scholarly journals Sonatas № 2 end № 9 as Milestones in the Evolution of the Piano Style of A. Scriabin

2021 ◽  
pp. 86-93
Author(s):  
N. S. Lebedeva
Keyword(s):  
Hierarchical Structure ◽  
Comparative Method ◽  
Broad Sense ◽  
Piano Sonatas ◽  
Classical Version ◽  
Romantic Era ◽  
The One ◽  
The Individual ◽  
First Time ◽  
Main Factor

The article is devoted to the consideration of two piano sonatas by A. Scriabin, representing in a complex the peculiarities of his piano style as an integral phenomenon. The two-part sonata No. 2, classified as a musical landscape, is considered in comparison with the performing versions proposed by S. Richter and V. Ashkenazy. The one-part Sonata No. 9, called “Black Mass”, is considered in comparison with the performing interpretations of V. Sofronitsky and V. Horowitz. It is noted that the Scriabin’s piano style is inherently mixed, compositional and performing, and its grandiose macrocycle of 10 sonatas appears as a compendium of the principles of piano thinking for the post-romantic era. The universalism of Scriabin’s writing is confirmed using the comparative method of analysis, for the first time proposed in this article in relation to the works under consideration. It was revealed that the style in music appears as “a system of stable features of musical phenomena, a way of their differentiation and integration at various levels” (S. Tyshko). The style is distinguished by a tendency to identify the individual, unique, “humanistic” in the broad sense of the word and has a hierarchical structure, within which there is a level characterized as “the style of any kind of music” (V. Kholopova), among which the piano style stands out. Scriabin’s piano sonatas combine the categories of “instrument style”, “author’s style” and “performer’s style” at the style level. It was revealed that the figurative and artistic duality of the Second sonata is reflected in the interpretations presented by S. Richter (the “classical” version, focused on the exact observance of the author’s text remarques, sounding in some places even like in Beethoven’s works), and V. Ashkenazy (the “romantic” version containing a whole complex of articulatory means added by the performer, most of all close to Chopin’s “sonic placers”). The main factor that determines the peculiarities of the performance of the Ninth sonata is the transfer of the playing of harmonic timbre-colors, in which the melodic horizontal turns out to be inert in itself and manifests itself only in harmonic lighting in combination with articulatory attributes. It is noted that A. Scriabin creates in the Ninth sonata actually a special type of texture, accentuating the parameter of depth, based on the stereophonic effect “further — closer”. In the conclusions on the article, it is noted that the stylistic “arch” of two Scriabin’s sonatas highlighted in it helps to comprehend the holistic character and contextual connections of the sonata-piano style of the great Russian composer-innovator, to find “keys” to actual interpretations of his other piano sonatas, an example of which is analyzed interpretation samples of such masters as V. Sofronitsky and V. Horowitz (Ninth sonata) and S. Richter and V. Ashkenazy (Second sonata).

scholarly journals LEXIS AND PHRASEOLOGY, VERBALIZING CONCEPTS OF WOMAN AND GIRL IN A.B. KAITUKOV’S WORKS

2020 ◽  
Author(s):  
Р.Г. ЦОПАНОВА
Keyword(s):  
Mental Content ◽  
Literary Text ◽  
The Other ◽  
Contextual Analysis ◽  
The People ◽  
The World ◽  
The One ◽  
The Individual ◽  
Linguistic Units ◽  
First Time

