Analyzing, Classifying, Safeguarding

2018 ◽  
pp. 93-108
Author(s):  
Valentina Castagnolo
Keyword(s):  
Urban Space ◽  
Scientific Method ◽  
Urban Landscape ◽  
City Image ◽  
Modern City ◽  
Graphic Model ◽  
Architectural Survey ◽  
The City

A modern city can be studied through its representation, from the urban to the architectural and detail scales. The image of a city is characterized by a plurality of architectural shapes that are visible across the urban landscape. This chapter describes the scientific method of the representation science, namely the architectural survey and drawing, as knowledge methods, that play the role of tools for the analysis of the structuring place dynamics. The methodology includes the retrieval of existing documentary material and the redrawing of the façades and their subsequent composition within the urban space. The research aim is to show the city image of Bari in its architectural, historical, and cultural essence, implementing a graphic model that can be an effective tool for protection, which contains the reference documentation of each architecture, that can be viewed and studied individually or placed in relation to other façades of the city.

scholarly journals TIGHT OR FLEXIBLE? THE DEGREE OF DETAIL OF LOCAL LAW REGULATIONS AND ITS IMPACT ON A QUALITY OF URBAN SPACE – SELECTED CASES FROM POZNAN

space&FORM ◽  
2021 ◽  
Vol 2020 (46) ◽  
pp. 165-186
Author(s):  
Wojciech Skórzewski ◽  
Keyword(s):  
Urban Space ◽  
Urban Landscape ◽  
Spatial Development ◽  
High Quality ◽  
Development Plans ◽  
Local Law ◽  
The One ◽  
The City

Local spatial development plans, are one of the most important urban landscaping tools. Their goal is, on the one hand, to protect urban space including, inter alia, prevention of creation of illconsidered developments, that are bad to the urban landscape, the environment or the local communities. For this purpose, there is a number of restrictions introduced into local spatial development plans. On the other hand, the role of local plans is also creating the space, so they should be conducive to projects with high-quality architecture, that are often unconventional and innovative, adding new value to the architectural landscape of the city, which could be blocked by too strict regulations. The trick is to create regulations in a way that can help reconcile that two goals.

scholarly journals Features of the conceptual approach of contemporary Ukrainian artists in the genre of urban landscape

2020 ◽  
pp. 22-29
Author(s):  
Andriy Bludov
Keyword(s):  
Twentieth Century ◽  
Urban Environment ◽  
Urban Space ◽  
Urban Landscape ◽  
Point Of View ◽  
Conceptual Approach ◽  
General Direction ◽  
Modern City ◽  
Creative Person ◽  
The City

The article examines the features of the perception of the urban environment as a specific phe- nomenon. The article considers the artistic works of a group of contemporary Ukrainian artists P. Makov, A. Sai, L. Dzhuraev, A. Priduvalov in the genre of urban landscape from the point of view of a conceptual approach, which allows us to understand the general direction of development of this type of genre. The works of contemporary Ukrainian artists reflect how a modern city creates an endless combination of connections between different aspects of life and the corresponding various forms and impressions. The article analyzes the works that the authors demonstrated as their reflections on changes in the urban environment in special creative projects. The urban environment causes a creative person to strive to convey his atmosphere, images, rhythms in his own language. For centuries, artists have depicted the urban space, but it was in the twentieth century that the transformation of the urban environment into an urban one contributed to the fact that the city became a source of special inspiration for subsequent times. The theme of urbanism is specific in the work of contemporary Ukrainian artists, where the very phenomenon of the city is the basis of creative inspiration. The aim of this work is to study the conceptual and programmatic works of contemporary Ukrainian artists to reveal the theme of urbanism in painting and the main trends in displaying the city as a concept in the work of artists.

scholarly journals Henri Lefebvre’s Concept Of Urban Space In The Context Of Preferences Of The Creative Classin A Modern City

2015 ◽  
Vol 34 (2) ◽  
pp. 29-34 ◽  
Author(s):  
Adam Nadolny
Keyword(s):  
Urban Space ◽  
Strong Correlation ◽  
Creative Class ◽  
City Image ◽  
Henri Lefebvre ◽  
Modern City ◽  
Actual Space ◽  
The City

