scholarly journals Perkembangan Instrumentasi dan Lagu Talempong Kreasi di Sumatera Barat

Author(s):  
Indra Yeni

This paper aims to explain the development of musical instruments used in the ensemble of creative talempong and its influence on variations of songs played by these instruments. The development is seen from the musical instruments and the variation songs. The data were collected through a literature study related to the history and development of the ensemble of creative talempong, the musical instruments used, the songs sung and the context of performances that use creative talempong. The finding shows that the development of musical instruments used is tailored to the tastes and culture of local communities. The use of sound system, western musical instruments, and the use of chromatic tones in melody talempong gives an effect on increasing the variety of songs and genres that can be performed with creative talempong. Kata Kunci: creative Talempong, instruments, song

2020 ◽  
Vol 12 (2) ◽  
pp. 105-119
Author(s):  
Triyan Adi Wibowo

A sound system operator at a wedding celebration in Nogosari, Boyolali, has his own perception in addressing the sound management. One of the operators in this area is Dardi. Neither coming from a family of musicians not having academic background in the field of sound engineering, Dardi is capable of operating the sound system to satisfy his listeners with his performance. As a sound system regulator, Dardi has served sound system service providers at celebrations with puppet shows, dangdut, rebana, and campursari. Each performance is carried out with a different setup. Among the differing setups, Dardi is more competent in the setup of campursari shows. Based on the Dardi’s perceptions on sound system regulation, the author is interested in studying the perception of the sound system operator in the sound of campursari music? Based on the findings from the analysis of Dardi's perception as the sound system operator, there are many considerations and adaptations to different places of performance. He initially practiced in the field without being equipped with theory or science, that he tried his best to be approved by following his brother’s workflow. Through this process, he slowly learned and perfected his own amplification setup. His habit of listening to the sounds of various musical instruments also helps sharpen his musical sensitivity. The awareness that was built by Dardi was through empirical experience and instinct for the sounds he heard. This makes his sound system settings always changes instead of being fixed.


2021 ◽  
Vol 917 (1) ◽  
pp. 012023
Author(s):  
V B L Sihotang ◽  
P Semedi ◽  
A Triratnawati

Abstract Forest has a crucial role in elevating public welfare. It provides various products such as food, beverages, clothes, residence, musical instruments, and medicines. The medicines originated from the forest could act as the supplier for livelihood particularly for a traditional healer. The traditional healer is one of the health treatments sources for the people of Sebesi Island. For traditional healers, the forest is also beneficial in the knowledge production of traditional medication. This study purposes to examine the role of the forest in knowledge production carried out by traditional healers and identify the patterns of knowledge production. Data collection was done through interviewing, involving four traditional healers in Tejang Village, Sebesi Island, South Lampung. Another method was literature study related to the roles of forests in traditional medication and knowledge production. The knowledge production process can occur through giving agents, both human and non-human ones, namely teachers, family members, books, and dreams. The interaction between those healers with the forest also resulted in the medication knowledge. The role of the forest in the knowledge production of traditional medication is that it transforms into a place for semedi or meditation when doing ngelmu, knowledge sources about medication, and the place for the existence of medicinal plants.


Jurnal CMES ◽  
2021 ◽  
Vol 14 (1) ◽  
pp. 60
Author(s):  
Hafis Muzakir ◽  
Ahmad Jazuli

<p>This research was conducted to explain the cultural acculturation of the Yemeni and Malay zapin dance as a means of da'wah Islamiyah in Malaysia. The method used in this research is descriptive qualitative. In this research, literature study was also carried out as a data collection method. There is a theory in this research, namely the theory of cultural diffusion and from the point of view of a historical approach. The aim of this research is to reveal the acculturation elements of the Yemeni and Malay zapin dance. Then describe the Islamic da'wah function and the value between the two parties behind the zapin dance. The results that can be concluded from the acculturation of the Yemeni zapin dances and the Malay dances in Malaysia are producing all kinds of changes including the elements of dancers, musical instruments, movements, and the lyrics or songs used in these dances.</p>


2021 ◽  
Vol 6 (2) ◽  
pp. 338
Author(s):  
Nyoman Surya Wijaya ◽  
I Wayan Eka Sudarmawan

The development of rural tourism requires the participation of local communities in the entire development phase starting from the planning, implementation and supervision stages. However, in reality there is Often neglect of community participation. This study aims to examine the strategy of developing Taro Rural Tourism and the involvement of local communities in development. The research in this paper was conducted in the tourist village of Taro, Gianyar Regency, Bali. Data collection is done by literature study, in-depth interviews and non-participant observation. The analytical method used is descriptive analysis. This paper shows that the development of tourist villages in Taro can still be developed considering that Taro still has tourism potential that is very possible to be developed.


