scholarly journals Kesempurnaan Wong Menak dalam Wayang Sasak

Panggung ◽  
2018 ◽  
Vol 28 (3) ◽  
Author(s):  
Muh. Syahrul Qodri
Keyword(s):  
Roland Barthes ◽  
Main Character ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Cultural Codes ◽  
Semiotic Perspective

AbstractThe problem discussed in this article is the values of perfection in the main character of Jayengrana in Wong Menak story of Wayang Sasak in its relation to other figures in the puppet. To explore this issue, the analysis method used is Roland Barthes’ semiotic perspective. Data were collected from interviews and literature study. After applying the stages of semiotic analysis, which is based on 5 codes of Roland Barthes’ semiotics (i. e. hermeneutic, connotation, symbolic, proaretic, and cultural codes), it can be concluded that the perfection of Wong Menak story lies on the glory of himself as wong menak as represented through the his nicknames which prevails on every journey of life. This is because of his ability to manage the five characters that exist in companions and manifest themselves in wong menak itself. Keywords: perfection, wong menak, puppet sasak. AbstrakMasalah yang dibahas dalam artikel ini adalah tentang nilai kesempurnaan yang dimiliki oleh tokoh utama Jayengrana dalam Wong Menak di dalam Wayang Sasak yang dikaitkan dengan tokoh-tokoh lainnya dalam wayang tersebut. Untuk mengupas persoalan tersebut, metode analisis yang digunakan adalah semiotika perspektif Roland Barthes. Data yang dianalisis adalah data dari hasil wawancara dan studi pustaka. Setelah melewati tahapan analisis semiotika yang berlandaskan pada lima kode Roland Barthes (yaitu kode hermeneutik, konotatif, simbolik, proaretik, dan kode kultural), dapat ditarik sebuah kesimpulan bahwa kesempurnaan Wong Menak terletak pada kejayaan dirinya sebagai wong menak yang direpresentasikan lewat nama-nama julukan yang disandangnya, sehingga senantiasa berjaya pada setiap perjalanan kehidupannya. Hal ini disebabkan oleh kemampuannya mengelola kelima karakter yang ada pada diri sahabat-sahabatnya dan  menyatu dalam diri wong menak itu sendiri. Kata kunci: kesempurnaan, wong menak, wayang sasak

scholarly journals REPRESENTASI KESENJANGAN SOSIAL DALAM FILM PARASITE (ANALISIS SEMIOTIKA ROLAND BARTHES)

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Patmawati Patmawati
Keyword(s):  
Social Inequality ◽  
Living Environment ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Education Inequality ◽  
The Social ◽  
Education Fever ◽  
Two Stages

This study aims to identify the social inequality represented in the film Parasite. This research uses Roland Barthes' semiotic analysis method which consists of two stages of marking, namely denotation and connotation. Supporting data in this study uses literature study to obtain relevant theories and data that can be used to solve problems. The results showed that in denotation and connotation there is a meaning of social inequality in the Parasite film which is shown through several markers in the form of audio and visual. Forms of social inequality such as education inequality, inequality in living environment, gap of opportunity. Surrounding myths such as the myth of education fever and the sanpo generation. Meanwhile, the ideology that surrounds it is the ideology of individualism, which is delivered by the capitalist economic system.

scholarly journals Representasi Pendidikan Seks dalam Film Dua Garis Biru (Analisis Semiotika Roland Barthes)

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 155
Author(s):  
Eartha Beatricia Gunawan ◽  
Ahmad Junaidi
Keyword(s):  
Data Collection ◽  
Sex Education ◽  
Research Method ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Role Of Parents ◽  
Descriptive Qualitative

