TRANSFORMATION OF DALEM SPATIAL STRUCTURE AROUND JERON BETENG AREA, YOGYAKARTA

Abstract- Dalem or Prince’s House is a house given by Keraton Yogyakarta to Sultan’s relatives. Dalem is located in and around the Jeron Beteng area in Yogyakarta. Nowadays dalem has changing especially in the function and the spatial structure of dalem. Those changes are influenced by the increase population density and the modernization culture of the people who lived around the area of Jeron Beteng. The changes that arise in dalem, especially about the spatial structure, is an interesting thing to investigate. The purpose of this study id to understand the changes that occur in the dalem spatial structure and the aspects that experience the most of the changing in dalem.The research used descriptive method with qualitative approach by examining aspects of the region’s history and Javanese culture. Both of these aspects explain the existence of the culture and rituals that are carried continuously and become the basis for the formation of the spatial structure with spaces that are needed for supporting the rituals. The datas are obtain by conducting field observations, interviews, and literature studies. The analysis of dalem is reviewed by studying the culture and history of Yogyakarta and tha principles of Yogyakarta’s traditional architecture.This study attempts to reveal how the changes that occur in spatial structure in dalem by comparing the conditionsd of spatial structure based on the principles of Yogyakarta’s traditional architecture with current conditions of dalem. The spatial structure are discussed by orientation, function, shape, zoning, and mass arrangement of dalem. The result of this study found that the changes that occur in dalem begins with an increase of the population density and a modernization culture do that there is a need to change the function in dalem for maximizing the use of the space, changes in zoning space of the area, and the addition of mass to the mass arrangements. Key Words: Transformation, dalem, spatial structure, Jeron Beteng

Download Full-text

KESENIAN GENYE DI KABUPATEN PURWAKARTA (Kajian Struktural, Semiotik, dan Etnopedagogik)

LOKABASA ◽

10.17509/jlb.v6i1.3153 ◽

2015 ◽

Vol 6 (1) ◽

Author(s):

MOCHAMAD CAHYO SUCIPTO

Keyword(s):

Qualitative Approach ◽

Dance Music ◽

Educational Values ◽

Complete Structure ◽

Performance Time ◽

The People ◽

High Knowledge ◽

History Of ◽

Descriptive Method

Kesenian Genyé (KG) merupakan kesenian kréasi baru yang diciptakan oleh para seniman Purwakarta karena itu penelitian ini bertujuan untuk mendeskripsikan struktur, unsur sémiotik, dan nilai-nilai etnopedagogik dalam KG di Kabupaten Purwakarta. Metode yang digunakan dalam penelitian ini yaitu deskriptif pendekatan kualitatif. Dari hasil penelitian ditemukan: (1) struktur dalam KG terdapat sejarah KG, tahapan kegiatan KG, latar tempat KG, pelaku, waktu gelarnya, tarian, musik, dan peralatan dan kostum. (2) unsur sémiotik dalam KG berupa ikon, indéks, dan simbol yang terdapat pada kostum, musik, fisik peralatan dan kostum, serta pada tarian.(3) nilai-nilai étnopédagogik yang terdapat pada KG ada enam moral manusa (moral manusia ke Tuhan, moral manusia ke dirinya, moral manusia ke manusia, moral manusia ke alam, moral manusa ke waktu, dan moral manusa dalam mencapai katenangan lahir batin), catur diri insani (tinggi ilmunya, ta‟at agamanya, berbudaya, dan terampil); serta gapura panca waluya (sehat, baik, benar, pinter, dan aktif). Setelah dianalisis, KG merupakan kesenian yang mempunyai struktur yang lengkap karena dibentuk oleh beberapa jenis kesenian. Selain itu, kesenian ini penuh dengan nilai-nilai pendidikan yang berkaitan dengan pola hidup masyarakat yang bersih baik lahir maupun batin. AbstractThe Art of Genyé (KG –Kesenian Genyé) is a new art created by Purwakartan artists. This study aimed to describe the structure, semiotic elements, and ethnopedagogical values of KG in Purwakarta. This research employed descriptive method with qualitative approach. This research resulted several findings. First, the structure of KG contains the history of KG, its stage activity, backgrounds, actors, performance time, dance, music, equipment, and costumes. Secondly, the semiotic elements of KG cover the form of icons, indexes, and symbols that are found on costumes, music, equipment, costumes, and dances. Thirdly, based on the ethnopedagogical values, there are six human moral (toward God, toward self, toward fellow-human, toward nature, toward time, and in achieving inner and outer); catur diri insani (high knowledge, religious obedient, culture, and skilled); and the gapura panca waluya (healthy, good, true, intelligent, and active). Based on the analysis, KG is an art that has a complete structure because it is formed by some kinds of arts. In addition, this art is full of educational values related to the lifestyle of the people who are physically and mentally clean.

