scholarly journals Sauraja Pattojo

2021 ◽  
Vol 1 (01) ◽  
pp. 12-18
Author(s):  
Andi Abidah ◽  
Erich Lehner
Keyword(s):  
Original Form ◽  
Local Language ◽  
The Past ◽  
Private House ◽  
Arc Shape ◽  
Ancient Times ◽  
Big House ◽  
European Architecture

Pattojo is a small kingdom in the past, and at this time, Pattojo was called village of Pattojo. The Kingdom of Pattojo is also called ke-datu-an Pattojo whose the king or queen was called datu. To be a king or queen, one must of the highest Nobel or Datu title. Bugis house is identical to the stilt on the house and the rectangular facet is elongated. The house's mention in the bugis tribe has a difference between the noble house and the ordinary people's house. The noble house is called saoraja (Sao=house, raja=big so that saoraja is a big house), and the people's house is called the bola. Generally, noble houses in ancient times were larger than ordinary people's houses. This research is a study on the form of Bugis noble house or king's private house (saoraja datu pattojo: local language) built before Indonesia's independence. The form of façade the arrangement of space in the house has nothing in common with the original Bugis house. It may indicate that the king's house did not follow the original form of Bugis house but has combined between the Bugis and European architecture. Some things that are very clearly undergoing a change from the original of Bugis house is the roof, position of the stairs, there is an arc shape on the underside of the house, and the arrangement of the room has also undergone changes. 

scholarly journals Iconostasis in the Liturgical and Church-Historical Contexts

2019 ◽  
Vol 16 (5) ◽  
pp. 488-493
Author(s):  
Margarita M. Loyevskaya
Keyword(s):  
20Th Century ◽  
16Th Century ◽  
The Past ◽  
Military Campaigns ◽  
Ancient Times ◽  
Stationary Conditions ◽  
Big House ◽  
Liturgical Practice ◽  
Set Up

The article deals with study and attribution of rare portable iconostases (“movable church”). Their features include the Sovereign tier (with the Royal Doors) absence, the small size, and the four remaining tiers (Deisis, Great Feasts, Prophets, and Patriarchs) painted on one board. Portable iconostases were used during long pilgrimages, missionary trips, or military campaigns, as well as in Bezpopovtsy (priestless) houses of worship.In liturgical practice, both in ancient times and now, portable iconostases were used under certain circumstances for long journeys. They are easy to set up in any place, whether it is a house, a tent or a field. In the 16th century, embroidered iconostases, rapidly installable in field and stationary conditions, were brought along in military campaigns. Thus, in his military campaigns, Emperor Alexander I used a silk-painted iconostasis made by masters of the Moscow Kremlin Armory. Movable chur­ches were also used in remote and sparsely populated areas (for example, in the Olonets Governorate). The services were held in a big house and lasted for two or three days.There were quite a lot of portable iconostases in the past, but only few of them have been preserved, among which there are rather peculiar ones, shaped as cupboards, nightstands, kiots. At the beginning of the 20th century, an iconostasis icon was painted with five tiers on one board.

MODERN PERFORMANCE ON THE KAZAKH KOBYZ

2020 ◽  
Vol 1 (2) ◽  
pp. 176-180
Author(s):  
T. Zh. Yeginbayeva ◽  
Keyword(s):  
Cultural Development ◽  
Ancient History ◽  
Musical Culture ◽  
The Past ◽  
Ensemble Performance ◽  
Natural Tendency ◽  
New Development ◽  
Key Factor ◽  
History Of ◽  
Ancient Times

Global processes in the musical culture of Kazakhstan are the result of the numerous events that have taken place in the country over the past 20 years. The independence of the state has become a key factor that has had a decisive impact on the economic, socio-political and cultural development of the country. We have entered a new life, which has a rich cultural heritage and was carefully preserved by our ancestors. One of the proofs is the history of Kazakh kobyz art from ancient times to the present day. Modern kobyz art is closely connected with ancient history and has a rich natural tendency for new development, based on centuries of experience. Therefore, kobyz music of the XXth–XXIst centuries absorbed the traditions of European genres and styles, and is widely used in mass music, in various directions of ethnorock, art-rock, folk and others. Two lines of development of music for kobyz and music on kobyz existed in ancient times and nowadays. From here comes the divergence of creative direction among modern composers and in ensemble performance.

scholarly journals Alternative Pasts and Colonial Engagements in the North: The Materiality and Meanings of the Pajala ‘Runestone’ (Vinsavaara Stone), Northern Sweden

