scholarly journals CREATING STUDENTS’ ALGORITHMIC SELVES: SHEDDING LIGHT ON SOCIAL MEDIA’S REPRESENTATIONAL AFFORDANCES

2020 ◽  
Vol 13 (2) ◽  
pp. 292-307 ◽  
Author(s):  
Ignas Kalpokas ◽  
Emilija Sabaliauskaitė ◽  
Victoria Pegushina
Keyword(s):  
Social Media ◽  
Focus Group ◽  
The Self ◽  
Standard Interpretation ◽  
Extant Literature ◽  
International University ◽  
The Creation ◽  
And Performance ◽  
People’S Attitudes ◽  
Mainstream Literature

This article presents and analyses the results of focus group studies conducted with students at an international university in Lithuania, interpreting the results in light of the extant literature on social media’s impact on the creation and performance of the self. The authors reveal a mixed picture whereby the respondents seem to demonstrate an unexpectedly casual and cynical attitude towards social media while, upon closer inspection, still remaining part of social media’s productive exchanges, contributing their data and attention in return for satisfaction. Hence, while by no means rejecting the standard interpretation provided in mainstream literature, the authors are able to present a more complex and nuanced picture of young people’s attitudes towards and interaction with social media and the self-creation affordances thereof, ultimately a close, constitutive, and creative interrelationship between humans and code.

scholarly journals Exploring Self Identity: An Analysis of Audience Reception of Vlogs

2021 ◽  
Vol 6 (2) ◽  
pp. 303
Author(s):  
Rizki Briandana ◽  
Feni Fasta ◽  
Eli Jamilah Mihardja ◽  
Amer Qasem
Keyword(s):  
Social Media ◽  
Focus Group ◽  
Group Discussion ◽  
The Self ◽  
Audience Reception ◽  
Self Identity ◽  
Youth Identity ◽  
Analysis Methodology ◽  
Data Collection Technique

This study analyzed the interpretation of the self-identity projected by Tasya Farasha through her YouTube content. The development of youth identity today cannot be separated from the role of social media. In this context, Tasya Farasha’s content was examined from the viewpoint of the audience who watched it. This study uses a reception analysis methodology with focus group discussion as data collection technique. The informants in this study were selected based on criteria and classified based on three different universities in Jakarta. The result showed that the informants perceived the content of Tasya Farasya’s broadcast as a reference for youth in forming self-identity both culturally and persuasively in speech and action. The self-identity that Tasya Farasya projects led to a cosmopolitan identity. An identity that sees human’s equality in a community. This self-identity also shows its resistance to various dogmas that discriminate against differences.

scholarly journals DO OLHAR AO FAZER CRIATIVO NO UNIVERSO DAS #INSTAFITNESS

polemica ◽  
2018 ◽  
Vol 18 (2) ◽  
pp. 087-104
Author(s):  
Bruna Madureira
Keyword(s):  
Social Networks ◽  
Social Media ◽  
Weight Loss ◽  
The Self ◽  
Potential Space ◽  
The Gaze ◽  
Virtual Screen ◽  
The Creation ◽  
Donald Winnicott ◽  
The Way

Resumo: O objetivo do presente artigo é analisar de que maneira o universo feminino se apropria da rede social, principalmente do Instagram, que funciona como um diário de tela para eliminar gordura. Para isso, traçou-se uma analogia entre os conceitos de Donald Winnicott, destacando a função do olhar do outro enquanto constitutivo da representação de si mesmo. Além disso, analisou-se, ainda, conceitos tais como a mãe suficientemente boa e o espaço potencial como metáforas para a experiência em rede proporcionada pela interação com as seguidoras virtuais que curtem, comentam e compartilham as imagens postadas nas redes sociais. Baseadas nas ideias winnicottianas e na observação acerca da comunicação entre as instafitness e suas seguidoras, concluiu-se que o olhar que se dirige para a autoimagem compartilhada é essencial no processo de perda de peso, sobretudo porque esse olhar virtual ganha uma dimensão extremamente positiva. Daí a criação do conceito de seguidoras suficientemente boas.Palavras-chave: Instafitness. Brincar. Espaço Potencial. Seguidoras suficientemente boas.Abstract: This article aims to analyze the way the female universe uses social media, especially Instagram, which functions as virtual screen journal of working towards thinness. For that we trace an analogy between Donald Winnicott’s concepts, highlighting the function of the followers' gaze as a constitutional representation of the self. We will also analyze the concepts "good enough mother" and "potential space" as metaphors for how the network experience comes from interacting with virtual followers who like, comment and share the images posted in social networks. Based on the Winnicottian ideas and observations of communications between the instafitness users and their followers, we come to the conclusion that the gaze upon one’s shared image is essential in the process of weight loss, especially because this virtual gaze becomes extremely positive. Hence the creation of the concept of good enough followers.Keywords: Instafitness. Playing. Potential Space. Good enough followers.

