scholarly journals Pembelajaran Filologi Sebagai Salah Satu Upaya dalam Mengungkap dan Membangun Karakter Suatu Bangsa

2018 ◽  
Vol 1 (1) ◽  
pp. 48-61
Author(s):  
Trie Utari Dewi
Keyword(s):  
Moral Values ◽  
Qualitative Approach ◽  
Analytic Method ◽  
The Past ◽  
The People ◽  
History Of

The aim of the research to know, the importance of the role of philology in building the character of the nation that is by digging the moral values and character of the nation through research or cultivation of manuscript, both those that have been studied and that have not been analyzed by the philologists.The method used in this research is descriptive analytic method with qualitative approach. The results obtained from this study is the benefits of philology learning among which is to understand the culture of a nation, the unfolding of habits and customs of the people of the past, and the disclosure of the history of a real nation. With the unfolding of culture, customs, and history in the past, it will reveal the identity and character of a nation. One of them is through the cultivation of the text Anis AlMuttaqin and Siksakandang Karesian script, in which contained moral values and character that should be owned by a leader.  Keywords: Character, Philology Study

Political mythology and dynastic legitimacy in the Rong Cheng shi manuscript

2010 ◽  
Vol 73 (3) ◽  
pp. 503-529 ◽  
Author(s):  
Yuri Pines
Keyword(s):  
Active Role ◽  
Museum Collection ◽  
Southern State ◽  
The Past ◽  
The People ◽  
Shanghai Museum ◽  
History Of ◽  
Political Mythology ◽  
Complete Translation

AbstractIn this article I provide a complete translation and analysis of the recently unearthed bamboo manuscript, Rong Cheng shi, from the Shanghai Museum collection. This manuscript presents a previously unknown version of China's early history from the time of legendary rulers Yao, Shun, Yu and their predecessors to the establishment of the Zhou dynasty. The narrative is critical of both the dynastic principle of rule and “righteous rebellion”, and advocates instead the ruler's abdication in favour of a worthier candidate as the best mode of rule; in addition, it hints at the unusually active role of “the people” in establishing the supreme ruler. Moreover, despite being associated with the southern state of Chu, the Rong Cheng shi presents a unitary view of the past, which rejects the multi-state world and promulgates the notion of the unified “All-under-Heaven” as singularly legitimate. The text has far-reaching significance in terms of both history of Chinese political thought and of early Chinese historiography.

scholarly journals Pamięć religijna społeczności lokalnych — przykład Jedwabnego

2017 ◽  
Vol 61 (3) ◽  
pp. 161-184
Author(s):  
Zuzanna Bogumił
Keyword(s):  
Social Function ◽  
Local Memory ◽  
The Past ◽  
National Monument ◽  
The People ◽  
Parish Community ◽  
The Holocaust ◽  
History Of ◽  
Monuments And Memorials

This article looks on Jedwabne and the debate on Polish involvement in the Holocaust from the perspective of the Jedwabians. The author shows that until the erection of the national monument to the murdered Jews in Jedwabne in 2001, the Jedwabians’ memory of their Jewish neighbors was a part of local memory. Jedwabians commemorated the Jews in accordance with their frames of memory. The point is that the people in Jedwabne are first of all a members of parish community, so their memory is religious in nature. This has a profound effect on their relationship to the past and their perception of the role of monuments and memorials. By reconstructing the history of the erection of selected monuments in Jedwabne, the author shows which events of the past Jedwabians want to commemorate and what social function is played by memory of the commemorated events. She also considers to what degree memory of the group’s past lies at the base of the Jedwabians’ contemporary identity.

scholarly journals Biography of a Painted Wessel from Starčevo: Discovering Layers of Meaning

2020 ◽  
Vol 15 (3) ◽  
Author(s):  
Olga Bajčev
Keyword(s):  
Cultural Identity ◽  
Social Practice ◽  
Cultural Identities ◽  
The Past ◽  
The People ◽  
History Of ◽  
Painted Pottery ◽  
Shed Light ◽  
Representative Material

Scientific interest in the painted pottery of the Starčevo culture in Serbia dates back to the very beginnings of research and the first works on the relative-chronological systematization of the Early and Middle Neolithic of the central Balkans. This paper presents the deconstruction of our established notion of painted ceramics as the ultimate parameter of relative-chronological dating, the most representative material reflection of the cultural identity of the people of Starčevo culture and the highest achievements of Starčevo culture. The paper discusses circumstances and archaeological practices through which this ingrained view and knowledge of painted pottery was formed. The research is based on the analysis of the biography of a painted vessel from the Starčevo-Grad site, having in mind that a detailed life history of an object can shed light on wider phenomena in the archaeological discipline. The aim of this paper is to remind that objects do not have a single essential meaning, but that their meaning shifts and builds through changes in the historical and social context, as well as through changes of actors gathered around certain practices in which the objects are used. The biography of the painted vessel is therefore viewed as a series of assemblages of relations in two planes, through which its identity and layers of meaning were built. The first plane is the Neolithic, in which the focus is on the practices of painting and use, and the second is her life in the role of an archaeological artifact, during which she moves from the sphere of scientific research and musealization to the sphere of negotiating contemporary cultural identities. By applying a new analytical approach, we discovered that this vessel was not very skilfully and carefully painted, and that as such it does not testify to the highest achievements of Starčevo culture, but to a social practice, learning, apprentices and mastering the skill of pottery painting. Therefore, I believe that by reducing painted pottery to relative-chronological parameters and luxury objects, we lose sight of the possibilities through which we can build much more diverse interpretations of the past.

