scholarly journals BENTUK PENYAJIAN KESENIAN SINGA DEPOK DI DESA LINGGA KUAMANG DALAM ACARA KHITANAN

2020 ◽  
Vol 9 (3) ◽  
pp. 1
Author(s):  
Desi Kumalasari ◽  
Marzam Marzam

AbstractThis research aims to reveal the form of the art presentation of Singa Depok in circumcision event in the village of Lingga Kuamang. This research is a qualitative research using descriptive methods. The main instrument in this research was the researcher itself and was assisted by supporting instruments such as stationery and cameras. The data were collected through library study, observation, interview, and documentation. The data analysis was conducted by collecting the data, classifying the data, describing the data, and making conclusion. The results show that Singa Depok art is still performed as an entertainment in the circumcision event in the village of Lingga Kuamang, and Singa Depok show is not obliged to West Java or Sundanese people. As the time changes,  Singa Depok has undergone changes in term of the songs played, lion Dolls used as the instrument, and players. Although the inhabitants in the village of Lingga Kuamang are diverse in tribes, it does not make this art disappear. It is due to the fact that the change of the song performed can still be enjoyed by the people watching it. In addition, Singa Depok art has its own characteristic. Thus, Singa Depok art is as an entertainment for the mind of circumcised children.Keywords: Presentation, Singa Depok Art, Circumcision

2019 ◽  
Vol 4 (1) ◽  
pp. 58
Author(s):  
Ponirin Ponirin ◽  
Agum Patria Silaban

It aims to test anything that influences the Political thinking Tan Malaka about the Consept of the Indonesian State, setting aside the concept of the state in the view of Tan Malaka and putting forth the effort the makes in fulfilling the concept of a joyful state. This type of research is a study literature. As for data collection techniques in this study is a library study, it means the author did reseach by collecting books, documents, articles, scripts, and the like. With the approach: textual studies, context studies, and historical studies. The data analysis of the data is heuristic, criticism, interpretation, and presentation. From the results of the research, it is known that Tan Malaka was a hero of the independence movement, he was born in the village of Pandan Gadang, not far from the Suliki Sprout, Limopilih Koto Regency, East Sumatera. He began to think of the fate of this people who were colonized after education in the Netherlands. The influence of circumstances and understanding is like the circumstances of his people, then education that this finally influenced by Marxism and the revolutiomary movement of Europe (the French, British, and Russian Revolutions) have set the mind to a left (Communist). Long before the other leading figures of independence, Tan Malaka had designed the consep of the Indonesian state before the independent of Indonesia. He saw and compared the concept of repulic and kingdom. For him the kingdom is irrelevant to the welfare of the people. Tan Malaka would prefer the concept of a union or a republic with a democratic system. For him the people must be in charge.then it may be concluded tha the concept of the Indonesian state tha Tan Malakan was the DemocraticKey word : Tan Malaka's Point of view, Indonesian State


2020 ◽  
Vol 9 (2) ◽  
pp. 17
Author(s):  
Maharani Maharani ◽  
Herlinda Mansyur

This study aims to reveal and describe the choreography of a dance called Tari Piring Diateh Karambie in Kanagarian Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This research is a qualitative research using descriptive method. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing instruments and voice recorders. This research used primary and secondary data. The data were through literature study, observation, interviews, and documentation. The data analysis was conducted by collecting the data, reducing the data, presentation the data, and making conclusions. The results show that Tari Piring Diateh Karambie a is a traditional dance using a choreographic approach, and it is cultivated by raising the life of nature and the people of Nagari Payo. This dance has been around since 1995. Tari Piring Diateh Karambie uses elements of dance composition consisting of: 7 types of movement, simple floor pattern, top design, music, dramatic design, dynamic, theme, composition, group, and equipment. The movement of Tari Piring Diateh Karambie comes from a combination of Nagari Payo and Simawang. The movements and floor patterns used by dancers have fulfilled the elements of the dance composition. There is also music to accompany the dance movement so that it makes the dance alive as well as it complements the dance. The equipment used also gives the nuance to the dance so that it is not monotonous. In addition, the group choreography shows high social values and depicts the nature around Nagari PayoKeywords: Choreography, Tari Piring on Karambie, Kanagarian Payo


Kandai ◽  
2019 ◽  
Vol 15 (1) ◽  
pp. 75
Author(s):  
Lusi Widia Ardianto ◽  
Syahrul Ramadhan

