and a factor in the presence of a new subject. This research would answer the problem: how was the subjectification of Ahmad Tohari in Orang-Orang Proyek novel as truth procedures? This study used the set theory by Alain Badiou. The set theory explained that within a set there were members of "Existing" or Being and events as "Plural" members.  The results proved that the subjectivity between Tohari and New Order events produced literary works: Orang-Orang Proyek. This happened because there was a positive relationship between the author and the event as well as on the naming of the event. Not only as of the subject but also do a fidelity to what he believed to be a truth. The truth procedures or the void—originating from the New Order event—was in the history of the making of a bridge in a village in Java island, Indonesia during the New Order period that filled with corruption, collusion, and nepotism. Tohari then embodied it in his novel. By the presences of the novel, we could know the category of Tohari's presentation as a new subject such as faithful, reactive, and obscure.


2002 ◽  
Vol 71 (2) ◽  
pp. 307-340 ◽  
Author(s):  
Leslie Woodcock Tentler

By the 1930s few Catholics in the United States could have been unaware of their church's absolute prohibition on contraception. A widely-publicized papal encyclical had spoken to the issue in 1930, even as various Protestant churches were for the first time giving a public blessing to the practice of birth control in marriage. Growing numbers of American Catholics had been exposed since at least 1920 to frank and vigorous preaching on the subject in the context of parish missions. (Missions are probably best understood as the Catholic analogue of a revival.) And by the early 1930s Catholic periodicals and pamphlets addressed the question of birth control more frequently and directly than ever before. As a Chicago Jesuit acknowledged in 1933, “Practically every priest who is close to the people admits that contraception is the hardest problem of the confessional today.” A major depression accounted in part for the hardness of the problem. But it was more fundamentally caused by the laity's heightened awareness of their church's stance on birth control and their growing consciousness of this position as a defining attribute of Catholic identity.


1999 ◽  
Vol 25 (1) ◽  
pp. 107-122 ◽  
Author(s):  
CHRISTOPHER HILL

They tell us that the Pharoahs built the pyramids. Well, the Pharoahs didn't lift their little fingers. The pyramids were built by thousands of anonymous slaves . . . and it's the same thing for the Second World War. There were masses of books on the subject. But what was the war like for those who lived it, who fought? I want to hear their stories.Writing about international relations is in part a history of writing about the people. The subject sprang from a desire to prevent the horrors of the Great War once again being visited upon the masses and since then some of its main themes have been international cooperation, decolonisation, poverty and development, and more recently issues of gender.


2013 ◽  
Vol 357-360 ◽  
pp. 1935-1938
Author(s):  
Jun Wang ◽  
Bai Hao Li

Shenyang is one of provincial capital, along the railway, opening the commercial of early-modern Chinese, which is the ancient capital city that has experienced modernization. Shenyang early-modern city planning is completed in the process of centralization and colonial invasion and local autonomy, the diverse of city administrative system is to promote the different regions feature of Shenyang early-modern city. Based on the subject of administration perspective, takes as the object of study by the theory and implementation of Shenyang early-modern city planning, makes the analysis and location to the history of Shenyang early-modern city planning, to provide historical and theoretical basis for the construction of modern urbanization and regional system.


1997 ◽  
Vol 13 (52) ◽  
pp. 386-395 ◽  
Author(s):  
Jane Plastow

Following Jane Plastow's contextual history of Eritrean theatre in NTQ50, Paul Warwick gave an account in the following issue of its previously undocumented role during the thirty-year Eritrean struggle for independence, describing the efforts of the freedom fighters to create theatre for the first time in a rural context. The Eritrean People's Liberation Front not only deployed theatre as a propaganda weapon, but also recognized its value as an agent for educating the people in matters ranging from women's rights to the benefits of modern medicine and farming methods: and with victory came measures further to stimulate the growth and development of theatre as part of Eritrean culture. Jane Plastow, in this third and concluding article, takes up the story with the invitation issued by the new government to her and her colleagues to initiate the ‘Eritrea Community-Based Theatre Project’, in an attempt both to widen the perspectives of Eritrean actors and to draw upon all relevant traditions, African and European, in developing a popular but distinctive theatre for the people. In addition to her role as director of the project, Jane Plastow is a lecturer at Leeds University, having worked in theatre for some years in a number of other African nations.


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