2018 ◽  
Vol 28 (4) ◽  
pp. 613-628
Author(s):  
Vesa-Pekka Herva ◽  
Janne Ikäheimo ◽  
Matti Enbuske ◽  
Jari Okkonen
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
General Level ◽  
Northern Sweden ◽  
Early Modern Europe ◽  
The Past ◽  
The North ◽  
Modern Period ◽  
Cosmological Context ◽  
Ancient Times

The unknown and exotic North fascinated European minds in the early modern period. A land of natural and supernatural wonders, and of the indigenous Sámi people, the northern margins of Europe stirred up imagination and a plethora of cultural fantasies, which also affected early antiquarian research and the period understanding of the past. This article employs an alleged runestone discovered in northernmost Sweden in the seventeenth century to explore how ancient times and northern margins of the continent were understood in early modern Europe. We examine how the peculiar monument of the Vinsavaara stone was perceived and signified in relation to its materiality, landscape setting, and the cultural-cosmological context of the Renaissance–Baroque world. On a more general level, we use the Vinsavaara stone to assess the nature and character of early modern antiquarianism in relation to the period's nationalism, colonialism and classicism.

scholarly journals Bacteria in Cancer Therapy: Renaissance of an Old Concept

2016 ◽  
Vol 2016 ◽  
pp. 1-14 ◽  
Author(s):  
Sebastian Felgner ◽  
Dino Kocijancic ◽  
Michael Frahm ◽  
Siegfried Weiss
Keyword(s):  
Treatment Options ◽  
Tumor Therapy ◽  
The Past ◽  
Novel Treatment ◽  
Vector Systems ◽  
Rising Incidence ◽  
Solid Foundation ◽  
Ancient Times ◽  
Therapeutic Compounds ◽  
The 19Th Century

The rising incidence of cancer cases worldwide generates an urgent need of novel treatment options. Applying bacteria may represent a valuable therapeutic variant that is intensively investigated nowadays. Interestingly, the idea to apply bacteria wittingly or unwittingly dates back to ancient times and was revived in the 19th century mainly by the pioneer William Coley. This review summarizes and compares the results of the past 150 years in bacteria mediated tumor therapy from preclinical to clinical studies. Lessons we have learned from the past provide a solid foundation on which to base future efforts. In this regard, several perspectives are discussed by which bacteria in addition to their intrinsic antitumor effect can be used as vector systems that shuttle therapeutic compounds into the tumor. Strategic solutions like these provide a sound and more apt exploitation of bacteria that may overcome limitations of conventional therapies.

scholarly journals The Image of BREAD in Lithuanian Dictionaries

2021 ◽  
pp. 257-268
Author(s):  
Irena Smetonienė
Keyword(s):  
Fairy Tales ◽  
Human Life ◽  
Cultural Value ◽  
Value System ◽  
The Past ◽  
Maple Leaves ◽  
Ancient Times ◽  
Main Meal ◽  
Intensive Work ◽  
Cultural Message

The bread in one form or another has been known to people all over the world. Linguistic data and rites show that the Lithuanians have been eating bread since ancient times. Bread is mentioned in the small-form verbal folklore, songs, sagas, fairy tales, beliefs and various rites. In ancient times the bread was personalised and deified. The examples from the dialect dictionaries were also included into the research because every dialectal saying is an example of cultural message, manifestation of tradition nurturance and preservation, a part of cultural heritage, which links the past with the present. The dialectal examples show, what is deep-rooted in the tradition, what is passed down from generation to generation, what lies in the traditional value system and what makes the essence of an ethnic group. Due to these reasons the dialectal texts have a huge public or cultural value as they denote a content that is significant to a certain community. Having completed the analysis of dialectal discourse, it can be stated that various dictionaries construct the following picture of the concept bread: bread is the main meal of people, it is baked from different kinds of cereal flours, it is respected and saved, it has healing powers; the bread baked at home is the most delicious; if there is no bread, a person starves; to have bread all the time one has to work hard because baking bread is labour-intensive work, which has to be performed with knowledge and love, to make bread delicious and fragrant, calamus, cabbage or maple leaves are put under a loaf of bread, it is decorated or marked with sacred signs; an individual equals bread with human activity and appearance; bread is a measure of life, a reference point for evaluating certain actions. The place of bread in the human life is reflected by derivates as well: special things, capacities for mixing, souring, baking, slicing or keeping bread; other meals prepared from bread.

scholarly journals Porcelain enamel coatings, from the past to the future: solved and unsolved issues for the improvement of their mechanical properties.