FACEBOOK SEBAGAI MEDIA BARU TAFSIR AL-QUR’AN DI INDONESIA

2018 ◽  
Vol 2 (2) ◽  
pp. 69-80
Author(s):  
Wildan Imaduddin Muhammad
Keyword(s):  
Social Media ◽  
Methodological Problem ◽  
The Self ◽  
Internet Technology ◽  
Basic Character ◽  
Hermeneutic Approach ◽  
The Times ◽  
Qur'anic Interpretation

This article analyzes the product of Salman Harun's Qur'anic  interpretation with  Facebook  as the medium. As one of the senior professors who pursue the field of interpretation, he has managed to follow the times by utilizing internet technology. There are two focus areas in the study; the first aspect of the sense of Indonesian tafsir attached to the self of Salman Harun, the two aspects of the novelty of discourse that became the basic character of social media. Both aspects are interesting to be studied with a hermeneutic approach. Given that  the  methodological problem that often arises from the hermeneutic approach is the context of the interpreter that is difficult to trace accurately, then this article finds its relevance to the case of Salman Harun's interpretation which uses the facebook media as the actualization of its interpretation product.

Makna Alif dalam Puisi Zikir D. Zawawi Imron dan Sajak Alif Ahmadun Yosi Herfanda

2020 ◽  
Vol 2 (1) ◽  
pp. 52
Author(s):  
Sholeha Rosalia ◽  
Yosi Wulandari
Keyword(s):  
Comparative Study ◽  
Comparative Method ◽  
The Self ◽  
Sociology Of Literature ◽  
Self Reflection ◽  
The Public ◽  
The Creation

Alif means the first, saying the Supreme Life and is Sturdy and has the element of fire and Alif is formed from Ulfah (closeness) ta'lif (formation). With this letter Allah mementa'lif (unite) His creation with the foundation of monotheism and ma'rifah belief in appreciation of faith and monotheism. Therefore, Alif opens certain meanings and definitions of shapes and colors that are in other letters. Then be Alif as "Kiswah" (clothes) for different messages. That is a will. "IQRO" is a revelation that was first passed down to the Prophet Muhammad. Saw. Read it, which starts with the letter Alif and ends with the letter Alif. The creation of a poem is influenced by the environment and the self-reflection of a poet where according to the poet's origin, in comparing in particular Alif's poetry from the two poets. The object of this research is the poetry of Zikir by D. Zawawi Imron and Sajak Alif by Ahmadun Yosi Herfanda. This study uses a comparative method and sociology of literature. Through a comparative study of literature between the poetry of Zikir D. Zawawi Imron and Sajak Alif Ahmadun Yosi Herfanda, it is hoped that the public can know the meaning of Alif according to the poet's view. With this research, the Indonesian people can accept different views on the meaning of Alif in accordance with their respective understanding without having to look for what is right and wrong. The purpose in Alif is like a life, in the form of letters like a body, a tree that is cut to the root, from the heart is split to the seeds, then from the seeds are split so that nothing is the essence of life. So, it is clear that Alif is the most important and Supreme letter. Talking about the meaning of Alif as the first letter revealed on earth. After the letter Alif was revealed, 28 other Hijaiyah letters were born. The letter Alif is made the beginning of His book and the opening letter. Other letters are from Alif and appear on him.

Social Media Literacy For Housewives In Kanoman Maguwoharjo Village, Sleman, Yogyakarta

2020 ◽  
Author(s):  
Dewi Novianti ◽  
Siti Fatonah
Keyword(s):  
Social Media ◽  
Focus Group ◽  
Data Collection ◽  
Focus Group Discussion ◽  
Media Literacy ◽  
Participant Observation ◽  
Group Discussion ◽  
Qualitative Approach ◽  
Research Subjects

Social media is a necessity for everyone in communicating and exchanging information. Social media users do not know the boundaries of age, generation, gender, ethnicity, and religion. However, what is interesting is the user among housewives. This study took the research subjects of housewives. Housewives are chosen as research subjects because they are pillars or pillars in a household. If the pillar is strong, then the household will also be healthy. Thus, if we want to build a resilient and robust generation, we will start from the housewives. A healthy household starts from strong mothers too. This study aims to find out the insights of the housewives of Kanoman village regarding the content on smartphones and social media and provide knowledge of social media literacy to housewives. This study used a qualitative approach with data collection techniques using participant observation, interviews, focus group discussion (FGD), and documentation. The results of the study showed that previously housewives had not experienced social media literacy. Then the researchers took steps to be able to achieve the desired literacy results. Researchers took several steps to make them become social media literates. They become able to use social media, understand social media, and even produce messages through social media.

