scholarly journals Phraseological Preposition afin de in the Customs Discourse: A Case Study of French-Language Customs Press

2020 ◽  
Vol 24 (1) ◽  
pp. 158-175
Author(s):  
Galina A. Sosunova

The article investigates the semantic and grammatical aspects of modern branch discourse on the example of French-language texts devoted to customs control. Noting to the frequent use of constructions with the phraseological preposition afin de in the texts under study, the author suggests analysing not only their structural, semantic, and discursive characteristics, but also exploring them as a significant communicative means that reveals the semantic potential of grammar in the French-language customs discourse. The discursive-pragmatic strategy of the addressee is manifested in the choice of prepositional constructions that determine the discursive features of French-language customs texts. Stylistically colored vocabulary, infinitives in negative form, and phraseological units employed in the constructions are discussed as factors aimed to influence the addressee. The results of the study allow us to view the phraseological preposition afin de as a grammatical tool with a communicative orientation, which plays an important role in the formation of French-speaking customs discourse.

2020 ◽  
Vol 25 (3) ◽  
pp. 17
Author(s):  
Liliam Ramos ◽  
Jessica De Souza Pozzi

Resumo: Este artigo busca apresentar uma contribuição aos debates de culturas de língua francesa através de um estudo de caso sobre literatura antilhana por um viés decolonial (Walsh, 2013). Serão apresentados como exemplos decoloniais os estudos sobre a tradição dos contos crioulos, registrados e traduzidos para o francês por Ina Césaire e Joëlle Laurent em três obras bilíngues publicadas pela Éditions Caribéennes (Contes de Mort et de Vie aux Antilles, 1976; Contes de Soleil et de Pluie aux Antilles, 1988; Contes de Nuits et de Jours aux Antilles, 1989), e seus reflexos na literatura das Antilhas e da Guiana Francesa. A proposta decolonial também será aplicada à obra Solibo Magnifique, de Patrick Chamoiseau (1991). Para tanto, utiliza-se o conceito de literaturas do desassossego de Gauvin (2016) a fim de opor-se aos conceitos de francofonia e de Littérature-monde – apresentados por Alves (2012) – para designar as literaturas de língua francesa nas Américas, buscando incluí-las nas produções latino-americanas. Percebe-se, assim, grande influência das tradições orais nas produções contemporâneas de escritores antilhanos, além da importância de levar este fato em conta em uma análise que se proponha decolonial dentro da universidade, como discorre Restrepo (2018).Palavras-chave: pensamento decolonial; literatura antilhana de língua francesa; literaturas do desassossego; Ina Césaire; Patrick Chamoiseau.Abstract: This article aims to contribute to the debates on French-speaking cultures through a case study on Antillean Literature according to Decolonial Criticism (WALSH, 2013). The studies about the tradition of creole tales, recorded and translated to French by Ina Césaire and Joëlle Laurant in three bilingual volumes published by Éditions Caribéennes (Contes de Mort et de Vie aux Antilles, 1976; Contes de Soleil et de Pluie aux Antilles, 1988; Contes de Nuits et de Jours aux Antilles, 1989) and its reflections on Antillean and French Guianese Literature will be presented here as decolonial examples. This decolonial approach will also be applied to the work of Solibo Magnifique by Patrick Chamoiseau (1991). In order to do so, the concept of Literatures of Disquiet has been used to oppose the concepts of Francophonie and Littérature-monde – as presented by Alves (2012) – to designate the literature in French language in America aiming to include them in Latin American productions. The influence of oral traditions in contemporary productions by Antillean writers is quite evident, as well how it is important to take this fact into account when proposing a Decolonial analysis inside the academy, as pointed out by Restrepo (2018).Keywords: decolonial thinking; Antillean literature in French; literatures of disquiet; Ina Césaire; Patrick Chamoiseau.