Download Full-text

Exploring the values of the local wisdom of kediri through harinjing and ceker inscription

SHS Web of Conferences ◽

10.1051/shsconf/20184200123 ◽

2018 ◽

Vol 42 ◽

pp. 00123

Author(s):

Ita Kurnia ◽

Alfi Laila

Keyword(s):

Human Resources ◽

Character Development ◽

Qualitative Approach ◽

Research Purpose ◽

Irrigation Systems ◽

Mutual Cooperation ◽

The People ◽

History Of ◽

Descriptive Method

Indonesia needs human resources in sufficient quantity and quality as a major supporter of development. To fulfill these human resources, education has a very important role is character development. One effort that can be done by the people of Kediri as an effort to build Indonesia is to use the values of local wisdom as a force. This values can be explored from Harinjing and Ceker Inscription which is located in Kediri, East Java. This research uses qualitative approach with descriptive method. The research purpose is to explore the potentials of local wisdom of Kediri people through (1) the history of Harinjing Inscription and (2) the history of Ceker Inscription. The results of this research that (1) The construction of embankments and holy buildings on the Serinjing River and the making of irrigation systems in Siman, Kepung, Kediri by Bhagawanta Bari proves that since the time of the kingdom, the people of Kediri have a caring to environmental and social, mutual cooperation, and religious character; (2) The people of Kediri also has the character of love of the homeland and faithful. This is evidenced through the inscriptions in Ceker found in the Sukoanyar, Mojo, Kediri.

Download Full-text

ANALISIS NILAI BUDAYA DALAM HIKAYAT BANTA AMAT JILID I DAN II KARYA T. A. SAKTI

Jurnal Metamorfosa ◽

10.46244/metamorfosa.v8i2.1123 ◽

2020 ◽

Vol 8 (2) ◽

pp. 231-244

Author(s):

Teuku Mahmud

Keyword(s):

