scholarly journals POLEMIC AROUND A. I. HERZEN IN THE CULTURAL LIFE OF THE 1860-S (BASED ON RUSSIAN JOURNALISM)

2020 ◽  
Vol 5 (3) ◽  
pp. 139-152
Author(s):  
Dingyi Tang ◽  
◽  
Anna A. Fedotova ◽  

The article is devoted to the analysis of the turning point in the perception of late activity of A.I. Herzen by Russian society. The authors note that the sixties of the XIX century are naturally considered the time of decisive changes in the life of Russian society, and in Russian culture their sign was the progressive separation of literary forces according to the ideological principle. The article considers the acute controversy that happened in the cultural life of the 1860s between the London publicist, publications of M. N. Katkov (“Modern Chronicle”, “Russian Herald”) and the newspaper of P. S. Usov “Severnaya pchela." An ideological-free analysis of key articles written during the controversy (“Letter to Katkov and Leontiev”, “Young and Old Russia”, “Journalists and Terrorists” by A. I. Herzen, “Our Foreign réfugiés”, “Note for the publisher of “Kolokol” M. N. Katkov, the forerunner of “Severnaya pchela”, which today are convincingly attributed as belonging to N. S. Leskov), allows you to identify important differences in the socio-cultural positions of representatives of the “conservative” bodies of the domestic press and draw conclusions about copyright strategies for creating journalistic statements. The article draws conclusions about the influence of this controversy on the social and literary fate of writers, it is noted that the controversy with Katkov anticipated a sharp cooling to Herzen of Russian society in the following 1863, when, after the publisher of “Kolokol” supported the Polish uprising, the newspaper's circulation fell sharply to 500 copies, equally significant was the controversy of 1862 for Leskov, whose only beginning literary path almost came to an end as a result of harassment by the “progressive” press, and in the mind of the writer, the name Herzen began to be forever associated with the St. Petersburg fires, the imposing frivolity of revolutionary agitators and the sacrificed lives of young fanatics, which was reflected not only in the subsequent “Herzen” essays of Leskov, but also in his artistic prose. In this regard observations on Leskov's articles are especially relevant, the originality of the early journalism of which still remains a little-studied phenomenon of Russian culture.

2021 ◽  
Vol 4 (7) ◽  
pp. 15-22
Author(s):  
Zebiniso A. Akhmedova ◽  

The article analyzes the culture of Turkestan in the second half of the 19th century. The social, economic, politicaland cultural life of Bukhara during the Mangit dynasty is revealed. Clarified trade and diplomatic relations between Bukhara and Russia.On the basis of the works of Ahmad Donish, the economic and political situation in Bukhara, as well as relations with neighboring countries, are studied. The author draws attention to the military-bureaucratic colonial system of tsarism in Turkestan and reveals the reasons for the emergence of ideas of national liberation in the country. Examples are used to analyze the life of Bukhara before and after the invasion of tsarism


Author(s):  
Vladimir Vladimirovich Zverev

This article is dedicated to the works of the Russian artist Nikolay Koshelev of the turn of the XIX – XX centuries in the genres of religious and church painting. The introduction of the principles of historicism and realism into the Russian culture of the XIX century discovered a new perspective on religion themed easel paintings, church art and iconography, as well as created opportunities for the new content and formal means for depicting the subjects of painting. The article leans on the monumental cycle “The Passion Journey of Christ” by Nikolai Koshelev for the Church of Saint Alexander Nevsky in Jerusalem. The article traces the complex intertwinement with of the features of church painting with the features of academic easel religious painting in the context of artistic culture of the turn of the XIX – XX centuries. The detailed analysis of the monumental cycle of “The Passion Journey of Christ” at the Alexander Metochion in Jerusalem (created between 1890 and 1900)  reveals certain peculiarities of the artistic form of Nikolay Koshelev's works in the context of Russian church and religious painting of the XIX - early XX centuries. This topic should be viewed in relation to the general problems of modernization of public consciousness and cultural life in Russia of that time.


