THE TOMB OF RAMBAN BIAQ MYTHOLOGY IN RAMBAN BIAQ VILLAGE, EAST LOMBOK

This study focused on examining mythology and history of tomb for a person who was considered sacred by the society. The sacred tomb is the place where person factually buried or the last location seen by others according to the local people beliefs of a past figure based on the relationships of ancestral, great name, extraordinary advantages, historical traces, his services, and values and traditions inherited by the figure which is believed by the most people to grant the wishes. The sacred tomb is the tomb of a figure in the past such as wali Allah, king, and so on. The purpose of this study was to know the history of the tomb of Ramban Biaq in East Lombok, to understand the people perception of the tomb of Ramban Biaq, to know the factors influencing people to make a pilgrimage to the tomb of Ramban Biaq, and to understand the procedures of pilgrimage to the tomb of Ramban Biaq. This study used a qualitative method with a phenomenological approach. Data were collected by observation, interviews, and literature study. The result study explained that the person who was featured in the mythology of the tomb of Ramban Biaq did not die, but still alive and lived in another world. The other myth was that this tomb can grant a pray to God.

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Transmigration Village and Construction of Religious Harmony: Evidences From Mamasa of West Sulawesi

Al-Ulum ◽

10.30603/au.v21i1.2112 ◽

2021 ◽

Vol 21 (1) ◽

pp. 205-221

Author(s):

Muhammad Arsyam ◽

Zakirah Zakirah ◽

Sulaiman Ibrahim

Keyword(s):

Qualitative Method ◽

Phenomenological Approach ◽

Economic Situation ◽

The Other ◽

Political Activities ◽

Religious Conflicts ◽

Other Hand ◽

The People ◽

Local Residents

The focus of this research is finding the construction of religious harmony in former conflict areas in Indonesia. The aim is to photograph the process of resolving religious conflicts in Kampung Rano in Mamasa of West Sulawesi Province. This research uses a qualitative method using a phenomenological approach by collecting socio-religious data and interviews from researchers with objects. This study empirically shows that finds the importance of understanding the value of pluralism has been taking place, especially for the people of Kampung Rano to regenerate an economic situation that has been devastated for more than a decade. On the other hand, there are a number of agreements between the transmigrant community and local residents, one of which is to no longer use religious attributes and symbols in political activities.

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PERSEBARAN ARCA BERCORAK SIWAISTISDI KOTA DENPASAR, BALI

Forum Arkeologi ◽

10.24832/fa.v29i2.188 ◽

2017 ◽

Vol 29 (2) ◽

pp. 93

Author(s):

I Wayan Sumerata ◽

Dewa Gede Yadhu Basudewa

Keyword(s):

Qualitative Analysis ◽

Research Result ◽

Religious Activities ◽

Literature Study ◽

Human Culture ◽

Development History ◽

The Past ◽

Alteration Process ◽

The People ◽

History Of

This research aims to reconstruct the history of human culture, and the depiction of alteration process of man’s culture in the past as well as contribute data about development history of figurine art, particuarly figurine with siva characteristic in Denpasar. Data were collected using observation, interview, and literature study method and were analyzed using qualitative analysis and iconography. The research result shows that figurines with siva characteristic in Denpasar distributed in ten sanctuaries. The types of siva character figurine are Durga, Ganesha, linga yoni, linga, yoni, holy priest, and nandi. Up to now those figurines are still functioned by the people for religious activities and as media to connect with God Almighty. Penelitian ini bertujuan untuk merekonstruksi sejarah kebudayaan manusia masa lampau, dan penggambaran proses perubahan budaya manusia masa lampau, serta memberikan sumbangan data mengenai sejarah perkembangan seni arca, khususnya yang bercorak Siwaistis di Kota Denpasar. Pengumpulan data menggunakan metode observasi, wawancara, dan studi kepustakaan dan dianalisis menggunakan analisis kualitatif dan ikonografi. Hasil penelitian menunjukkan bahwa arca bercorak Siwaistis di Kota Denpasar tersebar pada 10 tempat suci. Jenis arca bercorak Siwaistis yang ditemukan seperti arca Dewi Durga, arca Ganesha, lingga yoni, lingga, yoni, arca pendeta, dan arca Nandi. Sampai saat ini arca-arca tersebut masih difungsikan dan dimanfaatkan untuk kegiatan keagamaan sekaligus sebagai media untuk menghubungkan diri kepada Tuhan Yang Maha Esa.