Author(s):  
Е.В. Кашкина ◽  
Т.В. Гиляровская

Постановка задачи. Настоящая работа посвящена изучению некоторых особенностей перевода знаков пунктуации. Внимание обращается на особенности перевода пунктуации во французском языке под влиянием арабского языка стран Магриба. Перевод пунктуации рассматривается на примере художественного произведения, текст которого максимально приближен к разговорному французскому языку жителей пригородов метрополии и франкофонов в северной Африке. Анализ пунктуационных элементов, организующих текстовое пространство, которые использует автор и переводчик, позволяет делать вывод о разных пунктуационно-графических способах отражения мира внутреннего и внешнего, а также о содержащейся информации об особом модусе языка, передающем особые модусы сознания. Результаты. Вопросы интерференции при переводе занимают важное место в связи с интересом к такому явлению, как языковые варианты; проблема перевода пунктуации является важной ее составляющей. Во-первых, потому, что знаки препинания сами по себе многозначны. Также трудности перевода связаны с авторским использованием знаков пунктуации и их сочетаний. И, наконец, случаи пунктуационной интерференции, представленные в нашем исследовании, необходимо учитывать при переводе с французского языка, функционирующего в магрибском регионе. Выводы. Данное исследование и анализ богатства просодической составляющей французского языка пригородов демонстрирует, в частности, что устная речь по-прежнему наличествует в большой части дискурса художественных практик франкоязычных писателей XX-XXI веков. Во французском тексте магрибинской писательницы Фаизы Гэн «Туда-сюда» (Faїza Guène «Kiffe kiffe demain») мы находим знаки препинания, которые всячески подчеркивают устный характер заявлений, воспроизводя паузы и эмоции в письменном виде. Это случаи с точкой и восклицательным знаком и знаком вопроса; особенно частотное использование многоточий, которые иногда кажутся неуместными. Автор, скорее всего, делает это по двум причинам: максимально представить подлинность живой речи и показать уникальность французского языка североафриканского региона. Пунктуационная интерференция получает своё значение в синтаксической структуре высказывания. В то же время, грамматический строй арабского языка имеет свои отличительные особенности в отношениях форма-содержание всех грамматических единиц, что наблюдается в интерференции, свойственной речи марокканцев на французском языке, в устной спонтанной речи. Statement of the problem. This work is devoted to the study of some of the features of the translation of punctuation marks. Attention is drawn to the peculiarities of the translation of punctuation in French under the influence of the Arabic language of the Maghreb countries. The translation of punctuation is considered on the example of a work of fiction, the text of which is as close as possible to the spoken French language of the inhabitants of the suburbs of the metropolis and Francophones in North Africa. An analysis of the punctuation elements that organize the text space, which are used by the author and the translator, makes it possible to draw a conclusion about different punctuation-graphic ways of reflecting the inner and outer world, as well as the information contained about a special mode of language that conveys special modes of consciousness. Results. Questions of interference in translation occupy an important place in connection with the interest in such a phenomenon as language variants; the problem of translation of punctuation is an important part of it. First, because punctuation marks themselves are ambiguous. Also, translation difficulties are associated with the author's use of punctuation marks and their combinations. And finally, the cases of punctuation interference presented in our study should be taken into account when translating from the French language operating in the Maghreb region. Conclusion. This study and analysis of the richness of the prosodic component of the French language of the suburbs demonstrates, in particular, that oral speech is still present in a large part of the discourse of artistic practices of French-speaking writers of the XX-XXI centuries. In the French text by the Maghreb writer Faiza Gen «Kiffe kiffe demain» (Faїza Guène «Kiffe kiffe demain»), we find punctuation marks that emphasize the oral nature of statements in every possible way, reproducing pauses and emotions in writing. These are cases with a period and an exclamation mark and a question mark; especially the frequent use of ellipsis, which sometimes seems out of place. The author most likely does this for two reasons: to maximize the authenticity of living speech and to show the uniqueness of the French language in the North African region. Punctuation interference gets its meaning in the syntactic structure of a statement. At the same time, the grammatical structure of the Arabic language has its own distinctive features in the form-content relationship of all grammatical units, which is observed in the interference inherent in the speech of Moroccans in French in spontaneous oral speech.


