scholarly journals Citra Perempuan Di Dalam Majalah Popular (Analisis Wacana Terhadap Artikel Di Majalah Popular Edisi Mei 2019)

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 168
Author(s):  
Rosalin Febriyanti ◽  
Ahmad Junaidi ◽  
Nigar Pandrianto
Keyword(s):  
Roland Barthes ◽  
Analysis Framework ◽  
Semiotic Analysis ◽  
Sexual Values ◽  
Popular Magazine ◽  
Objectification Of Women ◽  
Beauty Myth ◽  
Sexual Form ◽  
Woman's Body

This study is entitled "Women's Image in Magazine Photos (Semiotic Analysis of Photos in Popular Magazine May 2019 Edition)". The object of this research is a photo in the May 2019 issue of Popular magazine. This study uses Rholand Barthes's semiotic analysis framework. The purpose of this research is to find out how the depiction of the objectification of women in the photo model of the May 2019 Popular Magazine and expose the myths contained in the photos. There is objectification in the sexual form which makes a woman's body an object to be observed, valued, and enjoyed by her sexual values. The myth that can be unearthed from the meaning of the sign in the photographs is the beauty myth that defines women's beauty in uniform criteria. Penelitian ini mengangkat tentang citra wanita dalam foto di majalah. Objek penelitian ini adalah foto di Majalah Popular Edisi Mei 2019. Kerangka analisis yang digunakan pada penelitian ini yaitu Analisis Semiotika Roland Barthes yang memiliki tujuan pencitraan perempuan dalam foto, serta menggali kebenaran tentang adanya pemaknaan tanda dalam foto-foto keanggunan wanita sesuai dengan porsi yang sama. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana penggambaran objektifikasi perempuan dalam model foto di Majalah Popular dan memaparkan mitos-mitos yang terkandung dalam foto. Terdapat objektifikasi dalam bentuk seksual yang membuat tubuh wanita menjadi objek untuk diamati, dihargai, dan dinikmati oleh nilai-nilai seksualnya. Mitos yang dapat digali dari makna tanda dalam foto adalah mitos kecantikan yang mendefinisikan kecantikan wanita dalam kriteria seragam.

scholarly journals SOLIDARITY VALUE IN EXTREME JOB FILM BY LEE BYUNG HUN

JURNAL ELINK ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 66
Author(s):  
Chalimatus Shadiyah ◽  
Jannatul Laily Novia Bahari
Keyword(s):  
Roland Barthes ◽  
Second Step ◽  
Semiotic Analysis ◽  
Second Best ◽  
Comedy Film ◽  
Korean Film

Based on Korean Film Data, Extreme Job is a Korean action comedy film has become the second best-seller Korean film which is directed by Lee Byung Hun. Not only is the comedian's story interesting, this film also contains solidarity value. The problem in this study is how the representation of solidarity value through Extreme Job film by Lee Byung Hun? To elaborate the problem in depth, this study uses the method of semiotic analysis by Roland Barthes. The aim is to analyse the representation of solidarity value in Extreme Job film. Barthes's semiotic analysis, namely denotative and connotative. Denotation is the first step in system of signification. It explained shortly, densely, and clearly. Connotation is the second step in system of signification. It explained more extensively than denotation because connotation is liberal. On the significance of the first step is cohesion showed by the existence of togetherness on doing something, the persuasion is the result of their solidarity also as a reason in order to buy the chicken restaurant through altruism, and division police's jobs for investigating narcotic consumers to various places where destinated by delivers of chicken with narcotic. On the significance of the second step is cohesion as a solidarity indicated based on main purpose of police, recklessness of altruism that showed solidarity among job partners for make success their mission to chasing the group of narcotic fugitives, and job division sign that showed solidarity among job partners for arresting the group of narcotic fugitives.Keywords: Solidarity, Film

scholarly journals Nilai-nilai Pendidikan Islam dalam Film Animasi Nussa Episode Sholat Itu Wajib

PALAPA ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 55-75
Author(s):  
Muhammad Shodiq Masrur ◽  
Asyhari Amri
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Moral Values ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Analysis Model ◽  
Animated Film ◽  
Role Of Parents ◽  
Humanitarian Values

