Creativity in collaborative poetry translating

Target ◽  
2020 ◽  
Vol 32 (2) ◽  
pp. 282-306
Author(s):  
Sergio Lobejón Santos ◽  
Francis Jones
Keyword(s):  
Real Time ◽  
Cognitive Activity ◽  
Target Language ◽  
Source Text ◽  
Work In Progress ◽  
Literal Translation ◽  
Original Poems ◽  
Creative Solutions ◽  
The Individual ◽  
Target Culture

Abstract This study examines how creative solutions to translation problems are negotiated and selected in ‘poettrios’ (teams consisting of a source poet, a target-language poet and a bilingual language mediator working from pre-prepared, literal translation drafts of poems), and compares creativity in this mode to that in solo poetry translating (Jones 2011). The interactions and outputs taken from real-time recordings, work-in-progress drafts and participant interviews from several poettrios translating original poems from English into Dutch and from Dutch into English in two workshops were coded and analysed quantitatively and qualitatively. The results show that creativity in poetry translating is an eminently cognitive activity in which creative solutions typically emerge through the incremental contributions of the complementary expertises of the individual poettrio members, with occasional radical leaps. In this incremental scaffolding process, and similarly to solo translating, poettrios first consider non-creative options, then creative adjustments and, finally, creative transformations. Radical solutions are generally only accepted when a departure from the source-text surface meaning is deemed necessary to achieve the double aim of retaining the source poem’s message while producing an acceptable poem in the target culture (Holmes 1988).

Cultural Functions of Translation: Sustainable Development in the Context of Globalization

2011 ◽  
Vol 347-353 ◽  
pp. 426-430
Author(s):  
Da Lai Wang
Keyword(s):  
Sustainable Development ◽  
Target Language ◽  
Mutual Understanding ◽  
Cultural Communication ◽  
Source Text ◽  
Cultural Information ◽  
Foreign Culture ◽  
Cultural Functions ◽  
Different Cultures ◽  
Target Culture

This paper aims to account for sustainable development of different cultures in the context of globalization from the perspective of cultural functions of translation, which wield enormous power in constructing representations of the foreign culture and have far reaching effects in the target culture. According to cultural communication of translation, the major task of translation is to turn the cultural information in one language into another. Therefore, in the process of translating, the translator should try his utmost to allow his target language reader to acquire cultural information of the source text in order to promote mutual understanding between Western people and Eastern people and make different cultures co-exist peacefully and achieve sustainable development.

scholarly journals Metode dan Prosedur Penerjemahan Quote Anime Bahasa Jepang ke dalam Bahasa Indonesia pada Official Akun LINE Bahasa Jepang Bersama

HUMANIS ◽  
2019 ◽  
Vol 23 (2) ◽  
pp. 141
Author(s):  
Ida Ayu Made Dwi Ratna Komala ◽  
Made Ratna Dian Aryani ◽  
Renny Anggraeny
Keyword(s):  
Research Data ◽  
Target Language ◽  
Source Text ◽  
Literal Translation ◽  
Translation Techniques ◽  
Free Translation ◽  
Translational Equivalence ◽  
Translation Methods ◽  
Text Content ◽  
Bahasa Indonesia

The title of this research is “Method and Procedure of Translation used in Anime Quotes from Japanese to Indonesia at Official Account LINE Bahasa Jepang Bersama”. The purpose of the research is to identify the types of technique, procedure, and method of translation applied in translating anime quotes. Theories used in this research are the theory of translation techniques proposed by Molina and Albir (2002), the procedure of translation by Vinay and Darbelnet (1995), and the translation methods by Newmark (1988). The research data was analyzed by translational equivalence method and glossing. The result of the data analysis indicates that there are several translation techniques applied, they are literal translation, amplification, modulation, linguistic amplification,established equivalence, reduction, and transposition. The most found translation technique is literal translation because its aim is to produce a translation that stick to the originality of the language source text content and form. Then, there are procedures of translation applied, they are literal translation, transposition, and modulation. Thereafter for the method of translation applied they are literal translation, free translation, communicative translation, and idiomatic translation. The most found translation method is free translation because its aim is to produce a translation that fit to the need of target language readers. The translation methods applied tend to be oriented towards the target language.