Abstract This article seeks to present how the manner of recording the spatial phenomena analysed by Henri Lefebvre in his numerous publications can serve as a basis for reflections on the suitability of his theories for the description of the creative class in a modern city. Because Lefebvre pursued a number of lines of thought in his philosophical ideas, we can state that there is a strong correlation between the city image he created and preferences of the creative class in a modern city. The article is also intended to make the reader realise that records of philosophical ideas can, in many instances, contribute to the improvement of the actual space in a city.

scholarly journals COMFORT OF THE URBAN ENVIRONMENT

2019 ◽  
pp. 66-72
Author(s):  
Т. Кочеткова ◽  
T. Kochetkova ◽  
Н. Алейникова ◽  
N. Aleinikova
Keyword(s):  
Urban Planning ◽  
Urban Environment ◽  
Urban Space ◽  
Urban Landscape ◽  
Critical Approach ◽  
Modern City ◽  
District Center ◽  
Social Interests ◽  
Planning Concepts ◽  
The City

The idea of creating a comfortable, truly convenient city for all residents excites the minds of architects and urban planners for hundreds of years. A modern city, both a megalopolis and a district center, should be a comfortable environment in terms of functionality, ecology, aesthetics and safety. The article analyzes the methods for assessing the comfort of the urban environment, considers the parameters of a comprehensive assessment of the urban development complex. Modern urban planning concepts, such as smart development and the program of sustainable development of territories, are considered. A critical approach to modernism and constructivism in urban planning is applied. The analysis of urban planning theories based on the historical and cultural uniqueness of the city, as well as "free spaces" in the modern city is carried out on the example of the cities of Chandigarh (India) and Brasilia (Brazil). The ideas of a new urbanism, the humanization of urban space, the concept of the city for people, not for cars are explored. The possibilities of using the balance of social interests in the organization of the urban landscape are considered. The ratio of functionality and privacy of the urban environment is shown by the example of multi-storey and quarter buildings. The parameters necessary to create a comfortable urban environment are offered.

scholarly journals An Analysis of the Role of Lifestyle in Urban Tourism Sustainable Development (Case Study: Esfahan City)

2016 ◽  
Vol 11 (1) ◽  
pp. 209
Author(s):  
Arghavan Momtazpour ◽  
Masoud Taghvaei ◽  
Neda Rahmani
Keyword(s):  
Sustainable Development ◽  
Urban Space ◽  
Field Research ◽  
Simple Random Sampling ◽  
Urban Tourism ◽  
Statistical Population ◽  
The Sustainable Development ◽  
Cultural Elements ◽  
The City

Since urban space is one of the important places that tourism takes place, in order to create stability in tourism, the interaction between tourism planning and urban sustainable development should be investigated with regard to cultural elements. Lifestyle is derived from culture as a social phenomenon and affects it and is a reflection of human thoughts in relation with behavior, ethics and culture. Therefore, this aim of this research is to investigate the role of lifestyle in urban tourism sustainable development in Esfahan city, the third most populous city in Iran. This research’s goal is Practical and developmental and about the origin and method, it is descriptive, analytical and casual that has been done in a field research method. The statistical populations of this research are: tourism custodians, tourism experts, national tourists who have travelled to Esfahan city and local residents of all 15 municipal districts of the city. Simple random sampling method was utilized and 838 questionnaires were gathered from 4 statistical populations. In order to analyze the data, factor analysis test was utilized by smart PLS software. The results show that there are meaningful connections among the variables “lifestyle”, “sustainable development” and “urban tourism”. The most frequent factor that was selected by respondents for the concept of lifestyle in the statistical population was sociocultural factor (such as: visiting relatives and friends and attending soirees, traditional foods and drinks festivals, the desirability of Esfahan city in order to spend leisure time, the willingness toward group entertainment). For the concept “urban tourism”, all the populations chose urban texture significantly (such as: revival of workshops for producing traditional clothes, hand-made attractions, systematizing historical areas, developing sidewalk routes, constructing modern entertaining centers and systematizing landscapes and providing equipment for parks). About the sustainable development and its multi-dimensional nature, however, different factors were selected by respondents which in order of importance and frequency are economic, environmental, urban management, sociocultural, urban texture and political factors. Among the recommendations, a few can be stated: arranging cultural plans with a focus on soiree and elders’ reunions, holding traditional and religious festivals in different parts of the city, improving the condition of the existing theme parks and diversifying leisure and entertainment facilities of Esfahan city and pitching in municipal management and being parallel with plans of different organization in city. Especially by mayoralty as a trustee for city and cultural heritage could be mentioned as a tourism trustee.