Pada era milenial saat ini masyarakat membutuhkan suatu iklan baik melalui media elektronik maupun cetak. Salah satu iklan yang digandrungi masyarakat Indonesia adalah toko jasa jual beli online. Tujuan penelitian ini adalah mendeskripsikan dan menelaah struktur iklan “tokobagus.com” menggunakan struktur model Van Dijk. Jenis penelitian ini adalah penelitian kualitatif. Teknik analisis data dilakukan secara kualitatif. Objek penelitian ini adalah iklan “tokobagus.com”. Hasil penelitian menunjukkan bahwa, pertama, superstruktur, yang terdiri atas struktur headline (kepala iklan), illustration (ilustrasi), body copy (isi iklan), dan signature line (logo). Kedua, struktur mikro, yang terdiri atas unsur verbal dan unsur nonverbal. Ketiga, struktur makro, yang terdapat unsur makna iklan dan pesan iklan. Struktur wacana iklan tokobagus.com telah menggunakan struktur wacana iklan yang lengkap, sehingga pembaca dapat menirunya untuk memasarkan produk atau jasa dan mampu menarik minat pembeli untuk membeli produk atau jasa yang ditawarkan.(In the current millennial era, people need an advertisement either through electronic or printed media. One of the advertisement that is loved by the people of Indonesia is online buying and selling shop. The purpose of this study is to describe and examine the structure of the Tokobagus.com advertisements by using the Van Dijk model structure. The type of this research is qualitative research. The data analysis technique is done qualitatively. The object of this research is Tokobagus.com advertisement. The analysis results show three points. First, superstructure consists of the headline, illustration, body copy, and signature lines. Second, microstructure consists of verbal elements and nonverbal elements. Third, the macrostructure, there are elements of the meaning of  advertising and advertising messages. The discourse structure of the advertisement for Tokobagus.com store has used a complete structure of advertising discourse, so that it can emulate it to market a product or service and be able to attract buyers to buy the product or service offered.)  


2020 ◽  
Vol 1 (3) ◽  
pp. 174-184
Author(s):  
Adam Smith Bago

Based on preliminary observations, it was found that the people in Nias Islands,North Sumatra province had used medicinal plants for a long time and had inheritedthem from generation to generation. So that many people still use medicinal plants.This study aims to determine the types of family medicinal plants used by thecommunity, how to mix or process family medicinal plants, and public perceptionsof family medicinal plants. This research is a type of qualitative research withdescriptive methods with 125 respondents. Collecting data by observation,interviews, documentation. The data analysis technique uses three stages, namelydata reduction, data presentation, and drawing conclusions or verification. Fromthe research results, there were 23 plant species used by the community in NiasIsland as Family Medicinal Plants. The method of concocting family medicinalplants varies greatly, depending on the type of plant and disease, the people ofSambulu village have good perceptions about family medicinal plants. Suggestionsare expected to maintain the habit of using medicinal plants, and also teach them tochildren or young people.


Author(s):  
Lisna Sandora

The people of Tilatang Kamang, Agam Regency, West Sumatra have a tradition, namely the tradition of khatam Qur'an children. This tradition is a celebration / gratitude for the success of children in completing their recitation of the Koran (khatam). Usually this activity is held once a year, to be precise during school holidays. This tradition is a tradition that is ingrained in the life of the Tilatang Kamang community. This Quranic tradition of khatam is also found in several other areas in Minangkabau, but each region has its own uniqueness. In Tilatang Kamang this ceremony is enlivened by barracks around the village, the aim is to inform the crowd that there are several children in this area who have successfully finished reading the Qur'an (finished their studies) and can read the Koran properly and correctly. . The ceremony ended with the announcement of the winners of the khatam participants in the recitation of the Qur'an. The research method used is descriptive qualitative with an ethnographic approach. The data collection technique was done by interview and observation, while the data analysis technique used data reduction, reflection, and conclusion. The results of this study illustrate that the Khatam Qur'an ceremony has become a tradition for the Tilatang Kamang community of the Agam Regency for children who have completed their studies and also as one of the requirements for children to continue their education to a higher level.


Author(s):  
Dedy Ilham Perdana ◽  
Novia Lestary

Rattan woven handicrafts are creative economic enterprises that take advantage of local potential and also hone abilities and skills. Rattan is processed into handicraft items that have high selling value. The processing of handicrafts made from rattan is very attractive to the public with unique and distinctive motifs from Central Kalimantan. Empowerment of the community's economy through woven rattan handicrafts has good prospects for the future so that it can make the lives of people who are members of the pahari rattan craftsmen group prosperous. This research is a type of qualitative research. The data in this study were obtained by observation, interviews, and documentation. The main instrument in this study is the researcher himself with the help of observation guidelines, documentation guidelines, interview guides, and using other aids in the form of piles or cellphones, and writing instruments. The validity of the data was obtained by extension technique with participation, observation persistence and triangulation. Data analysis techniques are carried out by reducing data, presenting data, and drawing conclusions or verification. The results of this study indicate that (1) the process of making rattan woven bags, the process of designing, and preparing tools and materials. Production process: dye process, weaving process, assembly process and finishing process. (2) the motifs applied to the rattan woven bag craft in the Pahari Rattan Craftsmen Group are many motifs such as the lamiang motif on the ribbon tie, the dare bawak balanti motif, the dare sawang motif, the dare tie motif, the dare palapas tingang motif, the uhat djadjangkit motif, dare kilat mayambar, dare kambang malati motive, shoot dare rabung dare motif, dare anchor motif, daring rod garing dare motif, katimpun dare kambang motif, kumpang dare kumpang, dare boat motif, dare deer motif, and lamiang dare motif. (3) The types of bags produced by the Pahari Rattan Craftsmen Group are bags with various types of motifs typical of Central Kalimantan.


