scholarly journals Tata letak tanaman pada rumah berkonsep arsitektur tradisional Bali di Kota Bangli, Kabupaten Bangli Provinsi Bali

2018 ◽  
pp. 144
Author(s):  
I Dewa Gede Agung Surya Pranditha ◽  
Anak Agung Gede Sugiantara ◽  
Ni Luh Made Pradnyawathi
Keyword(s):  
Physical Characteristics ◽  
Land Area ◽  
Traditional Architecture ◽  
Know How ◽  
Cultural Philosophy ◽  
Ancient Times ◽  
The Aesthetic ◽  
The City

The plants layout on Balinese traditional architecture concept houses in Bangli City, Bangli Regency, Bali Province. Bangli Regency is one of the regency that located in the central part of Bali island and only one of regency do not have sea. Balinese Traditional Architecture can be interpreted as the spatial from the life place of Balinese community that has developed through generations with all the rules are inherited from ancient times, until the development of a form with the physical characteristics are revealed on the Lontar Asta Kosala-Kosali. The traditional Balinese park is not only involved the architectural, functional, aesthetic, but also used Balinese cultural philosophy in every placement of it landscape components. The purpose of this research were to understand the effect of land to the application Balinese Traditional Architecture, to understand the concept are using on development house in the city of Bangli regency and then to know how the sense of Balinese traditional architecture on the houses in Bangli city, Bangli regency. The result of the study was that the land area is very influential on the implementation of Traditional Balinese Architecture because there are rules that should be applied that is Asta Kosala-Kosali, the concept applied is Tri Hita Karana, Tri Mandala dan Tri Angga. Plants layout on Balinese people’s knowing is very less, so in plant layouting people only accentuate the aesthetic without a Balinese cultural philosophy.

scholarly journals Portrait of the artist as a philosopher

2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols
Keyword(s):  
Know How ◽  
The Past ◽  
Aesthetic Practice ◽  
The Creation ◽  
The Aesthetic ◽  
The Relationship

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?

Puccini's La Bohème

2020 ◽  
Author(s):  
Alexandra Wilson
Keyword(s):  
Cultural History ◽  
Cultural Contexts ◽  
Music Drama ◽  
Political Debates ◽  
The World ◽  
History Of ◽  
La Boheme ◽  
The Aesthetic ◽  
The Many ◽  
The City

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.

THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU

2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells
Keyword(s):  
Literary Criticism ◽  
Urban Space ◽  
Critical Analysis ◽  
Urban Spaces ◽  
Female Characters ◽  
The Social ◽  
Catalan Literature ◽  
The Aesthetic ◽  
The City

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.

scholarly journals O Cinema e sua dimensão estético-pedagógica: Bacurau e a Lógica Exúlica

2021 ◽  
pp. 1-22
Author(s):  
Ana Vitoria Luiz e Silva Prudente ◽  
Ellen de Lima Souza
Keyword(s):  
The Elderly ◽  
The Other ◽  
Continuous Action ◽  
Childhood Gender ◽  
The Aesthetic ◽  
The City

The article “Cinema and its aesthetic-pedagogical dimension: Bacurau and the Exulic Logic” aims to express the aesthetic-pedagogical dimension of cinema, reaching many social fabrics for being a structure that allows a continuous action in the production of subjectivity and in the formation of taste and interest of its consuming agents, through possible representativeness and representation. We use the Exulic Logic as a methodology Souza (2016) to understand the relationships between collectivity, childhood, gender markings, the understanding of 'the other' and the city, centralizing knowledge at the crossroads. This dialogue forges possibilities of breaking away from the coloniality of power, enabling circularity of knowledge, which in itself already proposes a break with Cartesian reasoning, which is based on an imperialist, colonial construction that privileges: Eurocentrism to the detriment of African, Aphrodiasporic and indigenous cosmoperceptions; adultcentrism, disregarding children's knowledge and the possible practices of the elderly, thus, with a racist, utilitarian and capitalistic bias. It is in the removal of or, for the addition of and, in the valuation of the sum, that it is observed that there is no such order of importance that the Euro-straight-male-authoritarian Prudente (2019) proposes.