scholarly journals MODERN ARCHITECTURE AND VISUAL IMAGE OF THE CITY

2019 ◽  
pp. 102-104
Author(s):  
A. M. Tormakhova
Keyword(s):  
Urban Landscape ◽  
Residential Buildings ◽  
Visual Image ◽  
Cultural Analysis ◽  
Practical Significance ◽  
Modern City ◽  
Asymmetric Structures ◽  
The Status ◽  
Architectural Structures ◽  
The City

The aim of the article is to highlight the actual trends associated with architectural construction and identify ways of forming a visual image of a modern city. The solution to this goal involves not only the analysis of certain unique architectural structures, but also the outline of the existing visual practices in the city which correlate with the urban landscape. The research methodology is connected with the use of the method of synthe- sis, the use of tools of cultural analysis. The most extraordinary buildings are rarely residential buildings, much more often they are intended for public use. Their very essence is con- nected with publicity and attraction of a considerable quantity of visitors, tourists. These can be museums, libraries, concert halls, stadiums, shop- ping malls. In addition to these structures, extremely impressive structures are created in the field of transport – bridges, railway stations. The re- equipment of old objects and the creation of new ones becomes such that necessarily creates an occasion for communication, becoming a part of the media. In architecture there is a desire to circumvent the principle of statics that was inherent to it. Manifestations of this tendency in architecture were attempts to "revitalize" the building, giving them mobility through structures that visually convey the idea of fluidity (asymmetric structures, often deprived of straight angles with the prevalence of rounded parts). Creating the effect of architectural variability arises not only at the expense of innovative constructions, but also due to the equipment of the buildings by media facades, which perform as a purely aesthetic and advertising function, providing the opportunity to represent buildings in fundamentally different visual images. Scientific novelty consists in highlighting the specifics of architectural constructions claiming the status of "art" and visual practices that in- teract with them directly. The conclusion is made about the transformation of a modern city. The practical significance of the study is that features of the development of modern architectural constructions are presented and the factors influencing the formation of the visual image of the city are highlighted.

scholarly journals The Politics of Gendered Spatializations: A Study of Cityscapes in Manu Joseph’s Novels

2020 ◽  
Author(s):  
M.S. Parvathi ◽  
Keyword(s):  
Urban Landscape ◽  
The Body ◽  
Urban Spaces ◽  
City Image ◽  
Spatial Practices ◽  
Spatial Politics ◽  
Public And Private ◽  
The Public ◽  
The Social ◽  
The City

Burton Pike (1981) terms the cityscapes represented in literature as word-cities whose depiction captures the spatial significance evoked by the city-image and simultaneously, articulates the social psychology of its inhabitants (pp. 243). This intertwining of the social and the spatial animates the concept of spatiality, which informs the positionality of urban subjects, (be it the verticality of the city or the horizonality of the landscape) and determines their standpoint (Keith and Pile, 1993). The spatial politics underlying cityscapes, thus, determine the modes of social production of sexed corporeality. In turn, the body as a cultural product modifies and reinscribes the urban landscape according to its changing demographic needs. The dialectic relationship between the city and the bodies embedded in them orient familial, social, and sexual relations and inform the discursive practices underlying the division of urban spaces into public and private domains. The geographical and social positioning of the bodies within the paradigm of the public/private binary regulates the process of individuation of the bodies into subjects. The distinction between the public and the private is deeply rooted in spatial practices that isolate a private sphere of domestic, embodied activity from the putatively disembodied political, public sphere. Historically, women have been treated as private and embodied and the politics of the demarcated spaces are employed to control and limit women’s mobility. This gendered politics underlying the situating practices apropos public and private spaces inform the representations of space in literary texts. Manu Joseph’s novels, Serious Men (2010) and The Illicit Happiness of Other People (2012), are situated in the word-cities of Mumbai and Chennai respectively whose urban spaces are structured by such spatial practices underlying the politics of location. The paper attempts to problematize the nature of gendered spatializations informing the location of characters in Serious Men and The Illicit Happiness of Other People.

scholarly journals Gay Subculture and the Cities in India: A Critical Reading of Select Works of R Raj Rao

