scholarly journals O tłumaczeniu jednego wersu Burzy Shakespeare’a

1970 ◽  
Vol 20 (3(25)) ◽  
pp. 87-103
Author(s):  
Anna Kowalcze‑Pawlik
Keyword(s):  
William Shakespeare ◽  
Historical Background ◽  
Source Text ◽  
Translation Process ◽  
Situational Context ◽  
Translation Strategies ◽  
Metaphorical Language ◽  
The Tempest ◽  
Essential Components ◽  
History Of

On Translating One Verse from Shakespeare’s The Tempest: Metaphor in drama translation The aim of this article is to discuss the existing Polish translations of one passage from The Tempest in the light of such essential components of the translation process as the need to include the situational context, metaphorical language as well as the socio‑historical background of the source text. The first part of the article discusses the history of drama translation in Poland with reference to The Tempest of William Shakespeare, while the second part describes translation strategies correlating to two divergent interpretations which link character construction in language with the overall meaning of the dramatic work.

scholarly journals Foreignization and domestication strategies in cultural term translation of tourism brochures

2016 ◽  
Vol 6 (2) ◽  
pp. 171
Author(s):  
Choirul Fuadi
Keyword(s):  
Discourse Analysis ◽  
The Other ◽  
Source Text ◽  
Translation Process ◽  
Translation Strategies ◽  
Central Java ◽  
Cultural Terms ◽  
Analysis Strategy ◽  
Qualitative Descriptive ◽  
Special Region

<p>In translating brochure, a translator has to make a decision on the basis of the message and purpose. The translator is faced by two strategies of translation – foreignization and domestication. The purpose of the study is to examine how the interrelationship between cultural term translation and foreignization or domestication strategy in the cultural term translation of tourism brochure from Indonesian into English. This study used qualitative descriptive with discourse analysis strategy. The note-taking technique is used to identify and classify the data. The objects of the study are tourism brochures from Province of Special Region of Yogyakarta and Central Java in 2015. The findings show that the translation strategies used depend on the translation process. When the cultural terms are familiar, translator tends to use domestication strategy and consider the target text. Translator chooses domestication strategy because try to make tourist understand the text and produce communicative and natural translation. On the other hand, when cultural terms are foreign, translator using foreignization strategy and consider source text. Using foreignization strategy, translator tends to introduce traditional cultural term.</p>

scholarly journals The Application of Translation Strategies to Cope With Equivalence Problems in Translating Texts

2018 ◽  
Vol 1 (1) ◽  
pp. 1-9
Author(s):  
Dhini Aulia
Keyword(s):  
Equivalence Problem ◽  
Target Language ◽  
Source Text ◽  
Translation Process ◽  
Translation Strategies ◽  
Source Language ◽  
Specific Concept ◽  
Equivalence Problems

Translation is a process to render the meaning from the source text into the target text. A translator, however, will find some problems during translation process. Equivalence is the case which often appears (i.e. culture specific concept, the source-language concept is not lexicalized in the target language, source-language word is semantically complex, etc). To cope with equivalnce problems in translation process, some experts suggest some strategies which can be applied in doing translation. Some strategies are transference, naturalization, cultural equivalent, etc. The strategies which often appears in the example texts in this paper are transference, naturalization, descriptive equivalent, couplet and  through-translation. It is recomended that translator apply the strategies if only there is no equivalence problem in target language. 

scholarly journals TRANSLATION AS A HUMAN ACTION

2021 ◽  
Vol 5 (3) ◽  
Author(s):  
Coşkun Doğan
Keyword(s):  
Social Role ◽  
Human Action ◽  
Social Cooperation ◽  
Source Text ◽  
Translation Process ◽  
Cultural Transfer ◽  
Translation Strategies ◽  
Multilateral Cooperation ◽  
Individual Structure ◽  
The Individual

