EDITABLE THEMATIC DECOR IN THE DESIGN OF RESIDENTIAL INTERIOR

2021 ◽  
Vol 3 (2) ◽  
pp. 28-37
Author(s):  
Dyda I ◽  
◽  
Dyda O ◽  
Ezatullah Abdul Hakim ◽  
◽  
...  
Keyword(s):  
Social Mobility ◽  
Complex Analysis ◽  
Social Phenomenon ◽  
Significant Potential ◽  
The Future ◽  
The Creation ◽  
Residential Space ◽  
Public Demand

The article studies the problem of editable thematic decor in the residential interior as a relevant social phenomenon that has historically contingent genesis and significant potential for development in the future. It has been found that the complex analysis of editable thematic interior decor as a modern public demand is insufficiently reflected in scientific sources. Under current conditions of globalization and social mobility, the number of people who want to periodically decorate their homes for holidays grows, although these actions are of ancient origin and ethno-cultural decor traditions are varied. The changes in public priorities concern the theme of the editable decor more than the desire to use it in houses. Most people should occasionally solve the problem of arranging festive decorative elements in the interior which often means a temporary malfunction of the residential space. The appearance of editable thematic interior decor was originally connected with sacral, magical functions, that’s why in the traditions of many cultures a common approach to arranging decorative elements has been created. The decor protects the main constructional elements of a house and the points of contact of the interior and exterior. In modern homes these are entrance and balcony doors, windows, a fireplace - they are frequently decorated even nowadays. It is possible to identify the places where the residents will arrange festive decorations in the future and make their tasks easier at the stage of an architectural project. In order to do this we need to identify special free places and spaces for the periodical arrangement of the decor by equipping them with the necessary infrastructure; to create an attachment system for the decor. This issue requires further study, in particular in the creation of a potential platform for cooperation in different scientific spheres

ASO GUMBALO SEBAGAI INSPIRAS DALAM PENCIPTAAN SENI LUKIS

2018 ◽  
Vol 7 (2) ◽  
pp. 178
Author(s):  
Satri Yadi ◽  
Yuniarti Munaf ◽  
Dhasono Dhasono
Keyword(s):  
Design Phase ◽  
Symbolic Expression ◽  
Ethical Research ◽  
Process Stage ◽  
Form Processing ◽  
The Future ◽  
The Creation ◽  
Visual Strategies ◽  
Work Done ◽  
Exploration Phase

AbstrakAso Gumbalo dalam penciptaan karya seni lukis diilhami dari kehidupan pengembala yang menjadi inspirasi pencipta yang diungkap melalui media seni lukis dengan mengambil ide “Harapan Pengembala” (Aso Gumbalo). Harapan Gembala dapat diartikan sebagai keinginan, kecendrungan dan dorongan hati yang kuat terhadap sesuatu hal yang ingin direalisasikan untuk menjadikan seorang lebih baik dimasa depan. Pengekspresian ide cipta berangkat dari fenomena Aso Gumbalo yang pencipta ungkap dengan ekspresi simbolik kedalam penciptaan karya seni lukis. Metode penciptaan karya ini melalui tahapan yaitu; 1) Tahap eksplorasi adalah tahap pencarian ide-ide dengan melakukan riset emik dan etik untuk pembuatan karya, 2) Tahap perancangan yaitu tahap pembuatan purwarupa yang akan diwujudkan kedalam bentuk karya seni lukis, 3) Tahap proses garapan karya. Konsep dari penciptaan karya merupakan ekspresi simbolik dengan memanfaatkan idiom tradisi, ekspresi tersebut digambarkan pada perwujudan karya menggunakan strategi media dan strategi visual dengan menggunakan konsep pengolahan bentuk, yaitu disformasi dan transformasi dengan melakukan penggabungan beberapa teknik antara lain, teknik plakat, transparan, tekstur semu dan tekstur nyata. Aso Gumbalo sebagai inspirasi yang diungkapkan dalam bentuk karya seni lukis ekspresi simbolik. Karya-karya yang diciptakan pengkarya disajikan dalam bentukpameran.           Kata Kunci:aso gumbalo, ekspresi simbolik, seni lukis.   AbstractAsoGumbalo in the creation of painting works was inspired from the life of the shepherd who became the inspiration of the creator which revealed through the medium of painting by taking the idea of "Hope of the Shepherd" (AsoGumbalo). Shepherd Hope can be interpreted as a strong desire, inclination and encouragement towards something that wants to be realized to make someone better in the future. The expression of copyrighted ideas departs from the phenomenon of AsoGumbalo, which the creator expressed with a symbolic expression into the creation of painting. This method of creating works through several stages, namely; 1) The exploration phase is the stage of searching for ideas by conducting emic and ethical research for the production of works, 2) the design phase that is the prototype-making stage which will be realized in the form of painting, 3) the process stage of the work done. The concept of creation of works is a symbolic expression by utilizing traditional idioms, these expressions are depicted in the realization of the work using media strategies and visual strategies by using the concept of form processing, namely deformation and transformation by combining several techniques, such as plaque, transparent, pseudo-texture and real texture. AsoGumbalo as an inspiration expressed in the form of paintings of symbolic expression. works created by artists are presented in the form of exhibitions.  Keywords:asogumbalo, symbolic expression, painting.  

