scholarly journals Space, Marginality, and Youth in Urban Spaces: Pedagogical Practices in the Quartieri Spagnoli

2021 ◽  
pp. 105-125
Author(s):  
Matías Nestore

AbstractThe Quartieri Spagnoli (QS) in Naples represent a central urban area of the city affected by extreme levels of disadvantage. The area is characterized by crime, together with high unemployment and school dropout rates, and virtually no social integration in the wider urban landscape. With the highest population density in the city, the area is low in services and green spaces, and its spatial arrangements are characterized by narrow streets and restricted accessibility. In this chapter, I aim to present an account of children’s lived experiences and self-perceptions of space, power, and violence in an urban space that is facing a process of change due to recent capitalist developments such as deepening deprivation and marginalization in advanced capitalist societies (Wacquant, Urban outcasts: a comparative sociology of advanced marginality. Polity, Cambridge, 2008), and expulsions (Sassen, Expulsions: brutality and complexity in the global economy. Harvard University Press, Cambridge, MA, 2014). Moreover, I focus on teachers’ perceptions of their role as pedagogical actors in a marginalized urban space.

space&FORM ◽  
2021 ◽  
Vol 45 ◽  
pp. 225-240
Author(s):  
Wiesława Gadomska ◽  

This article raises the issue of setting up and developing urban parks on islands which are situated around New York’s borough of Manhattan. Among the principal consequences are an improved balance of developed green spaces in the city and the emergence of attractive public places with a variety of functions and high-quality design solutions. As for the urban landscape, interesting relations are created with respect to views of the unique silhouette of the city, and in particular of Manhattan.


Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk

Nowadays, in the age of massive spatial transformations in the built environment, cities witness a new type of development, different in size, scale and momentum that has been thriving since late 20th century. Diverse transformation of historic cities under modernisation has led to concerns in terms of the space and time continuity disintegration and the preservation of historic cities. In a similar approach, we can state that city and city space do not only consist of present, they also consist of the past; they include the transformations, relations, values, struggles and tensions of the past. As it could be defined, space is the history itself. Currently, we would like to display how Chernivtsi cultural and architectural heritage is perceived and maintained in the course of its evolution. Noteworthy, Chernivtsi city is speculated a condensed human existence and vibes, with public urban space and its ascriptions are its historical archives and sacred memory. Throughout the history, CHERNIVTSI’s urban landscape has changed, while preserving its unique and distinctive spirit of diversity, multifacetedness and tolerance. The city squares of the Austrian, Romanian and Soviet epochs were crammed with statuary of royal elites and air of aristocracy, soviet leaders and a shade of patriotic obsession, symbolic animals and sacred piety – that eventually shaped its unique “Bukovynian supranational identity”. Keywords: Chernivtsi, cultural memory, memory studies, monuments, squares, identity.


2016 ◽  
Vol 44 (1/2) ◽  
pp. 34-52 ◽  
Author(s):  
Tiit Remm

‘Text’ has been a frequent notion in analytical conceptualizations of landscape and the city. It is mostly found in analyses of textual representations or suggestions concerning a metaphor of “reading” an (urban) landscape. In the Tartu- Moscow School of Semiotics the idea of the text of St. Petersburg has also been applied in analysing particular cities as organizing topics in literature and in culture more widely, but it has not happened to an equal degree in studies of actual urban spaces. The understanding of text as a semiotic system and mechanism is, however, more promising than revealed by these conceptions. Some potential can be made apparent by relating this textual paradigm to a more pragmatic understanding of the city and its planning. My project in this paper is to uncover an analytical framework focusing on the concepts of ‘text’, ‘textualization’ and ‘texting’ in studying the planning of urban environment. The paper observes the case of the urban planning process of the Tartu city centre in Estonia during 2010–2016, and is particularly concerned with the roles that urban nature has acquired in the process of this “textualization” of the local environment, societal ideals, practices and possible others.