2018 ◽  
Vol 7 (1) ◽  
pp. 11
Author(s):  
F. Kristina Siallagan ◽  
Yusnizar Heniwaty ◽  
Dilinar Adlin

Abstract − This Research purposed to figure out the Performance of tortor Batak Toba as one of tourism package of Museum Huta Bolon Simanindo and its impact of increasing tourism visit tothe Museum. The method in this research uses descriptive qualitative method. The population are; the Department of Culture and Tourism Samosir, Museum Huta Bolon Simanindo officers, musicians, dancers, Public figures/Leader, community of Simanindo, and the tourists. The sample was part of the study population. The place of this research was taken in the Museum Huta Bolon Simanindo -Samosir regency. The data collection was done by observation, interviews, documentation and literature study. Generally, it discusses the development of cultural tourism through the performances of tortor Batak Toba which is the potential resources of local communities as cultural attractions. Cultural attractions are expected to have contributed to the preservation of culture in local communities. Tortor performance is held on an open stage in the old village of Huta Bolon. Performanceis no longer sacred but still follow the traditional rules of adatni gondang, such as the number of gondang types, rules of how to ask certain gondang types, the rules of motion in tortor, apparel and equipment. Another packaging of forms of performance that is of short duration and dense, full of variety, imitation of the original forms, and effective cost. Travelers can enjoy the Batak Toba culture, such as music, dance, historical objects, and the feel of Batak Toba villages. Overall the show is divided into two sessions, the first are Tortor Lae-lae, Tortor Mula-mula, Tortor Mula Jadi, Tortor Mangaliat, Tortor Marsiolop-olopan, tortor tortor Si Boru Si Doli, and Tortor Pangurason. Performing the second session has been packed in line with its objectives, namely manortor together, Tortor Tunggal Panaluan, and Tortor Si Gale-gale.      Keywords: Tortor Batak Toba, Context Tourism


2017 ◽  
Vol 6 (2) ◽  
pp. 52
Author(s):  
FAKHRUNNISA ALTAS

This study aims to find a way of presenting the music as accompaniment in the Sikh religious worship terkhususnya part Asadivaar, music functions as an accompaniment in implementing Asadivaar, and uses musical instruments in worship Asadivaar music as an accompaniment. This study is based on a theoretical foundation to explain the meaning form of presentation, understanding the function, the music, the music instrument, understanding of the Sikhs. This research was conducted at Gurdwara Nanak DevJiKampungKeling Medan in June until August 2016. The method in this research use descriptive qualitative research. Population Board Gurdwara and Sikh People who worship Gudawara Nanak DevJi while samples numbered 20 people. Data collected through observation, interviews, documentation, and literature study. The results of this study indicate that the form of presentation in the rituals of the Sikh religion is particularly Asadivaar implemented during worship takes place. There are four functions of music in the liturgy Asadivaar, namely Disclosure Emotional Function, Communication Function, Aesthetics Appreciation Function, Function and Stability Contribution to Cultural Survival. The usefulness of instrumental music in the worship of the Sikh religion which serves as a Tabla rhythm in the song, Harmonium function as chords and melody in a song, and tambourine serves as tempo and rhythm. Keywords: aesthetics Islam


