scholarly journals Coloring in Short Prose by Yevhen Hutsalo

2019 ◽  
pp. 41-56
Author(s):  
Oleksandr Brayko
Keyword(s):  
Short Stories ◽  
Comparative Analysis ◽  
Visual Imagery ◽  
Real Situation ◽  
Painting Technique ◽  
Dominant Color ◽  
Color Harmony ◽  
The World ◽  
Claude Monet ◽  
Color And Light

The paper considers the means of representing space in Yevhen Hutsalo’s prose which are suitable for comparison with the painting technique. Coloring is one of determining graphic resources of a picture. The artistic effect of the figures and spatial compositions fixed on canvas is to a great extent predefined by the color solution of the subjects and air environment depicted. In order to make the world of imagination more representational the literature used to involve visual imagery in a verbal design, in which color and light markers not only specify a representation of fictitious or real situation but also give some lyrical, epical or dramatic coloring to the narration, increasing the expressivity of a picture. In the descriptions of landscapes in the short stories by Yevhen Hutsalo one may find the verbal analogues of such painting tools as color dominant, color harmony, lighted up and shaded areas. The dynamics of color solution in a verbal picture, the introduction of new hues and their combinations, and the constructing of light environments help to strengthen the emotional effect of the narration and make some special mood accents. The change of chromatic range and interpretation of painting components of the verbal image liken the narration to the melodious and sound transitions in music and editing tools in filmmaking. The color effects contribute to plasticity of the represented objects or, on the contrary, make their representation less material, give some decorative or symbolic sense to the nature. The story “On the Shining Horizon” may be compared to the cycle of paintings by Oscar-Claude Monet “Rouen Cathedral”. The unsteady landscape of Y. Hutsalo is marked by interpretative activity of the narrator. The landscape descriptions with a less vivid and not too rich, i. e. comparatively weak in terms of stimulating emotions, color range are also endowed with a noticeable expressive potential. In accordance with the requirements of expression in painting the verbal chiaroscuro also may give dynamics to relatively static environment. The paper offers a comparative analysis of the verbal ‘pictures’ and their corresponding paintings-predecessors.

scholarly journals ADJECTIVES FOR COLOUR NOMINATION IN SHORT STORIES BY VASYL STEFANYK: A CORPUS-BASED APPROACH

2021 ◽  
Vol 1 (11(79)) ◽  
pp. 128-130
Author(s):  
Yuliia Kalymon
Keyword(s):  
Short Stories ◽  
Comparative Analysis ◽  
Literary Work ◽  
Literary Works ◽  
Text Corpora ◽  
The World

The article is devoted to the analysis of adjectives that denote tokens for colours in the short stories byVasyl Stefanyk. That is also traditionally considered as one of the manifestations of individual manner of writing and as a marker of the nation’s view of the world. The short stories under study were published during the author’s lifetime and were designed in the corpus of texts. The names of colours perform a special semantic and aesthetic function in the outline of the literary work, and the corpus-based approach and concordance make it possible to comprehensively and holistically analyze this layer of lexicon. The corpus of Vasyl Stefanyk’s literary works comprises 57 short stories published during his lifetime and was created in accordance with the basic requirements for the compilation of text corpora. A comparative analysis of the use of the adjective zhovtyi/yellow with the corpus of contemporary novelists was conducted. The obtained results have made it possible to identify peculiar individual examples of the use of the adjective zhovtyi/yellow by Vasyl Stefanyk and to determine which of the meanings given in the Dictionary of the Ukrainian Language (SUM) should be placed as the first one when compiling a dictionary article for the dictionary of Vasyl Stefanyk’s literary works.

Russian Policy of Agriculture Support and the Necessity of Its Modification after WTO Accession

2012 ◽  
pp. 132-149 ◽  
Author(s):  
V. Uzun
Keyword(s):  
Comparative Analysis ◽  
World Trade Organization ◽  
Agricultural Production ◽  
World Trade ◽  
The Us ◽  
The World ◽  
Wto Accession ◽  
The Eu ◽  
Agriculture Support

The article deals with the features of the Russian policy of agriculture support in comparison with the EU and the US policies. Comparative analysis is held considering the scales and levels of collective agriculture support, sources of supporting means, levels and mechanisms of support of agricultural production manufacturers, its consumers, agrarian infrastructure establishments, manufacturers and consumers of each of the principal types of agriculture production. The author makes an attempt to estimate the consequences of Russia’s accession to the World Trade Organization based on a hypothesis that this will result in unification of the manufacturers and consumers’ protection levels in Russia with the countries that have long been WTO members.