Receptions of the Past: Commemoration, Racism, Desire

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman
Keyword(s):  
Critical Point ◽  
Social Relations ◽  
White Privilege ◽  
Body Politic ◽  
The Body ◽  
Race And Racism ◽  
Lesbian And Gay ◽  
The Past ◽  
History Of

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.

TOLERANSI DAN KERUKUNAN ANTARUMAT BERAGAMA (POLA KOMUNIKASI TOKOH AGAMA DESA ANGGRASMANIS, JENAWI, KARANGANYAR)

2020 ◽  
Vol 1 (1) ◽  
pp. 58
Author(s):  
Noval Setiawan ◽  
Sarbini Sarbini
Keyword(s):  
Data Collection ◽  
Qualitative Approach ◽  
Communication Patterns ◽  
Qualitative Description ◽  
Religious Communities ◽  
The People ◽  
Direct Feedback ◽  
The Village

The people who live in Anggrasmanis village, consist of various kinds of religions. There are Islam, Christian, and Hinduism. The tolerance between religious communities in Anggrasmanis village was maintained even though it was often tinged with tension and suspicion. This encourages religious figure to build communication. This study aims to describe how the pattern of communication inter-religious figures in Anggrasmanis village, so attitude of tolerance is born. The type of research used  is a qualitative description method with qualitative approach. Data collection techniques using observation, interviews, and documentation. Researchers’ finding communication patterns of religious figures in Anggrasmanis village are linear communication patterns and circular communication patterns that occur in direct conversation between religious figures and direct feedback. The role of religious figures to building tolerance at Anggrasmanis village is by participating in activities at the village such as religious holidays.

The Toolkit of Nationalist Populism in Contemporary Hungary: Symbols, Objects, and Modalities of Circulation

2021 ◽  
pp. 088832542095081
Author(s):  
Virág Molnár
Keyword(s):  
Political Communication ◽  
Far Right ◽  
Online Data ◽  
Everyday Objects ◽  
The People ◽  
Consumer Markets ◽  
History Of ◽  
Primary Focus ◽  
Material Circulation

This article belongs to the special cluster, “National, European, Transnational: Far-right activism in the 20th and 21st centuries”, guest edited by Agnieszka Pasieka. Research on populism attributes great significance to mapping the distinctive discursive logic of populist reasoning (e.g., the trope of pitting corrupt elites against the people). This article aims to move beyond the primary focus on discursive structures to stress the role of symbols, objects, and different modalities of circulation in the political communication of populist ideas, using the case of Hungary. By tracing the history of one of the key symbols of nationalist populism—the image of “Greater Hungary”—from its emergence in the interwar period to its present-day use, the article shows how the meanings and material forms this symbol assumed in political communication that evolved under different political regimes. The analysis builds on extensive archival, ethnographic, and online data to highlight how the diversity of material forms and the conduits through which this image circulated have contributed to its endurance as a key political symbol. Symbols, like the Greater Hungary image, condense complex historical narratives into a powerful sign that can be easily objectified, reproduced, and diffused. Today’s differentiated consumer markets provide convenient conduits for this kind of material circulation. These symbols carry meaning in and of themselves as signs, and once they are turned into everyday objects, they facilitate the normalization of radical politics by increasing their salience and broad visibility.

The Role of Religious Force in the Wukan Incident

2013 ◽  
Vol 5 (1) ◽  
pp. 155-175 ◽  
Author(s):  
Hou Yuxin
Keyword(s):  
Human Rights ◽  
Religious Beliefs ◽  
The Political ◽  
The People ◽  
The World ◽  
History Of ◽  
The Media ◽  
Social Management ◽  
The Village

Abstract The Wukan Incident attracted extensive attention both in China and around the world, and has been interpreted from many different perspectives. In both the media and academia, the focus has very much been on the temporal level of the Incident. The political and legal dimensions, as well as the implications of the Incident in terms of human rights have all been pored over. However, what all of these discussions have overlooked is the role played by religious force during the Incident. The village of Wukan has a history of over four hundred years, and is deeply influenced by the religious beliefs of its people. Within both the system of religious beliefs and in everyday life in the village, the divine immortal Zhenxiu Xianweng and the religious rite of casting shengbei have a powerful influence. In times of peace, Xianweng and casting shengbei work to bestow good fortune, wealth and longevity on both the village itself, and the individuals who live there. During the Wukan Incident, they had a harmonizing influence, and helped to unify and protect the people. Looking at the specific roles played by religion throughout the Wukan Incident will not only enable us to develop a more meaningful understanding of the cultural nature and the complexity of the Incident itself, it will also enrich our understanding, on a divine level, of innovations in social management.