A Rapture of the Nerds? A Comparison between Transhumanist Eschatology and Christian Parousia

2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura
Keyword(s):  
Human Brain ◽  
Point Theory ◽  
The Body ◽  
Christian Theology ◽  
Human Beings ◽  
Human Species ◽  
The Future ◽  
The Creation ◽  
The Universe

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.

The Museum Istiqlal The Case of an Indonesian Islamic Museum

SUHUF ◽  
2015 ◽  
Vol 4 (2) ◽  
pp. 341-357
Author(s):  
Jonathan Zilberg
Keyword(s):  
Public Sphere ◽  
The State ◽  
Education Sector ◽  
Significant Potential ◽  
The Creation ◽  
The Government

This article describes the conflicted genesis of the Museum Istiqlal, the history of  the creation of the collection, and the state of the institution relative to other Indonesian museums. It emphasizes both  positive developments underway and the historical problems facing the institution. Above all, it focuses on the role the museum was originally intended to serve for the Indonesian Muslim public sphere and the significant potential the museum has to better serve that mission in the national and international sphere. In short, the article emphasizes that in the context of the Government of Indonesia’s current four year plan to revive the museum sector, the problems and opportunities presented at the Museum Istiqlal are symptomatic of endemic national challenges for both the museum and the education sector.

THE MACROSIGNIFIED OF FORMATIVE MESOAMERICA: A SEMIOTIC APPROACH TO THE “OLMEC” STYLE

2021 ◽  
pp. 1-11
Author(s):  
Artur Seredin
Keyword(s):  
Complex Analysis ◽  
Semiotic Analysis ◽  
Cultural Meanings ◽  
Sign System ◽  
Semiotic Approach ◽  
The Creation

Abstract This article applies the theory of archaeological semiotics to the study of the “Olmec” style. A semiotic approach differs from an iconographic study because it provides the possibility for complex analysis of all significant traits of material archeological objects without distinction between stylistic and iconographic traits. In this context, the semiotic analysis of the Olmec style as a sign system shows that its particular signs, which can be defined as stylistic traits because of the lack of specific iconographic meanings, simultaneously participated in the creation and transformation of cultural meanings. This phenomenon reflected the “macrosignified” of Formative Mesoamerican cultures, associated with a structure that linked together various meanings throughout the culture.

scholarly journals Płacząc po norwesku. Serial Skam jako opowieść transmedialna dla międzynarodowej publiczności

2021 ◽  
Vol 28 (37) ◽  
pp. 328-337
Author(s):  
Małgorzata Mączko
Keyword(s):  
Future Development ◽  
Transmedia Storytelling ◽  
Internet Tv ◽  
The Future ◽  
The Creation ◽  
Tv Show

The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.

scholarly journals PERANCANGAN PERMUKIMAN DENGAN PENDEKATAN ARSITEKTUR NEO-VERNAKULER

2021 ◽  
pp. 138-150
Author(s):  
Novi Noviar nurdin kasim ◽  
Imelda Meldawati Artayani
Keyword(s):  
Natural Disasters ◽  
Field Observation ◽  
Tidal Wave ◽  
Fishing Community ◽  
Joint Design ◽  
Public Facilities ◽  
The Future ◽  
Design Plan ◽  
The Creation

