scholarly journals GEJALA SOSIAL PADA TIGA CERPEN KALIMANTAN TIMUR TAHUN 1980-AN

2021 ◽  
Vol 16 (2) ◽  
pp. 101
Author(s):  
Diyan Kurniawati

AbstrakPenelitian ini bertujuan untuk mengetahui gejala sosial yang terdapat dalam tiga cerpen Kalimantan Timur tahun 1980-an. Ketiga cepen tersebut berjudul “Kembali ke Desa”, Surat dari Kekasih”, dan “Keping Hati Menguak Badai”. Dengan teori sosiologi sastra, penelitian ini menganalisis berbagai gejala sosial yang terjadi dalam relasi tokoh dengan lingkungannya. Analisis menunjukkan bahwa gejala sosial yang terjadi pada ketiga cerpen tersebut berupa tokoh yang melakukan pertahanan eksistensinya dengan bermigrasi ke luar daerahnya. Di daerah baru tersebut tokoh mengalami konflik-konflik selama melakukan pertahanan eksistensi. Konflik-konflik yang terjadi menimbulkan tokoh mengambil keputusan untuk kembali ke daerahnya. Selain konflik-konflik, terdapat pula nilai-nilai sosial yang ditampilkan dalam relasi antarindividu. Nilai-nilai tersebut yaitu solidaritas dan empati. Analisis juga menunjukkan pula terdapat tujuan tokoh melakukan pertahanan eksistensi ke luar daerahnya bukan hanya untuk meningkatkan status ekokonomi dirinya, melainkan untuk kembali dan membangun daerahnya yang belum mengalami kemajuan. Tiga cerpen Kalimantan Timur tahun 1980-an menunjukkan gejala sosial manusia melalui pergulatan pertahanan eksitensi di luar daerahnya.Kata kunci: fenomena sosial, eksistensi, migrasiAbstract This study aims to determine the social phenomena in three East Kalimantan short stories in the 1980s. Those are “Kembali ke Desa”, “Surat dari  Kekasih”, and “Keping Hati Menguak Badai”. Using the theory of literature sociology, this research analyzes various social phenomena in characters’ relationship with their environment. The analysis shows that the social phenomena in those short stories are characters who defend their existence by migrating from his or her place.In their new environment, the characters experience conflicts while fighting for their existence. Those conflicts make them return to their old place. In addition, there are also social values portrayed in relationships between individuals, solidarity and empathy. The analysis also reveals that there is a purpose in defending their existence away from their home, not only to improve their economic status, but also to return and make their environment a better place. Those three short stories  show social phenomena through the struggle of defending existence away from their environment. Keywords: social phenomena, existence, migra