2013 ◽  
pp. 9-28 ◽  
Author(s):  
Nicholas Adam Perdue

Populations in contemporary cities are being measured, analyzed, or represented in less than optimal ways. Conventional methods of measuring density of populations in cities rely on calculating the number of people living within a bounded surface space. This approach fails to account for the multiple floor residential patterns of the contemporary urban landscape and exposes the vertical space problem in population analytics. To create an accurate representation of people in contemporary urban spaces, a move beyond the conventional conception of density is needed. This research aims to find a more appropriate solution to mapping humans in cities by employing a dasymetric method to represent the distribution of people in a city of vertical residential structures. The methodology creates an index to classify the amount of floor space for each person across the extent of the city, a metric called the personal space measure. The personal space measure is juxtaposed with the conventional population density measurements to provide a unique perspective on how population is concentrated across the urban space. The personal space metric demonstrates how improved metrics can be employed to better understand the social and structural landscape of cities. Chicago, with a large population and a high vertical extent, makes an ideal case study to develop a methodology to capture the phenomena of urban living in the 21st century and to explain alternative approaches to accurately and intelligently analyze the contemporary urban space.


space&FORM ◽  
2021 ◽  
Vol 2020 (46) ◽  
pp. 165-186
Author(s):  
Wojciech Skórzewski ◽  

Local spatial development plans, are one of the most important urban landscaping tools. Their goal is, on the one hand, to protect urban space including, inter alia, prevention of creation of illconsidered developments, that are bad to the urban landscape, the environment or the local communities. For this purpose, there is a number of restrictions introduced into local spatial development plans. On the other hand, the role of local plans is also creating the space, so they should be conducive to projects with high-quality architecture, that are often unconventional and innovative, adding new value to the architectural landscape of the city, which could be blocked by too strict regulations. The trick is to create regulations in a way that can help reconcile that two goals.


Author(s):  
Rodrigo Balestra ◽  
Amilton Arruda ◽  
Pablo Bezerra ◽  
Isabela Moroni

As the Industrial Revolution took place and steam driven machines emerged in the 18th century, the Industrial Age began and cities became the core of industrial and populational growth. That phenomena occurred as the job opportunities and quality of life increasingly developed away from the countryside, with the arrival of electricity and inventions such as the light bulb, thanks to important people like Sir Joseph Swan and Thomas Edison. The city, therefore, can be looked in two different ways: the urban space, occupied with tangible elements, and the social environment, filled with urban practices and cohabitation. An essential matter in many disciplines, the city is a recurrent topic for researchers who seek to understand this phenomenon of human activities. The history behind the rise of the cities show tell us about the creation of urban spaces and its manifestations, functions, transformations and the complexity inherent to the various typologies in cities all over the world. The city is a scenario full of overlapping messages that characterize the accessibility and urban communication. This is defined by Nojima (1999) as the result of the interaction between social representations and the scenario where they occur. It is through the interpretation of these messages that are manifested in the urban design accessible from cities (streets, buildings, gardens, squares, furnitures), that the individual defines the elements that identify their city. This paper discovery the concepts of city and their accessibility relationships with urban practices - design of urban activity - that directly influence the implementation of urban furniture and, above all, the importance given to them by the population, with regard to its true functions (adequacy, accessibility, ergonomics, identity and others) of their uses and appropriations. It is important for the study also understand the urban furniture relation with the project of cities - is to complement the public space or the way how interferes the urban landscape. It is need to understand how society is shown in front of herself and the world itself that surrounds and what are the affective devices that make city living when connected - through the use - therefore, this is the powerfull forces of individuals and community , space practices created by the tactics of the population to allow theirs ambiance, wellness, safety and comfort, sensations often perceived by the set of elements that constitute the urban furniture of cities.DOI: http://dx.doi.org/10.4995/IFDP.2016.3291


2020 ◽  
Vol 38 (4) ◽  
pp. 646-663
Author(s):  
Samantha M Fox

This essay examines the partial privatization of street lamps in Eisenhüttenstadt, Germany. Founded in 1950 as Stalinstadt, East Germany’s steel manufacturing hub and socialist utopia, today the city suffers from economic shrinkage and depopulation. In 2014, Eisenhüttenstadt’s government privatized approximately 10% of the city’s street lamps, a response to both the city’s shrunken tax base and to the Energiewende, Germany’s national push toward renewable energy, which has led to the precipitous rise of consumer energy costs. I examine privatized street lamps within the broader context of Eisenhüttenstadt’s technological and sociopolitical development. Drawing on ethnographic and archival research, I show how, during the socialist era, street lamps were an essential instrument in the construction and conceptualization of socialist urban space. Since privatization, they have come to signify the fractured and radically individualized nature of capitalist urban space. As such, I reveal how socialism—and the rupture caused by its abrupt replacement with capitalism—remains present and perceptible in the urban landscape, and how that presence poses challenges for urban planners and municipal officials working in Eisenhüttenstadt today, 30 years after East Germany’s dissolution.


