scholarly journals TIPE FOKALISATOR DALAM NOVEL PUTU WIJAYA:TELEGRAM

TELAGA BAHASA ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 40
Author(s):  
A. Yusdianti Tenriawali ◽  
Sumiaty Sumiaty

 Analysis of the point of view in the intrinsic element of literary works is still dominated by the analysis of first-person, and third-person perspectives. But in the development of narrative text theory analysis, there was a change in the division of viewpoint types. In Bal's narratology theory, the point of view is called focalization, while the viewer in the point of view is called focalization. Therefore, how is the type of focalizer in the novel, specifically in the novel Telegram, became the focus of this research study. The purpose of this study was to identify the type of focalizer used in the novel. This research is a qualitative descriptive study. Data collection techniques used are reading and note-taking techniques. The data analysis techniques in this study include data identification, data classification, data analysis, and the conclusion of data analysis results. The results showed that the type of focalizer type used was internal focalization. The use of an internal focalization shows that the author of the novel tells the story from a first-person perspective, and the author does not appear in the story. Keywords: focalizer, novel, narratology BalAnalisis sudut pandang dalam unsur intrinsik karya sastra hingga saat ini cenderung masih didominasi oleh analisis sudut pandang orang pertama, dan orang ketiga. Namun dalam perkembangan analisis teori teks naratif, terlihat adanya perubahan pembagian tipe sudut pandang. Dalam teori naratologi Bal, sudut pandang disebut fokalisasi, sedangkan yang melihat dalam sudut pandang disebut fokalisator. Oleh karena itu, bagaimanakah tipe fokalisator dalam novel, khususnya novel Telegram, menjadi rumusan masalah penelitian ini. Tujuan penelitian ini untuk mengidentifikasi tipe fokalisator yang digunakan dalam novel. Penelitian ini merupakan penelitian deskriptif kualitatif.Teknik pengumpulan data yang digunakan adalah teknik baca dan teknik catat. Adapun teknik analisis data dalam penelitian ini meliputi identifikasi data, klasifikasi data, analisis data, dan penyimpulan hasil analisis data. Hasil penelitian menunjukkan bahwa tipe tipe fokalisator yang digunakan adalah fokalisator internal.  Penggunaan fokalisator internal menunjukkan bahwa pengarang novel tersebut menceritakan cerita dari sudut pandang orang pertama,dan pengarang tidak menampakkan diri dalam cerita.  

2021 ◽  
Author(s):  
M Chairul Basrun Umanailo

Until now, the analysis of the point of view in the intrinsic elements of literary works is still dominated by the analysis of the first and third-person perspectives. However, in the development of narrative text theory analysis, it is seen that there are changes in the division of types of viewpoints. In Bal's narratology theory, the point of view is called focalization, while those who see it from the point of view are called focalizers. Therefore, how the type of focalizer in the novel, especially in novel Telegram is the problem of this research. The purpose of this study was to identify the type of focalizer used in the novel. This research is a qualitative descriptive study. The data collection techniques used were reading techniques and note-taking techniques. The data analysis techniques in this study include data identification, data classification, data analysis, and concluding the results of data analysis. The results showed that the type of vocalizer used was an internal focalisator. The use of an internal focalizer shows that the author of the novel is telling the story from a first-person perspective and that the author does not appear in the story.


2019 ◽  
Vol 1 (1) ◽  
pp. 58
Author(s):  
Murni Cahyani ◽  
Kadaryati Kadaryati ◽  
Bagiya Bagiya

