scholarly journals 3d-mapping as a synthesis of technology and art: genesis, evolution, and relevance in the modern world

2020 ◽  
Author(s):  
Alona Dokolova
Keyword(s):  
Public Space ◽  
3D Video ◽  
Digital Culture ◽  
Modern World ◽  
Cultural Tradition ◽  
3D Mapping ◽  
Present Stage ◽  
Projection Mapping ◽  
Social Art ◽  
Multimedia Technologies

The purpose of the article is to identify the features of the formation of projection mapping as a synthesis of technology and art; consider the specifics of development and trends in the use of 3D-mapping technology in historical retrospective. Methodology. To achieve this goal and solve the problems caused by it, an integrated approach to studying the genesis of video mapping, as well as methods of modern art history, in particular, the historical method (to study the features of using video projections in the space of social art in retrospect) was applied; evolutionary method (to consider the dynamics of the development of video mapping as a synthesis of art and technology); typological method (to identify the features of using 3D-mapping, in accordance with the specifics of modern multimedia technologies) and other. Scientific novelty. The formation and development of 3D Video Mapping, as a unique direction in audiovisual art, is investigated; The features of the use of media technologies in the second half of the XX - beginning of the XXI century are revealed and characterized; the evolution of video mapping at the present stage and the specifics of the use of projection mapping in innovative multimedia technologies of the present, in particular the augmented reality space, are examined. Conclusions. The history of world art shows that innovative artists have always relied on innovative methods, tools, and materials, in order to express their creative vision. At the present stage, 3D Video Mapping operates in accordance with the specifics of the modern space of social art and media landscape. However, digital culture and new media are only typical for the end of the XX - beginning of the XXI century. the background of this art form, which actually has a long cultural tradition. At the present stage, video art can be created and displayed on the screen by adding various interfaces and instruments as part of the production or installations. Video installations of the beginning of the XXI century form the relationship between space (external or internal walls of buildings, stage space, etc.) and materials that are video-louvered and displayed on a specific surface. In accordance with the specifics, space plays an active role in the process of demonstration and recognition of innovative art forms in public space.

Global recession risks and challenges to economic regulation

2020 ◽  
pp. 37-46
Author(s):  
E. Smirnov
Keyword(s):  
World Economy ◽  
Modern World ◽  
Economic Regulation ◽  
Present Stage ◽  
Global Inequality ◽  
Global Recession ◽  
Stage Of Development ◽  
Economic Balance ◽  
Key Aspects ◽  
Transformation Processes

At the present stage, the world economy is experiencing a difficult stage of development, which is determined by many factors, in particular, the dynamics of economic growth, the increase in global inequality, and the mixed influence of digital transformation processes. The article analyzed the main trends and risks of modern world economy development, as well as identified key aspects of multilateral regulation and restoration of economic balance on the international scale.

scholarly journals Social Media, Peer Surveillance, Spiritual Formation, and Mission: Practising Christian Faith in a Surveilled Public Space

2018 ◽  
Vol 16 (4) ◽  
pp. 517-532
Author(s):  
Bex Lewis
Keyword(s):  
Social Media ◽  
Lived Experience ◽  
Public Space ◽  
Spiritual Formation ◽  
Technological Development ◽  
Self Regulation ◽  
Digital Culture ◽  
Wide Range ◽  
Online Spaces ◽  
The Individual

Social media has become a part of everyday life, including the faith lives of many. It is a space that assumes an observing gaze. Engaging with Foucauldian notions of surveillance, self-regulation, and normalisation, this paper considers what it is about social and digital culture that shapes expectations of what users can or want to do in online spaces. Drawing upon a wide range of surveillance research, it reflects upon what “surveillance” looks like within social media, especially when users understand themselves to be observed in the space. Recognising moral panics around technological development, the paper considers the development of social norms and questions how self-regulation by users presents itself within a global population. Focusing upon the spiritual formation of Christian users (disciples) in an online environment as a case study of a community of practice, the paper draws particularly upon the author’s experiences online since 1997 and material from The Big Bible Project (CODEC 2010–2015). The research demonstrates how the lived experience of the individual establishes the interconnectedness of the online and offline environments. The surveillant affordances and context collapse are liberating for some users but restricting for others in both their faith formation and the subsequent imperative to mission.

