scholarly journals A Stylistic Analysis of Imperative Mood on Hannah Baker’s Monologue - 13 Reasons Why (Season 1)

2021 ◽  
Vol 2 (1) ◽  
pp. 1
Author(s):  
Rosa Gita Cahyani ◽  
Chusni Hadiati ◽  
Nadia Gitya Yulianita

The appearance of a sentence that is continuously uttered by the speaker becomes a style or characteristic of the speaker. This can be seen in a series entitled 13 Reasons Why in which the main character, Hannah Baker, uttered many imperative moods. This research focuses on how the use of one form of sentences, namely imperative or what is called as imperative mood, can give a stylistic effect that appears on the utterances of Hannah Baker in a monologue. This research uses a qualitative method that aims 1) to find out the forms of the imperative mood; and 2) to find out the functions of the form of the imperative mood using the theory of Aikhenvald (2010). By observing and transcribing, the data can be found, which then can be identified to find out the imperative sentence, what form and function of it. Through these things, a conclusion can be drawn about how the character of Hannah Baker's is seen from the imperative mood that she utters and what meaning she wants to convey through the imperative mood. This research uses purposive sampling in collecting the data. Based on the results of the study, 54 imperatives mood were found in the monologue. The findings reveal two forms of imperatives namely canonical imperative as many as 77.78% and non-canonical imperative as many as 22.22%. The functions of imperatives found include: 1. Orders, commands, demands (only commands), 2. Requests, pleas, entreaties, 3. Advice, recommendations, warnings, 4. Instructions and expository directives, 5. Invitations, 6. Permission, 7. Acceptance, 8. Incredulous rejection, and 9. Self-deliberation. From the results obtained, it can be seen that the most dominant function is instruction, which is 16.67%. From this result, it can be known that Hannah Baker wanted to show each incident in detail that caused her suicide through her monologue in 13 Reasons Why (Season 1).

Hasta Wiyata ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 106-130
Author(s):  
Widya Ayu ◽  
◽  
Anisa Nur Aziza ◽  
Amalia Kusuma ◽  
Ika Nurul

Social media becomes a space to express feelings and opinions freely. However, freedom of speech is now abused by internet citizens to freely express words that mean rude, blasphemous, insulting, or in language science called disfemism. This research aims to describe the form and function of disfemism in the comment column of kekeyi public figure's Instagram @rahmawatikekeyiputricantikka23. The research method uses a descriptive qualitative method. The research data are words, phrases, and sentences containing disfemism in the comments column of the Instagram @rahmawatikekeyiputricantikka23 in July 2020. The data collection method uses the simak method with a recording technique—data collection techniques with documentation techniques. Data analysis uses the agih method with basic natural elements, substitution or substitution techniques, and removal techniques. Based on the results of this study found 279 data on disfemism. The found forms of disfemism are words, phrases, and phrases. The word disfemism form amounts to 90 data, the form of phrase disfemism amounts to 100 data, and the expression disfemism form amounts to 89 data. There are seven functions of disfemism found in this study, among them: (a) as an intermediary to express taboo or indecent things, (b) as a sign of dislike, hate, and disrespect, (c) as an intermediary to express anger or aggravation, (d) as a negative depiction of something, (e) as a means of insulting and mocking, (f) as a means of criticizing, and (g) as a means to exaggerate something and scold.