Cultural Values ◽

Qualitative Approach ◽

Cultural Value ◽

Human Relationship ◽

Human Relations ◽

Relationship With God ◽

The People ◽

Data Source ◽

Mutual Care ◽

Descriptive Method

This study aims to describe the cultural values contained in the Hikayat Banta Amat Volume I and II by T. A. Sakti. Cultural value is very important to be studied in order to preserve the cultural heritage of the people of Aceh so that it can be known by the younger generation and re-cultivated in life in the present. The formulation of the problem raised in this study is how the cultural values contained in the Hikayat Banta Amat Volume I and II by T. A. Sakti. The data source in this research is Hikayat Banta Amat Volume I and II by T. A. Sakti. The selected data is each quotation that has a relation to cultural values in the saga. The approach and method used in this research is a qualitative approach and a descriptive method by describing the facts which are then followed by analysis. The cultural values analyzed in Banta Amat sects are grouped according to five categories, namely (1) cultural values in human relations with God, (2) cultural values in human relations with nature, (3) cultural values in human relations with other humans, (4) cultural values in human relations with society, and (5) cultural values in human relations with oneself. The results showed there were 37 quotations related to cultural values that exist in the Banta Amat saga, namely: (1) Cultural values in the human relationship with God there are 6 values in 24 quotes; a) Give thanks to God 3 quotes, b) Give to Allah the Prophet 1 quote, c) Pray and ask God 9 quotes, d) surrender to God 8 quotes, e) Fear God 1 quote, and f) Obey to worship God 2 quotes, (2) Cultural values in human relations with nature are found in 2 quotations about utilizing the forest, (3) Cultural values in human relations with other humans there are 3 values in 4 quotations; a) respect for others 2 quotes, b) say greetings 1 quote, and c) answer greetings 1 quote, (4) Cultural values in human relations with the community there are 3 quotes namely about mutual care, and (5) Cultural values in relationships humans with themselves there are 3 values in 4 quotes; a) Never give up 2 quotes, b) responsibility 1 quote, and c) hard work 1 quote. Based on the results of the study it can be seen that the cultural values in the human relationship with God are more numerous than the other values. This illustrates that the people of Aceh are religious and devout people who worship God. Suggestions from researchers that the people of Aceh continue to preserve cultural values such as the Banta Amat saga in daily life. Abstrak Penelitian ini bertujuan untuk mendeskripsikan nilai budaya yang terkandung dalam Hikayat Banta Amat Jilid I dan II Karya T. A. Sakti. Nilai budaya sangat penting untuk dikaji guna melestarikan warisan budaya masyarakat Aceh agar dapat diketahui oleh generasi muda dan kembali dibudidayakan dalam kehidupan pada masa sekarang. Rumusan masalah yang diangkat dalam penelitian ini adalah bagaimana nilai budaya yang terkandung dalam Hikayat Banta Amat Jilid I dan II Karya T. A. Sakti. Sumber data dalam penelitian ini adalah Hikayat Banta Amat Jilid I dan II karya T. A. Sakti. Data yang dipilih adalah setiap kutipan yang ada kaitannya dengan nilai budaya dalam hikayat. Pendekatan dan metode yang digunakan dalam penelitian ini adalah pendekatan kualitatif dan metode deskritif dengan mendeskripsikan fakta-fakta yang kemudian disusul dengan analisis. Nilai budaya yang dianalisis dalam hikayat Banta Amat dikelompokkan berdasarkan lima kategori, yaitu (1) nilai budaya dalam hubungan manusia dengan Tuhan, (2) nilai budaya dalam hubungan manusia dengan alam, (3) nilai budaya dalam hubungan manusia dengan manusia lain, (4) nilai budaya dalam hubungan manusia dengan masyarakat, dan (5) nilai budaya dalam hubungan manusia dengan diri sendiri. Hasil penelitian menunjukkan terdapat 37 kutipan yang terkait dengan nilai budaya yang ada dalam hikayat Banta Amat, yaitu: (1) Nilai budaya dalam hubungan manusia dengan Tuhan terdapat 6 nilai pada 24 kutipan; a) Bersyukur kepada Allah 3 kutipan, b) Berselawat kepada Nabi Allah 1 kutipan, c) Berdoa dan memohon kepada Allah 9 kutipan, d) menyerahkan diri kepada Allah 8 kutipan, e) Takut kepada Allah 1 kutipan, dan f) Taat beribadah kepada Allah 2 kutipan, (2) Nilai budaya dalam hubungan manusia dengan alam terdapat pada 2 kutipan tentang memanfaatkan hutan, (3) Nilai budaya dalam hubungan manusia dengan manusia lain terdapat 3 nilai pada 4 kutipan; a) menghormati orang lain 2 kutipan, b) mengucapkan salam 1 kutipan, dan c) menjawab salam 1 kutipan, (4) Nilai budaya dalam hubungan manusia dengan masyarakat terdapat 3 kutipan yaitu tentang rasa saling peduli, dan (5) Nilai budaya dalam hubungan manusia dengan diri sendiri terdapat 3 nilai pada 4 kutipan; a) Pantang menyerah 2 kutipan, b) tanggung jawab 1 kutipan, dan c) kerja keras 1 kutipan. Berdasarkan hasil penelitian dapat dilihat bahwa nilai budaya dalam hubungan manusia dengan Tuhan lebih banyak dari nilai yang lainnya. Hal ini menggambarkan bahwa masyarakat Aceh adalah masyarakat yang religius dan taat beribadah kepada Allah. Saran dari peneliti agar masyarakat Aceh terus melestarikan nilai budaya seperti pada hikayat Banta Amat dalam kehidupan sehari-hari. Kata Kunci: Hikayat, Nilai Budaya

