scholarly journals SENI HIAS WUWUNG MAYONG JEPARA JAWA TENGAH KAJIAN BENTUK, MAKNA, DAN FUNGSI

CORAK ◽  
2015 ◽  
Vol 4 (2) ◽  
Author(s):  
Arif Suharson
Keyword(s):  
National Culture ◽  
Physical Process ◽  
Visual Art ◽  
Qualitative Method ◽  
Physical Activities ◽  
Historical Background ◽  
Qualitative Explanation ◽  
Decorative Art ◽  
Central Java ◽  
Home Decoration

Javanese culture derives from the intellectual, emotional, and physical process inJavanese environment. This process goes on to keep up with the constant changes in theenvironment. This process has resulted in such artistic products as decorative roof top ofwuwung in Mayong Jepara Central Java. The wuwung has been aesthetically put on top ofJavanese traditional houses precisely above the blandar penuwun. This roof top serves thefunction as the cover to keep water and dust from entering the house. This such kind ofwuwung is characteristically decorated with glass mozaik and is therefore uniquely differentfrom that in other regions.This analysis is attempting to identify and prove qualitative explanation. Accordinglythis study employs qualitative method to avoid mathematic calculation. It is so because whatmatters is the value of particularly specific and unique objects which contain meaningfulaction. The study deals with visual art, particularly ceramic craft of clay. It is expected thatthere will be sustainable benefits to reserve local genius in the national culture. The art workof decorative wuwung from Mayong Lor Jepara Central Java is characteristically clear and canbe classified by time, technique of making, decorative technique, material, and meaning.Results of thestudy suggested that wuwungan wayang in Mayong Central Java which isfamiliar in Javanese society clearly represents such good characters or heroic figures. For theJavanese people who already held particular beliefs such animism and dynamism long beforethe introduction of such religons as Hindu, Budha, and Islam, put a historical background in thedevelopment of meaningful symbols. Home decoration implies more than physical activities;rather it implies praying and expectation represented by the decorative wuwung produced inMayong Jepara with its aesthetic beautiful mozaik of glass.Keywords: decorative art, wuwung, glass mozaik, Mayong Jepara  Kebudayaan Jawa lahir dari olah pikir, rasa, dan karsa pada lingkungan hidupmasyarakat etnis Jawa dalam kurun waktu yang terus berproses dalam menghadapi perubahanzaman yang ada. Dari kebudayaan Jawa itu, lahirlah berbagai produk sebagai hasil untukpemenuhan kebutuhan dari olah pikir, rasa, dan karsa tersebut. Salah satunya adalah seni hiaswuwung hasil kreasi masyarakat Mayong Jepara Jawa Tengah yang menghiasi atap rumahadat tradisional Jawa. Wuwung hias dipasang pada atap rumah paling atas di atas blandarpenuwun yang berfungsi sebagai penutup genteng paling atas dan berfungsi menahan debuatau air agar tidak masuk ke dalam rumah dengan ornamentasi pecahan beling yang memilikiciri khas yang tidak dimiliki oleh daerah lain. Kajian ini berusaha mencari dan memberikan penjelasan secara kualitatif, sehinggametode yang digunakan adalah kualitatif. Metode ini menghindari perhitungan matematis,karena yang dicari adalah value ‘nilai’ yang muncul dari objek kajian yang bersifat khusus,bahkan sangat spesifik, unik dan selalu mengandung meaning full action. Penelitian ini sebagaisalah satu telaah lingkup bidang ilmu seni rupa, khususnya seni kriya keramik yangmemanfaatkan material tanah atau lempung. Hal ini akan memiliki dampak yangberkelanjutan, sehingga kekayaan tradisi lokal akan tetap berjalan sebagai ciri local geniusyang memperkaya khasanah budaya bangsa. Produk seni wuwung hias dari Mayong Lor JeparaJawa Tengah yang dijadikan obyek penelitian, memiliki ciri khas dan sifat yang dapatdiidentifikasi secara jelas, dan dapat diklasifikasi menurut waktu, teknik pembuatan, teknikseni hias, dan bahan material yang digunakan serta makna yang terkandung dari penciptaanseni hias wuwungan tersebut.Mengambil inti sari dari hasil kajian penelitian yang telah dilakukan bahwa sebutanwuwungan wayang yang akrab dalam kehidupan masyarakat Jawa, maka penafsiran bentukbentukseni hias wuwung Mayong Jepara Jawa Tengah jelas mengarah pada tokoh-tokohkebaikan atau tokoh-tokoh pahlawan dalam membela kebenaran. Keyakinan masyarakat Jawayang sudah memiliki agama sebelum agama-agama besar datang seperti Hindu, Budha, danIslam, tentu keberadaan kepercayaan animisme dan dinamisme menjadi latar belakang sejarahyang kuat dalam menggambarkan simbol yang mempunyai arti. Keberadaan menghias rumahtentu tidak hanya sekedar menghias, tetapi sekaligus merupakan doa dan harapan yang ingindicapai yang terwujud pada seni hias wuwung Mayong Jepara dengan ciri khusus ornamenpecahan beling yang indah.Kata Kunci: Seni hias, wuwung, pecahan beling, Mayong Jepara

