scholarly journals The Symbolic Review of the Concept of War in the Works of Iranian Artist: Ali Akbar Sadeghi

2016 ◽  
Vol 8 (2) ◽  
pp. 171
Author(s):  
Adeleh Rafaee ◽  
Parisa Shad Qazvini

<p>By examining the history of world art, it can be expressed that art was not conducted between different ethnic groups only through cultural exchanges. And sometimes common aspects can be found among the artworks which have been the same among all nations. This suggests that the human is a treasure of symbols and images in which the traces of all human races can be seen during different periods of time. Carl Gustav Jung called this belief as “archetype” which is manifested in various symbolic forms. According to this theory, we can cite the many artists not only to express their own ethnic and national values to create their work but also studied the human subjects which are at a collective unconscious. They moved beyond the boundaries of their land. Ali Akbar Sadeghi is an Iranian contemporary painter. He maintained the tradition of painting in his country and used universal symbols in his works. The most important of these symbols is the symbols of war. This article suggests the hypothesis that Ali Akbar Sadeghi knows the world as a place for interference and conflicts and used the tools and symbols of war in his works in order to express the permanent war in the world. The results of this paper states that these symbols have emerged during the periods of his art activities in different ways, shapes and forms in order to convey the concepts and individual contrast with the environment. The method of this study is descriptive- analytical and data collection method was performed through interviews with the artist and library studies.</p>

2021 ◽  

Historians of political thought and international lawyers have both expanded their interest in the formation of the present global order. History, Politics, Law is the first express encounter between the two disciplines, juxtaposing their perspectives on questions of method and substance. The essays throw light on their approaches to the role of politics and the political in the history of the world beyond the single polity. They discuss the contrast between practice and theory as well as the role of conceptual and contextual analyses in both fields. Specific themes raised for both disciplines include statehood, empires and the role of international institutions, as well as the roles of economics, innovation and gender. The result is a vibrant cross-section of contrasts and parallels between the methods and practices of the two disciplines, demonstrating the many ways in which both can learn from each other.


Author(s):  
Alexandra Wilson

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.


2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
W. Andrew Marcus ◽  
James E. Meacham ◽  
Justin T. Menke ◽  
Aleathea Y. Steingisser ◽  
Ann E. Rodman

<p><strong>Abstract.</strong> The Second Edition of the Atlas of Yellowstone will celebrate the 150-year history of the world’s first national park – and reflect on the future of Yellowstone and its evolving place in the world. Like the first Atlas of Yellowstone published in 2012, the Second Edition will provide a comprehensive view of the human and natural setting of Yellowstone National Park. Also like the First Edition, the new edition will portray variations over space and time, explore human-nature interactions throughout the region, document connections of Yellowstone to the rest of the world, and &amp;ndash; ultimately &amp;ndash; guide the reader to a deeper appreciation of Yellowstone.</p><p>Beyond that, the new edition will provide much expanded coverage of the park’s history. Readers will better understand the many different ways in which the creation of Yellowstone National Park has preserved and altered the landscapes and ecology of Yellowstone and conservation thought and practice, both locally and around the world.</p><p>The new atlas will also reflect advances in scientific data collection, knowledge, and insight gained since publication of the first edition. New topic pages will address key management issues ranging from increased visitor impact to wildlife disease to light pollution. In addition, many of the 850 existing graphics will be updated, reimagined, or replaced by new graphics that capture the remarkable wealth of data that has become available since the First Edition. Whether it be tracking of individual wolves, ecosystem imagery from space, or detailed visitor surveys &amp;ndash; new data provide insights that could not be graphically displayed before.</p><p>The Second Edition celebrates 150 years of America’s best idea and what that has meant to the world. The significance of Yellowstone National Park to conservation, scholarship, and the human experience is enormous, and deserves a volume that captures that importance.</p>