Translation act, which has been regarded as a sub-discipline of linguistics for many years, has a theoretical structure as an independent science. In this context, his understanding of translation act has also changed. The act of translation does not only consist of linguistic and textual problems. The act of translation is no longer an interlanguage transfer process and is carried out within the framework of multilateral cooperation. The translator, who is expected to perform the translation act in all its dimensions alone, now directs translation in the context of cooperation as a social business. This new understanding of translation, which puts the translator at the center of the translation act, imposes a social responsibility on the translator. As an expert, the translator undertakes a social role by planning the translation act. Translation, which is an act of cultural transference from the source text, is expected to be reflected in accordance with its function in culture. In this sense, the emotions, creativity and conditions of the translator as a person affect the cultural transfer through the act of translation. Translation act is a process planned by the translator. This process is determined individually. In this respect, the individual structure characteristics and experiences of the translator who directs the translation act are also of great importance. While analyzing the text in the translation process, the translator must also implement translation strategies according to text differences. Otherwise, the balance between the source text and the target text will be disrupted. The act of translation, as an act of thought, is a human act of the translator that bridges different socio-cultural structures. In this study, the problems experienced by the translator while performing the translation act as a human will be examined. The importance of the identity of the translator who performs the act of translation as a cultural transfer function in the context of social cooperation will be examined. Problems arising from the fact that translation act is a human act will be interpreted as a qualitative research by scanning the relevant sources. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0750/a.php" alt="Hit counter" /></p>

scholarly journals Pauses by Student and Professional Translators in Translation Process

2018 ◽  
Vol 6 (1) ◽  
pp. 18
Author(s):  
Rusdi Noor Rosa ◽  
T. Silvana Sinar ◽  
Zubaidah Ibrahim-Bell ◽  
Eddy Setia
Keyword(s):  
Cognitive Process ◽  
National Park ◽  
Meaning Making ◽  
Source Text ◽  
Translation Process ◽  
Descriptive Research ◽  
Think Aloud Protocols ◽  
History Of ◽  
The Right ◽  
Bahasa Indonesia

Translation as a process of meaning making activity requires a cognitive process one of which is realized in a pause, a temporary stop or a break indicating doing other than typing activities in a certain period of translation process. Scholars agree that pauses are an indicator of cognitive process without which there will never be any translation practices. Despite such agreement, pauses are debatable as well, either in terms of their length or in terms of the activities managed by a translator while taking pauses. This study, in particular, aims at finding out how student translators and professional translators managed the pauses in a translation process. This was a descriptive research taking two student translators and two professional translators as the participants who were asked to translate a text from English into bahasa Indonesia. The source text (ST) was a historical recount text entitled ‘Early History of Yellowstone National Park’ downloaded from http://www.nezperce.com/yelpark9.html composed of 230-word long from English into bahasa Indonesia. The data were collected using Translog protocols, think aloud protocols (TAPs) and screen recording. Based on the data analysis, it was found that student translators took the longest pauses in the drafting phase spent to solve the problems related to finding out the right equivalent for the ST words or terms and to solve the difficulties encountered in encoding their ST understanding in the TL; meanwhile, professional translators took the longest pauses in the pos-drafting phase spent to ensure whether their TT had been natural and whether their TT had corresponded to the prevailing grammatical rules of the TL. 

In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics

2021 ◽  
Vol 8 (1) ◽  
pp. 163-202
Author(s):  
Patricia Sieber ◽  
Mario De Grandis ◽  
Ke Wang ◽  
Hui Yao ◽  
Jingying Gao ◽  
...  
Keyword(s):  
Yuan Dynasty ◽  
Theory And Practice ◽  
Literary Translation ◽  
Short History ◽  
Translation Process ◽  
Translation Strategies ◽  
Distinctive Features ◽  
History Of ◽  
The Yuan Dynasty ◽  
Short Essays