Aplikasi Maslahah Ke Atas Pensyaratan Pelaksanaan Haji Atau Umrah Melalui Agensi Pengelola

Sains Insani ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 15-21
Author(s):  
Mustafa Mat Jubri Shamsuddin
Keyword(s):  
Qualitative Method ◽  
Historical Background ◽  
The Right ◽  
Responsible Party

Ibadah Haji adalah rukun Islam kelima, manakala ibadah Umrah adalah salah satu ibadah yang sangat dituntut dalam Islam. Kedua-dua ibadah ini adalah hak Allah ke atas setiap muslim yang berkemampuan, dan dari sudut yang lain ia juga merupakan hak semua muslim untuk melakukannya. Memandangkan pelaksanaan kedua-dua ibadah ini melibatkan aspek-aspek yang pelbagai seperti keselamatan dan kesihatan, maka pihak yang bertanggungjawab dalam menguruskannya telah meletakkan beberapa syarat tambahan, di samping syarat-syarat yang telah diletakkan oleh Syarak. Antara syarat-syarat tambahan ini ialah, larangan mengerjakan haji atau umrah tanpa melalui agensi pengelola yang sah. Kajian ini bertujuan menilai syarat larangan ini dari sudut syarak, dengan menekankan aspek kemaslahatan dan kemudaratan. Kajian ini mengandungi tiga perbahasan utama, dengan perbahasan pertamanya menjurus kepada pengenalan tajuk kajian dan pengertian beberapa istilah yang digunakan. Perbahasan kedua pula menyoroti latar belakang hukum larangan ini, manakala perbahasan ketiga membincangkan penilaian hukum larangan tersebut menurut konsep Maslahah. Kajian ini akan menggunakan metod kualitatif dengan menjadikan kaedah-kaedah syarak secara umumnya dan konsep Maslahah secara khususnya sebagai sandaran dalam menilai sejauh mana larangan mengerjakan Haji dan Umrah tanpa melalui agensi pengelola menepati Syarak. Abstract: Hajj is the fifth pillar of Islam, while Umrah is considered among the highly encouraged deeds in Islam. Both worships are considered as the right of Allah upon every Muslim who are able to perform them while every Muslim has the right to go to Hajj and Umrah. Considering that, the practice of these worships involves various aspects such as security and health, the responsible party has imposed additional conditions to those who are willing to perform Hajj or Umrah including to use an operating agencies, which are recognized by the Saudi government. This study aimed to evaluate condition of restriction in the view of Shariah, by emphasizing the comparison between Maslahah (interest) and Mafsadah (harm). This study consists of three main discussions, which focuses on defining the terminologies, highlights the historical background of this restriction, and discusses the Islamic ruling of this restriction based on the concept of Maslahah. This study relies on the qualitative method by utilizing the concept of Maslahah in evaluating this restriction.