The current era, with fertile technology that is increasingly developing, certainly has positive and negative sides. One of the phenomena that shows the negative side of development technologies such as Youtube, Instagram, Twitter and Facebook is that many cildren use media gadgets as playmates, so that the child is not controlled is choosing content that is popular in cyberspace, as a reseult the child will further away from values religion, humanitarian values, values justice and moral values. In this article, the researcher describes the prevention of moral decadence for the younger generation, so it is necessary to increase the role of education, especially the role of parents in selecting entertaiment content that contains moral values for children. These efforts are made to prepare the next generation who have knowledge, faith and good character. The writing of this article uses qualitative research with descriptive analysis. The writer in this article uses Roland Barthes’ semiotic analysis model known as “two order of signification”, namely by looking for the denotative meaning the connotation of each scene. From using this method the researcher foumd that the animated film Nussa and Rarra, the episode of prayer must contain values from the concept of Islamic teachings, namely Akidah, Sharia and Moral. If parents are able to nurture and guide by choosing content that educated and implements in life, it is hoped that the child will become a person with character according to the expectation of the nation and religion. Islamic

scholarly journals High Teas, High Collars and High Rise Buildings in a ‘High-Context’ Culture: The Semiotics of Japan’s Project of Modernity

2017 ◽  
Vol 18 (3) ◽  
pp. 11
Author(s):  
Nicolas Adam Cambridge
Keyword(s):  
Visual Culture ◽  
Paradigm Shift ◽  
Analytical Approach ◽  
Japanese Society ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Architectural Practice ◽  
High Rise ◽  
Late Nineteenth ◽  
Contemporary Context

<p>This article addresses a paradigm shift in Japanese society during the late nineteenth and early twentieth centuries – focusing on the encounters with Western culinary, sartorial and architectural practice experienced by a ‘high-context’ culture (Hall, 1976). The main discussion documents the differentiated reception of these changes – valorised by reformers for whom engaging with the outside world was key to their project of modernity, but treated with suspicion by members of the proletariat who feared for the purity of traditional Japanese values. The manner in which the resulting tensions were mediated through the print media and imagery of domestic visual culture is interrogated using a prism of semiotic analysis and the findings located within a contemporary context to suggest that Roland Barthes’ analytical approach to the country as an ‘empire of signs’ (Barthes, 1982) retains its original traction.</p>

scholarly journals Representasi Pendidikan Seks dalam Film Dua Garis Biru (Analisis Semiotika Roland Barthes)

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 155
Author(s):  
Eartha Beatricia Gunawan ◽  
Ahmad Junaidi
Keyword(s):  
Data Collection ◽  
Sex Education ◽  
Research Method ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Role Of Parents ◽  
Descriptive Qualitative

This study aims to describe the representation of sex education in the film Dua Garis Biru by director Gina S. Noer. This study uses a descriptive qualitative approach. The research method uses Roland Barthes's semiotic analysis with two-way significance and the meaning of denotation, connotation, and myth. The subjects of this study are Dara and Bima, the object of this study is a sign of sex education represented in scenes, dialogues, and characters in films. Methods of data collection by observation, literature study, interviews, and documentation. The film Dua Garis Biru tells the story of how Dara and Bima, two teenagers, must be responsible for the consequences that they did not think of before due to free sex. This film also illustrates the important role of parents in communicating information about sex to children. The results of this study indicate that there is a picture of sex education in the film Two Blue Lines. It was concluded that the side or form of sex education is displayed in scenes, dialogues, or characters that insert the importance of knowing sex education and knowing the consequences of every action related to sex. Penelitian ini bertujuan untuk menggambarkan representasi pendidikan seks  dalam Film Dua Garis Biru karya sutradara Gina S. Noer. Penelitian ini menggunakan pendekatan kualitatif deskriptif. Metode penelitian menggunakan Analisis Semiotika Roland Barthes dengan signifikan dua arah dan pemaknaan denotasi, konotasi, dan mitos. Subjek penelitian ini adalah Dara dan Bima, objek penelitian ini adalah tanda pendidikan seks yang direpresentasikan dalam adegan, dialog, dan karakter dalam film. Metode pengumpulan data dengan observasi, studi pustaka, wawancara, dan dokumentasi. Film Dua Garis Biru bercerita tentang bagaimana Dara dan Bima, dua remaja harus bertanggung jawab atas konsekuensi yang tidak mereka pikirkan sebelumnya karena melakukan seks pranikah. Film ini juga menggambarkan pentingnya peran orang tua dalam mengkomunikasikan informasi tentang seks kepada anak. Hasil dari penelitian ini menunjukkan bahwa terdapat gambaran tentang pendidikan seks dalam film. Sisi atau bentuk pendidikan seks ditampilkan dalam cuplikan adegan, dialog, atau karakter tokoh yang menyisipkan pentingnya mengenal pendidikan seks dan mengetahui konsekuensi dari setiap perbuatan yang berhubungan dengan seks.