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Belentung Sebagai Identitas Musik Pada Komunitas Konser Kampung Desa Jatitujuh Majalengka Jawa-Barat

SELONDING ◽

10.24821/selonding.v14i14.3131 ◽

2019 ◽

Vol 14 (14) ◽

Author(s):

Shintia Ananias

Keyword(s):

Qualitative Method ◽

Fine Arts ◽

Local People ◽

Literature Study ◽

West Java ◽

String Instrument ◽

The People ◽

Art Activities ◽

And Function ◽

The Voice

Belentung is a string instrument made by bamboo inspired by soundscape which is the voice of big toads and also children toys made by a can and thread of mattress. Belentung can be played individually or ansemble. The words “belentung” also refers to the ansemble or music that produced from belentung itself. Belentung ansamble music have four kinds of instrument based on their size and function, such as belentung panggede, panungtun, panembal and pangrecok. Belentung made by Komunitas Konser Kampung located in the Jatitujuh village, Majalengka, West Java. Komunitas Konser Kampung has been established since June 26th, 1987 and have many art activities, such as in music activities, literature and fine arts. Members of this community are artists, humanists and youth generation of Jatitujuh. This community have so many art activities in Jatitujuh village itself and also in the level of region, Majalengka until out of region. The interaction of Komunitas Konser Kampung with other communities and also with the people made this community realized the importance of group identit, especially music identity. Belentung created as a music identity of Komunitas Konser Kampung because of the uniqness of the organology and the characteristic of their musical. The qualitative method used to get data in the field, for example observation participate, interview with the local people, documentation and literature study. Ethnomusicology and anthropology approach has been done to analyze and made conclucion.

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Interculturalism in The Eyes of Marege Performance

Dance & Theatre Review ◽

10.24821/dtr.v1i1.2249 ◽

2018 ◽

Vol 1 (1) ◽

Author(s):

Alif Anggara

Keyword(s):

Qualitative Method ◽

Northern Australia ◽

Literature Study ◽

Sea Cucumbers ◽

Sociological Approach ◽

The Past ◽

Intercultural Performance ◽

Personal Experiences ◽

Arnhem Land ◽

History Of

AbstractThe Eyes of Marege is a surreal drama which consists of two acts with fourteen scenes. It is an intercultural performance that raises the history of relations between Makassar and Aborigines in the past. The research aims to know the basic idea of creation, the concretization stages, as well as the structure and texture of the performance. This research applies a qualitative method with a sociological approach. Observations were started from DVDs of the performance and drama script of The Eyes of Marege. Data were collected from interviews with some respondents and literature study. The Eyes of Marege is inspired by folklore, myths, songs about Makassarese coming to Arnhem Land - Northern Australia to find sea cucumbers. It was the place where Julie Janson had lived for thirty years and was raised by the Yolngu family. In addition, Julie Janson got some other inspirations from several readings and personal experiences when visiting Makassar.Keywords: Eyes of Marege; Makasarese folklore; Julie JansonAbstrakInterkuluralisme dalam Pertunjukan The Eyes of Marege. The Eyes Of Marege merupakan drama absurd atau surealis yang terdiri dari dua babak dengan empat belas adegan. Penelitian ini bertujuan untuk mengetahui ide dasar penciptaan, tahapan konkretisasi, serta struktur maupun tekstur pertunjukannya. Penelitian ini menggunakan metode kualitatif dengan pendekatan sosiologi. Penelitian dilakukan dengan cara pengamatan pertunjukan dan analisis naskah drama diikuti dengan wawancara dan studi pustaka. Berdasarkan penelitian dapat disimpulkan bahwa drama ini terinspirasi dari cerita rakyat, mitos, nyanyian-nyanyian tentang orang Makassar yang datang ke Arhemland – Australia Utara untuk mencari teripang. Tempat itu adalah tempat di mana Julie Janson pernah tinggal selama tiga puluh tahun dan diasuh oleh keluarga Yolngu. Drama ini dapat digolongkan sebagai pertunjukan interkultural yang mengangkat masalah sejarah hubungan antara suku Makassar dan suku Aborigin yang pernah terjalin di masa silam.Kata kunci: Eyes of Marege; folklore Makassar; Julie Janson

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Early History of Elis and Pisa: Invented or Evolving Traditions?