Author(s):  
Галина Тимофеевна Мельникова

Введение. Обращение к творчеству Николая Филипповича Павлова представляется актуальным. Он оставил значительный след в русской литературе первой половины XIX в., одним из первых поднял тему социальной несправедливости и антигуманности общественных порядков. Творчество автора высоко оценивалось читателями и критиками 30-х гг. XIX в. Однако имя автора сборников «Три повести» и «Новые повести» уже к концу века попало в число «забытых». В исследованиях, посвященных романтизму Н. Ф. Павлова, упоминали как писателя, творчество которого носило переходный характер, отмечалось его «движение» от романтизма к реализму. Цель – анализ идейно-тематического своеобразия повести Павлова «Ятаган» с точки зрения отражения общественных и культурных реалий России первой трети XIX в. Материал и методы. Исследуется повесть Павлова «Ятаган», вошедшая в первый сборник прозаических произведений автора «Три повести», который стал событием в общественной и литературной жизни России 1830-х годов. В работе использованы биографический, историко-культурный, сравнительно-сопоставительный методы исследования. Результаты и обсуждение. В повести «Ятаган» автор создал правдивую картину социальных отношений и нравов русского общества первой трети XIX в.: представил социальную иерархию, особое отношение к военным и военной службе, дуэльную традицию. Драматические обстоятельства, в которые попадает главный герой, отражают нравственную и социальную проблему несправедливости, армейской жестокости, которая обострилась в годы правления Николая I. В начале повести главный герой, делающий первые жизненные шаги, полон восторга перед будущим и романтических мечтаний, которые впоследствии разрушаются жестокой действительностью. С образом ятагана связан мотив рока. Пришедшая из народной мифологии «плохая» примета становится пророческой, а подарок матери – символической причиной гибели героя. Заключение. В романтической светской повести «Ятаган» автором художественно представлены общественные отношения и культурные традиции первой трети XIX в. Поднятые им злободневные для 1830-х годов темы телесных наказаний и социальной несправедливости в армии нашли отражение в реалистической литературе начала XX в. Introduction. The author seems it relevant to appeal to the works of Nikolai Filippovich Pavlov, who left a significant impact on the Russian literature of the first half of the XIX century. He, being one of the first, raised the topic of social injustice and inhumanity of public orders. Though, the readers and critics of the 30s of the XIX century highly appreciated Pavlov’s works, the name of the author of the collections “Three Stories” and “New Stories” had become already among the “forgotten” by the end of the century. The scientists of Romanticism still mention N. Pavlov as a writer whose works were of a transitional nature and note his “movement” from romanticism to realism. Aim and objectives. The aim of the article is to analyze the ideological and thematic originality of Pavlov’s story “Scimitar” from the point of view of reflecting the social and cultural realities of Russia of the first third of the XIX century. Material and methods. The author examines Pavlov’s novel “Scimitar” included in the first collection of prose “Three Stories”, which became a triumph in the social and literary life of Russia of the 1830s. The author uses biographical, historical, cultural and comparative methods of research. Results and discussion. In the story “Scimitar” the author creates a true picture of the social relations and mores of the Russian society of the first third of the XIX century: he presents the social hierarchy, a special attitude to the military men and service, and the dueling tradition. The dramatic circumstances in which the main character finds himself reflect the moral and social problem of injustice, army brutality, escalating during the reign of Nicholas I. At the beginning of the story, the main character, undertaking the first steps in life, is full of enthusiasm for the future romantic dreams, which the reality subsequently cruelly destroys. The motif of doom refers to the image of the scimitar. The “bad” omen coming from folk mythology becomes prophetic, while the mother’s gift symbolically results in the hero’s death. Conclusion. In the romantic novel “Scimitar”, Pavlov artistically describes social relations and cultural traditions of the Russia of the first half of the XIX century. The themes of corporal punishment and social injustice in the army, which were topical for the 1830s, are reflected in the realistic literature of the early twentieth century.


Author(s):  
Tatiana V. Pushkareva ◽  
◽  
Darya V. Agaltsova ◽  

Reverse processes in the public socio-cultural life of modern Russia are associated with the revival of a number of contradictory past values: the Soviet society ideals (the social experiment of building socialism ended twenty years ago, and before that it lasted more than 70 years); religious Orthodox revival (focused on the values of pre-revolutionary Russia before 1917); the development of traditional folk culture (transferring the value horizon into pre-Christian Slavic culture). The purpose of the article is to show how historical memory “lives” in the collective consciousness of modern Russians, how the archaization processes of historical memory and memorial practices are implemented at various social levels – from individual families (family memory), lower social cells (the level of municipalities, local clubs, schools), to federal school textbooks and national holidays. And turning to the analysis of Russian reality through the approaches of “memory studies” can have serious heuristic potential.