2020 ◽  
Vol 15 (2) ◽  
pp. 129
Author(s):  
Dwi Hariyanto

AbstrakPengkajian ini memaparkan gambaran kritik sosial dalam tiga cerpen yang dimuat dalam koran di Kalimantan Timur pada tahun 1980-an, yaitu  “Nomer”, “Suatu Sore di Pinggiran Desa”, dan “Tatkala Takbir Menggema”. Fenomena sosial di masyarakat dalam cerpen yang dimuat dalam media cetak berbentuk koran ini layak diungkapkan. Pengungkapan  fenomena sosial dalam tiga cerpen tersebut sangat diperlukan untuk melihat kondisi sosial masyarakat di tahun 1980-an karena pada tahun-tahun tersebut dapat dikatakan sebagai awal kemunculan  karya sastra berbentuk cerpen dalam media cetak berbentuk koran di Kalimantan Timur. Metode kualitatif digunakan penulis untuk mengungkapkan gambaran sosial yang terjadi pada tahun 1980-an di Kalimantan Timur. Pendekatan sosiologi sastra digunakan sebagai alat untuk mengungkapkan masalah sosial dalam tiga cerpen ini. Namun, sebagai pijakan awal, penulis akan memanfaatkan struktural untuk mengungkapkan salah satu unsur intrinsik yang terdapat dalam karya cerpen yang dibahas. Gambaran masalah sosial yang terdapat dalam tiga cerpen di atas adalah masalah kemiskinan, disorganisasi dalam keluarga, disorganisasi keluarga, generasi muda dalam masyarakat modern, pelanggaran terhadap norma masyarakat, kependudukan, lingkungan hidup, dan birokrasi. Kata kunci: kaltim, kritik sosial, koran, cerpen Abstract This study presents a picture of social criticism in three short stories published in newspapers in East Kalimantan in the 1980s, namely "Nomer", "Suatu Sore di Pinggiran Desa", and "Tatkala Takbir Menggema". Social phenomena in the society in those short stories are worth disclosing. It is necessary to see the social conditions in the society in the 1980s. It can be considered to be the beginning of literary works in the form of short stories in print media of newspapers in East Kalimantan. The author uses qualitative methods to reveal the social picture in the 1980s in East Kalimantan. It also uses the sociological approaches to literature to show social problems in these three short stories. However, as a starting point, the writer will use the structure to reveal one of the intrinsic elements in the short stories. Social problems in those short stories are poverty, disorganization in the family, family disorganization, young people in modern society, violations of social norms, demography, environment, and bureaucracy. Keywords: East Kalimantan, social criticism, newspaper, short stories  


KIRYOKU ◽  
2019 ◽  
Vol 3 (3) ◽  
pp. 150
Author(s):  
Yuliani Rahmah

 Shabondama is one of Yoshio Toyoshima's short stories that tells the story of a magician named Havons. Havons who is not willing to die of his son trying to restore his son's life with the help of a witch who gave him magic bubbles. With these bubbles Havons traveled while showing his magic.By using literature study approach this article will describe the social values during Havons' journey. Through the characters action and conflict this short story tried to implies a message of kindness to the surrounding community as a social values. As result it can be understood that  the characters in this short story teach social values that  refer to services between people, togetherness in life and  fair actions towards others. With these values Shabondama short story  has a social function as a literary work that teaches something in an entertaining way.


TOTOBUANG ◽  
2021 ◽  
Vol 9 (2) ◽  
pp. 301-313
Author(s):  
Bayu Suta Wardianto

Social society and socio-culture cannot be separated from each other. Therefore, literature was born as a product of society and culture. From these literary works, literary teaching materials with social and cultural background can be made. This study explains the social identity and local wisdom contained in the collection of Celurit Hujan Panas short stories by Zainul Muttaqin. In this study, the method used is the quality desriptive method. The data used comes from quotes on a collection of short stories of Celurit Hujan Panas. This research used listening and note-taking techniques. Research data analysis started from presenting the data, reducing the data, and analyzing conclusions. The results of this study show that the social identity contained in the story are namely (1) social structure, (2) social behavior, and (3) ontological definitions. Moreover, the values of local wisdom contained in the story are (1) culture, (2) beliefs, and (3) social values. Sosial masyarakat dan sosial budaya tidak bisa dipisahkan satu sama lain. Karena itulah, sastra lahir sebagai produk dari sosial dan budaya. Dari karya sastra tersebut, dapat dibuat bahan ajar sastra berlatar sosial dan budaya. Penelitian ini menjelaskan tentang identitas sosial dan kearifan lokal yang terkandung dalam kumpulan cerpen Celurit Hujan Panas karya Zainul Muttaqin. Metode yang digunakan dalam penelitian ini yaitu metode deksriptif kualititatif. Data yang digunakan berasal dari kutipan pada kumpulan cerpen Celurit Hujan Panas. Penelitian menggunakan teknik simak dan catat. Analisis data penelitian dimulai dari menyajikan data, mereduksi data, dan kesimpulan analisis. Penelitian ini menunjukkan hasil bahwa identitas sosial yang terkandung yaitu (1) struktur sosial, (2) tingkah laku sosial, dan (3) definisi ontologis. Nilai kearifan lokal yang terkandung adalah (1) nilai budaya, (2) kepercayaan, dan (3) nilai sosial. 