Abstract This article consists of an introduction by Patricia Sieber and six short essays on translation approaches together with actual translations of sanqu songs by Mario De Grandis, Ke Wang, Hui Yao, Jingying Gao and Ian McNally, Xu Yichun, and Jenn Marie Nunes. The introduction provides a short history of the translation of sanqu songs into English, followed by a reflection on which distinctive features of the genre beg for attention in the translation process. In particular, it argues that the different sonic features of sanqu merit close consideration, the loss of the notational contours of the original tunes notwithstanding. Rather than bemoaning the absence of the underlying music, it suggests that, in keeping with Walter Benjamin's vision of the “task of the translator,” translation into another language can be an opportunity to reinvent that musicality in different ways. The six short essays that follow consider sanqu songs from the corpus of diasporic writers from the Yuan dynasty, with a view toward enriching the repertoire of translation strategies for sanqu in terms of musicality and other salient features of the genre. The six essays discuss, respectively, pronouns, rhyme, punctuation, language registers, allusion, and citational practice. In contextualizing such strategies theoretically and illustrating them with examples, the short essays seek to contribute more broadly to the theory and practice of the literary translation of Chinese poetic forms.

The Exploration of the Postcolonial Essence in The Tempest

2020 ◽  
Vol 8 (2) ◽  
pp. 14
Author(s):  
Dr Madhvi Rathore ◽  
Prabha Prabha Gour
Keyword(s):  
William Shakespeare ◽  
English Literature ◽  
Complex Relationship ◽  
The Tempest ◽  
The World ◽  
History Of ◽  
Entire History

William Shakespeare (1564-1616) is indubitably the best playwright of all time. He acquired an unique place in the world of literature. His plays earned international commendation and acceptance as the finest dramatist in the entire history of English literature. His play, The Tempest has been decoded differently by critics as a postcolonial text. In1611 when William Shakespeare wrote the play The Tempest, colonization was a recent concept in Britain. This paper is an attempt to inspect the postcolonial issues such as subjugation, dominance language, power and knowledge etc. and conjointly converse about the complex relationship that exist between the master and slave in The Tempest.

scholarly journals Concept Selection and Translation Strategy: Subtitling for the Deaf based on Corpus Analysis

2019 ◽  
Vol 17 ◽  
Author(s):  
Catalina Jiménez Hurtado ◽  
Silvia Martínez Martínez
Keyword(s):  
Hard Of Hearing ◽  
Corpus Analysis ◽  
Concept Selection ◽  
Source Text ◽  
Translation Process ◽  
Multimodal Texts ◽  
Translation Strategies ◽  
The Past ◽  
Translation Strategy ◽  
Multimodal Corpus

In the past 20 years, corpus analysis has been applied to different translation modalities. This study used an annotated multimodal corpus of 52 international films of different genres, which had been dubbed in Spanish and subtitled for Spanish Deaf and Hard-of-Hearing (DHH) viewers, according to the AENOR, UNE 153010 (2012) standard. The corpus was annotated at two levels. At the first level, we annotated the information that professional subtitlers selected from the audio mode of the source text to translate into subtitles. At the second level, captured information regarding the translation strategies was used. This allowed us to analyse the translation process and reflect the translation preferences of professional subtitlers. Our first objective was to show how corpus analysis can be applied to the study of multimodal texts. The second objective was to provide valuable insights into the understanding, description and specification of the conceptual and epistemological nature of subtitling for the DHH.

scholarly journals Translator’s Notes from Paratextuality Perspective (as Exemplified in “The Secret History of the Mongols” Translated by Ardazhabu)

2020 ◽  
Vol 45 (1) ◽  
pp. 34-44
Author(s):  
S. Zhang ◽  
E. A. Vaseeva
Keyword(s):  
Translation Studies ◽  
Cultural Environment ◽  
Sources Of Information ◽  
Source Text ◽  
Translation Process ◽  
History Of ◽  
Points Of View ◽  
Secret History