This study aims to describe the representation of sex education in the film Dua Garis Biru by director Gina S. Noer. This study uses a descriptive qualitative approach. The research method uses Roland Barthes's semiotic analysis with two-way significance and the meaning of denotation, connotation, and myth. The subjects of this study are Dara and Bima, the object of this study is a sign of sex education represented in scenes, dialogues, and characters in films. Methods of data collection by observation, literature study, interviews, and documentation. The film Dua Garis Biru tells the story of how Dara and Bima, two teenagers, must be responsible for the consequences that they did not think of before due to free sex. This film also illustrates the important role of parents in communicating information about sex to children. The results of this study indicate that there is a picture of sex education in the film Two Blue Lines. It was concluded that the side or form of sex education is displayed in scenes, dialogues, or characters that insert the importance of knowing sex education and knowing the consequences of every action related to sex. Penelitian ini bertujuan untuk menggambarkan representasi pendidikan seks  dalam Film Dua Garis Biru karya sutradara Gina S. Noer. Penelitian ini menggunakan pendekatan kualitatif deskriptif. Metode penelitian menggunakan Analisis Semiotika Roland Barthes dengan signifikan dua arah dan pemaknaan denotasi, konotasi, dan mitos. Subjek penelitian ini adalah Dara dan Bima, objek penelitian ini adalah tanda pendidikan seks yang direpresentasikan dalam adegan, dialog, dan karakter dalam film. Metode pengumpulan data dengan observasi, studi pustaka, wawancara, dan dokumentasi. Film Dua Garis Biru bercerita tentang bagaimana Dara dan Bima, dua remaja harus bertanggung jawab atas konsekuensi yang tidak mereka pikirkan sebelumnya karena melakukan seks pranikah. Film ini juga menggambarkan pentingnya peran orang tua dalam mengkomunikasikan informasi tentang seks kepada anak. Hasil dari penelitian ini menunjukkan bahwa terdapat gambaran tentang pendidikan seks dalam film. Sisi atau bentuk pendidikan seks ditampilkan dalam cuplikan adegan, dialog, atau karakter tokoh yang menyisipkan pentingnya mengenal pendidikan seks dan mengetahui konsekuensi dari setiap perbuatan yang berhubungan dengan seks.

scholarly journals PESAN MORAL PERNIKAHAN PADA FILM WEDDING AGREEMENT (ANALISIS SEMIOTIKA ROLAND BARTHES)

2020 ◽  
Vol 5 (9) ◽  
Author(s):  
Nita Khairani Amanda ◽  
Yayu Sriwartini
Keyword(s):  
Mass Media ◽  
Everyday Life ◽  
Cultural Values ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Descriptive Research ◽  
Effective Media ◽  
Mutual Relations ◽  
One Year