Author(s):  

Страна кленового листа представлена этническими группами практически из всех стран мира. Свой вклад в её развитие внесли и выходцы из России. Крайняя разнородность русскоязычного населения, по разным причинам и в разных условиях переселявшегося в Канаду в течение полутора столетий, его неодинаковая идейно-политическая, религиозная ориентация, социально-классовая принадлежность, образовательный, профессиональный и культурный уровень детерминировали максимальную мозаичность и разобщённость общины, что препятствовало её превращению в активного и весомого участника канадской общественной, политической и культурной жизни. Бережное сохранение и продвижение многими этническими общностями Канады своей культуры, обычаев и традиций, поддержка государства и общества развития этого «многоцветья культур» предопреде-лили изменения и в русскоязычных общинах. Создание по всей стране организаций, центров широкого спектра деятельности, в том числе поддержки соотечественников, сохранения и продвижения русской культуры, свидетельствуют о наметившейся тенденции к её консолидации и интеграции в канадское общество как русских канадцев. Немаловажным фактором этого процесса становится поддержка Россией этнокультурной и духовной самоидентификации соотечественников как одно из ключевых направлений её внешней политики. В статье рассматривается процесс институционализации русскоязычного сообщества в Канаде, его консолидации в последние десятилетия в условиях изменения состава иммигрантов, политики мультикультурализма как модели национальной интеграции, опирающейся на признание культурного многообразия этносов в качестве основы национального единства, эволюции отношения российского общества и государства к зарубежным соотечественникам. Ключевые слова: иммиграция, русскоязычные общины, мультикультурализм, самоидентификация, консолидация, интеграция, адаптация, институционализация, зарубежные соотечественники, волны российской иммиграции, русский контент, национальное сообщество, культурное разнообразие этносов, центры русской культуры, «Русский мир», концепция внешней политики России. Abstract. The article analyses the process of institutionalization of Russian-speaking communities in Canada and the consolidation of the population at the Canadian multiculturalism condition as the model of a national integration. Canada has accumulated a valuable experience of a peaceful way to solve many problems. One of the most essential factors here is its division into two state-forming communities: English and French Canadians. In Canada there are many different ethnic groups; Russian-speaking diaspora is one of many communities. Extreme diversity of the Russian-speaking population, who, due to various reasons and in different circumstances, had been immigrating in Canada for a century and a half, determined the highest mosaic structure and dissociation of the community that prevented it from becoming an active and weighty participant in the social, political and cultural life of Canada. In the circumstance of careful preservation and promotion by many ethnic groups of their culture, customs and traditions together with a powerful public and social support of this cultural diversity (the image of the Maple Leaf country in the world) which are conducted in the context of multicultural policy, visible changes appeared in the Russian-speaking expat community as well. The intensive activity of Russian-speaking community in creating various associations and centers to support compatriots, to preserve and to promote Russian culture in the last decade, witnesses an outlined trend of rallying in the Russian community and its integration to the Canadian society as Russian Canadians. Nowadays Russian Government regards the compatriots’ problems as the key problems to Russian foreign policy and believes necessary to support Canadian compatriots according to their ethno-cultural and common self-identification. Keywords: immigration, Russian-speaking communities, multiculturalism, self-identification, consolidation, integration, adaptation, institutionalization, foreign compatriots, national association, cultural variety of ethnics, centers of Russian culture, conception of Russian foreign policy.


2018 ◽  
Vol 5 (3) ◽  
pp. 67-74
Author(s):  
V.V. Sidorin

The system of the education is one of the fundamental social institute which is invoked providing not only the transfer of knowledge but also the continuity and the stability of the social development. After several decades of the constant reforming Russian system of the education haven’t been adapted to the new reality of the informational civilization, neither it has achieved the harmonization between that reality and traditional values of the Russian culture. There are some trends and mental attitudes which can be traced in the history of Russian philosophical thought and can be counterposed to above-mentioned negative tendencies. These trends have manifested itself in works of such different thinkers as V.V. Rozanov, S.I. Gessen and E.V. Il’enkov, who stay in a not numerous row of those Russian thinkers who paid special attention to philosophical-educational problems. This article is an attempt to outline the domestic tradition of philosophy of education which can withstand to instrumentalist and utilitarian trends of the modern education. It is demonstrated that despite some different philosophical premises above-mentioned thinkers articulated some comparable purposes of the education – ideas of “transformation of the natural man to the cultural person” (V.V. Rozanov), “the conversion of the life to the cultural existence” (S.I. Gessen), “the formation of the totally developed person” (E.V. Il’enkov). There will be an attempt to show that the Russian thinker’s philosophical-educational conceptions not only are of historical interest but also have the potential to be an important conceptual resource for the development of the contemporary Russian society.