scholarly journals THE TRANSLATION TECHNIQUES USED IN THE BILINGUAL DESTINATION MAP “PETA WISATA JAWA TENGAH” TRANSLATED INTO “CENRAL JAVA TOURIST MAP”

2018 ◽  
Vol 7 (2) ◽  
Author(s):  
Mayantina Arafanti ◽  
Rahmanti Asmarani
Keyword(s):  
Qualitative Method ◽  
Target Language ◽  
Source Language ◽  
Literal Translation ◽  
Central Java ◽  
Translation Technique ◽  
Translation Techniques ◽  
Descriptive Qualitative

This study aims to find the translation techniques used by the translator in translating sentences of the bilingual destination map. The researchers used descriptive qualitative method to describe the translation techniques applied in the bilingual destination map “Peta Wisata Jawa Tengah” which is translated into “Central Java Tourist Map”. This study starts by finding the problem, collecting data, classifying data, analyzing data, and drawing the conclusion. The mostly used in translation techniques is literal translation technique to make the translation work clear for the tourists domestic even international. This technique is used when the target language (TL) is applied through the sentence without observing the differences of context or meaning in the source language (SL), whereas the discursive creation and description are rarely used.

scholarly journals The Phenomenon of Production, Distribution, and Consumption Serang Banten Typical Pottery Crafts in Bali

2016 ◽  
Vol 2 (11) ◽  
pp. 1
Author(s):  
I Wayan Mudra ◽  
Ni Made Rai Sunarini
Keyword(s):  
Qualitative Method ◽  
Snowball Sampling ◽  
West Java ◽  
Central Java ◽  
Production Distribution ◽  
Transportation Process ◽  
Distribution Process ◽  
Trade Center ◽  
Data Source

In the globalization era, Bali became the trade center at many crafts products from various regions in Indonesia, was included pottery products trading. The pottery products recently from outside Bali that was marketed in Bali, the production itself was done outside of Bali, merely the distribution and consumption in Bali, for instance, Lombok pottery, Kasongan Yogyakarta, Jepara of Central Java, West Java, and Serang Banten and others. The last few years, there was something different i.e. a typical pottery of Serang Banten, West Java, which was originally produced in West Java, is now produced in Bali, consequently, the distribution process from West Java to Bali was stopped. The research was intended to determine the factors that encourage the production, distribution, and consumption the craft of typical pottery Serang Banten in Bali. The research approached applied a qualitative method, based on the deconstruction and an ideology of capitalism theories. The research location was conducted at Denpasar Bali in 2015-2016. The technique of collecting the data included observation, interviewed, and documentation. The data source was determined by using purposive and snowball sampling. The results of the study were some factors that encouraged the production, distribution, and consumption of pottery Serang Banten in Bali was to avoid the loss of the transportation process; provided maximum services to consumers; Serang Banten pottery has a unique and potential marketing opportunities.

scholarly journals Diversitas Pendidikan Multidimensional dalam Pertunjukan Kentongan Bambu Laras Banyumas Jawa Tengah

2021 ◽  
Vol 4 (1) ◽  
pp. 20
Author(s):  
Rifky Fandanu ◽  
Wahyu Lestari ◽  
Suharto Suharto
Keyword(s):  
Data Collection ◽  
Motor Skills ◽  
Qualitative Method ◽  
Music Performance ◽  
Hard Work ◽  
Literature Study ◽  
Central Java ◽  
Work Value ◽  
Educational Diversity