2021 ◽  
Vol 16 (1) ◽  
pp. 33
Author(s):  
Yudianti Herawati

AbstrakTujuan penelitian ini untuk mendeskripsikan struktur cerita dalam empat cerpen  terbitan surat kabar harian Manuntung periode 1988 terkait dengan tema dan nilai moral. Masalah dalam penelitian ini meliputi (1) bagaimana bentuk indentifikasi cerita dalam keempat cerpen yang terbit di Manuntung, (2) bagaimanakah tema dalam keempat cerpen yang terbit di Manuntung, dan (3) bagaimana pula nilai-nilai moral dalam keempat cerpen yang terbit di Manuntung. Penelitian ini bersifat kualitatif dengan memanfaatkan teknik deskripsi, sedangkan teori yang digunakan adalah pendekatan intrinsik. Teknik analitik juga digunakan untuk menentukan makna isi cerita dalam cerpen-cerpen tersebut sebagai objek penelitian. Hasil penelitin ini menunjukkan bahwa tema dalam keempat cerita pendek terbitan surat kabar Manuntung periode 1988 di Kalimantan Timur memiliki perwatakan dan karakteristik penceritaan yang berbeda, sedangkan nilai moral dalam cerpen-cerpen itu sebagai cerminan kehidupan yang dialami masyarakat dengan latar, waktu, dan lingkungan tertentu yang melatarbelakangi terjadinya peristiwa di lingkungan sosial dan budaya di Kalimantan Timur. Kata kunci: intrinsik, nilai, moral, sosial, budaya AbstractThe purpose of this study was to describe the structure of the story in the four short stories published by the 1988 Manuntung daily newspaper related to moral themes and values. The problems in this study include (1) what are the forms of story identification in the four short stories published in Manuntung, (2) what are the themes in the four short stories published in Manuntung, and (3) what are the moral values in the four short stories published in Manuntung. This research is qualitative by utilizing descriptive techniques, while the theory used is an intrinsic approach. Analytical techniques are also used to determine the meaning of the story content in the short stories as the object of research. The results of this study indicate that the themes in the four short stories published by the Manuntung newspaper in the 1988 period in East Kalimantan have different narrative characteristics and characteristics, while the moral values in the short stories reflect the life experienced by the community with a certain background, time and environment the background for the occurrence of events in the social and cultural environment of East Kalimantan.   Key words: intrinsic, value, moral, social, culture


2019 ◽  
Vol 14 (2) ◽  
Author(s):  
Aquari Mustikawati

AbstrakPenelitian ini menunjukkan gambaran resistansi penyimpangan kekuasaan pemegang kekuasaan dalam tiga cerpen Kalimantan Timur, yaitu “Banjirkap”, “Poniran” dan “Kota ini telah Terjual”. Masalah yang difokuskan dalam penelitian ini adalah bagaimana bentuk resistansi dan penyimpangan kekuasaan dalam tiga cerpen tersebut. Untuk memecahkan masalah dan mencapai tujuan digunakan metode kualitatif yang memerhatikan data alamiah sehingga penelitian dapat melibatkan sejumlah gejala sosial yang relevan, termasuk unsur-unsur kebudayaan. Dengan menggunakan teori resistansi Scott, tulisan ini menganalisis bentuk-bentuk penyimpangan kekuasaan terhadap masyarakat marginal. Hasil pembahasan menunjukkan bahwa tokoh di tiga cerita pendek tersebut melakukan resistansi terhadap penyimpangan kekuasaan dengan menyalahgunakan kekuasaan mereka yang berbentuk aksi penindasan terhadap masyarakat marginal. Berdasarkan pembahasan, penelitian ini menyimpulkan bahwa relasi kekuasaan adalah suatu bentuk legalitas untuk menindas masyarakat marginal, tetapi merupakan suatu ikatan saling menguntungkan.  Kata kunci: resistansi, penyimpangan kekuasaan, gejala sosial, cerpen  AbstractThis study reveals of resistance to power deviations from power holders in three short stories in East Kalimantan, namely "Banjirkap", "Poniran" and "Kota ini telah Terjual". The problem of this research is focused on what is the form of resistance and power deviation in the three short stories.To solve problems and achieve goals, qualitative methods are used that concern about original data that's include of relevant social phenomena and cultural elements. Using Scott's resistance theory, this paper analyzes resistance to power deviations against marginal society. The results of the discussion show that the characters in the three short stories resist the power deviations by abusing their power as oppression against marginalized communities. Based on the discussion, this study concludes that power relations are a form of legality to oppress marginal communities, but are a mutually beneficial bond.  Keywords: resistance, power deviation, social phenomenon, short stories  


