scholarly journals Madame Bovary: philistinism or the archetype of the wild woman

2020 ◽  
Vol 101 (4) ◽  
pp. 67-72
Author(s):  
L.M. Demessinova, ◽  
Keyword(s):  
Theoretical Basis ◽  
Point Of View ◽  
Dark Side ◽  
Scientific Concept ◽  
The Novel ◽  
Main Character ◽  
Madame Bovary ◽  
New Type ◽  
Inner World ◽  
Ancient Times

The article is devoted to the problems of the female archetype, the light and dark side of women, which has become the basis for artistic works since ancient times. In the study are subjected to comparative analysis critical views about the image of Madame Bovary. If in previous studies the heroine is considered as a sinner, then in this article the authors proceed from the inner world of Madame Bovary and explain the reasons for Emma's behavior and psychology from the point of view of the female archetype of the «primordial woman». In the course of the work, methods of comparison and systematization based on the concepts of scientists were used. Guided by the types of female archetype presented in the works of C.G. Jung and C. p. Estes, the image of Madame Bovary is analyzed by the authors as a new type. The opinions of the founder of the term «archetype» C.G. Jung about the archetype and his conclusions about the female archetype became the theoretical basis of the research. The scientific concept of K.Р. Estes when compared with the text of the novel helped to identify deviations and oddities in the behavior of the main character. In the article, the author tries to reveal the image of Madame Bovary in her different guises.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Hypertextuality and the Economic Novel in Zimbabwe

Matatu ◽  
2017 ◽  
Vol 49 (2) ◽  
pp. 400-415
Author(s):  
Maurice Taonezvi Vambe
Keyword(s):  
Point Of View ◽  
Hard Copy ◽  
The Novel ◽  
Ordinary People ◽  
African Countries ◽  
Narrative Style ◽  
Great Ease ◽  
New Type ◽  
Novelistic Form ◽  
Source Of Information

Abstract Recent surges and advances in the popular use of electronic technology such as Internet, email, iPad, iPhone, and touch-screens in Africa have opened up great communicative possibilities among ordinary people whose voices were previously marginalized in traditional elitist media. People far apart geographically and living in different times can communicate rapidly and with great ease. This technological revolution has challenged and broken down boundaries of dependence on television, newspapers, and novels, the traditional forms of communication. It is now possible to upload a novel onto an iPad and read it as one moves from place to place. The burden of carrying hard copies is relieved but not eradicated; in most African countries, including Zimbabwe (the centre of focus in the present article), the creative work of art or hard copy of a novel is still relied upon as source of information. There are creative, experimental innovations in the novel form in Zimbabwe which to some extent can justify one’s speaking of a hypertextual novel. This new type of novel incorporates multiple narratives, and sometimes deliberately uses genres such as the email form as a constitutive narrative style that confirms as well as destabilizes previous assumptions of single coherent stories told from one point of view. Using the concepts of hypertextuality, intertextuality, and Bakhtin’s notions of carnivalesque and heteroglossia in speech and written utterances, this article reconsiders the implications of the presence of ideologies of hypertextuality in one novel from Zimbabwe, Nyaradzo Mtizira’s The Chimurenga Protocol (2008). The article argues that the multiplicity of narratives constitutes the hypertextual dimension of the novelistic form.

scholarly journals ТРАНСФОРМАЦИЯ РОМАНТИЧЕСКИХ МОТИВОВ В РОМАНЕ ПАТРИКА ЗЮСКИНДА «ПАРФЮМЕР»

2019 ◽  
Vol 3 (93) ◽  
pp. 117-128
Author(s):  
С.Л. Лобзова
Keyword(s):  
Cultural Context ◽  
Point Of View ◽  
German Language ◽  
Main Function ◽  
The Novel ◽  
Main Character ◽  
Second Stage ◽  
Modern Novel ◽  
The Enlightenment ◽  
Romantic Hero

The article attempts to highlight the main romantic motifs that the modern German writer Patrick Süskind used in his novel Perfume: The Story of a Murderer. Symbolic for the contemporary cultural context figurative semantic constants (genius, loneliness, rejection, godlessness, etc.) are assigned to such motifs. The ways and means of rethinking romantic motifs in a modern novel are determined, the specifics of their transformation in a postmodern text is analyzed. The similarities between the work of Süskind and popular upbringing novels in the Enlightenment are noted: the main character of the modern German writer goes through the thorny path of formation, he improves his gift, thanks to which he hopes to change the world, subjugate other people to himself. The parody evangelical allusions that contribute to the deconstruction of the romantic figure of an unrecognized genius are analyzed. The postmodernist writer debunks and ridicules the hero, turning the imaginary king into a jester. Unlike the romantic hero, whose main function was to broadcast the divine will, Jean-Baptiste Grenouille refutes the truth of the Absolute by his existence and the ingenious gift inherent in him by nature. The article concludes that Süskind refers to a stable romantic model, implemented many times in literature and art, setting his own accents in his own way, bringing the romantic structure to its limit. This model goes through the second stage in its development, according to the Hegel’s triad, namely, the negation of negation, when any phenomenon turns into its opposite. Refuting the well-known Pushkin’s claim that “genius and villainy are two incompatible things”, the writer at the same time comes to the conclusion that evil, even without meeting a worthy opponent, is destructive to himself. We see further research prospects in the study of the novel in the context of the work of Süskind and modern German-language literature from the point of view of transforming the romantic tradition in the post-modern text.