2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning


2020 ◽  
Vol 9 (2) ◽  
pp. 55
Author(s):  
Lidya Indrawati ◽  
Indrayuda Indrayuda

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.Keywords: presentation, bungo dance, guest welcome


2020 ◽  
Vol 2 (2) ◽  
pp. 68-75
Author(s):  
Apolus Betaubun

The purpose of this research is to find out how the Responsibility of Village Fund Allocation in Tambat, Tanah Miring District, Merauke Regency. Theoretical Benefits, as reference material for research in the field of future accountability. In discussing and reviewing the issue of implementation, the accountability of village fund allocation in Tambat Tanah Miring District Merauke Regency the author uses a qualitative research method, namely data collection can be from interviews, observation notes, photo taking, audio and video recording. This type of descriptive research is a research that is sought to observe problems systematically accurate funds regarding the facts and characteristics of certain objects, with the number of informants as many as 13 people.The results of this study indicate that the accountability of village fund allocation in the implementation of village funds in Tambat, Tanah Miring District, Merauke Regency, runs well but there are still a number of problems that occur, planning, realization of the program and not in accordance with the details and calculations in the RAB. Kampung, Implementation of Village Fund Allocation conducted by Kampung Tambat Officials has not gone well and has not been carried out in accordance with the procedure because the village head of Tambat was considered not transparent regarding Village Fund Allocation to the people of Tambat Village, Reporting indicators, Village Fund Allocation has not been implemented properly due to reports what has been made is not maximal with what is done in Tambat and indicators, the accountability of the village head regarding the Village Fund Allocation also does not work with planning, implementation and reporting, this is evidenced by the making of the first report and the answer to ADD ADK, PROSPECTS made by other parties not by village officials have not been implemented with the reality that happened at Tambat.


LOKABASA ◽  
2013 ◽  
Vol 4 (2) ◽  
Author(s):  
TATANG TATANG

Penelitian ini didasari oleh fenomena kontak bahasa yang terjadi di Sentra Kramik Plered Jawa Barat. Plered adalah salah satu daerah Sunda di Jawa Barat yang mayoritas masyarakatnya menggunakan bahasa Sunda sebagai bahasa pengantar sehari-hari. Bagaimanapun, fenomena kontak bahasa antara masyarakat Plered dengan para pelancong (peminat kramik) baik dari dalam negeri maupun luar negeri, akan menimbulkan fenomena multilingualisme; campur kode atau alih kode. Bagaimana masyarakat Plered mempertahankan bahasa daerah Sunda sebagai bahasa daerahnya, fenomena ini menjadi menarik untuk dikaji. Untuk mengetahui hal tersebut, peneliti melakukan wawancara dengan para pengrajin keramik dan observasi langsung terhadap transaksi jual beli di Sentra Kramik Plered. Dari hasil pengolahan data, disimpulkan bahwa upaya pemertahanan bahasa Sunda dilakukan melalui penamaan produk keramik (95% berbahsa Sunda, 5 % bahasa Asing), dalam percakapan sehari-hari antar orang dewasa dan antar anak-anak, dalam kegiatan formal kepala desa, dalam acara keagamaan, dalam transaksi jual beli yang penjualnya adalah orang dewasa. Bahasa Sunda kurang digunakan dalam peristilahan bahan baku, proses, dan alat pembuatan keramik, dalam penamaan toko, dalam pergaulan antar remaja, dan dalam transaksi jual beli yang penjualnya anak remaja.Kata kunci: The present research is motivated by the language contact phenomena at the ceramic center, Plered, West Java. Plered is one of Sundanese speaking areas in West Java in which Sundanese is used as a daily language by the majority of the people. The language contact phenomena between people of Plered and domestic and international visitors (ceramic enthusiasts) give rise to multilingualism phenomena; code mixing or code switching. How people of Plered maintain Sundanese as their local language is the focal interest of this research. To meet that end, interviews with ceramic makers and direct observation of transaction at the ceramic center were deployed. Results indicate that Sundanese language maintenance is undertaken through the naming of ceramic products (95% in Sundanese and 5 % in foreign language), in daily communications between adults and children, on formal occasions of the chief of the village, religious activities, and business transaction whose vendors are adults. Sundanese is less used in the naming of raw materials, process and ceramic-making tools, ceramic stores, interactions among teenagers and business transaction whose vendors are teenagers.


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