<p align="center"><strong>ABSTRAK</strong></p><p>Media massa film dipilih sebagai media yang paling efektif dalam menyampaikan pesan, karena film dapat digunakan sebagai media pembelajaran melalui pesan yang direpresentasikan ke dalam adegan atau narasi cerita. Pelajaran yang dapat diambil berupa pesan moral, atau salah satunya tentang pesan moral pernikahan yang terkandung dalam Film <em>Wedding Agreement. </em>Film ini membahas sisi kehidupan pernikahan yang dipermainkan, dengan adanya perjanjian pernikahan yang menyebutkan pasangan akan bercerai usai satu tahun pernikahan.<em> </em>Jenis penelitian yang digunakan adalah kualitatif  dengan  sifat  penelitian  deskriptif.<em> </em>Penelitian ini mengunakan metode analisis semiotika Roland Barthes, dalam analisis ini terdapat tiga hal inti yang menjadi fokus yaitu makna Denotatif, Konotatif, dan Mitos yang digunakan peneliti sebagai panduan untuk melihat pengambaran terkait pesan moral pernikahan yang tergambar disetiap adegan film. Data yang didapatkan dalam penelitian ini bersumber dari aplikasi Iflix yang menayangkan Film <em>Wedding Agreement </em>dan<em> </em>digabungkan dengan buku-buku yang membahas mengenai film dan pesan moral pernikahan. Hasil penelitian yang menunjukan bahwa representasi pesan moral pernikahan yang tampil dalam film <em>Wedding Agreement, </em>adalah berupa pemenuhan hak dan kewajiban seorang suami istri. Seperti, kewajiban saling menjaga hubungan, mencintai satu sama lain, menghormati satu sama lain, dan memenuhi kebutuhan rumah tangga. Dalam film ini sutradara ingin menonjolkan sisi bagaimana cara seorang pasangan untuk menjaga hubungan mereka dengan menggabungkan nilai budaya pernikahan indonesia dan nilai-nilai pernikahan agama islam yang dapat dijadikan sebuah pembelajaran bagi penonton film <em>Wedding Agreement.</em> Selain itu, film ini tidak hanya memiliki pesan moral pernikahan, tetapi terdapat pesan moral lainnya yang berhubungan dengan kehidupan sehari-hari.</p><p> </p><p><strong>Kata Kunci : </strong>Kata Kunci : Semiotika, Film, Pesan Moral Pernikahan</p><p><strong> </strong></p><p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>Film mass media was chosen as the most effective media in conveying messages, because film can be used as a learning medium through messages that are represented in scenes or narratives of stories. Lessons can be taken in the form of moral messages, or one of them is about the moral messages of marriage contained in the Film Wedding Agreement. This film discusses the side of married life being mocked, with a marriage agreement that says the couple will divorce after one year of marriage. This type of research is qualitative with the nature of descriptive research. This study uses Roland Barthes's semiotic analysis method, in this analysis there are three core things that are the focus, namely the Denotative, Connotative, and Mythical meaning used by researchers as a guide to see the depiction of marriage moral messages drawn in each film scene. The data obtained in this study is sourced from the Iflix application that shows Film Wedding Agreement and is combined with books that discuss the film and the moral message of marriage. The results showed that the representation of the moral message of marriage that appears in the film Wedding Agreement, is in the form of fulfilling the rights and obligations of a husband and wife. Like, the obligation to maintain mutual relations, love one another, respect each other, and meet the needs of the household. In this film the director wants to highlight the side of how a couple to maintain their relationship by combining the cultural values of Indonesian marriage and the values of Islamic religious marriage that can be used as a lesson for filmmakers of the Wedding Agreement. In addition, this film not only has a moral message of marriage, but there are other moral messages related to everyday life.</em></p><p><strong><em>Keywords: </em></strong><em>Semiotics, Film, Marriage Moral Message</em></p>

scholarly journals Kajian Semiotika Roland Barthes pada Poster Unicef

2020 ◽  
Vol 3 (2) ◽  
pp. 726-733
Author(s):  
Junisti Tamara
Keyword(s):  
Developing Countries ◽  
Data Analysis ◽  
United Nations ◽  
Qualitative Method ◽  
Humanitarian Assistance ◽  
Roland Barthes ◽  
Human Beings ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Art And Design

United Nations Children's Fund (UNICEF) is an organization from the United Nations that provides humanitarian assistance and welfare development to children and their mothers in developing countries. Until now, UNICEF has published numerous posters containing appeals and warnings to help fellow human beings who are experiencing difficulties. However, some of the posters are difficult to translate directly. This study aims to determine how best to understand the message conveyed by the UNICEF posters. As well as knowing the denotation, connotation and ideology in UNICEF posters. The method used in this research is descriptive qualitative method. The data analysis used is semiotic analysis based on Roland Barthes' theory, namely the meaning of the signifier, signified to determine the meaning of denotation, connotation and ideology on the UNICEF poster. The overall results in this study explain that by utilizing the semiotic analysis method, posters that look quite confusing can be easily understood. Semiotics presents a sequence of processes so as to deliver a work of art and design as steps that can be explained in a structured manner.

scholarly journals MAKNA SIMBOL PANCA JIWA (Analisis Semiotika Roland Barthes)

MEDIAKITA ◽  
2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Nujhan, M. Rifai
Keyword(s):  
Roland Barthes ◽  
Semiotic Analysis ◽  
Literature Study ◽  
The Media