STEREOTYPE THREAT AND STEREOTYPE LIFT: THE CASE OF 10 YEAR OLD GIRLS AND BOYS

2016 ◽  
Vol 12 (4) ◽  
pp. 21-32
Author(s):  
Anna Kwiatkowska ◽  
Małgorzata Mróz
Keyword(s):  
Stereotype Threat ◽  
Cognitive Performance ◽  
Significant Interaction ◽  
Self Esteem ◽  
The Self ◽  
Experimental Conditions ◽  
Significant Interaction Effect ◽  
Significant Drop ◽  
Stereotype Lift ◽  
And Performance

The aim of this study was to examine the effects of stereotypical and counter-stereotypicalinformation on the self-esteem and cognitive performance of 10-year-old children. Our sampleconsisted of 37 girls and 37 boys. Children were presented with 10 “mathematical” puzzles in threeexperimental conditions: stereotypical (boys are better), counter-stereotypical (girls are better), andthe control condition (no particular information). Self-esteem was measured using a non-verbaltask. The results showed a significant interaction effect of “condition x sex” on self-esteem andperformance. Girls revealed no significant differences between control and experimental conditions,while boys showed a significant drop in self-esteem and performance in the counter-stereotypicalcondition as compared to the control condition and a significant lift in self-esteem and performancein the stereotypical condition as compared to the control condition.

ПРИНЦИПИ ПІЗНАННЯ ПОБУТУВАННЯ ПЕРФОРМАНСУ

2020 ◽  
pp. 54-60
Author(s):  
Admink Admink ◽  
Жанна Шкляренко
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Research Performance ◽  
Emotional States ◽  
Performance Study ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
The Social ◽  
The Creation ◽  
Dividing Line

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.

Institutions

2018 ◽  
Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler
Keyword(s):  
Women Writers ◽  
The Self ◽  
Friendship Networks ◽  
The Creation

The chapter examines the emergence of literature from coteries and domestic routine. It describes how male poetic circles, held together by friendship and common intellectual interests, produced the interconnected institutions of literature necessary to literature. While early in the century, women writers mostly worked privately, they eventually moved into more public venues such as the salon. An interest in subjectivity, the self, and friendship networks, which were also reading communities, fostered the creation of a performative and reflective self that gave rise to literary heroes to satisfy the new interests and demands of writers and readers.

scholarly journals Quantified Nostalgia: Social Media, Metrics, and Memory

2021 ◽  
Vol 7 (2) ◽  
pp. 205630512110088
Author(s):  
Benjamin N. Jacobsen ◽  
David Beer
Keyword(s):  
Social Media ◽  
Focus Group ◽  
Qualitative Interviews ◽  
The Past ◽  
Group Data ◽  
Focus Group Data ◽  
Social Media Platforms ◽  
Memory Practices ◽  
The Relationship

As social media platforms have developed over the past decade, they are no longer simply sites for interactions and networked sociality; they also now facilitate backwards glances to previous times, moments, and events. Users’ past content is turned into definable objects that can be scored, rated, and resurfaced as “memories.” There is, then, a need to understand how metrics have come to shape digital and social media memory practices, and how the relationship between memory, data, and metrics can be further understood. This article seeks to outline some of the relations between social media, metrics, and memory. It examines how metrics shape remembrance of the past within social media. Drawing on qualitative interviews as well as focus group data, the article examines the ways in which metrics are implicated in memory making and memory practices. This article explores the effect of social media “likes” on people’s memory attachments and emotional associations with the past. The article then examines how memory features incentivize users to keep remembering through accumulation. It also examines how numerating engagements leads to a sense of competition in how the digital past is approached and experienced. Finally, the article explores the tensions that arise in quantifying people’s engagements with their memories. This article proposes the notion of quantified nostalgia in order to examine how metrics are variously performative in memory making, and how regimes of ordinary measures can figure in the engagement and reconstruction of the digital past in multiple ways.

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