Klio ◽

10.1524/klio.2013.95.2.315 ◽

2013 ◽

Vol 95 (2) ◽

Author(s):

Mait Kõiv

Keyword(s):

Early Period ◽

Fourth Century ◽

Early History ◽

The Other ◽

Sixth Century ◽

The Political ◽

The Past ◽

The People ◽

History Of ◽

The One

SummaryThe article discusses the development of ethnic and political identities, and the related traditions concerning the past, in Archaic and Classical Elis and Pisa. It shows that the earliest signs of Pisatan identity can be traced to the sixth century BC, and that the Eleans of the valley of Peneios on the one hand, and the people dwelling in the valley of Alpheios (i.e. the Pisatans) and the so-called Triphylia farther south on the other, nourished distinct traditions about their heroic past, which reflect distinct ethnic identities. Instead of assuming that the Pisatans as a group was intentionally constructed and its ‚history‘ invented during the political disturbances of the fourth century BC, we must accept that the Eleans and the Pisatans had since an early period developed and mutually re-negotiated the traditions confirming their identities and promoting their interests in the changing historical conditions.

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JEJAK BUDAYA PENAJAM PASER UTARA DALAM CERITA ASAL USULNYA

LOA: Jurnal Ketatabahasaan dan Kesusastraan ◽

10.26499/loa.v14i1.1974 ◽

2019 ◽

Vol 14 (1) ◽

pp. 45

Author(s):

Aquari Mustikawati

Keyword(s):

Social Norms ◽

Qualitative Method ◽

Work Ethic ◽

Cultural Theory ◽

Value System ◽

The Past ◽

The People ◽

Search Data ◽

History Of ◽

Library Method

This research describes cultural traces of Penajam Paser Utara’s people through its origin consisting of value system, social norms, mindset, and work ethic of the people in the past. It discusses about cultural traces recorded in the origin of Penajam Paser Utara’s people. It uses library method to search data. It applies qualitative method to describe events in the past, like history, legends, or important events, including important figures that had ever existed. Cultural theory is used to analyze the culture of the people through their origin. The results of this study indicate that Penajam Paser Utara’s in the past recorded their local wisdom of each region on their origin. It can be concluded that Penajam Paser Utara’s origin can be used as knowledge to understand the history of the people so as to develop the potential of the region.

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The meaning of the Ceprotan tradition in bersih desa for the people of Sekar village

Harmoni Sosial Jurnal Pendidikan IPS ◽

10.21831/hsjpi.v7i2.27978 ◽

2020 ◽

Vol 7 (2) ◽

pp. 150-159

Author(s):

Laras Andita Yuningtyas ◽

Sigit Pranawa ◽

Yuhastina Yuhastina

Keyword(s):