Целью данного исследования является определение ментального содержания лексики и фразеологии, вербализующей концепты женщина (сылгоймаг) и девушка (чызг) в произведениях осетинского писателя А.Б. Кайтукова. Научная новизна связана с тем, что впервые на языковом материале произведений А. Кайтукова выявлено ментальное содержание указанных концептов. Актуальность данного исследования в том, что, благодаря описанию языкового содержания концептов женщина (сылгоймаг) и девушка (чызг), читатель, с одной стороны, вводится в мир национальной лингвокультуры, содержащей информацию о менталитете народа, с другой стороны – дается характеристика индивидуальных особенностей языка писателя. В работе использованы следующие методы исследования: семантико-стилистический, методы концептуального и контекстуального анализа языковых единиц в художественном тексте. Поставлены следующие задачи: определить номинативную плотность концептов женщина и девушка; раскрыть ментальное содержание лексики и фразеологии, вербализующей названные концепты; указать когнитивные признаки исследуемых концептов; охарактеризовать лексику и фразеологию, объективирующие названные концепты как средство создания идиостиля писателя. В результате работы дана характеристика концептов женщина и девушка в произведениях А. Кайтукова в аспекте лингвокультуры и в рамках идиостиля писателя. The purpose of this study is to determine the mental contents of the vocabulary and phraseology that verbalize the concepts of woman (sylgoymag) and girl (chyzg) in the works of the Ossetian writer A. B. Kaitukov. The scientific novelty is connected with the fact that for the first time the mental content of these concepts will be revealed on the language material of A. Kaitukov's works. The relevance of this study is that due to the description of the linguistic content of the concepts woman (sylgoimag) and girl (chyzg), the reader, on the one hand, is introduced into the world of national linguoculture, containing information about the mentality of the people, on the other hand, a characteristic of the individual features of the writer’s language is given. The following research methods were used in the work: semantic and stylistic, methods of conceptual and contextual analysis of linguistic units in a literary text. The following tasks were set: to determine the nominative density of the concepts woman and girl; to reveal the mental content of lexis and phraseology, verbalizing the named concepts; indicate the cognitive features of the studied concepts; to characterize the vocabulary and phraseology that objectify the named concepts as a means of creating the idiostyle of the writer. As a result of the work, a description of the concepts of a woman and a girl in the works of A. Kaitukov is given in the aspect of linguoculture and within the framework of the writer's idiostyle.

Diffusion – Disjunktion – Distanz

2019 ◽  
Vol 64 (1) ◽  
pp. 111-124
Author(s):  
Melis Avkiran
Keyword(s):  
Cultural History ◽  
Hierarchical Structure ◽  
Theoretical Approach ◽  
Cultural Transmission ◽  
Comparative Method ◽  
The Other ◽  
Cultural Elements ◽  
Morphological Approach ◽  
First Time ◽  
Aby Warburg

Der vorliegende Beitrag setzt die Überlegungen eines Forschungsentwurfs fort, dessen erster Teil im Band 63/2 dieser Zeitschrift erschien. Die historische Formel des sog. ›Disjunktionsprinzps‹ entwickelt Panofsky u.a. in dem 1944 im Kenyon Review erschienenen Artikel Renaissance and Renascences. Die grundsätzliche Mobilität antiker Kulturelemente, die er seiner Formel zuschreibt, impliziert einen bei ihm bisher unbenannten kulturtheoretischen Zugang mit deutlicher Nähe zum ethnologischen Modell der Diffusion. Ausgehend davon entwirft Panofsky mittels einer kulturmorphologischen Vorgehensweise ein transepochales Modell kultureller Tradierung. Dies ermöglicht es ihm, seine Vorstellung einer hierarchischen Gliederung menschlicher (Kultur‑)Epochen am Beispiel der Antikenrezeption zu festigen. Um sich den kulturtheoretischen Implikationen in Panofskys Ausführungen zu nähern, sollen hier jene Stationen beleuchtet werden, die Panofskys intellektuellen Horizont möglicherweise mitgeformt haben – so z.B. die Prägung durch Aby Warburg, der seine Ausbildung in Bonn u.a. unter der Lehre Karl Lamprechts absolvierte. Zum anderen wird Panofskys Argumentation mit den Ideen deutscher Diffusionisten verglichen. Die vergleichende Methode offenbart nicht nur erstmalig deutliche Analogien, sondern zeigt, wie Panofsky mittels Antikenrezeption eine spezifische Vorstellung von der menschlichen Kulturgeschichte vorgibt. The article continues the considerations of a research draft, the first part of which was published in volume 63/2 of this journal. Panofsky develops the historical formula of the socalled ›principle of disjunction‹ in the article ›Renaissance and Renascences‹ published in the Kenyon Review in 1944. The fundamental mobility of ancient cultural elements, which he ascribes to his formula, implies a previously unnamed cultural-theoretical approach with a clear proximity to the ethnological model of diffusion. On this basis, Panofsky uses a cultural morphological approach to design a transepochal model of cultural transmission. This enables him to consolidate the idea of a hierarchical structure of human (cultural) epochs using the example of the reception of antiquity. In order to approach the cultural-theoretical implications in Panofsky’s remarks, those stations that may have shaped Panofsky’s intellectual horizon will be examined – e.g. the influence of Aby Warburg, who completed his education in Bonn under the teachings of Karl Lamprecht, among others. On the other hand, Panofsky’s argumentation is compared with the ideas of German diffusionists. The comparative method not only reveals clear analogies for the first time, but also shows how Panofsky uses the reception of antiquity to provide a specific idea of human cultural history