Download Full-text

Tafsir Ilmi in Indonesia: History, Paradigm and Dynamic Interpretation

Insyirah: Jurnal Ilmu Bahasa Arab dan Studi Islam ◽

10.26555/insyirah.v4i1.4206 ◽

2021 ◽

Vol 4 (1) ◽

pp. 29-40

Author(s):

Rizki Firmansyah

Keyword(s):

Sixteenth Century ◽

Qualitative Approach ◽

Dynamic Interpretation ◽

History Of ◽

The One ◽

Promising Development ◽

Descriptive Method

Interpretation writing in Indonesia has been going on long enough. First appeared in sixteenth Century. A quiver of Indonesian interpretations after grows more and more. The motifs of interpretaation varied. Scientific interpretation is the one who took a role in this and it is said to have emerged in the 1980s to date. During that time, many of ilmi's interpretation have appeared in Indonesia. The Study attempts to unravel the history of ilmi's interpretation, paradim and ITS dynamic. The method used is a descriptive method with qualitative approach by restricting the focus of the work to ilmi's interpretation in Indonesia. The result of this Study suggest that Ilmi interpretation in Indonesia is dynamic and veried and is experincing promising development.

Download Full-text

Corporate Aesthetics and Communication in the Urban Arts and Visual Culture of Kumasi

Studies in Media and Communication ◽

10.11114/smc.v8i2.4932 ◽

2020 ◽

Vol 8 (2) ◽

pp. 21

Author(s):

A. E. Asante ◽

K. Opoku-Bonsu ◽

A. K. Ebehiakeh

Keyword(s):

Visual Culture ◽

Capital City ◽

Urban Art ◽

Cultural Transformations ◽

Cultural Life ◽

The Arts ◽

The People ◽

History Of ◽

Urban Arts ◽

Descriptive Method

Kumasi is the capital city of the Asante Kingdom of Ghana. Being the seat of the throne of the Asantehene, the King of Asante’s, Kumasi is widely acknowledged as the major cultural city of Ghana. A study of the history of the people of Kumasi reveals that culture and art permeates their everyday life. Scholars have done some studies on the arts and economics of Asante and how it reflects their cultural life. However, a scholarly analysis of how corporate aesthetics is reflected in the urban art and visual culture of Kumasi has not been explored. In the bid to achieve this main objective, the paper discusses the corporate identities and cultural transformations in Kumasi, billboards, corporate commerce and savings, consuming visual culture and family finance and urban fantasies. The study is qualitative in nature and employs the descriptive method to provide an accurate description of specific urban arts in Kumasi.

Download Full-text

MITOLOGI SAEDAH SAENIH: CERITA RAKYAT DARI INDRAMAYU

Patanjala Jurnal Penelitian Sejarah dan Budaya ◽

10.30959/patanjala.v8i3.13 ◽

2017 ◽

Vol 8 (3) ◽

pp. 333

Author(s):

Yuzar Purnama

Keyword(s):