ABSTRACTThis study aims to identify the Kentongan Bambu Laras show and explore the contextualization of educational diversity in the Kentongan Bambu Laras performance. This study uses a qualitative method to recontextualize educational diversity in Kentongan Bambu Laras, Patikraja Village, Patikraja District, Banyumas Regency, Central Java. Data collection techniques include observation, interviews, documentation, and literature study. The data obtained were analyzed with a musicological approach used to analyze the form of Kentongan Bambu Laras performance from how to play and form music (form) and organology (instrumentation). The results showed that the value of honesty, discipline value, hard work value, and creative value were found in the Kentongan Bambu Laras performance. Furthermore, the recontextualization of multidimensional education lies in the instrumentation and complexity of the performances to develop physical or motor skills, perceptual, intellectual, emotional, social, creativity.Keywords: multidimensional education diversity, kentongan music performance, Kentongan Bambu Laras ABSTRAKPenelitian ini bertujuan untuk mengidentifikasi pertunjukan Kentongan Bambu Laras dan mengeksplorasi terkait rekontekstualisasi diversitas pendidikan dalam pertunjukan Kentongan Bambu Laras. Penelitian ini menggunakan metode kualitatif terhadap fenomena rekontekstualisasi diversitas pendidikan dalam Kentongan Bambu Laras, Desa Patikraja, Kecamatan Patikraja, Kabupaten Banyumas, Jawa Tengah. Teknik pengumpulan data meliputi observasi, wawancara, dokumentasi, dan studi pustaka. Data yang diperoleh dianalisis dengan pendekatan musikologi yang digunakan untuk menganalisis bentuk pertunjukkan kesenian Kentongan Bambu Laras dari cara bermain dan bentuk musik (form), dan organologi (instrumentasi). Hasil penelitian menunjukan bahwa nilai kejujuran, nilai disiplin, nilai kerja keras, dan nilai kreatif terdapat dalam pertunjukan Kentongan Bambu Laras. Lebih lanjut, rekontekstualisasi pendidikan multidimensional terletak pada instrumentasi dan kompleksitas pertunjukan mengembangkan kemampuan fisik atau motorik, perseptual, intelektual, emosional, sosial, kreativitas.Kata Kunci: Diversitas pendidikan multidimensional, pertunjukan musik kentongan, Kentongan Bambu Laras 

scholarly journals Kearifan Lingkungan Berbasis Agama (Studi Etnoekologi pada Komunitas Nelayan di Pesisir Banyutowo Dukuhseti Pati)

ESOTERIK ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 59
Author(s):  
Thiyas Tono Taufiq
Keyword(s):  
Local Knowledge ◽  
Qualitative Method ◽  
Social Economic ◽  
Local Communities ◽  
Coastal Communities ◽  
Coastal Community ◽  
Central Java ◽  
Depth Interview ◽  
Local Tradition ◽  
The Village

<p>This study aims to see the wisdom of the coastal community of fishermen in coastal Banyutowo in growing responsibility to the environment (sea). The village of Banyutowo is one of the villages in Dukuhseti, Pati, Central Java. This research uses qualitative method that oriented to the result of observation, documentation, and in-depth interview with the informants in Banyutowo. The data are then classified and analyzed using an ethnoecological approach, which aims to examine local knowledge about the interaction of local communities with their environment. The results of this study indicate that the culture of the fisherman communities and solidarity of coastal communities of Banyutowo formed by the ritual of <em>sedekah laut, </em>and other tradition. The tradition is believed to be a local tradition that can not be eliminated. The meaning of <em>sedekah laut</em> to the coastal people of Banyutowo is not only a cultural ritual, but as a means to obtain salvation and maintain a natural balance. In addition, the values contained in <em>sedekah laut</em> rituals, including religious values (spirituality), social, economic, and education.</p>

scholarly journals TRADISI PENAN JEB DI KAMPUNG AKUL KECAMATAN BLANG JERANGO KABUPATEN GAYO LUES

2020 ◽  
Vol 22 (2) ◽  
pp. 65
Author(s):  
Jumiati K ◽  
Fauzi Ismail ◽  
Ikhwan Ikhwan
Keyword(s):  
Qualitative Method ◽  
Analytical Description ◽  
Boarding School ◽  
Historical Background ◽  
Religious Ritual ◽  
New Born ◽  
New Form ◽  
The Way

