scholarly journals IMAGES OF ELEMENTS IN THE CYCLE OF L. GORALIK ABOUT VENISANA

2021 ◽  
pp. 144-151
Author(s):  
Юлия Олеговна Чернявская
Keyword(s):  
Fairy Tale ◽  
Russian Language ◽  
Growing Up ◽  
Main Character ◽  
Way Of Life ◽  
Research Material ◽  
Characteristic Features ◽  
The Individual ◽  
The City ◽  
Archetypal Images

Введение. Раскрывается специфика архетипических образов земли, воды, воздуха в цикле Л. Горалик о Венисане, что способствует более глубокому осмыслению основных тенденций развития современной русско-язычной прозы. Цель – выявить своеобразие архетипических образов в цикле Л. Горалик о Венисане. Материал и методы. Теоретической базой исследования послужили труды отечественных структуралистов, мифологов. Материал исследования – цикл Л. Горалик о Венисане. Результаты и обсуждение. Проведенный анализ позволил выявить характерные особенности архетипических образов в цикле Л. Горалик. Образы воды, земли и воздуха противопоставлены образу камня. Если камень символизирует стабильность, защищенность, надежность, то вода, а также земля и воздух – неупорядоченную стихию свободы, несущую как освобождение от замкнутого и упорядоченного мира, так и ощущение страха, неизвестности, хаоса. Отсюда следует, что образы стихий амбивалентны по своей природе: с одной стороны, олицетворяют жажду освобождения, кроме того, символизируют воскрешение, рождение, обретение смысла своего существования, с другой стороны, рождают чувство незащищенности, опасности. Благодаря архетипическим образам в произведении проявляется глубинный, внутренний смысловой пласт. Если на событийном уровне трилогия прочитывается как история о противостоянии личности и социума, то на глубин ном – о пути противоречивого становления героини, обнаруживающей в себе потаенные, непонятные ей самой желания и страхи, которые она пытается побороть либо, наоборот, реализовать. Заключение. В цикле о Венисане Л. Горалик рисует неблагополучный и депрессивный мир, который пытается изменить главная героиня. Параллельно разворачивается сюжет поиска самости, внутренней гармонии, отражающиеся в архетипических образах камня, воды, земли, воздуха. Героиня стремится вырваться за рамки привычного существования и переживает чувство свободы, одновременно пугающей и манящей. Обретенная свобода не дает желаемого удовлетворения, в результате чего она ищет спасения в привычном, структурированном пространстве. Сюжет нового рождения (посредством проникновения в природную стихию) циклически повторяется в каждой из частей цикла с различными вариациями. Introduction. The article reveals the specifics of the archetypal images of earth, water, and air in L. Goralik’s trilogy about Venisana, which, in our opinion, contributes to a deeper understanding of the main trends in the development of modern Russian-language prose. The purpose of the work: to reveal the originality of archetypal images in L. Goralik’s cycle about Venisana. Material and methods. The theoretical basis of the research was the works of Russian structuralists and mythologists. The research material is L. Goralik’s trilogy about Venisana. Results and discussion. The analysis made it possible to identify the characteristic features of archetypal images in the L. Goralik trilogy. The images of stone, earth, water, air reveal their symbolic nature, reflecting the inner movement of the heroine in search of finding the meaning of her existence, at the same time, revealing the deep desire of the individual to change a destructive, unstable society. Conclusion. The author is involved in a postmodern game with the text, plays with meanings, so that the plot that unites the trilogy into a whole can be interpreted as 1) the story of the heroine’s growing up; 2) transformation of the fairy-tale plot of the journey to the afterlife; 3) the struggle of the conscious/unconscious. The text of the trilogy is a step-by-step analysis of the spiritual life of the main character, trying to find her place in a destructive society and her own family, burdened with an analysis of her own frustrations and, first of all, the drama of birth. The heroine is bound by the laws of the stone, unfree world, trying to escape into the space of freedom, relive the euphoria of birth, which ends in disaster – the newfound freedom discourages with its alienation and emptiness. The scenario with some variations is repeated several times throughout all three stories included in the cycle. The lack of freedom associated with the world of the city (stone), depending on the situation, turns out to be hostile (at the beginning of the quest), and desirable at the end. The return to the usual way of life is again replaced by the desire for freedom and leads to the next round of transformation.

scholarly journals CHUVASH URBANONYMS OF CHEBOKSARY

2021 ◽  
pp. 132-137
Author(s):  
Эдуард Валентинович Фомин
Keyword(s):  
18Th Century ◽  
Regional Identity ◽  
Russian Language ◽  
Linguistic Landscape ◽  
Quantitative And Qualitative Research ◽  
Research Material ◽  
Characteristic Features ◽  
Social Linguistics ◽  
The City ◽  
The Russian Language