Water in zeolite L and its MOF mimic

2019 ◽  
Vol 234 (7-8) ◽  
pp. 495-511 ◽  
Author(s):  
Ettore Fois ◽  
Gloria Tabacchi
Keyword(s):  
Hydrogen Bonds ◽  
Metal Organic Framework ◽  
One Dimensional ◽  
Zeolite L ◽  
High Proton ◽  
Metal Organic ◽  
The One ◽  
The Individual ◽  
First Time ◽  
Water Hydrogen

Abstract Confinement of molecules in one dimensional arrays of channel-shaped cavities has led to technologically interesting materials. However, the interactions governing the supramolecular aggregates still remain obscure, even for the most common guest molecule: water. Herein, we use computational chemistry methods (#compchem) to study the water organization inside two different channel-type environments: zeolite L – a widely used matrix for inclusion of dye molecules, and ZLMOF – the closest metal-organic-framework mimic of zeolite L. In ZLMOF, the methyl groups of the ligands protrude inside the channels, creating nearly isolated nanocavities. These cavities host well-separated ring-shaped clusters of water molecules, dominated mainly by water-water hydrogen bonds. ZLMOF provides arrays of “isolated supramolecule” environments, which might be exploited for the individual confinement of small species with interesting optical or catalytic properties. In contrast, the one dimensional channels of zeolite L contain a continuous supramolecular structure, governed by the water interactions with potassium cations and by water-water hydrogen bonds. Water imparts a significant energetic stabilization to both materials, which increases with the water content in ZLMOF and follows the opposite trend in zeolite L. The water network in zeolite L contains an intriguing hypercoordinated structure, where a water molecule is surrounded by five strong hydrogen bonds. Such a structure, here described for the first time in zeolites, can be considered as a water pre-dissociation complex and might explain the experimentally detected high proton activity in zeolite L nanochannels.

scholarly journals INCLUSION OF $Z \to b\bar{b}$ VERTEX CORRECTIONS IN PRECISION ELECTROWEAK TESTS ON THE Sp(6)L× U(1)Y MODEL

1995 ◽  
Vol 10 (30) ◽  
pp. 4387-4397 ◽  
Author(s):  
GYE T. PARK ◽  
T.K. KUO
Keyword(s):  
Radiative Corrections ◽  
Vertex Corrections ◽  
Family Model ◽  
The One ◽  
The Individual ◽  
First Time

We extend our previous work on the precision electroweak tests in the Sp (6)L× U (1)Y family model to include for the first time the important [Formula: see text] vertex corrections encoded in a new variable ∊b, utilizing all the latest LEP data. We include in our analysis the one-loop EW radiative corrections due to the new bosons in terms of ∊1,b and ΔΓZ. We find that the correlation between ∊1 and ∊b makes the combined constraint much stronger than the individual ones. The model is consistent with the recent CDF result of [Formula: see text] but it; cannot accommodate mt≳195 GeV .