2020 ◽  
Vol 10 (1) ◽  
pp. 93
Author(s):  
Egi Yonil ◽  
Erfan Lubis

This study aims to identify and describe the implementation of Drum Band extracurricular activity at SMP Negeri 5 Kerinci. This is a qualitative research using descriptive method. The data were collected through literature study, observation, interview, and documentation. The research instrument used was the researcher itself. It was also supported by supporting instruments such as notebooks, stationaries, and a cellphone camera.From the results of the study, it can be described that there are some stages in the implementation of Drum Band Extracurricular activity at SMP Negeri 5 Kerinci. The stages start from selecting members, determining practice materials, determining practice schedules, doing rehearsals, and performing the Drum Band. To get maximum results, the coach creates two forms of training.  One is the routine exercises carried out on Saturdays during self-development lessons, and another is the additional exercises carried out two weeks before participating in the competition. The first exercise begins with a group practice of musical instruments and is continued with a combined practice of all musical instruments. Keywords: Implementation, Extracurricular, Drum Band


Author(s):  
Ida Rahayu

The development of the Dragon Boat Race tourism event was adopted from the religious activities of the Chinese commu- nity in Tanjungpinang City will indirectly generate an impact as a consequence of its implementation. This study aims to de- termine the impacts generated by the Dragon Boat Race Event on environmental, socio-cultural and economic aspects. This research used qualitative method and data obtained through observations, interviews and literature study. Data analysis used is descriptive-qualitative with qualitative descriptive exposure. Informants in this study are 16 people whom were selected purposively. The results show that the impact of the event of Dragon Boat Race tourism in general has some posi- tive snd negative impacts. Positive impacts on the environ- ment is the opening of the land; on the social and cultural is the creation of social interaction and international relations; and positive impact on the economy is increasing income and providing employment opportunities. Negative impacts on the environment is traffic density and noise created around the Carang River area; on the social and cultural is social dis- parities between local communities, government and private parties. This gap occurs because of differences in social status between them; on the economy is uneven benefits and profits for local communities since not many people aware of the im- portance of their participation in Dragon Boat Race.


Author(s):  
Ni Wayan Ardini ◽  
Ni Nyoman Sri Astuti ◽  
I Komang Darmayuda ◽  
Ni Luh Eka Armoni ◽  
Ketut Sumerjana

Province of Bali, Indonesia, is growing very rapidly as a tourist destination in recent decades. Currently five to six million foreign tourists visit it every year. On the other hand, Balinese pop music has also grown quite intense in the local communities, especially since the 1990s. Nevertheless, so far, there has not been a significant relationship between Balinese pop music, tourists, and the tourism businesses in this province. Balinese pop music has not been a special product of Bali tourism. This research was conducted to explore and criticize a number of factors that led to the lack of acceptance of the music as part of tourism industry. This literature study was conducted with a descriptive-qualitative approach. The results of the study show that the similarity of Balinese pop music genres to modern music in general is one of the factors. Taste of the tourists, the destinations chosen, lack of promotion, theme of the songs/music, composition, and language used in the lyrics cause the fact that Balinese pop music is less accepted by tourists, especially foreign tourists. It takes certain efforts from artists (musicians), music industry and tourism industries, and also governments to make certain concerted efforts if Balinese pop music wants to be accepted in a tourism business parallel to traditional music products which are already consumed by tourists.


2019 ◽  
Vol 7 (1) ◽  
pp. 18
Author(s):  
Anak Agung Bagus Yoga Pratama ◽  
Gde Indra Bhaskara

Alas Kedaton tourist is a natural tourist attraction. The tourist attraction offered such as forests, monkeys and bats in this natural attraction. In the middle of the Alas Kedaton forest there is a Dalem Kahyangan Kedaton temple that is unique. The choice of this location as a place of research is to find out how the management and role of the local community of Kukuh Village in developing Alas Kedaton as a tourist attraction. The research methodology used is this study is a descriptive qualitative research, with observation, interview, literature study and documentation techniques. Data sources are obtained from primary data and secondary data. The theory or concept used is the concept of role, local society, tourist attraction and management. The result of this research is that management in Alas Kelaton tourist attraction involves local communities actively. The involvement and role of the local community of Desa Kukuh is empowered to become a member of the management body, counter staff, janitors, local guides, security officers, Alas Kedaton Trader Group (KPAK) and as well as forming tourism awareness organisations such as tourism awareness groups (Pokdarwis). Keywords: The Role of Local Communities,Management, Tourist Attractions


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