Kampung Kara’ba merupakan kampung nelayan yang ada di pesisir Kota Makassar  yang  pada kenyataannya kurang tertata dan diperhatikan. Disamping legalitas bermukim yang tidak ada, Kampung Kara'ba masuk dalam kategori rawan akan bencana alam seperti ombak pasang,  banjir, angin  puyuh dan juga  ancaman akan penggusuran yang terus meresahkan kalangan masyarakat Kara'ba, bahkan sampai pada pembangunan disekitarnya yang memaksa masyarakat nelayan Kara'ba mau tidak mau harus beralih profesi. Hal itu juga yang menyebabkan adanya wacana penataan dan perencanaan Kampung Kara'ba. Maka dari itu perlu adanya penggalian data eksisting dan aktivitas pada Kampung Nelayan Kara’ba agar nantinya bisa menjadi masukan rencana desain. Dengan menggunakan metode partisipatif atau pelibatan warga dan pihak-pihak terkait secara menyeluruh serta observasi lapangan, penulisan ini bertujuan untuk mengetahui kondisi eksisting dan aktivitas Kampung Nelayan Kara’ba. Pada pesisir pantai Makassar, terdapat berbagai macam kondisi  eksisting dan aktivitas yang dilakukan  oleh penduduk setempat maupun pengunjung. Berdasarkan analisis yang dilakukan, didapatkan hasil bahwa ada beberapa kondisi eksisting yang memungkinkan untuk dimasukkan dalam rencana perancangan Kampung Nelayan Kara’ba, tetapi ada pula yang sebaiknya dihilangkan demi terciptanya suatu rancangan bersama, yang diharapkan dapat menyelesaikan permasalahan ditingkatan warga dan tidak lagi menimbulkan permasalahan kedepannya, sehingga dari proses tersebut terciptalah hasil desain perancangan permukiman Kara'ba yang bercirikan perkampungan suku Bugis-Makassar dengan infrastruktur, fasilitas umum, sosial, dan ekonomi yang memadai,  serta penekanan hunian yang merupakan transformasi pembaharuan rumah tradisional Bugis-Makassar dengan sentuhan arsitektur neo-vernakuler. Kata kunci: permukiman nelayan, kondisi eksisting, aktivitas, partisipatif, profesi, perancangan.   Kara'ba Kampoong   is a fisherman's kampoong in cost city of Makassar which in fact unattended and   less organized. Beside of that, there is no legality settled. Kara'ba Kampoong included in the prone to natural disasters category such as tidal wave, flood, whirlwind, and also threats of evictions that make people restless, and even to the surrounding development forced the fishing community in Kara'ba to change their job.  It also  causes the arrangement discourse and planning of Kara'ba Kampoong. So, it is very important the existence of extracting fisherman kampoong, so that later can be include by design plan. By using the participative method or involving   the community and related parties overall and field observation. This writing aims to know  about  existing  condition and activities in Kara'ba Fisherman Kampoong. In cost city of Makassar, there are many kind of existing conditions which allows to be included in designing planing of Kara'ba Fisherman Kampoong, but some of them should not exist for the creation of a joint design, which is expected to solve the problems in the future, so by that process designing of Kara'ba settlement can be created which is the character of the Fisherman Kampong Bugis- Makassar with infrastruckture, public facilities, sosial, adequate economy, and four types of dwellings are tranformation of traditional house renewal Bugis-Makassar with architecture neo-vernakuler.

scholarly journals Cyberstalking victimization

Temida ◽  
2013 ◽  
Vol 16 (1) ◽  
pp. 151-162
Author(s):  
Vida Vilic
Keyword(s):  
Social Networks ◽  
Electronic Communication ◽  
Personal Information ◽  
Identity Theft ◽  
Social Phenomenon ◽  
Chat Rooms ◽  
Online Fraud ◽  
The Creation ◽  
Personal Photos ◽  
E Mail