2021 ◽  
Vol 13 (3) ◽  
Author(s):  
Sriya Das ◽  
Keyword(s):  
Qualitative Research ◽  
Urban Space ◽  
Research Method ◽  
Urban Life ◽  
Critical Reading ◽  
Theoretical Frameworks ◽  
Ultimate Objective ◽  
The City ◽  
Indian Penal Code

In delineating the painful experiences of LGBTQ individuals after the introduction of Section 377 of the Indian Penal Code R Raj Rao’s works look into the struggle of these people to survive the onslaught of normative sexual discourses. Given the fact that Queer sexuality has been continuously questioned, suspected and tormented prior to its legitimate recognition in 2018, Rao draws attention to the nuances of gay urban life in India. The paper critically analyses the representation of gay subculture in the cities of India as reflected in select works of Rao. It demystifies how gay people share the urban space, manage to make room for their pleasure in the cities, and pose a threat to the dominant understanding of sexuality. The ultimate objective of this paper is to understand the role of the city in the (un)making of a subcultural identity. Textual analysis, with reference to certain theoretical frameworks, would be used as a qualitative research method.

scholarly journals IMPACT OF CREATIVE INDUSTRIES ON THE VISUAL IMAGE OF A CITY

2019 ◽  
pp. 70-72
Author(s):  
A. M. Tormakhova
Keyword(s):  
Urban Space ◽  
Visual Image ◽  
Creative Industries ◽  
Economic Feasibility ◽  
Individual Development ◽  
Added Value ◽  
Practical Significance ◽  
City Development ◽  
Modern City ◽  
The City

The aim of the article is to highlight the specificity of visual transformations that occur in the modern urban space under the influence of the development of creative industries. The research methodology involves an interdisciplinary approach and engaging a range of cultural, sociological, and philosophical works. The works of modern foreign researchers Z.Bauman, Ch. Landry, D.Hezmondhalsh are attracted.The sphere of urban planning and the problem of creative industries are being studied. Thanks to creative industries is appears new jobs, the solution of social problems (especially in poor areas), as well as the transformation of urban space. The modern city is a reflection of the transformational processes taking place in the world. There is a change in the form of regulation of the city development policy, from the state to the municipal. There are conditions for activating creative industries that can be defined as an individual creative background, skill or talent that can create added value and jobs through the production and exploitation of intellectual property. The development of creative industries has economic feasibility, but this process is accompanied by a change in the image of the city. Urban space is the text of culture, which often combines non-interconnected components. The visual image of the modern city is repulsive and attractive, it is difficult to bring it to a single concept, but it continues to be the center of human life. Scientific novelty lies in the study of the relationship of the development of creative industries in the urban space and their impact on the visual image of the city. Practical significance is connected with the emphasis on the need to invent an individual development strategy for each city as a “creative city”, where the sphere of cultural production is leading. Promising is the direction of creative industries in a single direction and minimizing the factors influencing the negative perception of the vision of the city.

scholarly journals Cultural Memory and Urban Space in Shaping Cultural Identity

2019 ◽  
pp. 160-183
Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk
Keyword(s):  
Urban Space ◽  
Cultural Memory ◽  
Urban Landscape ◽  
Late 20Th Century ◽  
The Past ◽  
Historical Archives ◽  
City Space ◽  
New Type ◽  
The City ◽  
Historic Cities

Nowadays, in the age of massive spatial transformations in the built environment, cities witness a new type of development, different in size, scale and momentum that has been thriving since late 20th century. Diverse transformation of historic cities under modernisation has led to concerns in terms of the space and time continuity disintegration and the preservation of historic cities. In a similar approach, we can state that city and city space do not only consist of present, they also consist of the past; they include the transformations, relations, values, struggles and tensions of the past. As it could be defined, space is the history itself. Currently, we would like to display how Chernivtsi cultural and architectural heritage is perceived and maintained in the course of its evolution. Noteworthy, Chernivtsi city is speculated a condensed human existence and vibes, with public urban space and its ascriptions are its historical archives and sacred memory. Throughout the history, CHERNIVTSI’s urban landscape has changed, while preserving its unique and distinctive spirit of diversity, multifacetedness and tolerance. The city squares of the Austrian, Romanian and Soviet epochs were crammed with statuary of royal elites and air of aristocracy, soviet leaders and a shade of patriotic obsession, symbolic animals and sacred piety – that eventually shaped its unique “Bukovynian supranational identity”. Keywords: Chernivtsi, cultural memory, memory studies, monuments, squares, identity.

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