scholarly journals AUDIOVISUAL AND SONG TRANSLATION OF INDONESIAN SUBTITLE IN SHELTER MUSIC VIDEO

2021 ◽  
Vol 5 (2) ◽  
pp. 332-339
Author(s):  
Mohamad Irham Poluwa ◽  
Nafilaturif'ah Nafilaturif'ah
Keyword(s):  
Qualitative Approach ◽  
Target Language ◽  
Music Video ◽  
Translation Theory ◽  
Reduction Theory ◽  
Source Text ◽  
Source Language ◽  
Literal Translation ◽  
Translation Techniques ◽  
Collaboration Project

The current study aimed to find out the translation techniques applied by the translator in creating the Indonesian subtitles for the original lyrics of Shelter – a collaboration project of music video by Porter Robinson and Madeon, A1-Pictures and Crunchyroll uploaded on YouTube in 2016. The data were analyzed based on the audiovisual translation theory, especially the linguistics of subtitling, the translation technical procedures in the compared stylistics, and the choice in song translation. The study also applied qualitative approach which enabled the researchers to emerge data in descriptive way (in the form of words or pictures instead of numbers). Furthermore, the data were also in the forms of an audiovisual content. The study indicated that most of the lyrics were translated based on literal translation that was reflected by the equivalence of the source language and the target language. The audiovisual theory, particularly reduction theory was also applied in creating the subtitles. In addition, the subtitles were created without taking the music into consideration, meaning that the subtitles were devoted as a supplement or no more than another piece of the source text.  

scholarly journals A critical analysis of domestication in Makhambeni’s translation of Chinua Achebe’s novel No longer at ease (1960)

Literator ◽  
2011 ◽  
Vol 32 (3) ◽  
pp. 105-124 ◽  
Author(s):  
M.R. Masubelele
Keyword(s):  
Cultural Practices ◽  
Text Message ◽  
Target Language ◽  
Source Text ◽  
Language And Culture ◽  
Translation Strategy ◽  
Igbo Culture ◽  
Language Norms ◽  
Descriptive Approach ◽  
Target Culture

Through translation the target reader is exposed to other cultures. Translators, therefore, have to use the target language to convey the source text message to the target reader. There are various choices at their disposal as to how they wish to convey the source text message. They may choose to adopt the norms and conventions of the source text message, and therefore those of the source language and culture, or choose those of the target language. Commonly, adherence to the target language norms and conventions leads to a strategy in which the foreignness of both linguistic and cultural conventions is reduced. According to Venuti (1995) this is domestication. Since translations are rarely equivalent to the original, this article seeks to examine how Makhambeni uses Venuti‟s domestication as a translation strategy, with the purpose of rewriting the original to conform to functions instituted by the receiving system. The descriptive approach to translation, which advances the notion that translations are facts of the target culture, will be used to support the arguments presented in this article. It will be shown that, although Achebe has used a lot of Igbo expressions and cultural practices in his novel, Makhambeni has not translated any of the Igbo expressions and cultural practices into Zulu. Instead Makhambeni used Zulu linguistic and cultural expressions such as similes, metaphors, idioms, proverbs and of cultural substitutions to bring the Igbo culture closer to her audience. It will be concluded that through the use Zulu linguistic and cultural conventions Makhambeni has effectively minimised foreign culture and narrowed the gap between the foreign and target cultures. She has successfully naturalised the Igbo culture to make it conform more to what the Zulu reader is used to.