2020 ◽  
Author(s):  
Stefano Rossi ◽  
Francesca Russo
Keyword(s):  
Mechanical Properties ◽  
Industrial Revolution ◽  
Chemical Degradation ◽  
Protective Properties ◽  
The Past ◽  
Enhanced Resistance ◽  
Mechanical Study ◽  
The Future ◽  
Ancient Times

Porcelain enamel coatings have their origins in ancient times when they were mainly used for decorative and ornamental purposes. From the industrial revolution onwards, these coatings have started to be used also as functional layers, ranging from home applications up to the use in high-technological fields, such as in chemical reactors. The excellent properties of enamel coatings, such as fire resistance, protection of the substrate from corrosion, resistance to atmospheric and chemical degradation, mainly depend and originate from the glassy nature of the enamel matrix itself. On the other side, the vitreous nature of enamel coatings limits their application in many fields, where mechanical stress and heavy abrasion phenomena could lead to nucleation and propagation of cracks inside the material, thus negatively affecting the protective properties of this coating. Many efforts have been made to improve the abrasion resistance of enamelled materials. On this regard, researchers showed encouraging results and proposed many different improvement approaches. Now it is possible to obtain enamels with enhanced resistance to abrasion. Differently, the investigation of the mechanical properties of enamel coatings remains a poorly studied topic. In the literature, there are interesting methodological ideas, which could be successfully applied to the mechanical study of enamelled materials and could allow to have further insights on their behaviour. Thus, the path that should be followed in the future includes the mechanical characterization of these coatings and the search for new solutions to address their brittle behaviour.

scholarly journals The Historiolae in Belarusian Incantations

2021 ◽  
Vol 9 ◽  
pp. 80-112
Author(s):  
Tatsiana Valodzina ◽  
Keyword(s):  
Human Life ◽  
Present Moment ◽  
The Real ◽  
The Past ◽  
Ancient Times ◽  
Passion Of Christ ◽  
Different Levels ◽  
Specific Comparison ◽  
Christian History

The article deals with one of the most popular techniques in Belarusian magical medicine — the so-called historiolae, the essence of which is to recall precedent situations. This implies that the “disequilibrium of being, which has arisen in human life at the present moment (e.g. a disease), is restored according to a sacred pattern that took place in the past”. The texts declare connections between different levels of the worlds, past and present, but to the same extent between the microcosm and the macrocosm, erasing all distinctions between the real and the supernatural worlds. The present time of these charms prevents the transfer of the patient and the healer to ancient times of the myths. Instead, it is the sacred world that spreads around the requester. The most common form of such charms includes a narrative that relates certain events in Christian history, primarily describing the life of Christ or of one of the saints. A particular place among the narrative manifestations of historiolae is occupied by references to the Passion of Christ. These narratives, in turn, possess powerful life-affirming and healing potential. It is not the logical correspondence of a specific comparison in an incantation that is central, but the very desire to place the situation of treatment in an appropriate context. A number of texts from the author’s field records and archival materials are introduced here into scholarly circulation.

scholarly journals Padalka S.S., Kirilenko I.G., Vergunov V.A. Agrarian History of Ukraine: in Three Parts Part 1. From Ancient Times to the Beginning of the XXth century. Kyiv: Agrarian Science, 2019. 332p. Part II: Soviet Period 1917-1990 Kyiv: Agrarian Science, 2019. 458 p. Part III: The Period of Independence 1991-2018. Kyiv: Agrarian Science, 2019. 372p.

2021 ◽  
pp. 141-142
Author(s):  
Ivan Romaniuk ◽  
Keyword(s):  
Daily Life ◽  
Economic Life ◽  
Soviet Period ◽  
Xxth Century ◽  
The Past ◽  
Conscious Choice ◽  
History Of ◽  
Ancient Times ◽  
The Village ◽  
Reliable Basis

The article reviews the textbook in three parts, in which well-known authors using primarily source documents, the work of domestic and foreign researchers have revealed agrarian relations in Ukraine from ancient times to the present. Particular attention is paid to issues of change in agriculture, socio-economic life of the village, the environment of the peasantry, the daily life of the Ukrainian countryside. Knowledge of the experience of the past agrarian system can become a reliable basis for a conscious choice of optimal ways of further progress of Ukraine as a democratic and prosperous state.

scholarly journals KEBERLANJUTAN BUDAYA DI PELAJAU, KALIMANTAN SELATAN (THE CONTINUOUS CULTURE IN PELAJAU, SOUTH KALIMANTAN)

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Hartatik Hartatik
Keyword(s):  
Continuous Culture ◽  
Inductive Reasoning ◽  
Analysis Data ◽  
Upstream Region ◽  
The Past ◽  
Technological Artifacts ◽  
Ancient Times ◽  
Religion And Nationalism ◽  
Relationship Of