Aloe Plants Accumulate Anthrone-Type Anthranoids in Inflorescence and Leaves, and Tetrahydroanthracenes in Roots

1994 ◽  
Vol 49 (5-6) ◽  
pp. 286-292 ◽  
Author(s):  
Anette Sigler ◽  
Hans W. Rauwald
Keyword(s):  
High Performance Liquid Chromatography ◽  
Liquid Chromatography ◽  
Plant Material ◽  
High Performance ◽  
The Other ◽  
Secondary Products ◽  
Inflorescence Axis ◽  
The One ◽  
The Individual ◽  
First Time

Abstract The accumulation and distribution of characteristic secondary products in the different organs of an Aloe plant (A. succotrina Lam.) were studied by high performance liquid chromatography for the first time. In the leaves of the Aloe plant, only anthrone-C-glycosyls of the 7-hydroxyaloin type and, for the first time in plant material, the free anthraquinone 7-hydroxyaloeemodin were found. In contrast to previous reports on the distribution of secondary products in Aloe plants, anthrone-C-glycosyls were also detected in flowers, bracts and the inflorescence axis of the species examined. Aloesaponol I, a tetrahydroanthracene aglycone, was only present in the underground organs and in the stem. The 2-alkylchromone-C-glucosyl aloeresin B showed no specific occurrence as it was found in every type of organ. Based on these results and the findings of recent studies on Aloe roots and flowers, a distri­bution scheme of polyketide types in the Aloe plant was established. It suggests a separate and independent anthranoid metabolism for underground Aloe organs and stem on the one hand, and for leaves and inflorescence organs on the other hand. In the latter structures anthranoid metabolism seems to be additionally compartmentalized as the anthranoid pro­ files of inflorescence organs and leaves differ in two points relevant to anthranoid biosynthe­ sis: firstly, the occurrence of anthrone aglycones and secondly, the individual content of corre­sponding anthrone-C-glucosyl diastereomers.

scholarly journals The concept of schastie/bakht (happiness) in the Russian and Uzbek phraseology

2021 ◽  
Vol 122 ◽  
pp. 02001
Author(s):  
Svetlana Borisovna Koroleva ◽  
Oquil Juraqulovich Latipov ◽  
Elena Valerievna Polozhevets
Keyword(s):  
Comparative Research ◽  
Comparative Method ◽  
Component Analysis ◽  
The Other ◽  
Contrastive Analysis ◽  
Analytical Review ◽  
Contrastive Linguistics ◽  
The One ◽  
First Time ◽  
Russian Linguistic

The article considers the concept of Schastie/Bakht (Happiness) in the Russian and Uzbek linguistic cultures as one of the most important universal concepts with a national component. On the one hand, the study is conditioned by the interest of modern contrastive linguistics in the comparative research of concepts with a national component. On the other hand, it continues scientific works concerned with the concept of Schastie in the Russian linguistic culture and the concept of Bakht in the Uzbek linguistic culture. The novelty of this study is determined by the fact that this concept is compared for the first time using set phrases of two languages and based on an analytical review of the relevant sources. The article aims at determining common and different components for the Uzbek and Russian linguistic cultures with regard to the Happiness concept (according to the data obtained from the analysis of the above-mentioned material). The article presents the results of an analytical review of studies on the concept of Schastie in the Russian linguistic culture and the concept of Bakht in the Uzbek linguistic culture, as well as contrastive analysis of phraseological units related to the verbalization of these concepts. To analyze and compare idioms of two unrelated languages (Russian and Uzbek) and ways of verbalizing the concept, the authors used the method of linguistic and cultural description supplemented by the component analysis of lexemes and the comparative method. As a result, general and specific meanings for the words “schastie” and “bakht” were identified, as well as general and specific components of the Happiness concept.

scholarly journals The road to happiness is the way to suffering

2021 ◽  
Vol 122 ◽  
pp. 04007
Author(s):  
Marina Alexandrovna Kindzerskaya ◽  
Tatyana Ivanovna Marmazova ◽  
Stanislav Alexandrovich Ruzanov ◽  
Pyotr Alekseevich Kostin ◽  
Ilona Vladislavovna Tarasova
Keyword(s):  
Comparative Method ◽  
The Other ◽  
The Road ◽  
Systemic Analysis ◽  
Conscious Choice ◽  
History Of ◽  
Entire History ◽  
The One ◽  
First Time ◽  
The Way