Data Collection ◽

Moral Values ◽

Qualitative Approach ◽

Clear Picture ◽

Classification Analysis ◽

River Bank ◽

The People ◽

Traditional Arts ◽

Descriptive Method ◽

As If

Indramayu community still believe with the customs of his ancestors. In some areas, we can found the traditional arts, beliefs, ceremonies, games and story. On this occasion, the writers wanted to examine folklore mythology Saedah Saenih. The existences of Saenih Saedah story is very attached to some people in Indramayu, as if the story is real. The story is famous, and it appeared in the drama, lyrics, and even once made into a movie. The problems outlined in the form of questions, the myth of what is contained in the story Saedah Saenih? How far the myth Saedah Saenih for the community? what moral values that is contain in the story Saedah Saenih? This study aims are to get a complete and clear picture of the mythology in Saedah Saenih folklore. This study used a qualitative approach with descriptive method. The study begins literature, data collection, classification, analysis and reporting. In conclusion, the mythical story Saenih Saedah very attached to the people of Indramayu. The contents are considered real story is characterized by the belief that the existence Saenih still in the river Sewo in white crocodile manifestation. Compliance form of throw money, as it passes through the bridge Sewo to avoid disaster. They also believe Sarkawi transformed into a floating bale, Maemunah be pring ori, and Saedah into a tree on the river bank Sewo.

Download Full-text

LEARNING QUR'AN HADITS IN MADRASAH IBTIDAIYAH WITH MULTIDISCIPLINARY INTEGRATIVE APPROACH

ELEMENTARY: Islamic Teacher Journal ◽

10.21043/elementary.v5i2.2994 ◽

2017 ◽

Vol 5 (2) ◽

pp. 393

Author(s):

Salmah Fa’atin

Keyword(s):

Research Method ◽

Social Intelligence ◽

Core Competencies ◽

Social Attitudes ◽

Qualitative Approach ◽

Integrative Approach ◽

The Core ◽

History Of ◽

The Core Competence ◽

Descriptive Method

<p align="center"><em>This study discusses the study of Qur'an Hadith in Madrasah Ibtidaiyah with Multidisciplinary Integrative Approach. The purpose of this study is to describe and analyze the subjects of Al-Qur'an and Hadith in Madrasah Ibtidaiyah in the context of the Curriculum 2013, describing what is the theme of hadith in Madrasah Ibtidaiyah in the context of the 2013 curriculum and offers a model of Qur'an Hadith learning in MI. The research method used is qualitative approach with analytical descriptive method. The results suggest that the Qur'an and Hadith Subjects in the context of the 2013 Curriculum in Madrasah Ibtidaiyah not only emphasize the knowledge and spiritual aspects (Core Competencies 3 and 1), but further emphasizes the behavioral aspect as a manifestation of knowledge and spirituality contained in the Qur'an and Hadith that conditioned the birth of social attitudes (social intelligence), or often called the Core Competence. The themes of hadith in classes 1 and 2 of MI are Hadiths concerning the hygiene of Muslim history from Abu Malik al-Ash'ari, the Hadith about the superiority of the Qur'anic study of Bukhari's history of Uthman ibn Affan and Hadith on respect to Tirmizi's parents from Abdullah bin Umar. The learning model that can be used is by integrative multidispliner approach with subjects of civic and Indonesian education with storytelling method, field trip and video.</em></p>

Download Full-text

PERIBAHASA BAHASA REJANG

GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan ◽

10.47269/gb.v3i2.18 ◽

2017 ◽

Vol 3 (2) ◽

pp. 235-247

Author(s):

Indah Pujiastuti

Keyword(s):