Many meanings are contained in one word that is spoken or written so that it is not interpreted. The research raises the meaning of the Five Souls of Modern Darussalam Gontor Cottage (PMDG) as the object of research. Because the five souls of the media have messages, language, and meanings relatedto the signs in the life of the students of each sign have relations, so that it produces meaning that depends on the perspective of the text reader, this study aims to find the meaning of the five souls of PMDG. This study used a literature study. The study of signs or semiotics, researchers used Roland Barthes’s semiotic analysis of signified, signifier, denotative, connotative and also myths. This study found meaning as follows: soul sincerity means sincere lill, simplicity does not mean destitute, selfsufficient able to work alone, Ukhuwwah Islam a way of socializing and freedom as an act of values that includes all the arrangements that animate the cottage so as not to get out of bounds. This research is expected to be able to help improve students’ understanding of the five PMDG souls, so that at least become a developer for the progress of Pondok.Keywords: the Five Souls of Darussalam Gontor Modern Cottage, Semiotic Analysis of Roland Barthes,Meaning

scholarly journals Representation of Gossip Culture in the ˋˋTilik'' Short Movie on YouTube

2021 ◽  
pp. 186-193
Author(s):  
Rieka Mustika ◽  
Lidya Agustina
Keyword(s):  
Public Education ◽  
Qualitative Method ◽  
Body Language ◽  
Roland Barthes ◽  
Short Film ◽  
Main Character ◽  
Semiotic Analysis ◽  
The Social ◽  
Group Members

“Tilik” is the title of a short film that tells the social reality of everyday life in Javanese society. This film received a lot of attention and appreciation, and was watched by millions of viewers on YouTube. Throughout the film, the contents of the story are dominated by gossip activities. This research aimed to describe the representation of gossip displayed in the movie “Tilik” and to reveal the function of gossip. Foster’s study suggests four primary gossip functions: information, entertainment, friendship and influence. Descriptive qualitative method were used and the results were analysed using semiotic analysis by Roland Barthes. The results indicate that gossip activities in the film “Tilik” display, among other things, the function of information. This can be seen when the group that wants to meet up in the truck shared a story discussing gossip about Dian’s character. Second, the entertainment function is also seen when talking about gossip: they are listening, enjoying and laughing. Furthermore, the friendship function can be seen in the sharing norms of in-group members. Finally, the role of influence can be seen from the main character, namely Mrs. Tejo, with her body language trying to convince and lead the opinions of group members. Yu Ning’s character became an outsider because she disagreed with the sentiment. The message conveyed in this film is that people must start using technology and keep up with the changes. This film also describes the hoax phenomenon in society, where information that is conveyed is sometimes not true. So public education is needed to confirm the truth of the information circulating on social media. Keywords: film, gossip, representation

scholarly journals ANALISIS METODE DAKWAH DALAM FILM AYAT-AYAT CINTA 2

2020 ◽  
Vol 12 (1) ◽  
pp. 67-73
Author(s):  
Abdul Wahab ◽  
Nurul 'Ainin Nafi'ah
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Data Collection Technique ◽  
Genre Film

Ayat-Ayat Cinta 2 the movie is a continuation of the previous film, Ayat-Ayat Cinta. This religious genre film is an adaptation of a novel by Habiburrahman El Shirazy with the same title. This research was conducted to examine the Analysis of Da'wah Method conducted by Fahri in Ayat-Ayat Cinta 2 the movie. This study uses a type of qualitative research with Roland Barthes's semiotic analysis method that examines the meaning of denotation, connotation and myth. The data collection technique used is documentation by analyzing scenes and dialogs on film scene footage. From the results of this study, it was found that the method of da'wah in Ayat-Ayat Cinta 2 the movie is the method of bil hikmah, bil mauidzah hasanah, mujadalah and exemplary (demonstration). The dominant method of da'wah is the da'wah method of wisdom and example (demonstration). Keywords : Method of Da'wah, Movie, Roland Barthes's Semiotic Film Ayat-ayat Cinta 2 merupakan kelanjutan dari film sebelumnya, Ayat-ayat Cinta. Film yang bergenre religi ini merupakan film adaptasi dari novel karya Habiburrahman El Shirazy dengan judul yang sama. Penelitian ini dilakukan untuk menelaah tentang Analisis Metode Dakwah yang dilakukan oleh Fahri dalam Film Ayat-Ayat Cinta 2. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode analisis semiotik Roland Barthes yang mengkaji makna denotasi, konotasi dan mitos. Teknik pengumpulan data yang digunakan yaitu dokumentasi dengan cara menganalisa adegan dan dialog pada cuplikan scene film. Dari hasil penelitian ini, ditemukan bahwa metode dakwah dalam film Ayat-ayat Cinta 2 yaitu metode bil hikmah, bil mauidzah hasanah, mujadalah dan keteladanan (demonstrasion). Adapun metode dakwah yang dominan adalah metode dakwah bil hikmah dan keteladanan (demonstrasion). Kata Kunci : Metode Dakwah, Film, Semiotik Roland Barthes