Jurnal Socius ◽  
2018 ◽  
Vol 7 (1) ◽  
Author(s):  
M Rasyid Ridha

AbstractThe life of the lanting shop merchant along the Nagara River can be seen from the life of the people who use the river to perform the activities of daily life. The development of the era has changed the mindset of people to have a modern life by making business.This study aims: (1). Analyzing Portrait of Life of WarungLanting Traders in Daha Subdistrict of HSS Regency. (2) Analyzing Social Interaction of Warung Lanting in Daha Sub-district, HSS District. This research uses qualitative method. The data source was chosen by purposive sampling. Data collection with observation techniques, interviews, documentation.Testing the validity of data researchers using data triangulation, ie triangulation of sources and time trianggulasi and use extension of observation.The result of this research is life of warung lanting can be seen from physical condition and function of shop of warung lanting include owner's name, building size, origin, business type, age of building, stall status, shape and duration of business in Daha Subdistrict which make lanting stall by forwarding river as place of business. The identity of the lanting stall owner is the owner's name, owner's age, education level, occupation, number of family members, other home ownership and buying and selling process. Economic relations of traders with merchants in keeping customers and buyers in stepping up efforts to give competition to businesses located on the mainland.Keywords: Portrait of life, warung lanting AbstrakKehidupan pedagang warung lanting di sepanjang Sungai Nagara dapat terlihat dari kehidupan masyarakat yang menggunakan sungai untuk melakukan aktivitas kehidupan sehari-hari. Perkembangan zaman sudah mengubah pola pemikiran masyarakat agar memiliki kehidupan yang modern dengan cara membuat usaha. Penelitian ini bertujua menganalisis  Kehidupan Pedagang Warung Lanting  di Kecamatan Daha Kabupaten HSS. (2) Menganalisis Interaksi Sosial Warung Lanting di Kecamatan Daha Kabupaten HSS. Penelitian ini menggunakan metode kualitatif. Sumber data dipilih secara purposive sampling. Pengumpulan data dengan teknik observasi, wawancara, dokumentasi. Pengujian keabsahan data peneliti menggunakan trianggulasi data, yaitu trianggulasi sumber dan trianggulasi waktu serta menggunakan perpanjangan pengamatan. Hasil penelitian yaitu kehidupan warung lanting dapat dilihat darikeadaan fisik dan fungsi bagunan warung lanting meliputi nama pemilik, ukuran bangunan, asal mula, jenis usaha, umur bagunan, status warung, bentuk dan lama usaha di Kecamatan Daha yang membuat warung lanting dengan mendepankan sungai sebagai tempat usaha.Identitas penghuni warung lanting yaitu nama pemilik, usia pemilik, tingkat pendidikan, pekerjaan, jumlah anggota keluarga, kepemilikan rumah yang lain dan proses jual beli.Hubungan ekonomi pedagang dengan pedagang dalam menjaga pelanggan dan pembeli dalam meningkatkan usaha untuk memberikan persaingan terhadap usaha yang berada di daratan.Kata Kunci:  Potret kehidupan, warung lanting


2019 ◽  
Vol 18 (1) ◽  
Author(s):  
Delima Indra Prasta ◽  
F. Hari Mulyatno

AbstractMaeswara Swatantra Anjuk Ladang Dance is a new creation dance created by Didik Purwanto in Nganjuk regency. The dance was rushed by 7 female dancers using the Bokor property. This research will essentially reveal about the form and function of the Maeswara Swatantra Anjuk Ladang dance in Nganjuk district. The research uses foundations of theory to dissect Problem forms used Sri Rochana Widyastutieningrum concept about the physical form and the form of the reveal. To dissect function problems, this study uses function theory Soedarsono on the function of the show is divided into two namely function Primary and secondary functions. The primary function is divided into 3 namely (1) As a ritual means, (2) as a means of personal entertainment and (as Aesthetic presentation facilities. Secondary functions are such as education, propaganda, Legation, and Identity of an area. The methods used in this study Qualitative method with an ethnokoreological approach through various stages of observation, data collection and data writing. The results of this study showed that the Maeswara Swatantra Anjuk Ladang Dance is a themed group dance that serves as a welcome guest as well as the regional imaging of Nganjuk regency.Keywords: forms, functions, dance Maeswara Swatantra Anjuk Ladang.