The World Economic Forum Principles on "Climate Governance on Corporate Boards": can soft law help to face climate change around the world?

2020 ◽  
pp. 37-55
Author(s):  
Sabrina Bruno
Keyword(s):  
Climate Change ◽  
South Africa ◽  
Comparative Analysis ◽  
Boards Of Directors ◽  
Soft Law ◽  
Corporate Boards ◽  
World Economic Forum ◽  
Financial Factor ◽  
The World ◽  
World Economic

Climate change is a financial factor that carries with it risks and opportunities for companies. To support boards of directors of companies belonging to all jurisdictions, the World Economic Forum issued in January 2019 eight Principlescontaining both theoretical and practical provisions on: climate accountability, competence, governance, management, disclosure and dialogue. The paper analyses each Principle to understand scope and managerial consequences for boards and to evaluate whether the legal distinctions, among the various jurisdictions, may undermine the application of the Principles or, by contrast, despite the differences the Principles may be a useful and effective guidance to drive boards' of directors' conduct around the world in handling climate change challenges. Five jurisdictions are taken into consideration for this comparative analysis: Europe (and UK), US, Australia, South Africa and Canada. The conclusion is that the WEF Principles, as soft law, is the best possible instrument to address boards of directors of worldwide companies, harmonise their conduct and effectively help facing such global emergency.

THE TIMURID PERIOD FROM THE HISTORY OF THE FINE ARTS

2019 ◽  
Vol 19 (2) ◽  
pp. 28-33
Author(s):  
Ulug'bek Kuryazov ◽  
Keyword(s):  
Comparative Analysis ◽  
Fine Arts ◽  
The World ◽  
History Of

The article examines the works of scholars in the study of the history of fine arts, in particular miniatures of the Amir Temur era and temurids. Special attention is paid to the history of the creativity of Mirak Nakkosh and the outstanding miniaturist Kamoliddin Behzod. A comparative analysis of several miniature works is given. As well as analyzed some miniatures stored in the collections of museums and libraries of the world

The Russian People as They Are. Turgenev’s View

2018 ◽  
pp. 71-82
Author(s):  
Sergey Nickolsky
Keyword(s):  
Short Stories ◽  
Philosophy Of History ◽  
Literary Genre ◽  
Classical Literature ◽  
The People ◽  
The World ◽  
Natural Man ◽  
The Mind ◽  
Nature And Society ◽  
Philosophical Nature

The question of the Russian man – his past, present and future – is the central one in the philosophy of history. Unfortunately, at present this area of philosophy is not suffciently developed in Russia. Partly the reason for this situation is the lack of understanding by researchers of the role played by Russian classical literature and its philosophizing writers in historiosophy. The Hunting Sketches, a collection of short stories by I.S. Turgenev, is a work still undervalued, not fully considered not only in details but also in general meanings. And this is understandable because it is the frst systematic encyclopedia of Russian worldview, which is not envisaged by the literary genre. To a certain extent, Turgenev’s line is continued by I. Goncharov (the theme of the mind and heart), L. Tolstoy (the theme of the living and the dead, nature and society, the people and the lords), F. Dostoevsky (natural and rational rights), A. Chekhov (worthy and vulgar life). This article examines the philosophical nature of The Hunting Sketches, its structure and content. According to author’s opinion, stories can be divided into ten groups according to their dominant meanings. Thus, in The Hunting Sketches the main Russian types are depicted: “natural man,” rational, submissive, cunning, honest, sensitive, passionate, poetic, homeless, suffering, calmly accepting death, imbued with the immensity of the world. In the image and the comments of the wandering protagonist, Ivan Turgenev reveals his own philosophical credo, which he defnes as a moderate liberalism – freedom of thought and action, without prejudice to others.