Pelajau merupakan sebuah kawasan pemukiman kuna yang dikelilingi oleh sungai mati dan kini terpecah menjadi beberapa desa. Beberapa toponim menandai ramainya aktivitas pemukiman masa itu, seperti Sumur Candi, Sumur Pemandian Raja, dan Masjid Keramat Pelajau. Tulisan ini bertujuan untuk mengidentifikasi peran Pelajau pada masa lalu dan hubungannya dengan situs pemukiman tepi sungai bagian hulu Kalimantan Selatan seperti situs Jambu Hulu, Jambu Hilir, dan Nagara. Metode penelitian yang digunakan adalah deskriptif dengan penalaran induktif. Teknik pengambilan data dengan observasi, wawancara dan ekskavasi, dengan analisis data secara laboratorium, morfologi dan teknologi artefak, serta pendekatan etnoarkeologi. Hasil dari penelitian ini menunjukkan bahwa Pelajau merupakan pemukiman tepi sungai mempunyai peranan yang penting terhadap perkembangan perekonomian, religi dan nasionalisme di wilayah hulu Kalimantan Selatan. Dari beberapa artefak dan tradisi yang hingga kini masih digunakan, disimpulkan bahwa budaya di Pelajau masih berlanjut dari masa dahulu hingga kini, meskipun sempat terjadi keterputusan generasi dan perubahan konsep pemaknaan terhadap Sumur Candi.Pelajau is an ancient settlement area surrounded by dead river, and nowadays it split into several villages. Some toponyms marked the high activities in the past, such as sumur candi (temple well), sumur pemandian raja (bath well of king) and Masjid Keramat Pelajau (Pelajau Sacred Mosque). This paper aims to identify the role of Pelajau in the pastand relationship of Pelajau with riverbank settlement sites at the upstream of South Kalimantan such as Jambu Hulu, Jambu Hilir and Nagara. The method used is descriptive with inductive reasoning. Data are collected through observation, interviews and excavation, and analysis data are conducted by laboratory, morphology and technological artifacts, as wellas ethnoarchaeological approach. Results from this study indicate that a riverbank settlement of Pelajau has an important role to the development of economy, religion and nationalism in the upstream region of South Kalimantan. Based on some artifacts and traditions which are still in use, it is concluded that the culture in Pelajau is continued from ancient times until present, eventhough there are disconnect generation and changeable concept of sumur candi (temple well) meaning.

scholarly journals Perfectly Boring? The Public Afterlife of Private Films

2021 ◽  
Author(s):  
◽  
Rosina Hickman
Keyword(s):  
Original Form ◽  
Online Video ◽  
The Public ◽  
Video Sharing ◽  
The Past ◽  
Home Movies ◽  
Widespread Belief ◽  
Image Archives ◽  
The Impact ◽  
Exhibition Strategies

<p>Home movies are now viewed in a variety of public contexts, a shift that entails a loss of their original meanings. In order to consider the impact of exhibiting these private documents, this thesis analyses the use of home movies within recycled footage productions, archival curation and online video-sharing. Investigating a variety of formal and informal screening contexts through close readings and archival research, it asks: what meanings do home movies acquire in new contexts? How might the reuse of home movies affect our understandings of their production and the past they portray? Does a perception that home movies could appear boring influence how they are framed or altered for public audiences?  Due to their form and content, home movies may seem ill-suited to public exhibition. Popular discourses about home movies during their heyday of production reveal a widespread belief that they were boring (for outsiders) to watch. While recent literature has assessed home movies more favourably, it has tended to overlook their potential to bore viewers who have no personal relationship to them. Drawing upon theories of boredom, this study argues meaningfulness is the principal factor determining whether a viewer finds a particular film interesting or boring. In their original form, home movies may appear relatively meaningless and therefore boring to public audiences. Recycled footage films re-edit images, however, to create engaging viewing experiences through narrative and affect. While more experimental productions frequently question the evidential value of home movie images, television documentaries tend to encourage audiences to perceive footage as authentic or nostalgic. Narrative and affect also feature in the exhibition strategies of moving image archives. Curated public programmes provide informative and enjoyable viewing for general audiences, but almost inevitably promote certain understandings of the past by offering specific interpretations of selected films. Moreover, the affective appeal of home movie images may outweigh other forms of meaning for viewers, particularly in community or participatory screening contexts. Online video-sharing platforms such as YouTube, which are curated by algorithms rather than human expertise, feature numerous home movies without any kind of framing or description. While this might seem profoundly boring, viewer comments suggest meaninglessness can foster imaginative and empathetic responses to home movies, often expressed as nostalgic longing. This propensity of home movie footage within different screening contexts to encourage nostalgic sentiments, or a belief that life was better in the past, has implications for collective memory and understandings of history. Moreover, the ability of at least some viewers to enjoy home movies in relatively contextless spaces suggests that in certain instances qualities associated with boredom may not be a significant impediment to meaningful experience after all.</p>

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