Penan Jeb tradition is a unique tradition of Gayo Lues people, this tradition is commonly held along together with others religious ritual such as Eid Al Adha, mauled (birth of the prophet) and aqiqah (ritual of new-born), as a tradition that has been regulated from generation to generation, Penan Jeb has developed new form and pattern along the way, for instance the declining of ritual held in every household and the adding of modern snack to its menu which normally consist of traditional cookies, this study aimed to find an answer to some questions of historical background of Penan Jeb tradition, the processing of ritual Penan Jeb, its development and its significance meanings, this study uses qualitative method of  analytical description, the results of study show that the reason behind the declining of Penan Jeb proceeding is due to practical factor, before, Penan Jeb was held in every household, now people prepare the food and cookies and bring it to the pesantren (Islamic boarding school) to be held in one centralized place.

scholarly journals The role and meaning of fireplace in Karangtengah Hamlet settlement, Banjarnegara: A study of the spatial pattern of pawon and kinship

2020 ◽  
Vol 5 (3) ◽  
pp. 479-488
Author(s):  
Yohanes Basuki Dwisusanto ◽  
Hermawan
Keyword(s):  
Spatial Pattern ◽  
Spatial Patterns ◽  
Basic Concept ◽  
Qualitative Method ◽  
Cold Climate ◽  
Mountainous Area ◽  
Central Java ◽  
Kinship System

Spatial patterns are formed based on local wisdom and Karangtengah Hamlet settlement which is located in the cold climate of the mountainous area in Banjarnegara Regency, Central Java has been discovered to have a uniqueness in using the fireplace as the center of its activities. Therefore, this research was conducted to uncover the basic concept of fireplace-based house spatial pattern in this settlement using a qualitative method which involves combining interview, observation, and documentation. The process also involved using 33 houses as the case study with the criterion for selection being the active use of the fireplace. The results showed the placement of fireplace in these houses was influenced by the kinship system and the purpose was to have spatial patterns designed to reduce migration from these settlements to cities.

scholarly journals Desain Antar Muka Aplikasi Wisata dan Transportasi Sebagai Media Promosi Pariwisata di Surakarta

2021 ◽  
Vol 2 (1) ◽  
pp. 67-85
Author(s):  
Fikrun Nashih ◽  
Asmoro Nurhadi Panindias
Keyword(s):  
User Satisfaction ◽  
Interface Design ◽  
Qualitative Method ◽  
Design Thinking ◽  
Online Application ◽  
Community Patterns ◽  
Central Java ◽  
Visual Identity ◽  
Thinking Process ◽  
Process Method

Solo, a strategic city located on the axis of Central Java, is a city with high tourist and transit destinations because of its diverse tourism. This design uses the design thinking process method, starting from visual identity design, interface design to advertising design. While the data collection method used is a qualitative method in the form of observation, interviews, participatory and documentation analysis. Then for the design of the interface design using the principles of gestalt proximity and similarity. For the design of the ad design, it will use ambient media transit ads as a promotional medium. The result of the design is an online application platform in visual identity design, interface design, and advertising design for the application which is a platform that can help tourists in terms of accessing information and ordering tickets. And the results of the testing process can be used as an iterative process both in terms of application interface design or user experience in order to increase user satisfaction and application user effectiveness in accordance with community patterns in tourism.

scholarly journals PSIKOLOGIS DALAM SENI: KATARSIS SEBAGAI REPRESENTASI DALAM KARYA SENI RUPA

2020 ◽  
Vol 2 (2) ◽  
pp. 105
Author(s):  
Ernawati Ernawati
Keyword(s):  
Visual Arts ◽  
Personal Experience ◽  
Visual Art ◽  
Qualitative Method ◽  
Multidisciplinary Approach ◽  
Visual Image ◽  
Psychological Aspects ◽  
Visual Elements ◽  
The Arts