scholarly journals The manipulative power of word-formation devices in Margaret Atwood's Oryx and Crake

2005 ◽  
pp. 149
Author(s):  
Paula López Rúa
Keyword(s):  
English Language ◽  
Word Formation ◽  
Point Of View ◽  
Dark Side ◽  
The Novel ◽  
Collective Identities ◽  
Technology Learning ◽  
New Words ◽  
Oryx And Crake ◽  
Near Future

Apart from speculating about a series of issues open to debate, such as the dark side of progress and globalization or the conflict between science and morality, Margaret Atwood's Oryx and Crake (2003) offers a feasible insight into the state of the English language in the near future as far as the development of the lexicon is concerned. In the light of Foucault's theories on power, knowledge and discourse, this article approaches the novel from a linguistic perspective and undertakes an analysis of lexical innovation which comprises fields of interest, devices, motivations and users. The conclusions drawn from the analysis can be summarized as follows: in the first place, it is verified that the major fields of development for lexical creativity are science and technology, learning, consumerism, and media and entertainment, in other words, the fields through which number people (the group in control) exert power; secondly, from a strictly linguistic point of view, new vocabulary arises from the use of existing bases and productive word-formation devices like derivation, shortening and compounding; thirdly, the motivations behind the use of these mechanisms are critical, pragmatic, communicative and connotative, but new words are also created to ensure the perpetuation of the system; lastly, inasmuch as they form part of discourse, new items also contribute to the creation of individual and collective identities.

scholarly journals POTRET TOKOH UTAMA DALAM NOVEL CINTA SUCI ZAHRANA KARYA HABIBURRAHMAN EL SHIRAZY (PORTRAIT OF THE MAIN CHARACTERS IN THE NOVEL OF CINTA SUCI ZAHRANA BY HABIBURRAHMAN EL SHIRAZY)

2018 ◽  
Vol 3 (2) ◽  
pp. 302
Author(s):  
Hj. Laila Fitriani
Keyword(s):  
Life Style ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Language Style ◽  
Way Of Thinking ◽  
The Right ◽  
And Behavior ◽  
The Way

AbstractPortrait of the Main Characters in the Novel of Cinta Suci Zahrana by HabiburrahmanEl Shirazy. Literate is never separated from the intrinsic elements which included theme,plot, characters, background/setting, language style, message and point of view. Oneof the intrinsic elements is the characteristic that could be seen from how the author’screativity expressed and implied the characters of the story. The expressed one couldbe seen from the way of thinking, life style, outlook on life and behavior which pictureout whom and how the character lives and develops in the story plot, just like thecharacter in novel Cinta Suci Zahrana which tell about the phenomenon of a successfulwoman in education and work involved in finding the right one for her romance life.Keywords: intrinsic elements, main character, sociopsychologyAbstrakPotret Tokoh Utama dalam Novel Cinta Suci Zahrana karya Habiburrahman El Shirazy.Sastra tidak pernah lepas dari unsur-unsur intrinsik yang meliputi tema, alur, karakter,latar belakang/setting, gaya bahasa, pesan (amanat), dan sudut pandang. Salah satuunsur intrinsik adalah karakteristik yang dapat dilihat dari bagaimana ekspresikreativitas penulis dan pengaruh karakter dari ceritanya. Salah satu ekspresi yangbisa dilihat dari cara berpikir, gaya hidup, pandangan hidup, dan perilaku yangmenggambarkan seseorang dan bagaimana kehidupan karakter dan pengembangannyadalam plot cerita, seperti karakter dalam novel Cinta Suci Zahrana yang menceritakantentang fenomena seorang wanita yang sukses dalam pendidikan dan pekerjaan terlibatdalam menemukan seseorang yang tepat bagi kehidupan asmaranya.Kata-kata kunci: unsur intrinsik, karakter utama, sosiopsikologi

scholarly journals NILAI-NILAI KEHIDUPAN PADA NOVEL MOGA BUNDA DISAYANG ALLAH KARYA TERE LIYE

2017 ◽  
Vol 1 (1) ◽  
pp. 89-100
Author(s):  
Lozi Septiana ◽  
Yayah Chanafiah ◽  
Amril Canrhas
Keyword(s):  
Research Problem ◽  
Value Of Life ◽  
Research Data ◽  
Point Of View ◽  
Research Approach ◽  
The Novel ◽  
Main Character ◽  
Story Line ◽  
Story Character ◽  
The One