scholarly journals THE EMERGENCE AND IMPACT OF MONEY IN GREECE AND LIFE BACK THEN

2021 ◽  
Vol 03 (07) ◽  
pp. 187-192
Author(s):  
Haifa Abdul Rahman AL SHAAFI
Keyword(s):  
Historical Review ◽  
Ancient History ◽  
Historical Method ◽  
Ancient Times ◽  
Similarities And Differences ◽  
The City ◽  
Of Greece ◽  
Greek Civilization

The Greek civilization is one of the basic elements of the so-called civilization conflict in ancient times, and history has preserved the echo of that conflict, but historians have been limited to describing and evaluating the conflict without focusing on the role of money in managing the movement of the conflict, which had an influential nature in the politics of Greece in general , especially after Macedonia entered the line of conflict and took control of the city of Krindes at the foot of Mount Pangios, which is distinguished by its richness of gold, as it made it richer than the rest of the Greek states,Philip took out from it thousands of gold every year, which enabled him to bribe the opposition politicians, and this is where the researchs' importance is marked with the emergence of money in the Greek countries and its impact on life back then. Based on this importance, the reason for choosing this particular topic is of the axes of the historical review conference - Ancient history- as the study aims to find similarities and differences between the money spread in that period since this topic was studied according to the historical method.

The originality of the “estate topos” in the A.N. Tolstoy’s novel “Peter the First”

2020 ◽  
pp. 262-272
Author(s):  
Anna S. Akimova ◽  
Keyword(s):  
Everyday Life ◽  
The Novel ◽  
Childhood Memories ◽  
Research History ◽  
The Everyday ◽  
Peasant Household ◽  
History Of ◽  
Ancient Times ◽  
Poor Peasant ◽  
The City

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.

On Empty Spaces, Silence, and the Pause

2021 ◽  
Author(s):  
Rebecca Amato
Keyword(s):  
New York ◽  
Urban Renewal ◽  
York City ◽  
Settler Colonialism ◽  
Community Gardens ◽  
Empty Space ◽  
World City ◽  
Growth Machine ◽  
The Aesthetic ◽  
The City

Before there is an aesthetic of gentrification, there is disinvestment. In between both is the production – and perception – of empty space ready to be filled. The production of empty space has a long history in New York City, from settler colonialism to urban renewal to gentrification under the neoliberal regime of today. Techniques such as filtering, investing in the aesthetic potential of aging neighbourhoods, and declaring vacancy, have helped fuel the process of gentrification. More recently, that process has accelerated to insure New York’s world city status by promising that every underutilized parcel will be filled with the tallest buildings, the greenest construction, and the densest use of land. Yet the city still has room for alternative visions that embrace a pause in the growth machine, such as cooperative centres and community gardens. These efforts, threatened though they are, provide models for inclusive cities where neoliberalism does not.

Sardis

2003 ◽  
Author(s):  
Clyde E. Fant ◽  
Mitchell G. Reddish
Keyword(s):  
Biblical Studies ◽  
Roman Period ◽  
Asia Minor ◽  
Christian Community ◽  
Ancient City ◽  
Ancient Times ◽  
Gediz River ◽  
The City ◽  
The Temple ◽  
Western Half