Japanese Modernization and the Emergence of New Fictwn in Early Twentieth Century China: A Study of Liang Qichao

1995 ◽  
Vol 29 (4) ◽  
pp. 817-840 ◽  
Author(s):  
Hiroko Willcock
Keyword(s):  
Chinese Literature ◽  
Small Circle ◽  
Late Qing ◽  
The Qing Dynasty ◽  
Liang Qichao ◽  
The People ◽  
History Of ◽  
Chinese Intellectuals ◽  
Artistic Quality

Inspired by Japanese influences among others the late Qing period saw a great surge in the writing of fiction after 1900. The rate of growth was unprecedented in the history of Chinese literature. The great surge coincided with rapid socio-political changes that China underwent in the last fifteen years of the Qing Dynasty. At the psychological level, the humiliating defeat by Japan in 1895 gave rise to a feeling of urgency for reform among some progressively minded Chinese intellectuals. Those reformers came to view fiction as a powerful medium to further their reform causes and to arouse among the people the awareness of the changes they believed China most urgently required. Fiction was no longer considered as constituting insignificant and trivial writings. It was no longer the idle pastime of retired literati composed to entertain a small circle of their friends, or written by a discontented recluse to vent a personal grudge through a brush. The role of fiction came to be defined in relation to its utility as an influence on politics and society and its artistic quality was subordinated to such a definition.

The Role of the Constitutional Court in the Development of the Rule of Law in Kosovo

2018 ◽  
Vol 43 (3) ◽  
pp. 274-313
Author(s):  
Enver Hasani
Keyword(s):  
Material Culture ◽  
Rule Of Law ◽  
Constitutional Court ◽  
Constitutional History ◽  
Constitutional Courts ◽  
The Rule Of Law ◽  
The Past ◽  
History Of ◽  
Communist Countries

Kosovo’s Constitutional Court has played a role of paramount importance in the country’s recent history. The author uses a comparative analysis to discuss the role of the Court in light of the work and history of other European constitutional courts. This approach sheds light on the Court’s current role by analyzing Kosovo’s constitutional history, which shows that there has been a radical break with the past. This approach reveals the fact that Kosovo’s current Constitution does not reflect the material culture of the society of Kosovo. This radical break with the past is a result of the country’s tragic history, in which case the fight for constitutionalism means a fight for human dignity. In this battle for constitutionalism, the Court has been given very broad jurisdiction and a role to play in paving the way for Kosovo to move toward Euro-Atlantic integration in all spheres of life. Before reaching this conclusion, the author discusses the specificities of Kosovo’s transition, comparing it with other former communist countries. Among the specific features of constitutionalism in Kosovo are the role and position of the international community in the process of constitution-making and the overall design of constitutional justice in Kosovo. Throughout the article, a conclusion emerges that puts Kosovo’s Constitutional Court at the forefront of the fight for the rule of law and constitutionalism of liberal Western provenance.

Illegal Construction in Hanoi and Hanoi's Wards

2004 ◽  
Vol 3 (2) ◽  
pp. 337-369 ◽  
Author(s):  
David Koh
Keyword(s):  
State Power ◽  
The State ◽  
The People ◽  
The Face ◽  
History Of ◽  
State Boundaries ◽  
Urban Administration ◽  
Ability And Willingness

AbstractIn the drama of negotiation of state boundaries, the role of local administrators as mediators is indispensable. They mediate between state demands for more discipline and societal demands for more liberties. Their ability and willingness to enforce determines the extent of state power. They are a particular type of elites chosen by the state to administer; yet often they have an irrational and morally corrupt relationship with their subjects. The questions that arise then are: When do the local administrators decide to or not to enforce the rules? What considerations do they hold in the face of contradicting demands for their loyalties? This paper seeks answers to the above questions by examining state enforcement of its construction rules in Hanoi after 1975, in which the ward, a level of local administrators in the urban administration landscape, plays an important role in holding up (or letting down) the fences. I will examine the irrationality of the housing regime that led to widespread offences against construction rules, and then show why and how local administrators may or may not enforce rules. This paper comprises two parts. The first part outlines the nature and history of the housing regime in Vietnam and the situation of state provision of housing to the people. These provide the context in which illegal construction arises. Part Two looks at illegal construction in Hanoi chronologically, and focuses on important episodes. The theme that runs through this paper is the role of local administrators in the reality of illegal construction.

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