The theory of intertextuality has proved to be very useful in translation studies, as it gives a more precise view of the translation process and its result. Paratexts include all the elements that surround the text – titles, prefaces, epilogue, and the like, and also include notes made by the translator. Translator’s notes play an important role in translation work. They are an indispensable means for making the translated text comprehensible for the audience belonging to a different cultural environment. Notes fulfill various functions and have significant effects. The paper studies the notes made by Ardazhabu in his translation of The Secret History of the Mongols into Chinese. The function of elucidation seems to be one of the most significant in the translator’s notes of the studied text. But the translator not only explains and clarifies some parts in the source text, but also endeavors to guide the readers’ interpretation of the contents by presenting alternative points of view on some ideas. The analysis of representative examples shows that notes can fulfill more than one function and draw on various sources of information and reasoning Переводческие примечания как один из видов паратекстов играют важную роль в переводческой работе. Примечания выполняют разнообразные функции и оказывают значительное воздействие. В данной работе исследованы примечания Ардажабу к его переводу на китайский язык эпического произведения XIII века «Тайная история монголов». Одной из основных функций примечаний в исследуемом тексте перевода является разъяснительная функция. Но переводчик не только объясняет и уточняет, он стремится направлять понимание читателями содержания, представляя альтернативные точки зрения. Анализ показывает, что примечания могут одновременно выполнять несколько функций и привлекать различные источники информации и аргументации

scholarly journals TRANSLATION OF CLASSICS OF GERMAN POETRY IN UKRAINIAN

2021 ◽  
Author(s):  
Petro Osipov ◽  
◽  
Nataliia Bulyk ◽  
Keyword(s):  
Point Of View ◽  
Target Language ◽  
Communication Process ◽  
Semantic Features ◽  
Translation Process ◽  
Translation Strategies ◽  
History Of ◽  
The Difference ◽  
Definition Of ◽  
And Behavior

Translation issues have long been in the field of view of translators and philologists-researchers. The focus was on the definition of the translation process in view of its psychological and lexical-semantic features and its perception as a certain creative action. The translation process is always functionally and thematically defined and controlled. Its main purpose is to provide the necessary information and establish communication between people of different languages and cultures. Considering translation as an interlingual communication process, we address the question of what language operations should be performed to ensure the integration of source and target texts and at the same time eliminate their interlinguistic structural differences at the conceptual and stylistic levels. The dominant of any translation is its goal (skopos), because differences in the definition of translation goals cause, in turn, differences in interlingual translation strategies. The translator's understanding of the text presupposes his knowledge of the history of society, institutions, social conditions, religious beliefs, culturally and situationally determined patterns of speech activity and behavior of the "source culture", as well as knowledge of the syntax and semantics of the "source text" and their structures. Each translation creates a dynamic connection and is an intercultural transfer of the text insofar as it takes into account the culturally specific comparison of language, situation and object in question. From the standpoint of hermeneutics and from the point of view of translation, the difference of cultures means the difference between "source culture" and thus – the culture of "source language" and "target culture" and thus - the culture of "target language". The analysis focuses on the translation of the most famous poems of German classics. In J. Goethe, along with the ballad "Erlkönig" ("The Forest King"), it is his popular excerpts from the tragedy "Faust". The translation was made by famous writers B. Hrinchenko and M. Rylsky. F. Schiller's poetry is represented by his ballads "Pirnach" ("DerTaucher") and "Glove" ("DerHandschuh"). The latter was translated by the famous poet and translator M. Orest. Heine's works were translated into Ukrainian by such well-known writers as I. Franko, L. Pervomaisky and others.

scholarly journals Towards a Methodological Approach for Frame Identification and Analysis in Translation

2010 ◽  
Vol 7 (1) ◽  
pp. 121-130 ◽  
Author(s):  
Daniel Dejica
Keyword(s):  
Methodological Approach ◽  
Frame Analysis ◽  
Target Language ◽  
Methodological Framework ◽  
Source Text ◽  
Translation Process ◽  
Translation Strategies

Frame analysis is a relatively new methodological approach which shows how people understand activities or situations. It originated in sociology and its application to translation has not been considered practically or theoretically yet, though the advantages may be manifold. Consisting of two main parts, this paper presents a methodology for frame identification and analysis, and suggests this be applied to the translation of pragmatic texts. The first part presents the concepts of frame and frame analysis as they appear in literature and as they are interpreted in this paper for translation purposes. $e second part focuses on the exemplification of a methodological framework which includes the integration of frames into the translation process. It is shown that by using frames, translators can obtain the cognitive image of the text, create various versions of the source text in the target language, and use translation strategies consistently and transparently.

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