The article deals with the problem of a person’s conscious choice between happiness and suffering. At first glance, happiness and suffering are two different paths, and one should choose which road to take. On the one hand, suffering is an obstacle on the way to oneself, to a happy existence. On the other hand, one chooses suffering and happiness willingly, happiness is proportionate to suffering. One should not forget that existence has no meaning if it brings merely pain and dissatisfaction, so it is very important to strive to be happy. Throughout the entire history of humanity, the problem of happiness and the search for the best way to be released from suffering is a pressing issue. The relevance of the problem is determined by the particular significance of the concepts under study, because every person’s natural desire, regardless of the era and area of residence, is to be happy and free. The concepts of “happiness” and “suffering” are not only philosophical but also sociocultural phenomena that expound the axiological and spiritual and moral aspects of human existence. The study features quotes from thinkers of different ages and cultures that to an extent engaged in interpreting the content of the phenomena of happiness and suffering. The purpose of the study is to expound the sociocultural content of the phenomena of “happiness” and “suffering”, their causes, and the conditions for coexistence. The main methods of the study are the method of systemic analysis, the comparative method, and the typological method. The novelty of the study consists in the fact that the authors examine the phenomena of “happiness” and “suffering” together for the first time. Although the phenomena are an integral part of human activity.

scholarly journals Piano Trio by Amanda Maier in the Context of Genre Evolution

2021 ◽  
pp. 63-79
Author(s):  
Yaroslava Serdiuk
Keyword(s):  
Comparative Method ◽  
Solo Piano ◽  
Piano Trio ◽  
Romantic Era ◽  
German School ◽  
Long Time ◽  
Characteristic Features ◽  
Classical Traditions ◽  
Historical Comparative ◽  
The Individual

The relevance of the study. The name of Swedish composer and violin virtuoso of the Romantic era Amanda Maier-Röntgen is virtually unknown in Ukrainian musicology. Her work was forgotten for long time and rediscovered by European (particulary Swedish) and American musicians. But at one time she was the first woman who received the title of “Musik Direktor” after graduating from the Royal Academy of Music in Stockholm. She also perfected her performing and composing mastership in Leipzig, her work was praised by critics and leading European musicians: E. Grieg, J. Brahms, K. Schumann, with whom A. Maier maintained creative contacts. Existing research in European and American musicology considers basically only biography and performing activity of A. Maier, not her composer style or genre-stylistic and compositional features of her works. The main objective of the research is to consider the stylistic parameters in chamber music works by A. Maier, in particular, her interpretation of the piano trio genre. The methodology of the study is based on the main methods of music science: compositional, harmonic, polyphonic, intonation genre-stylistic analysis, historical-comparative method. The main findings and conclusions of the study. The Trio in E flat major by A. Maier embodies both the most characteristic features of this genre that have developed in the works of classical composers, and the achievements of Romantic composers of the Austrian-German school of the first half of the nineteenth century, and the latter have priority in this work. Continuity with classical traditions can be traced in the four-part structure of the cycle, which has become typical for the trio genre, beginning with the works by L. van Beethoven; in specific techniques of ensemble writing (unison presentation of the initial theme with all instruments, dialogicity — comparison of the sound of ensemble tutti and solo piano; elements of imitation in strings part; polyphonic work with themes in development). Fundamental role of lyrics, reliance on the song and romance intonations, the kinship of themes within each of the parts, end-to-end thematic development, and thematic arches between the movements in composer thinking of A. Maier comes from Romanticism. Among the individual features inherent in the Trio A. Maier — laconic composition, plasticity of melodic lines, exceptional fluidity and coherence of form, which is achieved due to intonational similarity of the themes, openness of the syntactic structures or veiling of the cadences, organicity of the modulation transitions; dynamism of the developing sections. Also, some melodic and harmonic elements of the Trio (for example, in the themes of the middle sections of Scherzo and Andante) hint at the Scandinavian national folklore. Amanda Mayer's trio represents the best achievements of the romantic stage in the evolution of the genre: your embodiment of classical traditions together with the disclosure of personal lyrical and psychological content.