Author(s):  
Nyoman Sudipa ◽  
Made Sudiana Mahendra ◽  
Wayan Sandi Adnyana ◽  
Ida Bagus Pujaastawa

The growth of tourism in the Nusa Penida Tourism Area has an impact on the socio-cultural environment due to the development of tourism supporting facilities and infrastructure. Socio-cultural spaces also experience pressure due to conflicts of interest in the use of sacred areas for tourism, resulting in a process of desacralization. Social interactions are declining and arrogance is increasing at some tourist attraction points. Some physical spaces have become economic spaces. Road border, roadside, coast have become economic space. The way of thinking has been hegemony by the interests to get more economic access. The construction of the mind is filled with capitalist desires. Arrogance and ego between groups began to be seen in each particular area. The narrowing of social and cultural space has increased the critical power of the community towards the use of the area, especially spaces that are related to religion. Fighting egoism and social cultural conflict to catch up with the material culture. The social and cultural life of the Nusa Penida people is forced to adapt to material cultures. So fast tourism to Nusa Penida leaves the mindset, knowledge and culture that has been developing in the Nusa Penida community. Keywords: impact, social, culture, tourism, nusa penida


2021 ◽  
Vol 6 (2) ◽  
Author(s):  
Phaedra Claeys

This article considers the approach of the popular Russian émigré newsmagazine Illyustrirovannaya Rossiya [Illustrated Russia] to so-called preservationism — simply put, the tendency to preserve prerevolutionary Russian culture in exile. More specifically, this article studies preservationism in the everyday life of the Russian interwar diaspora. Due to its long run, broad scope, and large readership, the magazine is a unique and invaluable document, offering significant insight into the social and cultural life of Russian émigrés. In order to gain an understanding of preservationism in Illyustrirovannaya Rossiya, a close reading of the periodical will be conducted, centred around questions such as whether the magazine covered any aspects of prerevolutionary Russian culture at all, and, if so, which and how? Focusing on three key elements of Illyustrirovannaya Rossiya’s editorial content, this article demonstrates that preservationism in popular and everyday culture as presented in this periodical differs markedly from its high-culture counterpart (such as highbrow literature and visual arts, for example). What stands out in Illyustrirovannaya Rossiya’s approach is that prerevolutionary Russian life and culture are rarely covered and, more importantly, never truly glorified. Instead, coverage of the Russian émigré community itself makes up a central part of the magazine’s content. When it comes to preserving Russian culture and identity, Illyustrirovannaya Rossiya pleads for finding a middle ground between preserving the home culture and adapting to the host culture. In doing so, the magazine frequently stresses readers’ individual responsibility to seek connection with their Russian identity instead of relying on leading émigré figures and institutions.


Author(s):  
Zinaida Zaitseva

In the article the author determines the formation of a functional correlation between the institutions of civil society and ethnic nationalism in Austria-Hungary. It is established that civil society in the Austro-Hungarian Empire began to form clearly after the democratic reforms of the sixties of the XIX century. It is proved that civil society has undergone stratification in various national and linguistic spaces in the form of educational, scientific, economic, and creative organizations. Civil society on the periphery of the empire has acquired a stable ethno-cultural character.The findings indicate that the acute crisis of identity in Austro-Hungary developed on the basis of two actively functioning sources: the old conflict environment of local historical and state identities and new formations that arose as a result of the cultural and political expansion of ethnic groups belonging to nations that were treated as young and stateless. The problems of economic, social, mental autonomy and cultural coexistence could not receive an authentic representation only in terms of administrative and political decentralization or integration, since in each national-ethnic event they had a spiritual and cultural content and socio-humanitarian content. In the early twentieth century. in Austria-Hungary there was a situation of unstable equilibrium of the composite society, which was characterized by the asynchrony of historical development.The ethnic factor played a dissonant role in the social life of Austria-Hungary. Most ethno-national groups were in different segments of the formation of political nations, in different socio-cultural contexts, which led to difficulties in the formation of classical institutions of civil societies and its formation as homogeneous. The period of modernization of the Austrian empire proved that liberalism and nationalism are historically linked precisely with the principle of people's sovereignty. Keywords: Austro-Hungarian Empire, multiethnicity, liberalization, civil society, national movements


Author(s):  
Igor A. Tsoi

The article gives an interpretation of the ideas of the young V. O. Klyuchevsky about the peculiarities of the ideological search of young people and the direction of development of Russian society in the sixties of the XIX century. The novelty of the research lies in the attempt to comprehend the problem of perception of V. O. Klyuchevsky himself was one of the representatives of the younger generation of the 1860s, in assessing his ideas about the ideological and value foundations of the activities of the individual and society in Russia during the era of the Great Reforms. The main source of work is the diaries of V. O. Klyuchevsky. The study was carried out in line with modern methodological approaches, which involve the study of the ideological and moral foundations of the culture of the individual in the context of the historical era.


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