ON THE ISSUE OF TRANSLATING AN ESSAY

2020 ◽  
Vol 2020 (31) ◽  
pp. 264-277
Author(s):  
Svitlana Maslova
Keyword(s):  
Literary Work ◽  
Target Language ◽  
Conceptual System ◽  
Original Text ◽  
Source Text ◽  
Literary Genres ◽  
Complex Sentences ◽  
Definition Of ◽  
The Individual ◽  
Rhetorical Questions

The choice of an essay as the object of analysis presents significant difficulties for the researcher, since even the definition of the genre in the theory of literature is still not set; there is no integral concept of the genre, the views of literary scholars on essays are extremely contradictory. Unlike existing theoretical and practical studies on various literary genres, the essay seems to be an insufficiently studied object of analysis in the linguistic and translation perspectives, which determines the relevance of the paper. The objective of the study is to determine the features of the translation of a publicist essay on the example of the translation of the literary work of I. Brodsky “Reflection on a Spawn of Hell” from Russian into English. To achieve this objective, the following tasks are to be solved: 1) to identify the main stylistic features of the essay by I. Brodsky; 2) to determine the specifics of its translation into English. The dominant function of the essay is the influencing one. It is implemented by referring to the emotional-figurative way of the addressee’s perception of the world. The stylistic features of I. Brodsky’s publicist essay, characterizing it as a resource of stylistic expressiveness, fully agree with the influencing function of the type of the text under study: syntactic constructions with inverted word order, rhetorical questions, quotations, complex sentences with a number of homogeneous members, elliptical constructions, gradation, stylistically coloured vocabulary, a combination of stylistically reduced and colloquial vocabulary aimed at achieving maximum expressiveness. The translator renders the stylistic features of the source text by selecting functional analogues in the target language. Difficulties arise when reproducing the cultural realities of the original linguistic culture. The appellative type of the text, which an essay is, requires significant linguocultural adaptation of the realities of the source language to the socio-cultural background of the target language. The translation under study tends to reproduce only the outer shell of definite lexemes and phrases, which are bearers of factual information and have a significant pragmatic potential in the original text. Despite the complexity and cultural richness of the text itself, with its specific words and conceptual system, the translator does not fully pragmatically adapt the significant elements of the source text, which affects the adequacy of its translation. In our opinion, translation errors prevent reproduction of the author’s communicative intentions in full. We consider the prospects for further developments in the expansion of research materials in order to obtain general conclusions regarding the peculiarities of the translation of an essay as a genre and the specifics of rendering the individual author’s style in translation.

Why change the subject?

Target ◽  
2004 ◽  
Vol 16 (1) ◽  
pp. 29-52 ◽  
Author(s):  
Stig Johansson
Keyword(s):  
Short Story ◽  
Target Language ◽  
Scientific Article ◽  
Source Text ◽  
The Subject ◽  
The Individual ◽  
Identical Behaviour

This paper reports on a study of syntactic changes in alternative translations of a short story and a scientific article, each translated by a group of ten professional translators. The subject is kept in approximately nine cases out of ten, with a somewhat higher degree of change in the scientific article. Where changes occur, they can very often be traced to differences between the languages on the lexical or syntactic level, but absolute differences signalled by identical behaviour of a whole translator group are as good as non-existent. After more features have been studied, it may be possible to identify profiles for the individual translators—and the two translator groups—showing to what extent their choices are guided by adequacy in relation to the source text vs. acceptability in relation to the target language.

scholarly journals Traduire l’« agrammaticalité » durassienne : liberté ou contrainte ?

Translationes ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 83-97
Author(s):  
Elodie Weber
Keyword(s):  
Source Text ◽  
Translation Process ◽  
Literal Translation ◽  
Powerful Constraint ◽  
Target Culture

AbstractThis paper explores the constraints language deconstruction and ungrammaticality in Margerite Duras’s novels impose on the translation process. Given its “value” in Duras’s work, ungrammaticality seems to dictate the translator’s choice of literal translation to English or Spanish, except when the differences between language systems do not allow for literal translation and require creative ways to capture the source text and its effects. However, a review of several published English and Spanish translations of Duras’s novels has revealed that a more powerful constraint is imposed on translation and conflicts with the above-mentioned mechanism. This fundamental constraint is the acceptability of the proposed translation by the target culture.

scholarly journals Normalization Techniques For Translating Cultural - Specific Expressions

2020 ◽  
Vol 7 (2) ◽  
pp. 1-18
Author(s):  
Nuchanad Imjidee ◽  
Soh Bee Kwee
Keyword(s):  
Da Vinci ◽  
Target Language ◽  
Simple Explanation ◽  
Source Text ◽  
Target Culture