PENGARUH LATIHAN RANGE OF MOTION (ROM) AKTIF ASSITIF TERHADAP RENTANG GERAK SENDI PADA LANSIA YANG MENGALAMI IMMOBILISASI FISIK

2019 ◽  
Vol 13 (2) ◽  
Author(s):  
Andri Setyorini ◽  
Niken Setyaningrum
Keyword(s):  
Range Of Motion ◽  
Human Life ◽  
The Elderly ◽  
General Purpose ◽  
Test Statistic ◽  
Physical Mobility ◽  
Motion Exercise ◽  
The One ◽  
The Individual ◽  
Active Training

Background: Elderly is the final stage of the human life cycle, that is part of the inevitable life process and will be experienced by every individual. At this stage the individual undergoes many changes both physically and mentally, especially setbacks in various functions and abilities he once had. Preliminary study in Social House Tresna Wreda Yogyakarta Budhi Luhur Units there are 16 elderly who experience physical immobilization. In the social house has done various activities for the elderly are still active, but the elderly who experienced muscle weakness is not able to follow the exercise, so it needs to do ROM (Range Of Motion) exercise.   Objective: The general purpose of this research is to know the effect of Range Of Motion (ROM) Active Assitif training to increase the range of motion of joints in elderly who experience physical immobility at Social House of Tresna Werdha Yogyakarta unit Budhi Luhur.   Methode: This study was included in the type of pre-experiment, using the One Group Pretest Posttest design in which the range of motion of the joints before (pretest) and posttest (ROM) was performed  ROM. Subjects in this study were all elderly with impaired physical mobility in Social House Tresna Wreda Yogyakarta Unit Budhi Luhur a number of 14 elderly people. Data analysis in this research use paired sample t-test statistic  Result: The result of this research shows that there is influence of ROM (Range of Motion) Active training to increase of range of motion of joints in elderly who experience physical immobility at Social House Tresna Wredha Yogyakarta Unit Budhi Luhur.  Conclusion: There is influence of ROM (Range of Motion) Active training to increase of range of motion of joints in elderly who experience physical immobility at Social House Tresna Wredha Yogyakarta Unit Budhi Luhur.

Role of Transcriptional Read-Through in PRE Activity in Drosophila melanogaster

Acta Naturae ◽  
2016 ◽  
Vol 8 (2) ◽  
pp. 79-86 ◽  
Author(s):  
P. V. Elizar’ev ◽  
D. V. Lomaev ◽  
D. A. Chetverina ◽  
P. G. Georgiev ◽  
M. M. Erokhin
Keyword(s):  
Dna Sequences ◽  
Cell Types ◽  
Transcription Terminator ◽  
Response Elements ◽  
Polycomb Response Elements ◽  
The Individual ◽  
Multicellular Organisms ◽  
Different Cell Types ◽  
Main Factor

Maintenance of the individual patterns of gene expression in different cell types is required for the differentiation and development of multicellular organisms. Expression of many genes is controlled by Polycomb (PcG) and Trithorax (TrxG) group proteins that act through association with chromatin. PcG/TrxG are assembled on the DNA sequences termed PREs (Polycomb Response Elements), the activity of which can be modulated and switched from repression to activation. In this study, we analyzed the influence of transcriptional read-through on PRE activity switch mediated by the yeast activator GAL4. We show that a transcription terminator inserted between the promoter and PRE doesnt prevent switching of PRE activity from repression to activation. We demonstrate that, independently of PRE orientation, high levels of transcription fail to dislodge PcG/TrxG proteins from PRE in the absence of a terminator. Thus, transcription is not the main factor required for PRE activity switch.

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