Content Analysis ◽

Qualitative Approach ◽

Customary Law ◽

Oral Literature ◽

Social Fabric ◽

Social Community ◽

The People ◽

The Social ◽

Written Form ◽

Descriptive Method

AbstrakPeribahasa merupakan ungkapan tradisional yang menjadi bagian dari sastra lisan. Di Masyarakat Rejang, peribahasa tersebut dimunculkan secara lisan di acara adat seperti pernikahan dan dimunculkan dalam peraturan adat Rejang. Penelitian ini bertujuan untuk mendeskripsikan peribahasa dari Msayarakat Rejang khususnya masyarakat Kabupaten Rejang Lebong. Peribahasa tersebut dideskripsikan dari aturan adat yang sudah direkam dalam bentuk tulis yaitu Kelpeak Ukum Adat (Hukum Adat Rejang). Penelitian ini juga untuk mengetahui fungsi dari peribahasa tersebut. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif yang bersumber dari hukum adat Rejang yaitu Kelpeak Ukum Adat Ngen Riyan Ca’o Kutei Jang yang memuat tentang tata cara bermasyarakat, hak dan kewajiban masyarakat, adat pernikahan, warisan, tarian, kepemimpinan, busana, bahasa, dan tulisan. Penelitian ini menitikberatkan pada analisis dokumen. Hasil yang didapatkan, bahwa 29 peribahasa yang ditemukan dalam hukum adat tersebut membahas tentang tatanan hidup masyarakat Rejang. Peribahasa tersebut berfungsi sebagai nasihat, larangan, teguran, pengajaran, gambaran tatanan sosial bermasyarakat. Kata Kunci: Peribahasa, Suku Rejang, Hukum Adat AbstractProverbs are traditional expressions that are part of oral literature. In Rejang Community, the proverb was raised orally in traditional events such as weddings and raised in the Rejang customary law. This study aims to describe the proverbs of Msayarakat Rejang, especially the people of Rejang Lebong Regency. The proverb is described from customary rules that have been recorded in written form of Kelpeak Ukum Adat (Custom Rejang Law). This research is also to know the function of the proverb. This research used qualitative approach with descriptive method that comed from customary law of Rejang namely Kelpeak Ukum Adat Ngen Riyan Ca’o Kutei Jang which contains about social, community and rights, customs, and writing. This study focused on content analysis. The results obtained, that the 29 proverbs found in the customary law is about the life order of the Rejang community. These proverbs serve as advice, prohibitions, admonitions, teachings, images of the social fabric of society. Keywords: Proverb, Rejang Community, Customary Law

Download Full-text

Da'wa, Keris, and Community Elites in Java

Proceedings of International Conference on Da'wa and Communication ◽

10.15642/icondac.v3i1.468 ◽

2021 ◽

Vol 3 (1) ◽

pp. 199-214

Author(s):

Muchammad Ismail ◽

Sholih Mu'adi

Keyword(s):

Cultural Capital ◽

Cultural Heritage ◽

Research Methods ◽

Participant Observation ◽

Phenomenological Approach ◽

Qualitative Approach ◽

Islamic Perspective ◽

The People ◽

History Of

The keris is recognized as an heirloom by the people of the archipelago until now it is still interesting to study. Why is that. It is undeniable that many people are pro and contra of the keris cultural heritage. This study is to see people’s view on Keris. This study uses a qualitative approach with a phenomenological approach. One of the research methods used is participant observation The results of the data findings there are three discussions, among others; a) the history of the keris has existed since the Hindu-Buddhist era in Java. Keris comes from the Keker language and Aris Kekeran means fence (barrier, warning, control). Meanwhile, Aris means calm, steady, smooth. b) Keris in the Islamic perspective, Islam does not prohibit owning a keris because it is an asset of cultural capital in religion for preaching by the elite of society. c) the form of elite behavior in the possession of a keris there is a moderating attitude that the keris must be preserved to the community including the elite making it the object of the keris as a medium of da'wah d). keris as a moral and ethical symbol, during the movement of the Walisongo the keris was not just a noble iron aji, but in it contained the values and philosophy of the meaning of exemplary life, the keris for its owner was the embodiment of prayer to God by the master to the owner of the keris.