Tujuan penelitian ini adalah mengungkap peran aspek psikologis katarsis dalam karya seni rupa. Prinsip seputar psikis dapat dipraktikan dalam karya seni, salahsatunya gerakan seni rupa kontemporer. Kajian karya berdasarkan aspek psikologis, salah satunya katarsis termasuk hal yang krusial untuk dilakukan.  Metode pada penelitian ini menerapkan metode kualitatif dengan pendekatan multidisiplin (psikologi seni dan semiotika). Hasil penelitian menunjukkan bahwa Perspektif lebih obyektif karena seniman sebagai kreator berbanding lurus dengan karya yang disajikan. Elemen visual yang dipilih dan disajikan seniman tersusun berdasarkan kemampuan kreatif menyusun citra visual yang berangkat dari aspek pengalaman yaitu berupa rasa khawatir/kegelisahan atau ketakutan yang mendasarinya dalam berkarya. Karya seni yang terwujud representasi dari dunia psikis seniman sebagai kreator. Pendekatan psikologis dalam berkarya dengan dipadukan kemampuan akademik dari aspek keilmuan seni rupa setidaknya mampu memperkaya keilmuan dalam keberagaman seni rupa. Dalam konstelasi seni rupa Indonesia kontemporer, kajian dari perspektif psikologis, khususnya katarsis pada karya seni berelasi dengan psikobiografi atau pengalaman pribadi seniman. This research aims to explore the role of catharsis psychological aspects in visual artwork. The principle surrounding the psychic can be practiced in the artwork. One of them is contemporary art movements. A study of works based on psychological aspects, one of which is cathartic includes the crucial thing to do.  The method in this study implements a qualitative method with a multidisciplinary approach (the psychology of Art and semiotics). The results show that perspective is more objective because the artist as a creator is directly proportional to the work showed.The selected and presented visual elements by the artist are arranged based on a creative ability to compose a visual image that influences the experience aspect of worry/anxiety or fear underlying it in the works. The artwork embodied is a representation of the part of a psychic artist as creator. The psychological approach of working combined with the academic ability of the science aspect of the arts is at least, capable of enriching science in the diversity of visual arts. In the constellation of contemporary Indonesian visual art, a study from a psychological perspective, especially catharsis on artwork relates to a psychobiography or an artist's personal experience.

scholarly journals MALAYSIA-INDONESIA BILATERAL RELATIONS: EMPIRICAL STUDY ON THE STAGE OF KNOWLEDGE OF GENERATION X AND Y INDONESIA AND MALAYSIA

2021 ◽  
Vol 10 (1) ◽  
pp. 147
Author(s):  
Rohani Hj. Ab Ghani ◽  
Ahmad Shukri bin Abdul Hamid ◽  
Zulhilmi Bin Paidi ◽  
Mohd Kasri bin Saidon ◽  
Haslinda Hasan ◽  
...  
Keyword(s):  
Generation X ◽  
Qualitative Method ◽  
Group Discussion ◽  
High Sensitivity ◽  
Historical Background ◽  
Primary Data ◽  
Good Relationship ◽  
Global Challenge ◽  
Bilateral Relations ◽  
Interview Session

Malaysia and Indonesia are traditionally neighboring countries in ASEAN and sharing a historical background, language, culture, and religion. It is undeniable fact that Malaysia-Indonesia relations are often influenced by current national issues such as water territorial, Indonesian immigrants, national product, and others.  Reviews These issues always sparked conflicts and Provoked various actions from Indonesians and dieting. Normally, Indonesians are more sensitives compared with dieting when faced with this situation as well. This article focuses on knowledge and understanding of X and Y Indonesian generation on Malaysia-Indonesia bilateral relations. This article incorporates the qualitative method with primary data obtained through a questionnaire distributed amongst respondents. Respondents are consisted of UIN's first-degree students and staff s and were selected by purposive sampling. Apart from that, focus group discussion and interview session was held to get a view from respondents. This article found that X and Y Indonesian generations have a good understanding of Malaysia. They are also usually aware of the importance of Malaysia-Indonesia bilateral relations. In addition, they acknowledged Malaysia as an essential country for Indonesia's present interest. Respondents also showed high sensitivity regarding competition between Malaysia and Indonesia. The important finding of this writing is both generations s acknowledge the fact that they are closest neighboring country and a good relationship should be maintained in facing the global challenge

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