Comparative analysis and interpretation of grace and grace-fo data

2020 ◽  
Vol 4 ◽  
pp. 101-106
Author(s):  
Konstantin Simonov ◽  
◽  
Alexander Matsulev
Keyword(s):  
Comparative Analysis ◽  
World Ocean ◽  
Satellite System ◽  
Data Archive ◽  
Space Systems ◽  
Satellite Measurements ◽  
Digital Maps ◽  
The World ◽  
Grace Mission ◽  
Anomalous State

The study is devoted to the analysis of the features of the change in the Equivalent Water Height (EWH) parameter over the geoid based on satellite measurements of space systems. The study used the GRACE and GRACE-FO satellite data archive. The assessment was carried out on Earth as a whole, including land areas and the World Ocean. Interpretation of the anomalous state of the geoenvironment is performed using digital maps of the spatial distribution of the EWH parameter based on the histogram approach and correlation analysis. Also, a comparative analysis of the studied data from the GRACE mission and data from the new GRACE-FO satellite system launched into orbit in the summer of 2018 was carried out.

The Supply-Demand Research of Cultural and Tourism Industries Policies in China with the Impact of COVID-19

2020 ◽  
Vol 11 (1) ◽  
pp. 24-24
Author(s):  
Dr. Jianfei Yang
Keyword(s):  
Tourism Industry ◽  
Chinese Government ◽  
Cultural Industries ◽  
Real Situation ◽  
The Real ◽  
The World ◽  
The Impact ◽  
Near Future ◽  
Post Period

COVID-19 has made a bad influence on economic and society including cultural and tourism industry in China，2020.The industry has received a huge loss in the first quarter of the year and the situation is getting worse in the near future. It is believed that there will be a long impact for the country even the world. In order to recover the industry, Chinese government has published series of policies to support the enterprises and clusters to reduce the bad influence of COVID-19. This paper mainly uses filed survey and documentary research to map the real situation of the industry. It tries to find the policy demand of the industries and then analyze the policies published by government to conquer COVID-19. Meanwhile it will focus on whether the supply meet the demand and give suggestions on how to promote the policy efficiency in the post period of COVID-19 in China. Keywords: Evaluation; Cultural Industries; Policy; Park; Pandemic

Impact of Globalisation on Pandemics: A comparative study on SARS and Covid-19 (Preprint)

2020 ◽  
Author(s):  
Johann Johann And Devika
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Descriptive Analysis ◽  
Qualitative Comparative Analysis ◽  
Global Scale ◽  
Global Level ◽  
Economic Stability ◽  
The Past ◽  
The World ◽  
Close Relationship

BACKGROUND Since November 2019, Covid - 19 has spread across the globe costing people their lives and countries their economic stability. The world has become more interconnected over the past few decades owing to globalisation and such pandemics as the Covid -19 are cons of that. This paper attempts to gain deeper understanding into the correlation between globalisation and pandemics. It is a descriptive analysis on how one of the factors that was responsible for the spread of this virus on a global scale is globalisation. OBJECTIVE - To understand the close relationship that globalisation and pandemics share. - To understand the scale of the spread of viruses on a global scale though a comparison between SARS and Covid -19. - To understand the sale of globalisation present during SARS and Covid - 19. METHODS A descriptive qualitative comparative analysis was used throughout this research. RESULTS Globalisation does play a significant role in the spread of pandemics on a global level. CONCLUSIONS - SARS and Covid - 19 were varied in terms of severity and spread. - The scale of globalisation was different during the time of SARS and Covid - 19. - Globalisation can be the reason for the faster spread in Pandemics.

Beckett’s Expelled

2018 ◽  
Author(s):  
Lyndsey Stonebridge
Keyword(s):  
Human Rights ◽  
Short Stories ◽  
Samuel Beckett ◽  
Red Cross ◽  
Human Suffering ◽  
Dark Background ◽  
The World

Samuel Beckett is known for his unique abstraction of human suffering. This chapter shows how his wartime experiences transformed his writing, producing one of the first really critical literary depictions of the new subject of human rights and humanitarianism. Beckett’s engagement with what he described in 1946 as ‘the time-honoured conception of humanity in ruins’ began with his own experience of displacement and with his work with the Irish Red Cross in Saint-Lô. The characters who wander through the three short stories that he first wrote in French, ‘La Fin’, ‘L’Explusé’, and ‘Le Calmant’, collectively known as the Nouvelles, are both subject to a regime of humanitarian indifference (‘They clothed me and gave me money’ read the first lines of ‘La Fin’) and restless agents, stumbling in a stripped down French, groping for a new narrative. These are the new clowns of the dark background of difference, ironists of their own suffering, chroniclers of the gap that had opened up between the placeless people and the rest of the world.

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