This research aims to describe: (1) intrinsic elements; (2) local wisdom contained in the novel Bidadari Bermata Bening by Habiburrahman El Shirazy; (3) the plan to implement the learning of Bening Edged Bening novel by Habiburrahman El Shirazy in class XII of SMA. This research is a qualitative descriptive study. The results of this study concluded that (1) the intrinsic elements of the Bidadari Bering Bening novel, namely (a) themes: the major themes of the story of a woman's struggle in sustaining life, minor themes include, matchmaking, self-esteem, romance; (b) figures and characterizations: the main characters, namely Ayna and Gus Afif. Ayna is intelligent, assertive, patient and loyal, Gus Afif is intelligent, shy, responsible, humble, and independent; (c) flow: forward, (d) setting: setting, including Kanzul Ulum Islamic Boarding School, Lombok and Bait Ibni Sabil; time settings include morning, afternoon, evening and night; socio-cultural background including Javanese socio-cultural background); (e) point of view: the point of view of the all-knowing third person; (f) mandate: never put down others, never give up, and always be patient in the face of life's trials; (2) Local wisdoms in the Bidadari Bering Bening novel include (a) languages: Javanese, (b) knowledge systems: natural surroundings, natural flora, natural flora, and the characteristics and behavior of humans, (c) social organizations: systems kinship, (d) equipment of human life: food and shelter and housing, (e) livelihood system: merchants, (f) religious system: religious rituals and teachers / religious leaders, (g) arts: shadow puppets; (3) The plan for implementing novel text learning in class XII SMA based on the 2013 curriculum is contained in the basic competence 3.9 analyzing the contents of the novel and the language of the novel. The method used is a scientific-based Inquiry Learning method. Keywords: Clear-eyed Angels, intrinsic elements, local wisdom.


2021 ◽  
Vol 30 (1) ◽  
pp. 170
Author(s):  
Netanias Mateus De Souza Castro

Resumo: A história do romance viu, diante de si, formas diversas de narrar, conforme aponta os escritos de Theodor W. Adorno, por exemplo. Desde narradores impessoais, mantendo a distância segura que lhe confere a narrativa em terceira pessoa até os casos em que o que se narra é algo diretamente relacionado ao próprio narrador. Esse parece ser o caso do romance de Marçal Aquino, Eu receberia as piores notícias de seus lindos lábios, que conta o envolvimento amoroso de Cauby e Lavínia a partir do olhar do próprio Cauby. Esse narra de um modo cuja relação de si mesmo com a narrativa fica explícita, tamanha é sua passionalidade em relação às suas vivências e ao ato de narrar. Isso se manifesta tanto na linguagem, em termos de escolhas narrativas, quanto nas ações do narrador-personagem-protagonista que narra e vive aquilo que narra. Suas características mais notáveis são a passionalidade, a capacidade de registrar fotograficamente detalhes da narrativa e o rompimento com técnicas narrativas tradicionais.Palavras-chave: narrador; primeira pessoa; romance brasileiro contemporâneo; Eu receberia as piores notícias de seus lindos lábios.Abstract: The history of the novel saw, before it, different ways of narrating, as pointed out by the writings of Theodor W. Adorno, for example. From impersonal narrators, maintaining the safe distance that the third person narrative gives him until the cases in which what is narrated is something directly related to the narrator himself. This seems to be the case with Marçal Aquino’s novel I would receive the worst news from his beautiful lips, which tells of Cauby and Lavínia’s loving involvement from the point of view of Cauby himself. He narrates in a way whose relationship with himself and the narrative is explicit, such is his passion for his experiences and the act of narrating. This manifests itself both in language, in terms of narrative choices, and in the actions of the narrator-character-protagonist who narrates and experiences what he narrates. Its most notable characteristics are passionality, the ability to photographically record details of the narrative and break with traditional narrative techniques.Keywords: narrator; first person; contemporary Brazilian romance; Eu receberia as piores notícias de seus lindos lábios.