scholarly journals PESAN KOMUNIKASI NON VERBAL DALAM SEBUAH PEMENTASAN TEATER (Study Analisis Semiotika pada Pertunjukan Teater SMA LB N Senenan Jepara)

2019 ◽  
Vol 11 (2) ◽  
Author(s):  
Murniati Murniati ◽  
Zaenal Arifin
Keyword(s):  
Facial Expressions ◽  
Body Language ◽  
Roland Barthes ◽  
Theoretic Approach ◽  
Semiotic Analysis ◽  
Daily Lives ◽  
Verbal Message ◽  
The Subject ◽  
Verbal Messages ◽  
Social Message

Abstract Semiotic Analysis of Non Verbal Messages through Theater in the Pantomime Show entitled entitled carving, is one of the wordless theater performances that relies on the strength of motion and gestures (body language) and facial expressions that are characteristic of the Pantomime Theater of the LB N Senenan Jepara High School, all of them dialogue and symbolizing the movements and gestures of the characters. Pantomime performances are examined using qualitative methods, then the subject of the research is non-verbal messages and the object of research is the performance of the Pantomime, and uses the constructivist paradigm. Based on this background, to find the nonverbal meanings contained in the performance of the Pantomime, a theoretical approach is needed. The theoretic approach used in this study is Roland Barthes Semiotics. Which is closely related to signs, markers, and markers to explore the structure of meaning that is hidden in per scene pementan theater (pantomime). Based on the results of the study, it was found that the non-verbal messages contained in the performance of the Pantomime were very closely related to the symbols used on the stage. So that the audience is able to engage in the process of thinking of finding meaning. One non-verbal message found is a moral message and a social message for which humans can apply in their daily lives according to good behavior and to socialize in a good way too so as not to harm themselves and other people. Keywords: message, theater, nonverbal, staging, symbols, Pantomime Analisis Semiotik Pesan Non Verbal melalui Teater dalam Pertunjukkan Pantomim naskah yang berjudul lombah ukir, adalah salah satu pertunjukan teater tanpa kata yang mengandalkan kekuatan gerak dan gestur (bahasa tubuh) dan ekspresi muka yang menjadi ciri khas teater Pantomim Kelopok SMA LB N Senenan Jepara, seluruhnya dialog dan berupa simbolisasi dari gerak dan gestur para tokohnya. Pertunjukkan Pantomim diteliti dengan menggunakan metode Kualitatif, kemudian subjek penelitiannya adalah pesan non verbal dan objek penelitiannya adalah pertunjukkan Pantomim, serta menggunakan paradigma konstruktivisme. Berdasarkan latar belakang tersebut, untuk menemukan makna-makna nonverbal yang terdapat dalam pertunjukan Pantomim tersebut dibutuhkan sebuah teori pendekatan,Teoripendekatan yang digunakan dalam penelitian ini ialah Semiotika Roland Barthes. Yang erat kaitannya dengan tanda, penanda, dan petanda untuk mengupas struktur makna yang tersembunyi dalam per adegan pementsan teater (pantomim). Berdasarkan hasil penelitian, ditemukan bahwa pesan non verbal yang terdapat dalam pertunjukkan Pantomim sangat erat kaitannya dengan simbol-simbol yang digunakan di atas pentas. Sehingga penonton mampu terlibat dalam proses berfikir menemukan makna.salasatu pesan non verbal yang ditemukan adalah pesan moral dan pesan sosial untuk yang dapat di terapkan manusia dalam kehidupan sehari-hari sesuai prilaku yang baik serta bersosial dengan cara yang baik pula agar tidak merugikan diri sendiri dan orang lain. Kata kunci : pesan, teater, nonverbal, pementasan, simbol, Pantomim

Semiotic Analysis of the Objectification of Women in Selected Pakistani Advertisements