Author(s):  
Viktoriia Mikhailovna Volova ◽  
Yuliya Sergeevna Vasil'eva

This article examines the telescopic nominations as a peculiar type of tropeic utilization of proper names, in which anthroponyms are used as the foundation from the perspective of the method of introduction into a publicistic text, as well as specificities of their functionality within modern English-language mass media. It is demonstrated that telescopy as a special type of abbreviation is one of the most productive means of enrichment of the mass media language, as telescopic nominations in publicistic texts combine high expressiveness and informativeness of provided material. This article analyzes the form and function of onyms as a part of telescopic nominations in modern English-language publicistic culture. It is established that in the modern English, telescopic nominations represent a rapidly growing layer of the lexicon, confirmed by the active use of this word-forming model that includes proper names. The scientific novelty of the research consists in a comprehensive lexical stylistic analysis of the process of formation and proliferation of the linguistic novelties, peculiarities of their application in speech, as well as character and dynamics of the global linguistic processes. The practical importance of the acquired results lies in the fact that they can be used within the framework of teaching such disciplines lexicology, linguoculturology, stylistics, as well as creation of textbooks on these disciplines.


2018 ◽  
Vol 1 (2) ◽  
pp. 115-128
Author(s):  
Dewi Syafitri ◽  
Maharani Robiatul Islam

The objectives of the research were to describe the forms and the functions of joke in Ghostbusters 2016 movie. The researcher used descriptive qualitative method in classifying and analyzing the forms and functions of joke. Ghostbusters 2016 movie was chosen as object of the research. The researcher used documentation in collecting the data. Technique for analyzing the data was identification, classification, reduction, description and conclusion. The result of the research: 1) form; 5 words (proper noun, determiner, uncountable noun), 7 phrases (prepositional phrase, noun phrase, verb phrase), and 59 sentences (simple sentence, complex sentence, compound sentence, imperative sentence, exclamatory sentence). 2) function; joke to build sense of togetherness in informal setting that was used in close relationship 10 jokes, joke to amuse others and her or him self in informal setting that was used in close relationship 22 jokes,  joke to hostile others with violent behavior and teasing in informal setting that was used in distant relationship 10 jokes. In brief, the most frequent form and function was used in Ghostbusters 2016 movie was simple sentence and using joke to amuse others and her or him self in informal setting that was used in close relationship was the most frequent used in Ghostbusters 2016 movie. Keyword: sociolinguistics, joke, comedy movie, ghostbusters


HUMANIS ◽  
2018 ◽  
pp. 771
Author(s):  
Ni Putu Ayu Mitha Hapsari ◽  
I Nyoman Tri Ediwan ◽  
Ni Luh Seri Malini

The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts.


2019 ◽  
Vol 5 (1) ◽  
pp. 18-34
Author(s):  
Hestiyana Hestiyana

Abstrak: Penelitian ini bertujuan untuk mendeskripsikan bentuk dan fungsi campur kode dalam transaksi jual-beli di Pasar Arjowinangun Pacitan. Penelitian ini menggunakan metode deskriptif kualitatif. Data yang diambil dalam penelitian ini adalah tuturan antara penjual dan pembeli pada saat proses transaksi jual-beli berlangsung di Pasar Arjowinangun Pacitan yang dilakukan pada bulan Desember 2018. Teknik yang digunakan dalam penelitian ini, yaitu: (1) pengamatan berperan serta dan terbuka, (2) penyimakan, dan (3) pencatatan. Analisis data dalam penelitian ini dilakukan dengan menggunakan pendekatan kontekstual. Hasil analisis data bentuk dan fungsi campur kode dalam transaksi jual-beli di Pasar Arjowinangun Pacitan disajikan dengan menggunakan metode penyajian informal. Hasil analisis menunjukkan bahwa bentuk campur kode dalam transaksi jual-beli di Pasar Arjowinangun Pacitan, yaitu: (1) campur kode yang berbentuk kata, (2) campur kode yang berbentuk kata ulang, (3) campur kode yang berbentuk kelompok kata, (4) campur kode yang berbentuk idiom, dan (5) campur kode yang berbentuk klausa. Kemudian, fungsi campur kode dalam transaksi jual-beli di Pasar Arjowinangun Pacitan, yaitu: (1) fungsi campur kode untuk menjelaskan dan (2) fungsi campur kode untuk menghormati pembeli.Kata Kunci: bentuk, fungsi, campur kode, pasar Abstract: This study aims to describe the form and function of mixed-code in the sale and purchase transactions in the Arjowinangun market in Pacitan. This study used descriptive qualitative method. The data taken in this research is a speech between the seller and the buyer at the time of the sale and purchase process take place in Arjowinangun market in Pacitan and done in December 2018. The techniques used in this research are: (1) participatory and open observation, (2) listening, and (3) recording. Data analysis in this research is done by using contextual approach. The result of data analysis of form and function of mixed-code in sale and purchase transaction in Arjowinangun Pacitan market is presented by using informal presentation method. The results of the analysis show that the code mixed form in the sale and purchase transaction in Arjowinangun Pacitan market are: (1) mixing the code in the form of word, (2) mixing the code in the form of a word, (3) mixing the code in the form of word group, (4) mix idiom-shaped code, and (5) mix code shaped clauses. Then, the code mixing function in the sale and purchase transaction in Arjowinangun Pacitan market, namely: (1) mixed code function to explain and (2) code mixed function to respect buyer.