Engaging Youth in Health Promotion Using Multimedia Technologies

2009 ◽  
pp. 295-315
Author(s):  
Cameron Norman ◽  
Adrian Guta ◽  
Sarah Flicker
Keyword(s):  
Public Space ◽  
Adolescent Health ◽  
Information Technologies ◽  
Ethical Guidelines ◽  
Virtual Spaces ◽  
New Information ◽  
Private And Public ◽  
Multimedia Technologies ◽  
Networking Technologies ◽  
Natural Interactions

New information technologies are creating virtual spaces that allow youth to network and express themselves with unprecedented freedom and influence. However, these virtual spaces call into question traditional understandings of private and public space and open up new tensions for institutions (e.g. schools and law enforcement) trying to maintain safe spaces. For adolescent health researchers, these virtual spaces provide exciting opportunities to study youth culture, but also challenge the utility of ethical guidelines designed for a non-networked world. At issue are tensions between the realities of ‘natural’ interactions that occur online, often in full public view, and creating ethical research environments. These tensions and issues will be explored within this chapter, through an overview of the Teen- Net project, a discussion of anonymity and confidentiality within social networking technologies and software (including Friendster, Facebook, and Myspace), and a discussion of ethical considerations for researchers engaged in adolescent health research and promotion.

Mapping the Public Space

2014 ◽  
Vol 41 (2) ◽  
pp. 235-270
Author(s):  
Pramod Kumar Mohanty
Keyword(s):  
Middle Class ◽  
Public Space ◽  
Cultural History ◽  
Urban Space ◽  
Capital City ◽  
Cultural Tradition ◽  
The Public ◽  
South Asian History ◽  
Theoretical Perspectives ◽  
Asian History

The article intends to give a comprehensive understanding of the colonial urbanisation as a cultural process in colonial Odisha centred at Cuttack city as manifest in the evolving public sphere and in the process contribute to the historical studies on colonialism in one of the neglected regions of South Asia and also from such a neglected perspective in South Asian history. While trying to assess the ‘problematic objectively’, it adopts the theoretical perspectives associated with ‘new cultural history’. Against this backdrop, the article tries to look at the issues of class, community and nationalism and the attendant politics during the ‘decisive phase’ of late nineteenth and early twentieth century of colonial Odisha by trying to explore the emergence of Cuttack as a city, a colonial urban space. As the capital city of Odisha, Cuttack is seen as the site around which ‘evolved and revolved the modern regional cultural tradition of Odisha’ and more crucially so, the ‘citizenry’ including its middle class, constituted the ‘microcosm of Colonial Odisha’. The article examines the issues by negotiating with the growth of the middle class, shaping up of the concept of ‘public space’ and the structuring of ‘public’ as a ‘discursive entity’ along with the crystallisation of cultural politics underlying competing hegemonies and identities.

scholarly journals The Digitalization Influence on the Transformation of Public Administration Methodology

2021 ◽  
pp. 98-109
Author(s):  
V. V. Zotov ◽  
L. A. Vasilenko
Keyword(s):  
Social Network ◽  
Public Administration ◽  
Public Space ◽  
Modern World ◽  
The Public ◽  
Relational Networks ◽  
Network Concept ◽  
The Social ◽  
New Type ◽  
Analytical Platforms

The article shows that the ongoing processes of networkization, digitalization and hybridization lead to the creation of such a sociotechnical phenomenon as information and analytical platforms, which actualize a new type of social network relations between authorities and citizens in the public space of communications. In these conditions, a new methodology of public administration is required, which would take into account the digital realities of the modern world. According to the authors, the new concept of public administration should be built taking into account the development of a methodology for the following mutually conditioned processes: 1) creation of information and analytical platforms of the digital society; 2) formation of social structures in the network space; 3) configuration of relational networks for solving socially significant problems. It should be based on the actor-network concept and the digitalization ethics, the social network analysis, the relational sociology, the concept of figuration, the fractal-evolutionary concept, the concept of configuring a relational network of stakeholders.