2020 ◽  
Vol 2 (1) ◽  
pp. 1-18
Author(s):  
Khalid Ahmed ◽  
Anila Tariq ◽  
Arfan Akram
Keyword(s):  
Physical Appearance ◽  
Electronic Media ◽  
Research Tool ◽  
Western World ◽  
Semiotic Analysis ◽  
Multiple Meanings ◽  
Objectification Of Women

This study explored the objectification of women in Pakistani advertisements of print and electronic media. The objectification and presentation of women in the advertisements of the western world has been extensively studied but this area lacks research in Pakistan. Semiotic analysis was used as the research tool in order to explore how multiple meanings and beliefs are built in a society by advertising sex. In this research, five advertisements from different Pakistani TV channels and newspapers were selected as sample. These commercials were selected because they presented women in a specific way. For analysis, Barthian semiotic analysis on two levels of significance, that is, the denotative and connotative levels, was employed. The findings of this paper revealed that advertisements in Pakistan focus on the physical appearance and depiction of women body.

Resituating the Icon: David Osmond-Smith's Contribution to Music Semiotics

2012 ◽  
Vol 9 (1-2) ◽  
pp. 177-200
Author(s):  
BEN CURRY
Keyword(s):  
Charles Sanders Peirce ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Umberto Eco ◽  
Doctoral Studies ◽  
The University

AbstractAfter pursuing doctoral studies at the University of York (1968–70), David Osmond-Smith gained two consecutive scholarships, allowing him to research first with Umberto Eco in Milan (1970–71) and then with Roland Barthes in Paris (1971–3). One of the outcomes of his encounters with these highly influential thinkers was a series of articles subjecting musical phenomena to semiotic analysis. The principal concept deployed in these articles is that of the icon or iconism, itself borrowed from the American semiotician and pragmatist philosopher Charles Sanders Peirce and exhaustively examined, re-examined, and criticized by Eco. This article explains the principles of iconic signification and their use in Osmond-Smith's work. Central to this explanation is a consideration of Eco's work on iconism (Barthes's influence is less apparent) and the somewhat perplexing point that Osmond-Smith embraced iconism despite his awareness – and, at times, apparent endorsement – of Eco's thoroughgoing critique of the concept. Lastly, the recent resurgence of interest in Peircian semiotics will be invoked in order to propose ways of developing Osmond-Smith's application of iconism to music in line with pragmatist (or, to use Peirce's term, pragmaticist) rather than structuralist thought.

scholarly journals Local Wisdom and Social Change (Roland Barthes' Semiotic Analysis in Advertisement "The Light of Aceh")

2021 ◽  
Vol 16 (1) ◽  
pp. 15-26
Author(s):  
Rafiqah Yusna Siregar
Keyword(s):  
Social Change ◽  
Qualitative Methods ◽  
Roland Barthes ◽  
Social Changes ◽  
Ordinary Sense ◽  
Semiotic Analysis ◽  
The Social ◽  
Tv Commercial ◽  
Traditional Stories

This research focuses on answering how Acehnese local wisdom is represented and sees social changes in the community through advertising media. Using Roland Barthes' semiotic analysis to find the meaning of denotation, connotation, and myths in TV commercial "The Light of Aceh", this research employs the constructivism paradigm with qualitative methods. The denotation falls in several objects, such as a traditional house Rumoh Aceh as a place for Acehnese people to live, the customs to honor guests and eat together with them as a symbol of friendship between communities, and the Pacu Kude tradition. The connotation of the local wisdom object has been cultured and become the community's identity, then displayed in the advertisement as the result of the construction of the existing reality. This construction is interpreted as a myth that does not necessarily refer to mythology in the ordinary sense. It is traditional stories, legends, et cetera, but rather an explanation of messages with a connotative dimension. The myths found in the advertisements show the social changes taking place in Acehnese society.   Fokus penelitian ini adalah menjawab bagaimana kearifan lokal Aceh direpresentasikan dan melihat perubahan sosial yang terjadi di masyarakat melalui media iklan. Dengan menggunakan analisis semiotik Roland Barthes untuk menemukan makna denotasi, konotasi, dan mitos dalam iklan TV “The Light of Aceh”, penelitian ini menggunakan paradigma konstruktivisme dengan metode kualitatif. Makna denotasi terdapat pada beberapa objek, seperti rumah adat Rumoh Aceh sebagai tempat tinggal masyarakat Aceh, adat istiadat untuk menghormati tamu dan makan bersama sebagai simbol persahabatan antar masyarakat, serta tradisi Pacu Kude. Objek kearifan local yang berkonotasi telah membudaya dan menjadi identitas masyarakat, kemudian ditampilkan dalam iklan tersebut sebagai hasil konstruksi dari realitas yang ada. Konstruksi ini dimaknai sebagai mitos yang tidak serta merta mengacu pada mitologi dalam pengertian biasa. Ini adalah cerita tradisional, legenda, dan sebagainya, tetapi lebih merupakan penjelasan tentang pesan dengan dimensi konotatif. Mitos yang ditemukan dalam iklan tersebut menunjukkan perubahan sosial yang terjadi pada masyarakat Aceh.