Настоящая работа посвящена изучению официальных чувашских урбанонимов г. Чебоксары. Цель исследования - установить характерные черты национальной урбанонимии Чебоксар в сопоставлении с русской и представить ее в качестве системного явления. Материалом исследования послужила официальная номенклатура городских геонимов. Выводы работы строятся на количественно-качественных методах исследования в аспекте ономастики, ортологии, социальной лингвистики и переводоведения. Чувашские урбанонимы г. Чебоксары по сути имеют вспомогательный вторичный статус. Они сопровождают русские названия, являются средством формирования лояльного отношения к чувашской культуре, поддерживают специфичный лингвистический ландшафт города и выступают в качестве существенного фактора, обосновывающего чебоксарский региолект русского языка. Согласно исследованию, феномен современной русскоцентричной урбанонимии Чебоксар заложен еще во второй половине XVIII века и обусловлен переходом чувашского народа на православный именослов. В настоящее время в условиях существенного языкового сдвига в чувашской среде перевод официального визуального и вербального ландшафтов Чебоксар на чувашский язык становится одной из действенных мер придания городу неповторимых черт и усиления регионального самосознания его жителей. Урбанонимы Чебоксар, включая чувашские наименования, подлежат кодификации в рамках специального словаря энциклопедического типа. The work is devoted to the study of the official Chuvash urbanonyms of the city of Cheboksary. The aim of the study is to establish the characteristic features of the Chuvash urbanonyms of Cheboksary in comparison with the Russian ones and present them as a systemic phenomenon. The research material is the official nomenclature of urban geonyms. The conclusions are based on quantitative and qualitative research methods in the aspect of onomastics, orthology, social linguistics and translation studies. In fact, Chuvash urbanonyms of Cheboksary have an auxiliary secondary status. They accompany Russian names, are the means of formation of loyal attitude towards the Chuvash culture, support the specific linguistic landscape of the city and act as an essential factor that substantiates the Cheboksary dialect of the Russian language. According to the study, the phenomenon of the modern Russian-centered urbanonyms of Cheboksary originated in the second half of the 18th century and was caused by the transition of the Chuvash people to the Orthodox name book. Currently, in the context of a significant linguistic shift in the Chuvash environment, the translation of the official visual and verbal landscapes of Cheboksary into the Chuvash language is becoming one of the most important measures to give the city unique features and strengthen regional identity. The urbanonyms of Cheboksary, including Chuvash names, are subject to codification within the framework of a specific encyclopedic dictionary.

THE LITERARY LANDSCAPE OF WESTERN SIBERIA IN N. A. LUKHMANOVA’S “ESSAYS FROM THE LIFE IN SIBERIA”

2020 ◽  
Vol 6 (2) ◽  
pp. 48-63
Author(s):  
Alyona I. Pershina ◽  
Elena N. Ertner
Keyword(s):  
Creative Thinking ◽  
Western Siberia ◽  
Climatic Conditions ◽  
Point Of View ◽  
Way Of Life ◽  
Old Believers ◽  
Literary Context ◽  
The Individual ◽  
First Time ◽  
The City

The subject of this article is the literary landscape of Western Siberia, which was represented in “Essays from life in Siberia” (1895) by Nadezhda Aleksandrovna Lukhmanova. The relevance of this research is determined by the increased importance of studying “local” texts of Russian culture, including the need for a more detailed study of the phenomenon of Siberia. The mythopoetics of landscape in N. Lukhmanova’s “Essays” is considered in the context of prose of the turn of the 19th-20th centuries (G. Uspensky, K. Nosilov). The literary context of the study of “Siberian” texts for the first time includes the stories by S. I. Kartsevsky. The geographical imagery of Western Siberia is reconstructed in the texts under consideration from the point of view of philological analysis, which allows determining the features of representation of the Place in the creative thinking of a particular writer and identifying the individual author’s view of the depicted locus. “Essays from life in Siberia” by N. Lukhmanova reflect different points of view on the landscape of the Siberian city. Geographical remoteness, climatic conditions, and the closed way of life of old believers form the image of a fortress city, “the country behind the Stone”. The reflected provincial way of life of the city is destroyed on the pages of “Essays” with the arrival of merchant children who were educated in the capital, the growth of industry, the laying of the railway. Siberia in the minds of newcomers appears “a remote, lost place”, while in the perception of Siberians it is the “native land”, “Paradise”. N. Lukhmanova’s “Essays” reflect the “double mythologem” of Western Siberia: it is “alien”, closed space and at the same time “one’s own”, “reserved”, and “secret”.

scholarly journals Co-living (as a way of life): The Urbanism of the New Urban Crisis in Los Angeles and Beyond