scholarly journals Educational and Practical Aspects of Training Archivists on the Modern Stage

Atlanti ◽  
2017 ◽  
Vol 27 (2) ◽  
pp. 247-251
Author(s):  
Liudmila N. Varlamova
Keyword(s):  
Modern World ◽  
Technical Equipment ◽  
Highly Qualified ◽  
Present Stage ◽  
Master's Programs ◽  
Essential Aspect

The article discusses some aspects of training archivists on the present stage and suggests the ways of its improving according to the current needs. In the modern world there are several types of archives: historical, technotronic, digital, business archives etc. It should be noted that in many countries all these archives are not so clearly structured and often have a mixed character. University archivists’ curriculum must include many special subjects which will enable training highly qualified professionals capable to work in all types of archives. However, a limited number of hours in the curriculum makes it practically impossible. Each university must solve this problem independently with regards to its faculty (staff), technical equipment and market’s demands. An essential aspect of this work might be a differentiation between Bachelor’s and Master’s programs as well as the continuity of the former and the latter.

scholarly journals THE SUNNAH LAKE OF MUSLIMAH: SALAFI WOMEN, THE MANHAJ AND ONLINE MEDIA

2019 ◽  
Vol 6 (3) ◽  
pp. 67-71
Author(s):  
Yuyun Sunesti ◽  
Noorhaidi Hasan ◽  
Muhammad Najib Azca
Keyword(s):  
Content Analysis ◽  
Public Space ◽  
Internet Usage ◽  
Modern World ◽  
Online Media ◽  
Media Usage ◽  
Use Of Internet ◽  
Online Group

Purpose of the study: This paper analyses the use of internet by salafi women especially in an online group named Telaga Sunnah Muslimah (The Sunnah Lake of Muslimah-TSM). Methodology: Applying content analysis by analyzing the messages shared within TSM WhatsApp Groups discussion, this paper analyses the agency which salafi women play through their internet usage, especially in online media they use. Main Findings: Viewed as passive, voiceless and subordinated group, they use internet as media for reproducing knowledge, expressing their voice and negotiating their identity. While salafi manhaj requires them to strictly limit their appearance in public space, the online space has facilitated them to have more spaces to exist beyond their offline world Applications of this study: The study gives an understanding on how a closed women group plays their agency to negotiate their boundary within modern world. Novelty/Originality of this study: While salafi women are commonly viewed as having no agency, this paper found their agency through their online media usage.

scholarly journals Ethnocultural tradition in the modern world: functional aspect

2020 ◽  
Vol 12 (4) ◽  
pp. 447-456
Author(s):  
Olga G. Belomoeva ◽  
Yurii A. Kondratenko
Keyword(s):  
Modern Society ◽  
Cultural Practice ◽  
Modern World ◽  
Adaptive Potential ◽  
Present Stage ◽  
Cultural Process ◽  
Cultural Paradigm ◽  
The World ◽  
Sociocultural Approach ◽  
Modern Era