Author(s):  
L. V. Shapovalova ◽  

The article examines and analyzes 10 of the 1,500 most commonly used French idioms from the site "Les expressions françaises décortiquées". Phraseological picture of the world plays an important role in cognition of the world around us, because it not only captures its phenomena in the language, but also adds to them connotations, which are manifested in the choice of words of a particular language register. The study of hierarchies of values, recorded in idioms, and ways of their representation allow us to build a value hierarchy in the French mentality and understand the main features of the French national character. We have a broad understanding of phraseology and consider idioms not only idioms, but also phraseological units, proverbs, sayings, winged expressions, speech stamps, because they all name a concept, are reproduced unchanged, and are stable phrases. The phraseological units, taken into the analysis, are allocated on frequency of addresses that allows to define a hierarchy of values in the French phraseological picture of the world. Each of the permanent statements, taken into the analysis, nominates one concept, and the frequency of appeals to them allows not only to understand their priority in the French mentality, but also to outline the features of the French national character. French national values are fixed in the selected phraseological units, and the relation to them is distinguished on the basis of connotations, the register of speech, the present euphemism, and metaphorization. It is interesting to trace the history of the considered phraseological units and lexical units in their structure, ways of entering the French language, numerous hypotheses that explain their meaning. These areas of research and identification of social strata, in which the idioms arose, show where the phenomena denominated by them were the most common, and the hierarchy of values recorded in them, in the French mentality.


Author(s):  
Adam Crymble

After nearly a decade of scholars trying to define digital work, this book makes the case for a need instead to understand the history of technology’s relationship with historical studies. It does so through a series of case studies that show some of the many ways that technology and historians have come together around the world and over the decades. Often left out of the historiography, the digital age has been transformative for historians, touching on research agendas, approaches to teaching and learning, scholarly communication, and the nature of the archive itself. Bringing together histories and philosophies of the field, with a genre of works including private papers, Web archives, social media, and oral histories, this book lets the reader see the digital traces of the field as it developed. Importantly, it separates issues relevant to historians from activities under the purview of the much broader ‘digital humanities’ movement, in which historians’ voices are often drowned out by louder and more numerous literary scholars. To allow for flexible reading, each chapter tackles the history of a specific key theme, from research, to communication, to teaching. It argues that only by knowing their field’s own past can historians put technology to its best uses in the future.


2019 ◽  
Vol 25 (1) ◽  
pp. 41-64
Author(s):  
Thom Van Dooren

In September 2011, a delicate cargo of 24 Nihoa Millerbirds was carefully loaded by conservationists onto a ship for a three-day voyage to Laysan Island in the remote Northwest Hawaiian Islands. The goal of this effort was to establish a second population of this endangered species, an “insurance population” in the face of the mounting pressures of climate change and potential new biotic arrivals. But the millerbird, or ulūlu in Hawaiian, is just one of the many avian species to become the subject of this kind of “assisted colonisation.” In Hawai'i, and around the world, recent years have seen a broad range of efforts to safeguard species by finding them homes in new places. Thinking through the ulūlu project, this article explores the challenges and possibilities of assisted colonisation in this colonised land. What does it mean to move birds in the context of the long, and ongoing, history of dispossession of the Kānaka Maoli, the Native Hawaiian people? How are distinct but entangled process of colonisation, of unworlding, at work in the lives of both people and birds? Ultimately, this article explores how these diverse colonisations might be understood and told responsibly in an era of escalating loss and extinction.


The relationship between humans and dogs has garnered considerable attention within archaeological research around the world. Investigations into the lived experiences of domestic dogs have proven to be an intellectually productive avenue for better understanding humanity in the past. This book examines the human-canine connection by moving beyond asking when, why, or how the dog was domesticated. While these questions are fundamental, beyond them lies a rich and textured history of humans maintaining a bond with another species through cooperation and companionship over thousands of years. Diverse techniques and theoretical approaches are used by authors in this volume to investigate the many ways dogs were conceptualized by their human counterparts in terms of both their value and social standing within a variety of human cultures across space and time. In this way, this book contributes a better understanding of the human-canine bond while also participating in broader anthropological discussions about how human interactions with domesticated animals shape their practices and worldviews.


JURNAL BASIS ◽  
2020 ◽  
Vol 7 (2) ◽  
pp. 415
Author(s):  
Elvana Permataswari

Naming is a specific linguistic act, intimately linked with values, traditions, hopes, fears and events in people’s lives. Names reveal the many preferences of their owners (or givers) in terms of real life objects, actions, features and beliefs. Place names provide the most useful geographical reference system in the world. The topic of names is a multidisciplinary field that has occupied the attention of philosophers of language, anthropologists, linguists and ordinary people. In this study, I try to analyze the names of meeting rooms in the East Java Governmental Building. The reason to choose this object is because the East Java Governmental Building is the center of government/ administration in East Java. This study aims to find out the kinds of names applied in the naming of meeting rooms in the East Java Governmental Building and the presuppose reasons behind the name chosen of the East Java Governmental Building. This study is a qualitative study. Based on the classification of the data, they were classified to two groups: the names of governors in East Java and the names of the kings or military chief of great kingdoms in East Java. The meeting rooms in the governmental building of East Java are named after important people in the history of the province. To conclude, the administration named all the meeting rooms, as the most important rooms in the building to welcome guests, using the name of people who have big influence and involvement in the history of East Java so that it has roots to its history.