2019 ◽  
Vol 12 (2) ◽  
pp. 53-80
Author(s):  
Sari Hanafi

This study investigates the preachers and their Friday sermons in Lebanon, raising the following questions: What are the profiles of preachers in Lebanon and their academic qualifications? What are the topics evoked in their sermons? In instances where they diagnosis and analyze the political and the social, what kind of arguments are used to persuade their audiences? What kind of contact do they have with the social sciences? It draws on forty-two semi-structured interviews with preachers and content analysis of 210 preachers’ Friday sermons, all conducted between 2012 and 2015 among Sunni and Shia mosques. Drawing from Max Weber’s typology, the analysis of Friday sermons shows that most of the preachers represent both the saint and the traditional, but rarely the scholar. While they are dealing extensively with political and social phenomena, rarely do they have knowledge of social science


Author(s):  
Solomon A. Keelson ◽  
Thomas Cudjoe ◽  
Manteaw Joy Tenkoran

The present study investigates diffusion and adoption of corruption and factors that influence the rate of adoption of corruption in Ghana. In the current study, the diffusion and adoption of corruption and the factors that influence the speed with which corruption spreads in society is examined within Ghana as a developing economy. Data from public sector workers in Ghana are used to conduct the study. Our findings based on the results from One Sample T-Test suggest that corruption is perceived to be high in Ghana and diffusion and adoption of corruption has witnessed appreciative increases. Social and institutional factors seem to have a larger influence on the rate of corruption adoption than other factors. These findings indicate the need for theoretical underpinning in policy formulation to face corruption by incorporating the relationship between the social values and institutional failure, as represented by the rate of corruption adoption in developing economies.


Author(s):  
Dira Herawati

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images


2019 ◽  
Vol 15 (2) ◽  
Author(s):  
Khatija Bibi Khan ◽  
Owen Seda

Feminist critics have identified the social constructedness of masculinity and have explored how male characters often find themselves caught up in a ceaseless quest to propagate and live up to an acceptable image of manliness. These critics have also explored how the effort to live up to the dictates of this social construct has often come at great cost to male protagonists. In this paper, we argue that August Wilson’s Ma Rainey’s Black Bottom and Joe Turner’s Come and Gone present the reader with a coterie of male characters who face the dual crisis of living up to a performed masculinity and the pitfalls that come with it, and what Mazrui has referred to as the phenomenon of “transclass man.” Mazrui uses the term transclass man to refer to characters whose socio-economic and socio-cultural experience displays a fluid degree of transitionality. We argue that the phenomenon of transclass man works together with the challenges of performed masculinity to create characters who, in an effort to adjust to and fit in with a new and patriarchal urban social milieu in America’s newly industrialised north, end up destroying themselves or failing to realise other possibilities that may be available to them. Using these two plays as illustrative examples, we further argue that staged masculinity and the crisis of transclass man in August Wilson’s plays create male protagonists who break ranks with the social values of a collectively shared destiny to pursue an individualistic personal trajectory, which only exacerbates their loss of social identity and a true sense of who they are.


Author(s):  
Oksana Galchuk

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.


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