English Today ◽  
2010 ◽  
Vol 26 (1) ◽  
pp. 34-42 ◽  
Author(s):  
Kelen Ernesta Fonyuy

The growing demand for English in parts of Cameroon that were once firmly under French influence.In the last decade, multilingual Cameroon has awoken to a new linguistic reality characterised by reconstructing linguistic identities in order to fit in the global space. This is seen in more and more urban Francophones pursuing English medium education and the Anglophones consolidating their identity alignment to the English language. From a sociolinguistic perspective, this paper evaluates the prominence and implications and prospects of this rush for English education in contemporary urban Cameroon. The case study method and cost-benefit analysis confirm that there is a fast growing interest in English medium education and the beginnings of English as an L1 in urban Cameroon. The result is a paradoxical sociolinguistic outcome: first of all, there is a shift by the majority Francophone group, who are shifting from a predominantly French medium to an English medium education, principally for economic benefits. Secondly, the Anglophones are increasingly shifting to English as an L1, without losing French as they live in basically French-speaking urban zones. This state of language shift implies that there will subsequently be bilingualism without diglossia in Cameroon's two official languages, and loss of the long-standing French language hegemony in Cameroon. At the same time, this shift threatens Cameroon's ancestral languages, forcing them increasingly into attrition and possibly endangerment.


2019 ◽  
Vol 19 (2) ◽  
pp. 94-108 ◽  
Author(s):  
Samir Barbana ◽  
Xavier Dumay ◽  
Vincent Dupriez

This article aims to understand how new accountability instruments in the context of the French-speaking Belgian educational system are appropriated by schools. After having characterised the specific nature of those instruments in the context of a traditionally highly decentralised system involved in a significant process of centralisation, we identify their effects through the case study of three schools. Using a new institutionalist lens, the analyses show that these instruments refer, in the French-speaking Belgian context, to a specific demand from the political environment of schools: developing and framing a common educational landscape, rather than to a logic of teacher evaluation. The data also indicate a reaffirmation, against this specific political demand, of three traditional ways of functioning tied up to the requests made by local educational communities. Thus, the analyses show a conflict between inherited institutions highly embedded in local contexts and the political signal associated with the new accountability instruments aiming to institutionalise common norms at the system level.


2008 ◽  
Vol 13 (6) ◽  
pp. 497-505 ◽  
Author(s):  
Simon Laliberté ◽  
Julie Lamoureux ◽  
Michael JL Sullivan ◽  
Jean-Marc Miller ◽  
Julie Charron ◽  
...  

BACKGROUND: The Multidimensional Pain Inventory (MPI) is a widely used tool in the evaluation of pain conditions. This questionnaire has been translated and validated in multiple languages. However, there is no validated French-language version available for clinicians and researchers interested in evaluating people living with pain.OBJECTIVES: The main objective of the present project was to make available a validated French-language evaluation tool for the cognitive, behavioural and emotional aspects of pain.METHODS: Following a reverse translation of the MPI, a French-language version of the questionnaire, theInventaire multidimensionnel de la douleur, that was presented to 227 participants living with chronic pain, was obtained. These participants were all involved in a rehabilitation program in four different settings. A series of exploratory and confirmatory factor analyses was executed.RESULTS AND CONCLUSIONS: Although three items were removed from the original version of the MPI, the three sections of theInventaire multidimensionnel de la douleurhad good psychometric properties. The results concerning the questionnaire’s structure were very similar to those obtained with the original tool and during its translation into other languages. People wishing to evaluate pain in French-speaking populations now have access to a French-language version of the MPI.


2020 ◽  
Vol 11 (3) ◽  
pp. 80-91
Author(s):  
Jean Small

Theatre Pedagogy holds that cognition is body-based. Through performance the body’s unconscious procedural memory learns. This information learned through repeated interaction with the world is transmitted to the brain where it becomes conscious knowledge. Theatre Pedagogy in this case study is based on the implementation of a Caribbean cultural art form in performance, in order to teach Francophone language and literature at the postsecondary level in Jamaica. This paper describes the experience of “doing theatre” with seven university students to learn the French language and literature based on an adaptation of two of Birago Diop’s folktales. In the process of learning and performing the plays, the students also understood some of the West African cultural universals of life which cut across the lives of learners in their own and in foreign cultural contexts.