For readability of audience in target culture (TC), cultural-specific expressions (CSEs) which have been embedded with specific characteristics, need specific techniques to transfer them into target language (TL). This study aims to identify normalization techniques (NTs) from domestication strategies to show that they are particularly necessary for CSE translation. Based on the previous studies of different scholars, the overlap between domestication and normalization is clarified, following by the clarification of the relation between normalization and the use of translator’s subjectivity, as well as the distinction between CSEs and universals for simple explanation on what normalization and CSE are. Last but not least, the overlapping NTs, classified from domestication strategies will be unified. Finally, illustration of normalization of CSEs, selected from Thai target text (TT) and its English source text (ST), The Da Vinci Code (DVC), a novel by Dan Brown, will give an overt explanation of how each NT is used to deal with CSEs in order to show relation between characteristics of CSEs and each NT. This will answer why NTs are necessary.

scholarly journals Skopos and (Un)certainty: How Functional Translators Deal with Doubt

2016 ◽  
Vol 61 (1) ◽  
pp. 29-41 ◽  
Author(s):  
Christiane Nord
Keyword(s):  
Theoretical Perspective ◽  
Target Language ◽  
Cultural Norms ◽  
Decision Making Process ◽  
Decision Point ◽  
Source Text ◽  
Binary Decision ◽  
Language Norms ◽  
Translation Type ◽  
Target Culture

There are no rules for translation. Translation is a decision-making process, and each decision point involves uncertainty. In the following article, I would like to show how, from a skopos-theoretical perspective, a top-down procedure can at least reduce uncertainty to some degree. The top level is that of the translation brief, which determines the choice of translation type and form. This is a binary decision. A documentary translation usually “documents” the pragmatics of the source text, whereas an instrumental translation gets a pragmatics of its own, for example with regard to deixis. At the next level, the translator has to deal with cultural norms and conventions. Here, the decision becomes more complex because the brief may require the reproduction of some source-culture behaviours and the adaptation of others to target-culture conventions, both in documentary and instrumental translations. The next level is that of language. We may safely assume that most translations are expected to conform to the norms of the target-language system, but there may be cases where source-language norms have to be reproduced, for example in an interlinear translation for linguistic purposes. At the last two levels, the remaining doubts have to be resolved first in line with contextual restrictions and, ultimately, the translator’s personal preferences, if necessary.

From left to right and from right to left

Babel ◽  
2011 ◽  
Vol 57 (1) ◽  
pp. 76-98
Author(s):  
Mahmoud Kayyal
Keyword(s):  
Target Language ◽  
Arabic Literature ◽  
The Political ◽  
Hebrew Literature ◽  
Source Text ◽  
Modern Hebrew ◽  
Ethical Norms ◽  
Modern Arabic ◽  
Target Culture ◽  
Selection Of

The present paper discusses Anton Shammas’s translations of Modern Hebrew literature into Arabic and of Modern Arabic literature into Hebrew. The discussion focuses on the connection between hegemony and translation, particularly in light of the fact that these translations were carried out in the shadow of the political, social and economic hegemony of the Jewish majority over the Arab-Palestinian minority in Israel. Shammas began his translation activities with a series of translations from Hebrew into Arabic, but after establishing his status in Hebrew literature and journalism, he began to translate from Arabic into Hebrew as well. Evidently, this transition entailed a significant change in his translation paradigm and in his attitude toward the culture of the hegemonic majority.<p>His translations from Hebrew into Arabic aimed to preserve and reinforce that hegemony, not only through the direct or indirect involvement of bodies from the source culture and bodies identified with the establishment, but also in the multiple interferences of the Hebrew source language in the Arabic target language, and his disregard for the accepted linguistic, stylistic and ethical norms of the Arab target culture. By contrast, Shammas’s translations from Arabic into Hebrew aimed to challenge the discourse of the hegemonic culture through his meticulous selection of works that represent the oppressed narrative of the Palestinian people and adopting translation policies to enhance acceptability in the target culture, such as non-preservation of the integrity of the source text in the translation, elevation of linguistic and stylistic register in the translated text, and an inclination toward paraphrase.<p>

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