2021 ◽  
Author(s):  
Jeff Sternberg
Keyword(s):  
Los Angeles ◽  
Global City ◽  
Urban Crisis ◽  
Ethnographic Case Study ◽  
Way Of Life ◽  
Employment Opportunities ◽  
Living Space ◽  
The Individual ◽  
The City

The 21st century global city is in the midst of a new urban crisis: while it holds an increasing monopoly on employment opportunities, it has become harder to access. In this article, I argue that young urban aspirants are still accessing the global city in crisis through the practice of co-living. Co-living can be understood as an emergent collection of residential commoning practices employed by in-bound urbanites to access in-demand parts of the city and attain employment, housing and community. Through a relational ethnographic case study of the PodShare co-living space in the global city of Los Angeles, I argue that co-living is as an urbanism arising to stabilize the new urban crisis on both the level of the individual and the city, guiding individuals to grin at their condition and be increasingly mobile between multiple global cities in an attempt to maximize their chances of securing longer-term residency.

scholarly journals The Dynamics of Concentration of Selected Chemical Components of Rainfalls in the Miedzyzdroje

2013 ◽  
Vol 5 ◽  
pp. 72-79
Author(s):  
Piotr Daniszewski
Keyword(s):  
Baltic Sea ◽  
Chemical Components ◽  
Growing Up ◽  
Water Drainage ◽  
The Baltic Sea ◽  
The North ◽  
The Baltic ◽  
The Individual ◽  
The City ◽  
Further Development

The development of a business man and also growing up processes the transformative environment adversely affect the individual elements of the natural environment. These processes they realize that individual elements of environmental protection becomes the basis for the further development of socio-economic background. In recent years the increasing pollution of the atmosphere causes more and more interest in the science of the substances contained in it and merge back to the surface of the Earth. Of great importance for the environment have the substances contained in the water drainage, as in the form of dissolved very easily reach the individual environmental elements causing their contamination. Research was carried out in the years 2008-2011 (January-December) in the town of Międzyzdroje. In the tests was measured the amount of precipitation, chemical composition (NH4+, NO3-, PO43-- ions were numbered), pH and conductivity. Międzyzdroje is a city located in the north-western part of the county on the island of Wolin on the Baltic Sea. The city is located on the Bay of Pomorska, in the central part of the coast of the island of Wolin. Part of the East of Międzyzdroje is situated on the western slopes of the remains of the Beautiful. The climate of the island of Wolin is different from the rest of the country because the climate is strongly influenced by the presence of the Baltic Sea. It is characterized by high humidity, sunlight and precipitation variability, wind direction and force large diurnal temperature amplitude. Międzyzdroje is a resort and tourist destination.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Kecakapan Hidup Abad Ke-21 dalam Tokoh Utama Dongeng Jawa Timur Kajian Antropologi Sastra

2020 ◽  
Vol 13 (2) ◽  
pp. 168
Author(s):  
Rian Damariswara
Keyword(s):  
Critical Thinking ◽  
21St Century ◽  
Fairy Tales ◽  
Life Skills ◽  
Fairy Tale ◽  
Good Life ◽  
The Other ◽  
Main Character ◽  
Data Source ◽  
Creativity And Innovation

