scholarly journals HISTORY OF ANTHROPOLOGICAL RESEARCHES OF BELARUSIAN CHILDREN, TEENAGERS AND YOUTH (the end of 19th– the beginning of the 21st century)

Author(s):  
O. V. Marfina

The work purpose is to present history of anthropological study of physical development of the Belarusian children, teenagers and youth. This story originates at the end of the 19th century, at that time the anthropological science endured the period of the formation. In 1920 one of national objectives was health protection of younger generation; systematic study of physical development of the children’s population of BSSR began to be carried out. In the same time uniform methodical approaches were developed, mathematical data processing was introduced. Standards of physical development of the Belarusian children were for the first time created. In 1950 mass researches of health and physical status of children and teenagers in our republic were conducted by forces of doctors and hygienists. Results of their work allowed to establish dynamics and to reveal the main regularities of formation of a children’s organism. New age and sex standards of physical development of school children were created. Since 1970, the staff of department of anthropology of Institute of history NAN of Belarus conducts systematic complex researches of physical development of children, teenagers and youth. Researches include studying of intra group distinctions taking into account growth rates and definition like somatic development. Researches include studying of intra group distinctions taking into account growth rates and definition like somatic development. Thanks to this work in our republic the results illustrating the most important epoch-making regularities of physical development of newborns, preschool children, pupils of schools including acceleration process were received. In historical aspect the most important direction of anthropological researchers at the present stage is monitoring of physical development of the children’s population of Republic of Belarus. Reduction of massiveness of a skeleton was observed in consequence of which a thinner constitution of modern children at the age of 7–17 years is noticed. 

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.


2021 ◽  
pp. 256-275
Author(s):  
Eyal Benvenisti ◽  
Doreen Lustig

During the course of the second half of the 19th century, the rules regulating the conduct of armies during hostilities were internationally codified for the first time. The conventional narrative attributes the codification of the laws of war to the campaign of civil society, especially that of the founders of the Red Cross—Henry Dunant and Gustav Moynier. In what follows, we problematize this narrative and trace the construction of this knowledge. We explore how the leading figures of the Red Cross, who were aware of the shortcomings of their project, were nonetheless invested in narrating its history as a history of success. Their struggle to control the narrative would eventually confer the International Committee of the Red Cross (ICRC) with considerable interpretive and agenda-setting authority in the realm of the laws of war. We dwell on the meaning of this conscious exercise in knowledge production and its normative ramifications.


2019 ◽  
Vol 11 (2) ◽  
pp. 182-190
Author(s):  
Marija Czepil ◽  
Oresta Karpenko

The article describes the forms of orphans’ care, custody of children deprived of parental care, their emergence and development in European countries of the 18th century – the first half of the 19th century. Attention is focused on the theory and practice of custodial education, socio-pedagogical concepts, which are based on the principle of family and living together, where you care for the child and love him. The concept of upbringing in Children’s homes, which for the first time in the history of upbringing was implemented in Switzerland, was highlighted. A significant contribution to the theory and practice of upbringing was the adoption to Rescue houses kids of both sexes. At that time that was an innovative idea.


1984 ◽  
Vol 11 (1-2) ◽  
pp. 95-116
Author(s):  
Werner Bahner

Summary The Renaissance constitutes a new phase in the history of linguistics. The study of modern languages in particular contributed to enlarge the scope of philological concern as scholars try to promote and to codify a young national language. During this time philologists give particular attention to the origin of these vernaculars, distinguishing the different stages in their evolution and developing an especial awareness of chronology. For the representatives of a national philology, Latin is the starting point, the mould according to which the vernaculars are described and classified. Soon, however, more and more traits are recognized which are particular to these living languages, and which do not agree with the traditions of Latin grammar. On the one hand, modifications on the theoretical level are called for, and, on the other, there is a good opportunity to demonstrate the particularity of a given vernacular. All these tendencies can be found for the first time in the writings on Cas-tillian by the great philologist Antonio de Nebrija (1444–1522). Nebrija recognized a series of phonetic correspondences which, much later in the 19th century, are transformed into ‘phonetic laws’ by a rigorous methodology. In so doing the elaboration of orthographic principles had been for him a stimulus for his explications. In his “Diálogo de la lengua”, Juan de Valdés (devoted himself more extensively to the social aspects of Castillian, to linguistic changes, and to the historical causes for the distribution of Romance languages on the Iberian peninsula, stressing expecially the role of the ‘Reconquista’. The work of Bernardo José de Aldrete (1560–1641) offers a synthesis of all these efforts concerning the evolution of Castillian. He discusses all the substrata and superstrata of the language, sketches the different stages of development of his native tongue, examines Old Castillian with the help of medieval texts, and exploits what Nebrija had noted about the phonetic correspondences. In terms of scholarship, Aldrete’s work constitutes the culmination point in the movement engaged in supporting the rights of the Castillian language et in documenting its sovereignity vis-à-vis the Latin tradition.