Download Full-text

PEMASANGAN DAN PERAWATAN LENSA KONTAK LUNAK TORIK PADA PENDERITA ASTIGMATISMUS

Jurnal Ilmu dan Teknologi Kesehatan ◽

10.33666/jitk.v9i1.63 ◽

2018 ◽

Vol 9 (1) ◽

Author(s):

Didik Wahyudi

Keyword(s):

Contact Lens ◽

Qualitative Approach ◽

Special Design ◽

Literature Study ◽

The People ◽

The World ◽

High Motivation ◽

The One ◽

The Right ◽

Descriptive Method

Kelainan refraksi telah banyak terjadi di dunia termasuk di indonesia, dengan jenis kelainan yang berbeda salah satunya adalah kelainan refraksi astigmatisma. Astigmatisma dapat dikoreksi dengan kacamata maupun lensa kontak. Namun para penderita astigmatisma pada umumnya hanya menggunakan lensa kontak spheris dan jarang menggunakan lensa kontak torik yang telah didesain khusus untuk menanggulangi astigmat.Tujuan dilakukannya penelitian ini adalah untuk mengetahui hubungan prosedur pemasangan dan perawatan lensa kontak lunak torik pada penderita astigmatismus di Optik Metro Semarang.Penelitian ini dilakukan dengan menggunakan metode deskripstif dengan pendekatan kualitatif dengan teknik pengumpulan data berupa observasi, wawancara dan studi pustaka.Hasil penelitianberdasarkan jumlah penderita dan distribusi kelainan refraksi di Optik Metro sejak tanggal 13 – 20 Agustus 2016, menunjukan bahwa jumlah penderita astigmatisma yang datang sebanyak 13,0% dengan jenis penanggulangan menggunakan lensa kontak lunak torik sebanyak 2,2%. Hasil anamnesa menunjukan bahwa pasien mempunyai motivasi tinggi untuk menggunakan lensa kontak serta menunjukan hasil inspeksi observasi yang baik terhadap mata pasien. Prosedur pemasangan lensa kontak dilakukan secara urut dengan menggunakan trial lensa kontak lunak torik berdasarkan pemilihan base curve, diameter dan power. Penilaian lensa kontak lunak torik secara khusus memperhaikan rotasi lensa kontak yang ditandai dengan pergeseran tanda referensi. Dalam penelitian ini ditemui pada mata kiri tanda referensi bergeser 50 berlawanan arah jarum jam, dan pada mata kanan bergeser 100 searah jarum jam. Sistem perawatan lensa kontak lunak torik dilakukan dengan cara memberikan edukasi pada pengguna tentang perawatan yang baik dan benar dalam penggunaan lensa kontak. Dari penelitian ini dapat disimpulkan bahwa prosedur pemasangan lensa kontak lunak torik telah dilakukan dengan cara yang benar dengan memperhatikan penilaian fitting yang baik. Sistem perawatan lensa kontak lunak torik pada penderita lensa kontak lunak torik pun dilakukan dengan baik menggunakan berbagai macam sistem perawatan.Kata Kunci : astigmatisma dan lensa kontak lunak tori THE CONSTRUCTION AND CARING OF TORIK CONTACT LENS FOR ASTIGMATISMThe disorder of refraction has been happened in the world, include Indonesia, the disorder of astigmatism disorder is the one of difference disorder. The astigmatism can be defined by glasses or soft lens. However, the people who get astigmatism wear spheris soft lens in general and they often wear torik soft lens with special design to prevent astigmatism. The research objective is to know the relation between the procedure of the construction and caring of soft lens of torik for astigmatism in Optik Metro Semarang. This research uses the descriptive method with qualitative approach by using observation, interview, and the literature study as the data collection. The result of this research based on the total of disorder and the distribution of refraction in Optik Metro since 13-20 August 2016, showed that the total astigmatism are 13,0 % and the type of repairing using contact lens are 2,2%. The result stated the patient have the high motivation to use the contact lens and give the better impact for the patient. The procedure of contact lens construction will be done orderly using trial torik contact lens based on the curve based choosing, diameter and power. The assessing of torilk contact lens are attending the rotation of contact lens those are signed by displacement of reference. In this research the left eye with reference eye is shifting 5º opposite directions the clock, and the right eye is shifting 10º in a clockwise direction. The system of contact lens caring will be accomplished by educated the user about the how to care the contact lens wisely. The research conclude that the construction and the caring are running well based on the procedure.Key Words : Astigmatism, torik contact lens.

Download Full-text