Author(s):  
Diana E. Gasparyan ◽  

In this article, it is shown that in some theories defending the non-reductive nature of the firstperson perspective it is possible to find a very inconsistent attitude. Such theories are associated by the author to a so-called moderate naturalism. The article demonstrates the difference between moderate and radical naturalism. Radical naturalism completely abandons the idea of subjectivity as unobservable from a third-person perspective. On the contrary, moderate naturalism defends the irreducibility of subjectivity, but believes subjectivity to be a part of the nature. As a case of moderate naturalism, the article considers the approaches of Lynne Baker and Thomas Metzinger. Exemplifying these approaches to the first-person perspective, it is shown that in the case of certain work strategies focused on the first-person perspective, it is possible that a so-called description error may appear, by which a description error of subjectivity — when it is placed in the world as a part of nature, existing according to its laws — is understood. The logic of this error points to one of Ludwig Wittgenstein’s statements about the incorrect placement of the eye in the perspective of the eye view itself. If the first-person perspective is introduced as a point of view (or a point of observation), then its subsequent shift to the observation result area leads to description error. If there is no observation, as well as no viewpoint, we lose the very idea of first-person perspective and actually take the position of radical naturalism.


2019 ◽  
Vol 8 (2) ◽  
pp. 70
Author(s):  
Zahria Farlydia Farikhin

This research aimed to describe intertextual in the novel A Very Yuppy Wedding and Divortiare by Ika Natassa. This research used a descriptive qualitative approach in the form of structural. The result of the data analysis is that theme has similarity. The themes of these novels are love, friendship, and family. Figure and characterization in the novels has less different, the figures describe as  a work hard figure not only for the job but also on their relationship. In both of the novel, both of the main characters are women and use the first person as the point of view. Whereas the plot of the novels has different, that is novel Divortiare has a flash-back plot and A Verry Yuppy Wedding has a progressive plot. Both of the novel have differences in the story but have the same happy ending. The background of the stories are not different. Ika Natassa takes both of the settings in Jakarta. The conclusion is both of the novels have no significant differences.


2020 ◽  
Vol 3 (2) ◽  
pp. 93
Author(s):  
Ana Farichatun Naschah ◽  
Dwi Rahmawati ◽  
Triasih Triasih

Online news is the news that is widely accessed in this digital era, because it is faster, more accurate, and flexible. At the beginning of 2020, the whole world is facing the Corona or Covid-19 virus. In cyberspace itself, many sites have the Corona theme as their main news. However, it is not uncommon for language errors to be found in online news, both errors during the typing process, as well as pure errors from the personal error of the author who is not careful in using language rules. This study aims to determine how many types of language errors are in CNN Indonesia's online news about Covid-19 for the March 2020 period. This type of research is a qualitative descriptive study. Data collection techniques in this study used the observation and note technique. Data analysis techniques were carried out starting from the beginning in the form of collection, recording, and classification. Based on the results of this study, four areas of language error were found, namely: (1) spelling (writing italics), (2) morphology (affix me (N) and prefix meN-), (3) syntax (illogical sentences, and non-logical sentences. frugal), (4) diction (connotative meaning and non-standard words). With this research, so that in the future the news presented can provide knowledge to readers by writing well and correctly


2019 ◽  
Vol 6 (2) ◽  
pp. 356
Author(s):  
I Made Edi Suandana ◽  
I Gusti Agung Oka Mahagangga

Tirta Empul Temple is one of the templesin balithat become a tourist attraction and crowded by tourists either domestic tourists or foreign tourists. The tourist attraction of Tirta Empul is unique because besides being a place of worship for Hindus as well as a holy bath. Besides that, Tirta Empul Temple also has its own unique history and architecture. Tirta Empul Tourist Attraction is managed by the Manukaya VillageCommunityand from the Gianyar Regency Government.          This study aims to find out how the participation of Manukaya Village community in managing Tirta Empul Tourism Attraction. Then to find out the response of the Manukaya Village community to the Management of Tirta Empul Tourism Attraction. In this study data was collected by conducting direct observations to the field and conducting interviews with the community. The sample was determined using purposive sampling technique to determine the sample. And the data were analyzed using qualitative descriptive data analysis techniques          The results of this study indicate that the participation of the community of Manukaya Village towards the management of the attraction of Tirta Empul can be seen from the involvement of the local community directly managing the Tourist Attraction, through their obligation to work there alternately. All heads of families and youths in the Manukaya Traditional Village will have their turn to serve in the attraction of Tirta Empul, starting from those who are nurturing and those who do not have obligations in the traditional village or called Balu Angkep. The Aduk Manukaya Village Community Let all participate in the management of Tirta Empul's tourist attraction, both from planning, organizing, mobilizing people, and supervising. Overall the response as attitude of the Manukaya Village community to the management of Tirta Empul Tourism Attraction is look positive without complain. Although there are two groups included in this area, but participated groups directly in the management is Desa Adat Manukaya. Group desa adat Malat accepted with comfortable this situation.   Keywords:participation, response, management.