Classics ◽  
2013 ◽  
Author(s):  
Richard D. McKirahan

The word “Presocratic” was invented in the 19th century ce and does not represent a category recognized in antiquity. The expression “Presocratic philosophy” is misleading: first, because some “Presocratics” were Socrates’ contemporaries, some of them surviving him by decades, and second, because they did not call themselves philosophers and because the fields of inquiry they practiced extend far beyond what we think of as philosophy. Nevertheless, the label “Presocratic” is commonly applied to the intellectual figures of the 6th and 5th centuries bce (and a few that lived into the 4th) who dwelt in the Greek-speaking lands from what is now coastal Turkey to Sicily and who are included in this bibliography. Evidence of the influence of Presocratic thought on other areas of culture than philosophy is found in texts ranging from historical and rhetorical works to tragedy and comedy and beyond, to the Hippocratic medical writings and the Derveni Papyrus. Since no original texts of the Presocratics survive entirely, our knowledge of them is based on quotations (“fragments”) from their works and on reports (“testimonia”) about their views, lives, and writings in other authors whose works have been transmitted. Presocratic philosophy is the earliest phase of Greek philosophy; Plato and Aristotle were strongly influenced by the Presocratics and recognized them as their intellectual predecessors. The subsequent interest in the Presocratics in antiquity and in consequence our knowledge of them is largely due to Aristotle. In more recent times, systematic study of them began in the 19th century. Diels’s Doxographi Graeci (Diels 1879, cited under Source Criticism) for the first time permitted a rational reconstruction of much of the testimonial material, and Die Fragmente der Vorsokratiker (Diels and Kranz 1952, cited under Collections of Source Materials; first published in 1903) provided a collection of fragments and testimonia that brought the study of the Presocratics within the range of students and nonspecialist scholars of philosophy, classics, and the history of science. The study of “Presocratic philosophy” has traditionally extended to more subjects than we commonly consider philosophical. It includes topics not only in method, logic, metaphysics, epistemology, ethics, cognition, cosmology, and “psychology”—here meaning views about the nature of the psuchē (frequently translated “soul”)—but also examines connections with science and mathematics, and a variety of social practices. Recently this tendency has further expanded to include religious and mystical beliefs and practices, while by no means excluding the philosophical and scientific aspects of Presocratic thought, which remain the dominant topics of research.


2016 ◽  
pp. 74-80
Author(s):  
Roberto Mannu

Published for the first time in 1940 the André Breton’s Anthology of black humor inaugurates the great season of surrealist anthologies, which will last until late 60s. The use of the traditional form of the modern anthology by the Surrealists, does not involve into a complete acceptance of its rules, already codified since the end of the 19th century, but rather a deformation of its textual structure and of its objectives, producing a literary genre with particular characteristics. The surrealist anthology, such as those realized by André Breton, Paul Éluard, Louis Aragon and Benjamin Péret, represent an hybrid literary object with structural elements in common with the dictionary, the glossary, the anthology and the catalogue. The surrealist literary collections represent both a different approach to the history of literature and an expression of surrealist poetics.


2021 ◽  
Vol 2021 (03) ◽  
pp. 143-151
Author(s):  
Vladimir Shaidurov

In the first third of the 19th century, the ethnic composition of Siberia underwent significant changes due to the emergence of new ethno dispersed groups. Among these ethno dispersed groups, Jews and Gypsies stood out in particular. The national policy of Emperor Nicholas I was oriented towards the homogenization of society. This policy of the Russian emperor was reflected in the duty of citizens to serve in the army. The obligation to send children to cantonists was extended to Jews and Gypsies of Siberia. Some of the so-called “soldiers of the era of Emperor Nicholas I” in the 1860s - 1880s. played an important role in the history of their ethnic groups. In this article, we consider the issues of the relationship between the Jewish society and the Gypsy society of the Siberian region during service in the Russian army. We will consider these issues using the example of the military cantonists of the 1830s - 1850s. This article was written mainly using archival materials that are being introduced into scientific circulation for the first time.


2021 ◽  
pp. 113
Author(s):  
Tatiana Simbirtseva

The article is written on the occasion of the first publication in Germany in summer 2021 of a unique historical source — the family archive of the prominent Russian diplomat and orientalist Karl Ivanovich Waeber (1841-1910). The significance of this event for science can hardly be overestimated. The history of the establishment and development of official Russian-Korean relations at the end of the 19th century, as well as a number of important events in the history of Korea in the pre-colonial period, are inextricably linked with Waeber’s name. However, although historians have been writing about his professional activities for decades, very little personal information about him was known until now, and there were no his photographs at all. With the release of the book by S. Bräsel, who is privileged to find this archive, researchers for the first time got access to the Waeber family documents and a rich collection of his photographs, which were completely unknown before. The article presents an overview of these materials by Bräsel’s book, considers their authenticity, provides general information about Waeber's activities in Korea and examines some misconceptions that have developed about him in modern historiography due to the lack of reliable information and a sharp increase in interest in him in recent years. According to the authors, the objective historical evidence published by Bräsel put a barrier to the process of mythologizing Waeber's personality that began in the 2010s and is expressed, in particular, in the appearance of his imaginary “descendants” and invented images.


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