1992 ◽  
Vol 1 (1) ◽  
pp. 47-67 ◽  
Author(s):  
Paul Simpson

The main aim of this article is to propose an exercise in stylistic analysis which can be employed in the teaching of English language. It details the design and results of a workshop activity on narrative carried out with undergraduates in a university department of English. The methods proposed are intended to enable students to obtain insights into aspects of cohesion and narrative structure; insights, it is suggested, which are not as readily obtainable through more traditional techniques of stylistic analysis. The text chosen for analysis is a short story by Ernest Hemingway comprising only 11 sentences. A jumbled version of this story is presented to students who are asked to assemble a cohesive and well-formed version of the story. Their (re)constructions are then compared with the original Hemingway version. Much interest, it is argued, lies in the ways in which the students justify their own versions in terms of their expectations about well-formedness in narrative. The activity is also intended to encourage students to see literary texts as a valuable means of providing insights into the subtleties of linguistic form and function.


2020 ◽  
Vol 5 (2) ◽  
pp. 123-134
Author(s):  
Hendri Pitrio Putra ◽  
Pratomo Widodo

This research aimed at describing the forms and functions of euphemism in the Presidential and Vice-Presidential Debate of the Republic of Indonesia in 2019. This research also explained the form and function of euphemism that was most dominantlyused and whose speech containing most elements of euphemism. The method used in the research was descriptive qualitative method and content analysis approach. The data sources in this research were videos and transcripts of the Presidential and Vice-Presidential Debate in the first and fifth rounds in 2019. The results of this study revealednine forms of euphemism, namely figurative expression, metaphor, flippancy, circumlocutions, clipping, acronym, abbreviation, one for one substitution, borrowing, and hyperbole. The most dominant euphemism form used was one for One Substitution with the total of 164 or 61.4%. Furthermore, the speech that had the most euphemism was Joko Widodo with the total of 113 euphemisms or 42.3%. Finally, this research also showedfour functions of euphemismas a form of positive imaging, criticizing or insinuating opponents, refining speech, and as a tool for diplomacy.


LINGUISTICA ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 533
Author(s):  
RIRIN ZEVANYA PURBA ◽  
ZAINUDDIN ZAINUDDIN ◽  
I WY DIRGEYASA

The research dealt with taboo words in Deapool movie. The objectives of research aimed at explaining the types of taboo words and also to figure out motives of using taboo words in Deadpool movie. The research conducted by using descriptive qualitative method. This study was different from previous researcher that found types and function of taboo words while in this study focused on types and motives of using taboo words. The data were taken from the utterances that contain taboo words by first main character in this movie. There were 82 taboo words that had been uttered in this movie. From nine types of taboo words, there were eight of them, they were Cursing 2,44 %, Profanity 3,66 %, Obscenity 40,24%, Vulgarity 6,10 %, Insults and slurs 9,76 %, Slang 12,20 %, Epithets 20,73 %, and Scatology 2,44 %. And for the motives of using taboo words, there were five from five motives of them, they were Angry or Frustration 30,48 %, Descriptive- evaluative 43,90 %, Joking 7,32 %, Surprise 14,64 %, and Sarcastic Irony Insults 3,66 %.


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