2020 ◽  
Vol 3 (2) ◽  
pp. 71-75
Author(s):  
Ika Rifngatin

The purpose of this research is to describe 1) the learning planning during the Covid-19 pandemic in RA Amanah Ummah 8 is correct, 2) the implementation of learning during the Covid-19 pandemic in RA Amanah Ummah 8 is correct, 3) Evaluation of learning during the Covid-19 pandemic at RA Amanah Ummah 8 right.This research is a qualitative descriptive study. Data collection was carried out through observation, interviews, and documentation. The validity of the data in this study used triangulation of sources and triangulation of techniques. Data analysis techniques in this study used data reduction, data presentation and drawing conclusions. The results of this study indicate that: (1) lesson plans prepared during the pandemic use RPPM. (2) the implementation of learning during the Covid-19 pandemic uses 2 learning models, namely through parents and home visit. (3) evaluation of learning during the Covid-19 pandemic using weekly evaluations.


EDU-KATA ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 47-54
Author(s):  
Erlik Fauziyah ◽  
Syamsul Ghufron

This study aims to describe the types of violations of the principle of cooperation in dialogue between groups in the novel Koala Kumal by Raditya Dika. This study used descriptive qualitative method. The data source of this research is Raditya Dika's Koala Kumal novel which consists of 12 stories. Data collectiontechniques used include techniques for reading, listening, and taking notes. The research instrument used was a cooperative principle indicator in the form of a table. Data analysis techniques with qualitative descriptive methods with steps to collect data, data reduction, data presentation, and drawing conclusions. The results of this study show two conclusions. First, the form of violation of the principle of cooperation that occurs is (1) the maxim of quantity, (2) the maxim of quality, (3) the maxim of relevance, and (4) the maxim of the method or implementation. Second, namely the three objectives of violating the principle of cooperation, namely (1) representative purpose: providing information or giving explanations, ensuring, expressing expectations, and affirming, (2) directive objectives: insinuating, mocking, giving advice, and criticizing or protesting, and (3) expressive goals: lying, boasting, expressing dislike, expressing concern, seducing or teasing, praising, confused, and creating humor.


2015 ◽  
Vol 8 (1) ◽  
pp. 96-123 ◽  
Author(s):  
MELISSA MULCAHY ◽  
BETHANIE GOULDTHORP

abstractPrevious research suggests that situation model construction may be influenced by a reader’s ability to embody the first-person perspective of the protagonist, including character emotions, during online comprehension. This study examined the effect of narrative point-of-view and readers’ own prior personal experience on reading engagement and comprehension. Participants read eighty short story passages on a computer screen, each describing either a familiar or an unfamiliar event. Stories were written in the first or third person, and either featured or did not feature a shift in protagonist emotions in the last sentence of the text. The results indicated that the use of third-person narrative point-of-view had an overall effect on reading engagement and enhanced readers’ ability to monitor changing character emotions. First-person narrative point-of-view, however, promoted protagonist empathy when participants read about unfamiliar events. The results also provide support for the conclusion that readers were more engaged with the story and constructed more effective situation models when they had prior personal experience of story events.


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