2016 ◽  
Vol 3 (2) ◽  
pp. 96-101
Author(s):  
Willy Himawan ◽  
Setiawan Sabana ◽  
A. Rikrik Kusmara

Pulau Bali terkenal sebagai salah satu tujuan wisata terbesar di dunia yang berkaitan erat dengan budaya Bali. Perkembangan seni rupa modern tidak dapat dipisahkan dari sejarah kolonialisme pada tahun 1900-an melalui pengembangan awal pariwisata yang memengaruhi perkembangan praktik seni Bali dan wacananya. Studi kualitatif ini akan melihat Bali sebagai kawasan-kawasan yang berbeda dalam spektrum perkembangan seni rupa yang dipengaruhi oleh konteks perkembangan pariwisata di tiap wilayah. Metode yang digunakan adalah aksi partipatoris di lapangan dengan pendekatan hermeneutik untuk memahami konteks, makna, dan nilai estetik yang terbangun dalam kegiatan-kegiatan seni rupa di Klungkung dalam kegiatan komunitas Batu Belah dalam acara Global Change Art Climate 2015, di Denpasar dan sekitarnya dalam kegiatan komunitas Sprites Art 2015, dan di Buleleng dalam kegiatan komunitas Segara Lor pada Buleleng Festival 2013. Perbedaan dalam konteks pengembangan pariwisata di daerah-daerah tertentu di Bali telah memengaruhi perkembangan dan perbedaan makna dan nilai estetika karya seni di sana. The Tourism Influence on Art Diversity as a Cultural Capital of Bali: Study on the Community and Art Events in Denpasar, Klungkung dan Singaraja. The island of Bali is famous as one of the largest tourist destination in the world. The development of modern art cannot be separated from the history of colonialism in the 1900s through the early development of Balinese art activities and their studies. This qualitative study sees Bali as different regions in the spectrum of the development of art which influenced by the context of the development of tourism in each region. The method used in this study is the action partipatoris field (participatory action field research) with a hermeneutic approachto understand the context, meaning, and aesthetic value that are built in the activities of art in Klungkung by among others are Batu Belah community in “The Global Change Art Climate 2015”, in Denpasar “Sprites activities Art” in 2015, and in Buleleng in activities “Segara Lor in Buleleng Festival 2013”. Differences in the context of the development of tourism in certain areas in Bali have influenced the development and meaning differences, and the aesthetic value of the works of art there.


2021 ◽  
Author(s):  
Dennis R.A. Mans ◽  
Priscilla Friperson ◽  
Meryll Djotaroeno ◽  
Jennifer Pawirodihardjo

The Republic of Suriname (South America) is among the culturally, ethnically, and religiously most diverse countries in the world. Suriname’s population of about 600,000 consists of peoples from all continents including the Javanese who arrived in the country between 1890 and 1939 as indentured laborers to work on sugar cane plantations. After expiration of their five-year contract, some Javanese returned to Indonesia while others migrated to The Netherlands (the former colonial master of both Suriname and Indonesia), but many settled in Suriname. Today, the Javanese community of about 80,000 has been integrated well in Suriname but has preserved many of their traditions and rituals. This holds true for their language, religion, cultural expressions, and forms of entertainment. The Javanese have also maintained their traditional medical practices that are based on Jamu. Jamu has its origin in the Mataram Kingdom era in ancient Java, some 1300 years ago, and is mostly based on a variety of plant species. The many Jamu products are called jamus. The first part of this chapter presents a brief background of Suriname, addresses the history of the Surinamese Javanese as well as some of the religious and cultural expressions of this group, focuses on Jamu, and comprehensively deals with four medicinal plants that are commonly used by the Javanese. The second part of this chapter continues with an equally extensive narrative of six more such plants and concludes with a few remarks on the contribution of Javanese jamus to Suriname’s traditional medicinal pharmacopeia.


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