scholarly journals MITOS SEKSUALITAS DALAM IKLAN

2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Jemmy Junius Pah
Keyword(s):  
Qualitative Research ◽  
Research Methodology ◽  
Roland Barthes ◽  
Print Advertising ◽  
Semiotic Analysis ◽  
Women's Bodies ◽  
Qualitative Research Methodology ◽  
Male Model

This study aimed to dismantle the myth of sexuality in print advertising LYNX version of The Cleaner You Are The dirtier You Get. The objects of this study were LYNX print ads version of The Cleaner You Are The dirtier You Get that displays only the female sexy model figure without including the male model. This study used a qualitative research methodology. The method of Roland Barthes' semiotic analysis is used to determine the meaning of the signs that exist on the stored advertisements and also the ideology behind the ad. After observing the LYNX print ads version of The Cleaner You Are The dirtier You Get, researchers found the myth of sexuality in various signifier and the signified that exist in the ad. The use of icons such as sexuality sexy female models showed their exploitation efforts both physical and non-physical by exploiting women's bodies and desires. The ideology that is hidden behind LYNX print ads version of The Cleaner You Are The dirtier You Get is the ideology of consumerism, patriarchy and capitalism. Associated with the research, the authors would like to suggest that the ad makers and manufacturers are not continuously use women's bodies as 'material' advertising, especially if the woman is only used as mere sex objects.Keyword: Myth Sexuality, LYNX Print Ad, Semiotics, Roland Barthes, Consumerism, Patriarchy, Kapitalism

scholarly journals PEMAKNAAN COVER MAJALAH TEMPO (Analisis Semiotika Cover Majalah Tempo Edisi 16 September-22 September 2019)

2020 ◽  
Vol 6 (1) ◽  
pp. 81
Author(s):  
Noval Setiawan
Keyword(s):  
Qualitative Method ◽  
Roland Barthes ◽  
Visual Images ◽  
Semiotic Analysis ◽  
Face Shape ◽  
Eyes Closed ◽  
The Face ◽  
Three Stages ◽  
Black Color ◽  
Magazine Cover

AbstractThe study entitled "The Meaning of Tempo Magazine Cover (Semiotic Analysis of Tempo Magazine Cover September 16-September 22 2019, entitled Promise Staying Promise)" aims to find out the meaning of the meaning of the magazine cover tempo "Promise Stay Promise" seen from the meaning of illustrations, texts and color on the magazine cover. The method used in this research is descriptive qualitative method with Roland Barthes's semiotic analysis approach, which examines signs through three stages of analysis namely denotation, connotation, mythology.The results of this study might reveal that the magazine cover of this edition shows the properties possessed by Mr. Jokowi as seen from the depiction of the face shape in the illustrations. The meaning of denotation, both the meaning of shadow, clothing and expression is illustrated, that the tempo magazine is a critical medium with the constitution and the spirit of democracy. While the connotation of the illustration is about the public's expectation of the revision of the KPK Law. As for the characteristics of President Jokowi's expression with his eyes closed and lips purely expressing something and his nose stretching out, that Mr. Jokowi is a liar. Furthermore, the mythological meaning found behind the illustration is a picture that contains assumptions about the unrelated Jokowi's promises and the President's responsibility towards the Revision of the KPK Law. Then in the headline and subheadline text and the black color in the nose's shadow, there is a provocation in it related to the ideology of the tempo magazine. The conclusion of this study, that the visual images contained in the magazine cover tempo "Promise Staying Promise" consisting of illustrations, text, and colors have a meaning contained therein. Keywords: Tempo Magazine Cover, Illustration, Semiotics Roland Barthes. 

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