scholarly journals REPRESENTASI DAKWAH MAGIS (ANALISIS SEMIOTIKA DALAM YOUTUBE KANG UJANG BUSTHOMI CIREBON)

MEDIAKITA ◽  
2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Lukman Al Farisi, Zidni Ilman Nafia, Moh Muslimin
Keyword(s):  
Social Media ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Religious Symbols ◽  
Religious Rituals ◽  
The Media ◽  
Use Of Social Media

This study aims to describe the representation of the magical da'wah of Kang Ujang Busthomi Cirebon associated with the use of social media Youtube. The diversity of media used by da'i has also become a concern for researchers to re-examine the value of the effectiveness of the media as a medium of preaching. This study uses a qualitative approach using the semiotic analysis method of Roland Barthes. This method is used to read various signs and signs marking the magical da'wah of Ustad Ujang Busthomi which contains messages that are conveyed to viewers and subscribers. The results show that the representation of magical da'wah in various symbols refers to the battle of religious symbols and symbols of polytheism. This is shown through display symbols such as the use of magical objects, irrational and non-physical magical readings that are collaborated with religious rituals as seen in Islamic teachings.Keywords: Representation, Da'wah, Magis, Youtube. 

scholarly journals Representation of Muslim Woman’s Identity in “Assalamualaikum Calon Imam” Movie.

MEDIASI ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 79-90
Author(s):  
Khairul Syafuddin
Keyword(s):  
Muslim Women ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Women's Fashion ◽  
Reading Texts

Muslim women who were initially seen as women who focused on religion, in this film showed that Muslim women are also capable of being an academic and have other activities that tend to be done by men. This study aims to determine how the identity of modern Muslim women is shown through film media. This research uses Roland Barthes semiotic analysis method. This semiotic analysis focuses on reading texts through the stages of reading denotative meanings, connotative meanings, and then connecting with myths in analyzing the signs that are shown through scenes in the film. The results of this study indicate that Muslim women played by Fisya presented that women have the freedom to choose fashion and activity. Muslim women's fashion shown through the character Fisya is adjusted through the activities she does, thus showing that Muslim women's fashion can adjust to the situation. In addition, the activity also shows that Muslim women also have the freedom to determine what they want, starting in terms of academics and hobbies.

scholarly journals Semiotic analysis of the poetry "Morgenlied" by Martin Opitz

2021 ◽  
Vol 7 (3) ◽  
pp. 430
Author(s):  
Prilimercy E. Kojongian
Keyword(s):  
Content Analysis ◽  
Data Collection ◽  
Moral Values ◽  
Qualitative Approach ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Sign System ◽  
Content Analysis Method ◽  
Data Collection Technique

A This study aims to examine the sign system in the form of icons, indexes, and symbols and to interpret the meanings and messages as well as moral-religious values contained in the poem "Morgenlied" by Martin Opitz. The method used is a content analysis method with a qualitative approach based on semiotic analysis. This method serves to examine the poem "Morgenlied" by Martin Opitz, especially on the sign system in the form of icons, indexes, and symbols as well as religious moral values contained in the poem. While the data collection technique is a literature study. Based on the semiotic analysis, this poem contains a religious element in the form of a prayer of thanksgiving to God for His mercy and glory.

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