2016 ◽  
Vol 6 (1) ◽  
pp. 155
Author(s):  
Tri Indri Hardini ◽  
Philippe Grangé

When two languages come into contact, they exert a reciprocal influence, often unbalanced. A phenomenon that often occurs in case of language contact is the absorption or borrowing of lexical elements, which will enrich the vocabulary of the receiving language. In this article, we deal with words adopted from French in Indonesian and vice-versa. This research shows that most of the words of French origin in Indonesian/Malay language were borrowed through Dutch. Historical background explains why there are no direct loanwords from French language in Indonesian. Nowadays, a second batch of words originating from Old French finds their way into Indonesian through English. On the other hand, very few words from Malay-Indonesian origin were borrowed in French, and their route was not straight either: they were conveyed through Portuguese or Dutch. Phonological adaptation and shift of meaning may have happen when the words were loaned from French to Dutch language or later, when adapted from Dutch into Indonesian language. The data analysed in this article may help teachers of French as a Foreign Language in Indonesia, as well as teachers of Indonesian as a Foreign Language in French-speaking countries, to predict which words will be immediately recognized by their students, and when they should pay extra-attention to faux-amis (cognates whose meanings differ).


2019 ◽  
Author(s):  
Jean-Philippe Corbeil ◽  
Florent Daudens ◽  
Thomas Hurtut

This visual case study is conducted by Le Devoir, a Canadian french-language independent daily newspaper gathering around 50 journalists and one million readers every week. During the past twelve months, in collaboration with Polytechnique Montreal, we investigated a scrollytelling format strongly relying on combined series of data visualizations. This visual case study will specifically present one of the news stories we published, which communicates electoral results the day after the last Quebec general election. It gathers all the lessons that we learnt from this experience, the challenges that we tackled and the perspectives for the future. Beyond the specific electoral context of this work, these conclusions might be useful for any practitioner willing to communicate data visualization based stories, using a scrollytelling narrative format.


2010 ◽  
Vol 43 (2) ◽  
pp. 433-456 ◽  
Author(s):  
Yasmeen Abu-Laban ◽  
Claude Couture

Abstract.In this article we re-establish the relevance of linguistic diversity by highlighting that French is a minority language spoken by a growing number of non-white and non-Christian minority groups, including Muslims. These groups are often characterized in contemporary Canada as essentially non-modern, traditional and opposed to secularism—characterizations that were used historically to depict French ethnic minorities as essentially Catholic, traditional and non-modern. Utilizing a historically grounded case study of the evolution of French language education rights in Alberta, the study reveals how “Franco-Albertans” are a linguistic minority comprised of other minorities. We also show the contradictions inherent in dichotomous representations of “secularism” when it comes to “Western” and “non-Western” societies, or “Christian” and “Muslim” groups. We argue that in expanding the discipline's focus to deal with a wider range of “groups,” analysts need to attend to how “multiple minorities” may take analytically relevant forms, and be wary of evolutionary and dichotomous constructions of diverse “others.”Résumé.Dans cet article, nous redonnons une place importante à la question linguistique comme dimension politique fondamentale au Canada, et au français comme langue minoritaire parlée par un nombre croissant de groupes minoritaires non blancs et non chrétiens, y compris les musulmans. Ces groupes, ce qui n'est pas selon nous sans intérêt, sont souvent globalement décrits aujourd'hui comme étant non modernes, traditionnels et opposés au sécularisme dans un discours qui n'est pas sans évoquer la façon dont les Canadiens français furent historiquement décrits comme une société strictement catholique et prémoderne. Dans ce cas-ci, le Canada francophone est étudié à travers le prisme de la francophonie albertaine, elle-même composée de plusieurs minorités. Nous nous concentrons en particulier sur les droits scolaires en Alberta et un lien est aussi établi entre cette situation et la description souvent dichotomique par rapport au sécularisme de la société canadienne entre les groupes «occidentaux» et «non occidentaux» ou encore entre les groupes «chrétiens» d'un côté, et de l'autre, les groupes de la diversité multiculturelle canadienne, notamment les musulmans francophones. La thèse de cet article est qu'en élargissant le champ d'investigation de la discipline de façon à inclure un éventail de groupes plus grand, les analystes doivent être vigilants quant à l'articulation complexe du concept de «minorités multiples» de façon à éviter les constructions trop évolutionnistes et dichotomiques des divers «autres».


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