ABSTRAKTokoh utama dalam dongeng Jawa Timur memiliki sisi lain yang perlu diungkap. Sisi lain tersebut, yakni kecakapan hidup yang dimiliki tokoh utama dalam menyelesaikan masalah yang dihadapinya. Kecakapan hidup tersebut, memiliki relevansi dengan kecakapan hidup di abad ke-21. Jadi, dengan menganalisis kecakapan hidup tokoh utama secara otomatis peneliti dan pembaca dapat mengetahui bahwa tokoh-tokoh dongeng yang terdapat di Jawa Timur memiliki budaya hidup yang baik untuk dijadikan contoh dan motivasi.Untuk mengungkap kecakapan hidup abad ke-21 pada tokoh utama dongeng Jawa Timur menggunakan kajian antropologi sastra.Penelitian ini termasuk deskriptif kualitatif. Sumber data adalah teks dongeng Jawa Timur. Teknik yang digunakan adalah studi dokumenter. Kecakapan hidup abad ke-21 yang ditemukan pada dongeng Jawa Timur sebagai berikut. Pertama, berpikir kritis dan pemecahan masalah. Semua tokoh utama dalam dongeng memiliki pemikiran kritis sehingga dapat memecahkan masalah. Kedua, kreativitas dan inovasi yang ditemukan yakni jenis pengembangan dan sintesis. Inovasi pengembangan yang ditemukan adalah adanya alat bajak sawah dari batu menjadi kayu dan ditarik sapi serta dapat dipergunakan sebagai sarana hiburan. Alat tersebut diberi nama karapan sapi.  Inovasi sintesis adalah menggabungkan segala sesuatu yang dimiliki untuk dijadikan sesuatu yang baru. Seperti pada dongeng Asal Mula Reog Ponorogo,yakni menggabungkan kepala tokoh Singabarong dengan burung merak sehingga dinamakan reog ponorogo. Ketiga, kolaborasi antaranggota dan pemimpin dengan bawahan. Keempat, komunikasi yakni berupa diskusi, pengarahan, berkeluh kesah, dan perintah.Kata kunci: Kecakapan hidup abad ke-21, Tokoh utama, DongengABSTRACTThe main character in the East Java fable has another side that needs to be revealed. The other side, namely the life skills possessed by the main character in solving the problems they face. Life skills, have relevance to 21st century life skills. Therefore, by analyzing the life skills of the main characters automatically the researcher and reader can find out that the fairy tale figures in East Java which have a good life culture to be used as an example and motivation. To uncover 21st century life skills in the main characters of the East Javanese fable, the study of literary anthropology is used. This research is descriptive qualitative. The data source is the text of a fairy tale in East Java. The technique used is documentary study. The 21st century life skills found in the East Java fable are as follows. First, critical thinking and problem solving. All the main characters in fairy tales have critical thinking so they can solve problems. Second, the creativity and innovation found are types of development and synthesis. Development innovation that was found was the existence of a rice plow from stone to wood and pulled by cows and could be used as a means of entertainment. The tool is named Karapan Sapi. Synthesis of innovation is to combine everything that is owned to be something new. As in the fable of Reog Ponorogo, which combines the head of the Singabarong character with a peacock so it is called Reog Ponorogo. Third, collaboration between members and leaders with subordinates. Fourth, communication in the form of discussion, direction, complaints, and orders.Keyword: 21st century life skills, The main character, Fairy tale

MULTIDIMENSIONAL MANAGEMENT CONTEMPORARY: GENERATION OF SOCIAL MEANINGS FOR A NEW COLLECTIVE IDENTITIES

2018 ◽  
Vol 1 (14) ◽  
pp. 264-273
Author(s):  
Inna Andriivna Semenets-Orlova ◽  
Yaroslava Yaroslavivna Kyselova
Keyword(s):  
Social Activity ◽  
Professional Activity ◽  
Collective Identities ◽  
Dominant Type ◽  
Civil Responsibility ◽  
European Area ◽  
Social Meanings ◽  
Characteristic Features ◽  
Decentralization Reform ◽  
The Individual

The article is devoted to the analysis of the process of generating social meanings on the area of European civilization. Authors assign a separate place to the research of the tendency of increasing social activity in local communities, which accompanies decentralization processes in modern Ukraine. The article analyzes the characteristic features of non-tribes, based on the M. Maffesoli’s concept of “neo-tribalism”, and traces the tendency of reactualization a partly transformed communal way of life of modern tribes. The authors investigate the retrieval of the request for a valuable education in society. It is emphasized on the growing tendency of the filling of the meaning of the professional activity of public administrators, according to the significant request of providing public interests and collective goals by citizens. The authors singled out a new role of public administration — providing public education. In the context of this problem, the authors substantiate the critical need for a successful completion of the authority decentralization reform in Ukraine. Proceeding from the process of neo-tribalism that covers modern Europe, the authors predict the emergence of a new collective identities on the European area. The authors point to a characteristic tendency: Ukrainians are deeply embedded in solving internal problems of society, which manifests in the correction of gaps in cultural and educational policies of past years, self-organization (through volunteer and volunteer movements), civil responsibility for the welfare of their communities, and participation in the management of local affairs. According to the authors, this tendency influences the dominant type of future sociality (it is not the individual “Me”, but “Me as a part of community”).

STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

Corruption and Inequality

2018 ◽  
Author(s):  
Fabio Raimondi
Keyword(s):  
Free State ◽  
Way Of Life ◽  
The People ◽  
Key Terms ◽  
The City

The chapter sets out the key terms and overall approach taken by Machiavelli to the problem of the cause of the corruption of a city and its inability to transform its orders. Only a republic can carry out this operation successfully because only a republic has as its goal the regeneration of the free and civil way of life, while the principality, even the civil principality, inevitably degenerates into tyranny. The possibility of re-establishing a free state in a corrupt city, therefore, only exists if it is not already a very corrupt city. If the city were in such a situation, the people would not be able to restore freedom since the principality leads to the emergence of the kingly state and from there to tyranny. Only after having brought virtue back to the city could its citizens create a well-ordered republic by equipping it with the necessary orders.

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