Qualitative Method ◽

Sampling Technique ◽

Phenomenological Approach ◽

Local People ◽

Thick Description ◽

Symbol Systems ◽

Cultural Interpretation ◽

Village Community ◽

The People ◽

Clifford Geertz

The purifying tradition carried out by the Sekar Village community is always accompanied by a traditional ceremony called Ceprotan. This Ceprotan traditional ceremony only exists in Sekar Village. Its implementation load with folklore values that the local people believe. This study aimed to know the meaning of the Ceprotan tradition for the people of Sekar village. This research used a qualitative method with a phenomenological approach. The intake of informants was done through the purposive sampling technique. Data obtained using both secondary and polymer data. Data collection techniques used were interviews, observation, and documentation. To ensure the validity of the data, the researcher used source triangulation techniques on the data obtained. The data were then analyzed with cultural interpretation techniques or the "thick description" approach by Clifford Geertz to interpret the symbol systems of cultural meaning in a deep painting. This study's findings were that the village's purifying tradition accompanied by the Ceprotan traditional ceremony carried out by the Sekar Village community, especially Krajan Lor and Krajan Kidul Hamlets, was done as an expression of gratitude, hope, and prayer to God Almighty for good things. Based on cultural practitioners' symbolic activities that appeared and were interpreted, this tradition was also carried out as a form of appreciation and reminder to the ancestors of Sekar Village, which until now is believed by the community as Danyang who consider influencing the survival of the local people. This belief contains in the folklore of the origin of Sekar Village. It continues to maintain as a form of refinement of the customs and culture of Sekar Village.

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Appropriation and Its Consequences: Archaeology under Colonial Rule in Egypt and India

Journal of Egyptian History ◽

10.1163/18741665-12340055 ◽

2021 ◽

Vol 13 (1-2) ◽

pp. 207-226

Author(s):

Shereen Ratnagar

Keyword(s):

Twentieth Century ◽

Arab World ◽

The Other ◽

Colonial Rule ◽

Colonial Administration ◽

The Past ◽

The People ◽

Indian Identity ◽

History Of ◽

The Subject

Abstract The beginnings of archaeology in Egypt and in India are the subject of this paper. In both countries, antiquities were carried away by the powerful. Moreover, the hubris of the colonial powers ruling both countries made it inevitable that not only antiquities, but knowledge about the past, were appropriated in different ways. For modern Egyptians, the Pharaonic past was remote in culture and distant in time. The people themselves were until fairly recently prevented from learning the Pharaonic writing, once it was deciphered, by various ways and means. In contrast, in India the colonial administration relied on Indian scholars to teach British personnel the ancient languages, texts, and religion. In neither country was the history of the ancient period taught in schools until the foreign rulers had left. But Indian archaeology became involved in Indian identity and in the framing of the nation as Hindu, and thereby acquired an ugly twist. Self-identification in Egypt in the earlier twentieth century, on the other hand, was possibly more with the Arab world than with the pyramid builders.

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Komparasi Unsur Budaya (Kepercayaan) pada Masyarakat Talaga, Majalengka dan Masyarakat Nagoya, Jepang

Metahumaniora ◽

10.24198/metahumaniora.v7i3.18848 ◽

2017 ◽

Vol 7 (3) ◽

pp. 306

Author(s):

Asri Soraya Afsari

Keyword(s):

Qualitative Method ◽

Field Method ◽

The Other ◽

Survey Method ◽

Cultural Comparison ◽

Other Hand ◽

The People ◽

Descriptive Qualitative

AbstrakPenelitian ini bertujuan mengkaji perbandingan kepercayaan masyarakat Talagadi Majalengka dan masyarakat Nagoya di Jepang. Kepercayaan yang dimaksud dalampenelitian ini adalah kepercayaan yang berhubungan dengan tabu atau pamali dankepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakat tersebut.Untuk mencapai tujuan tersebut digunakan metode deskripstif kualitatif. Dalam memupudata digunakan metode lapangan karena peneliti terjun langsung ke masyarakat. Disamping itu, digunakan pula metode survey melalui penyebaran daftar kuesioner. Hasilpenelitian menunjukkan bahwa bentuk kepercayaan yang berhubungan dengan tabu ataupamali pada masyarakat Talaga dan Nagoya meliputi kegiatan yang dilakukan oleh manusia.Adapun kepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakattersebut berkaitan dengan binatang, benda, dan kegiatan manusia. Sampai saat ini baikmasyarakat Talaga maupun Nagoya masih memegang teguh kepercayaan tersebut.Kata kunci: kepercayaan, Talaga, Nagoya, deskriptif kualitatif, komparasi budaya.AbstractThe aim of this research is to review the comparison of belief between the society ofTalaga in Majalengka and the society of Nagoya in Japan. The intended belief on this study isthe one related with a taboo or pamali, and the belief correlated to luck on both societies. Inachieving the goal, this research uses a descriptive qualitative method. To get the data, thewriter uses a field method that he (/she) directly involves with the people. On the other hand,the writer also uses a survey method by distributing questioners. The result shows that the beliefcorrelated with the taboo or pamali of Talaga and Nagoya societies covers the activities doneby human. Also with the belief related to luck of both societies corresponds to animals, things,and human’s activities. Until now, either Talaga society or Nagoya’s still keeps those beliefs.Keyword: belief, Talaga, Nagoya, descriptive qualitative, cultural comparison.