Global social networks contributed to the creation of new, inconspicuous, technically perfect shape of criminality which is hard to suppress because of its intangible characteristics. The most common forms of virtual communications? abuse are: cyberstalking and harassment, identity theft, online fraud, manipulation and misuse of personal information and personal photos, monitoring e-mail accounts and spamming, interception and recording of chat rooms. Cyberstalking is defined as persistent and targeted harassment of an individual by using electronic communication. The victim becomes insecure, frightened, intimidated and does not figure out the best reaction which will terminate the harassment. The aim of this paper is to emphasize the importance and necessity of studying cyberstalking and to point out its forms in order to find the best ways to prevent this negative social phenomenon. Basic topics that will be analyzed in this paper are the various definitions of cyberstalking, forms of cyberstalking, and the most important characteristics of victims and perpetators.

scholarly journals Panoptic Pranksters: Power, Space and Visibility in the Information Panopticon in Scare Campaign

2018 ◽  
Vol 6 (2) ◽  
pp. 112-128
Author(s):  
Elloit Cardozo
Keyword(s):  
Information Systems ◽  
Architectural Design ◽  
Work Culture ◽  
Social Phenomenon ◽  
Seminal Work ◽  
Future Of Work ◽  
The Future ◽  
Hierarchal Structure ◽  
Smart Machine

Foucault, in his seminal work Discipline and Punish: The Birth of the Prison (1975) discusses Bentham’s architectural design of the Panopticon as a means to exercise power and enforce discipline. He extends this metaphor to speak of Panopticism as a social phenomenon used to discipline work forces through covert strategies. Shoshana Zuboff, in In the Age of the Smart Machine: The Future of Work and Power (1988) contextualizes Foucault’s discussion in an age where the work culture uses Information Systems extensively for surveillance. She calls such a structure an “Information Panopticon”.  This paper aims to bring out the various nuances of the Information Panopticon in Cameron and Colin Cairnes’ film Scare Campaign (2016) and how it facilitates the exercise of power. The paper firstly looks at Zuboff’s Information Panopticon in light of Foucault’s discussion before evaluating the Information Panopticon created in the film and its hierarchal structure. Next it endeavours to demonstrate how the Information Panopticon in the film is not solely reliant on literal visibility. It wraps up with a discussion on the relation between spatiality, visibility and power in the film’s Information Panopticon.

Philosophical Impediments to Citizens’ Use of Science

2017 ◽  
Author(s):  
Jonathan Baron
Keyword(s):  
Public Policy ◽  
Nature Of Science ◽  
Main Role ◽  
Policy Issues ◽  
Proper Role ◽  
Self Interest ◽  
The Future ◽  
The Creation ◽  
Moral Rules

This chapter discusses three impediments to proper use of science in the creation of public policy. First, citizens and policymakers follow moral rules other than those that involve consequences, yet the main role of science in policy is to predict outcomes. Second, citizens believe that their proper role is to advance their self-interest or the interest of some narrow group, thus ignoring the relevance of science to policy issues that affect humanity now and in the future. Third, people fail to understand the nature of science as grounded in actively open-minded thinking, thus giving it an advantage over some alternative ways of forming beliefs.

Future by Design

Futures ◽  
2021 ◽  
pp. 500-513
Author(s):  
Christina Garsten ◽  
Adrienne Sörbom
Keyword(s):  
Complex System ◽  
Global Governance ◽  
Think Tanks ◽  
Decision Makers ◽  
Shared Understanding ◽  
Perceived Need ◽  
The Future ◽  
The Creation ◽  
Rational Process ◽  
Sense Of Urgency

This chapter critiques the anticipatory practices of contemporary organizations, such as think tanks and management consultancies, which offer methods and forecasts about possible and desirable futures. These organizations, the chapter argues, contribute to creating a sense of urgency with respect to the future, capitalizing on the perceived need among decision makers to grasp contemporary events, and provide tools and content by which the future can be designed. It argues that future forecast scenarios assist in the creation of a particular type of authority: one geared to the contemporary global situation and to an increasingly complex system of global governance. The chapter interrogates this particular type of authority to argue it is not singular and dominant, but instead comprises the varying interests of many different actors and is underscored by rational process, which offers the possibility of a wider shared understanding

Sign in / Sign up

Export Citation Format

Share Document