Introduction. The phenomenon of “tradition” is a key link in understanding the specifics of the current cultural processes. The problem of preserving and developing the ethnocultural tradition has acquired a new impetus for comprehension against the background of the emergence at the turn of the XX–XXI centuries of the so-called ethnic revival, the increased attention of peoples, including the Finno-Ugric ones to their own cultural and historical roots. This is facilitated by the strengthening of the integration of cultures within the Finno-Ugric community in the context of the formation of a new socio-cultural paradigm. Materials and Methods. The theoretical material of the study was the work of scholars in the field of studying the modern socio-cultural process, in particular on the example of the cultural heritage of the Finno-Ugric peoples. The reliability and research validity of the results is provided by the sociocultural approach, as well as by comparative and typological research methods. Results and Discussion. In the process of being an ethnocultural tradition in modern society, the process of festivization of the cultural process plays an important role, among other circumstances. It is characterized by the use of the phenomenon of ethnoculture as an external attribute, the functioning of which is reduced only to entertainment, creating the effect of festivity of the action, which leads to the devaluation of its value. However, the analysis of the new picture of the world that took shape at the turn of the XX–XXI centuries allows us to conclude that the idea of the integrity of the world, the understanding of space and time that underlie it, as well as the ecological and adaptive potential of the ethnocultural tradition remain consonant with the modern world, and this gives grounds for their preservation and development in the modern era. These conclusions fully apply to the cultural practice of the Finno-Ugric peoples at the present stage. Conclusion. On the basis of the studied material, a conclusion was made about the change in the functioning of the Finno-Ugric ethnocultural tradition in accordance with the objective conditions of its existence.

scholarly journals VALUE OF ARTIFICAL EDUCATOIN FOR ARCHITECTURAL LANDSCAPE AT THE MODERN STAGE

2020 ◽  
pp. 160-166
Author(s):  
E. M. Bozhko ◽  
◽  
M. V. Spornik ◽  
Keyword(s):  
Eighteenth Century ◽  
Point Of View ◽  
Linear Perspective ◽  
Modern World ◽  
New Materials ◽  
Present Stage ◽  
Art Exhibitions ◽  
Modern Artists ◽  
The City ◽  
Better Than

Analyzing relevant and informative sources for acquaintance with modern fine art, catalogs of various art exhibitions, article questions and problems associated with the creation of architectural and landscape compositions are considered from a practical point of view. A significant role in art belongs to the architectural landscape, as a genre variety. Promising types of cities - Veduta (A. Canaletto, V. Bellotto) have become separate types of architectural landscape. The genre of painting is the Veduta, which developed in the eighteenth century in Venice. This is an image of views of the city and its environs. Lead amaze with its accuracy. At that time, such images served as photographs. The requirements for the paintings corresponded to their purpose: the accuracy of the image of objects, down to the smallest detail. With the advent of photography, the requirements for graphic images have lost their relevance. The camera can accurately capture the object, transmit small details better than the artist. The changes that are taking place in modern realistic painting are connected precisely with the appearance of photography. Many modern impressionists, trying to impress the landscape they saw, write sketches with wide, wide strokes. For the sake of such a technique, they ignore many important elements of the landscape in order to maximize the expressiveness of their work. Modern artists working in the realistic direction of the architectural landscape pay attention to color reproduction, color of painting, while paying due attention to drawing, linear perspective and construction. Painting and photography at the present stage are fundamentally different from each other. Painting corresponds to its name - living writing, generalization, typification and stylization of forms, the viewer's impression of lightness, airiness and illumination. Modern realistic painting is modified relative to the painting of the VIII-XIX centuries. This process is due to the technical development of the modern world, the advent of digital photography, new materials for creativity. Picturesque language goes into the language of flowers. Professional art education plays a fundamental role in understanding the landscape as a genre of painting. Education allows you to combine composition, the picturesque effect, which is an innovation in realistic landscape painting, for the complete deep impression of the viewer.

scholarly journals Principles and Historical Factors of Consent in Forming the Unity of the People of Kazakhstan

Al-Farabi ◽  
2021 ◽  
Vol 75 (3) ◽  
pp. 50-64
Author(s):  
A. Yerzhanova ◽  
Keyword(s):  
Public Space ◽  
Historical Development ◽  
Theoretical Concept ◽  
Modern World ◽  
The People ◽  
Historical Factors ◽  
History Of

In the modern world, it is difficult to find a problem that is more urgent than the achievement of agreement between different cultural and civilizational paradigms and coordination of actions. The article provides for the analysis of the theoretical concept of consent in the historical development of Kazakhstan, taking into account the strategies of the global dialogue of cultures and the explication of this concept in the Kazakh public space. The formation of the Kazakh concept of consent and its main principles in the history of Kazakhstan is revealed.

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