A city with a strong and vibrant Jewish community during the Roman period, as well as a center for the worship of Artemis and home to a significant Christian community, Sardis is an intriguing place to visit for anyone interested in biblical studies or ancient religious history. The partially restored 3rd-century-C.E. synagogue in the city is the largest known synagogue outside Palestine from ancient times. Ancient shops, a bath-gymnasium complex, and the Temple of Artemis provide glimpses of the life of this ancient city. Once the capital of the ancient Lydian Kingdom, Sardis (Sart) lies approximately 60 miles east of Izmir along the modern highway (E96/300) connecting Izmir to Ankara in the Hermus River valley (today called the Gediz River). Portions of the ruins of Sardis are situated adjacent to the highway and are easily accessible. The ancient city was built along the Pactolus River, a tributary of the Hermus, and at the foothills of the Tmolus Mountains. The city’s acropolis was strategically located atop a spur of the Tmolus Mountains. The Tmolus Mountains (or Mt. Tmolus) were, according to some ancient traditions, the birthplace of the gods Dionysus and Zeus. Sardis first came to prominence during the 1st millennium B.C.E. when it served as the center of the powerful Lydian kingdom, which encompassed most of the western half of Asia Minor. The Lydians supposedly were the first to develop a technique to dye wool and also to invent dice games, knucklebones, and other games. (Interestingly, archaeologists found a terra-cotta die in the ruins at Sardis.) Legend says that Midas, the mythical Phrygian king, was able to rid himself of his golden touch by bathing in the Pactolus River. As a result, the sands of the river turned to gold. Though legendary, this account points nonetheless to the enormous wealth enjoyed by the Lydian kingdom. The earliest Lydian rulers belonged to the Heraclid dynasty, which according to Herodotus (5th-century-B.C.E. Greek historian) lasted 505 years. They were succeeded by the Mermnad dynasty, of which the first king was Gyges (r. ca. 680–ca. 652 B.C.E.).

scholarly journals Analysis of the effect of impermeability of urban soils on the infiltration of rainwater in the city of Recife, PE

2019 ◽  
Vol 14 (4) ◽  
pp. 1
Author(s):  
Marco Aurelio Calixto Ribeiro de Holanda ◽  
Willames De Albuquerque Soares
Keyword(s):  
Computational Models ◽  
Hydrological Cycle ◽  
Field Trials ◽  
Land Area ◽  
Urban Centers ◽  
Infiltration Capacity ◽  
Process Of Urbanization ◽  
Permeable Soil ◽  
The City ◽  
High Infiltration

The process of urbanization interferes in the elements of the hydrological cycle, altering the infiltration, flow, and evaporation of rainwater. Several methods and tests exist for analyzing this hydrological cycle that aim to hydrodynamically characterize the soil of a locality. However, the collection and field trials can be expensive and time consuming. Because of these high costs, it is important to look for methods that save time and money. One such method is to perform simulations of water flow in the soil, using computational models such as Hydrus 1-D, in order to explain the water balance of a region. The results of these simulations showed that 355.18 mm.m-2 of the total 385.02 mm.m-2 of precipitation was able to infiltrate, indicating that the soil of the region has a high infiltration capacity, due to its high sand content. However, of the 228,000 m2 studied, only 38,760 m2 are unpaved soil. This shows that the soil at the location studied would be able to infiltrate most rainwater without the occurrence of flooding, if more than only 17% of the land area were permeable soil. This conclusion can be extrapolated to other areas surrounding this neighborhood and to other large urban centers, which have similar characteristics.

The Black Diamonds of Sydney Harbour

2019 ◽  
Vol 2 (3) ◽  
pp. 645-664
Author(s):  
Ann Elias
Keyword(s):  
Indigenous Peoples ◽  
Mining Company ◽  
Pastoral Area ◽  
The Sublime ◽  
Sydney Harbour ◽  
History Of ◽  
Below Ground ◽  
The Aesthetic ◽  
The City

This article explores the case study of a coal mine that was first tunneled under Sydney Harbour in 1897 but closed in 1931. Specifically, it examines how the history of the mine intersects with aesthetics, race, colonialism, and Indigenous dispossession. Centered on the story of an English mining company that first sought a mine site in a pastoral area of the city, but under public pressure was forced to select instead a grimy working class suburb on the opposite harbor shore, the article argues that environmental aesthetics and tastes in beauty collaborated with extractivism. The argument emerges that economics, art, and aesthetics are inextricably linked in this history and further, that while the mine excited the industrial imagination through the aesthetic of the sublime, and associations with darkness and vastness, it conflicted with colonial settler tastes for the pastoral imagination defined by the aesthetics of the beautiful and its associations with light. The article discusses the context of a settler economy in lands stolen from Indigenous peoples, and how conceptualizations of the sublime and beautiful, as well as dark and light, were aligned with the racialization of the properties of coal and space above and below ground.

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