2006 ◽  
Vol 34 (2) ◽  
pp. 461-479 ◽  
Author(s):  
Alex Goody

The work of Amy Levy, as a Jewish, feminist, lesbian writer at thefin de siècle, coincides with what Sally Ledger and Roger Luckhurst describe as a “crucial moment in the formation and transformation of [the] object[s] of study” of “cultural and social historians, urban theorists, literary critics, post-colonial critics, feminist writers, and gay and lesbian theorists” (xiv). The concern of this article, rather than co-opting Levy into a particular critical framework, is to explore her presentation of subjectivity in the urban landscape, particularly in the poems of the posthumously publishedA London Plane-Tree and Other Verse(1889). In these poems and elsewhere the city instigates a disturbing unsettling of binaries and identifications which suggests the possibility of writing (of) divergent or subversive identities, what Cynthia Scheinberg terms Levy's “minority” voices (Women's Poetry191). The irregular, unregulated urban space undermines the closure of heterosexual, national narratives and provides a cartography for Levy's exploration of “the intersection between various minority positions and cultural discourses which construct and judge ‘others’” (ibid.). In the first two sections ofA London Plane-TreeLevy moves towards a complex elaboration of impermanently located self-knowledge that develops beyond the sexual and racial identifications of her earlier work in which she draws on more traditional and intelligible knowledges. Thus, the biblical and classical themes of “Xantippe” or “Magdalen” and the stable persona of the dramatic monologue are increasingly replaced by a lyric voice that occupies an unstable, modern, urban world. With her interest in the poet James Thomson (B. V.) and her 1883 essay on him, Levy can be seen to be identifying with an emergent late-nineteenth-century urban poetic that greatly influences the first section ofA London Plane-Tree. But it is not simply that Levy “discloses how the metropolitan world of high culture was increasingly infiltrated by…feminists, sexual dissidents, Jewish people, and freethinkers” (Bristow 80). The city ofA London Plane-Treeand the intersections, interchanges, and subversions it enables make it impossible to maintain the divisions of self and other, object and subject. It is through the space of the city that Levy is enabled to write the specificity of her own unauthorized, ambiguous, “minor” voice.


Author(s):  
خير الدين دنيا ◽  
بوجمعة عيشور

Today, the city has become the theater of various forms of pollution of the different ecological activity of man, which affect our lives.Currently visual pollution is a big problem in a lot of adverse effects on the physical and psychic of the individua. This will lead us to find solutions to these problems, especially health problems, which can restore the balance between man and his environment. This research aims to find the causes of pollution and to demonstrate the causes of urban landscape of the city in Algeria in general and urban space in particular through the study of the facade of the districts planning and not planning.Or morphing the different forms of solid and liquid pollution and the appropriation of space and management.


Author(s):  
Andriy Bludov

The article examines the features of the perception of the urban environment as a specific phe- nomenon. The article considers the artistic works of a group of contemporary Ukrainian artists P. Makov, A. Sai, L. Dzhuraev, A. Priduvalov in the genre of urban landscape from the point of view of a conceptual approach, which allows us to understand the general direction of development of this type of genre. The works of contemporary Ukrainian artists reflect how a modern city creates an endless combination of connections between different aspects of life and the corresponding various forms and impressions. The article analyzes the works that the authors demonstrated as their reflections on changes in the urban environment in special creative projects. The urban environment causes a creative person to strive to convey his atmosphere, images, rhythms in his own language. For centuries, artists have depicted the urban space, but it was in the twentieth century that the transformation of the urban environment into an urban one contributed to the fact that the city became a source of special inspiration for subsequent times. The theme of urbanism is specific in the work of contemporary Ukrainian artists, where the very phenomenon of the city is the basis of creative inspiration. The aim of this work is to study the conceptual and programmatic works of contemporary Ukrainian artists to reveal the theme of urbanism in painting and the main trends in displaying the city as a concept in the work of artists.


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