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The Local Government of Kulon Progo Regency Innovation in Subduing Capitalism through Community Empowerment

Journal of Government and Civil Society ◽

10.31000/jgcs.v4i2.2674 ◽

2020 ◽

Vol 4 (2) ◽

pp. 229

Author(s):

Muhammad Eko Atmojo ◽

Helen Dian Fridayani

Keyword(s):

Qualitative Method ◽

Positive Impact ◽

Community Empowerment ◽

Case Study Approach ◽

Study Approach ◽

The Past ◽

The People ◽

District Government ◽

The Government

Kulon Progo Regency is one of the districts that has many innovations, one of which is community empowerment in collaboration with a modern shop abbreviated as the shop name owned by the people (tomira). This research was motivated by the achievements of the Kulon Progo district government in carrying out development and innovation in the development of the Kulon Progo region by fully involving the Kulon Progo district community through community empowerment. This initiative was taken by the government of Kulon Progo Regency to improve community empowerment and protect the people of Kulon Progo Regency from various economic threats. Considering that in the past few years many modern shops have mushroomed in each district/city, so this is what makes Kulon Progo Regency move quickly to empower the community by collaborating between MSMEs or cooperative with modern shops. This study uses a qualitative method which case study approach. With the empowerment that has been done, the original products of Kulon Progo Regency or local products can be traded in modern stores so that local products in Kulon Progo Regency can compete with national products in these modern stores. The existence of such cooperation will indirectly improve the image of Kulon Progo Regency and lift the original products of Kulon Progo Regency. The lifting of the original products of Kulon Progo Regency will have a positive impact on the community, where indirectly the economy of the community will increase so that there will be prosperity for the community. Kabupaten Kulon Progo adalah salah satu kabupaten yang memiliki banyak inovasi, salah satunya adalah pemberdayaan masyarakat bekerja sama dengan toko modern disingkat nama toko yang dimiliki oleh masyarakat (tomira). Penelitian ini dilatarbelakangi oleh pencapaian pemerintah kabupaten Kulon Progo dalam melakukan pengembangan dan inovasi dalam pengembangan wilayah Kulon Progo dengan melibatkan sepenuhnya masyarakat kabupaten Kulon Progo melalui pemberdayaan masyarakat. Inisiatif ini diambil oleh pemerintah Kabupaten Kulon Progo untuk meningkatkan pemberdayaan masyarakat dan melindungi masyarakat Kabupaten Kulon Progo dari berbagai ancaman ekonomi. Menimbang bahwa dalam beberapa tahun terakhir banyak toko-toko modern telah menjamur di setiap kabupaten/kota, jadi inilah yang membuat Kabupaten Kulon Progo bergerak cepat untuk memberdayakan masyarakat dengan berkolaborasi antara UMKM atau bekerjasama dengan toko-toko modern. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan studi kasus, dengan metode yang digunakan adalah dokumentasi. Dengan pemberdayaan yang telah dilakukan, produk asli Kabupaten Kulon Progo atau produk lokal dapat diperdagangkan di toko modern sehingga produk lokal di Kabupaten Kulon Progo dapat bersaing dengan produk nasional di toko modern ini. Adanya kerjasama tersebut secara tidak langsung akan meningkatkan citra Kabupaten Kulon Progo dan mengangkat produk asli Kabupaten Kulon Progo. Pencabutan produk asli Kabupaten Kulon Progo akan berdampak positif bagi masyarakat, di mana secara tidak langsung perekonomian masyarakat akan meningkat sehingga akan ada kesejahteraan bagi masyarakat.

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