This study aims to determine the values of life contained in the novel Moga Bunda Disayang Allah by Tere Liye. The formulation of this research problem is how the value of life contained in the novel Moga Bunda Disukai Allah by Tere Liye. The method used is descriptive. The research approach used in this study is an objective approach, focusing on intrinsic analysis. The source of this research data is the novel Moga Bunda Disayang Allah Tere Liye's work with data taken in the form of texts from the story line, theme and story, character and characterization , Point of view, the novel style of Moga Mother Dear Mother God by Tere Liye.Research Results Values of life contained in the novel Moga Mother Dear God is, judging from the main character of Bunda HK who is very fond of his disabled son and he endlessly fight against the disease Melati. Rough corals in caring for Jasmine, ugly physical but noble heart. Mr. HK is rich but inhuman, misjudging someone from his physical appearance, it turns out HK is wrong. The reef that was ostracized because of his appearance turned out to be the one who saved his daughter. Judging from the depressed Melati characters, the prestation with its limitations, suddenly can pray for Mother "met bobo Mother. Moga Mother Dear God".

scholarly journals Future and immortality in the religious philosophy of F.M. Dostoyevsky (from the novel «Crime And Punishment»)

2020 ◽  
pp. 137-149
Author(s):  
Li Tianyun
Keyword(s):  
Religious Faith ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
Religious Philosophy ◽  
Crime And Punishment ◽  
Fundamental Point ◽  
Unusual Combination ◽  
The Relationship

This article attempts to establish the relationship between the concept of immortality and the future of mankind and the religious faith of the characters of F.M. Dostoevsky's works. This problem is considered with reference to the example of a detailed analysis of the views of the main character of Dostoevsky’s novel «Crime and Punishment» (Rodion Raskolnikov). The characterization of the hero is given in terms of his religiosity. The features of Raskolnikov's worldview are noted; they consist in a combination of faith in God and lack of faith in immortality. It is suggested that the source of such an unusual combination of religious ideas is the historical concept of I.G. Fichte. On the basis of the comparison of the views of other heroes of the novel, the article concludes that the most fundamental point is their idea of immortality as a continuation of the existence of a person in earthly reality. It demonstrates that this point of view corresponds to the religious faith of Dostoevsky himself.

scholarly journals El Concepto de la Tortura en Relación con la Traducción y la Interpretación en los Servicios Públicos

2015 ◽  
Vol 2 ◽  
pp. 49-64
Author(s):  
Ivona Ivanova
Keyword(s):  
Theoretical Basis ◽  
Point Of View ◽  
Historical Evolution ◽  
Main Concept ◽  
Second Stage ◽  
English Bilingual ◽  
Ancient Times ◽  
The Creation

Resumen: La tortura es una práctica que ha existido desde la antigüedad de los tiempos y se ha practicado en mayor o en menor medida dependiendo del lugar del que se trate. El concepto principal –la tortura- se analiza teniendo en cuenta varios aspectos contextuales importantes: su evolución a lo largo de los años, el tipos de prácticas que se utilizaban y cómo han evolucionado esas prácticas, los lugares en los que se ha practicado así como un análisis terminológico. La metodología que se ha utilizado en el trabajo sobre el que este artículo trata se basa en tres etapas principales: la primera etapa consistió en establecer una base teórica; la segunda etapa consistió en analizar el concepto de la tortura teniendo en cuenta su evolución histórica, sus prácticas y su percepción actual. Finalmente, hemos explicado la terminología desde el punto de vista de la creación de un glosario bilingüe de español-inglés de términos relacionados con el concepto de la tortura.Abstract: Torture is a practice that has existed since ancient times and has been practiced in varying levels depending on the location in question. The main concept -torture- is analysed taking into account several important contextual aspects: its evolution through the years, the types of practices that were used and how these practices have evolved, the places in which it was practiced as well as a terminological analysis. The methodology used in the paper that the article covers is based on three main stages: first stage consisted on establishing a theoretical basis; second stage consisted in analysing the concept of torture considering its historical evolution, its practices and its current perception. And finally we explained the terminology from the point of view of the creation of a Spanish-English bilingual glossary for terms related to the concept of torture.  

scholarly journals El héroe en “Luna verde” como espacio de las contradicciones que constituyen el proceso de la nacionalidad

2018 ◽  
pp. 139
Author(s):  
Francisco Javier Ibáñez Castejón
Keyword(s):  
Point Of View ◽  
Panama Canal ◽  
The Novel ◽  
Main Character ◽  
Specific Point ◽  
North Americans ◽  
The North ◽  
Collective Response ◽  
Panama Canal Zone ◽  
And Gender

Luna verde, narración muy influyente dentro de la literatura panameña contemporánea, ha establecido y desarrollado los tópicos de lo que se conoce como novela canalera. Este subgénero se circunscribe a la denuncia de los hechos ocurridos en la Zona del Canal de Panamá, donde la ocupación norteamericana se constituye en un régimen despótico. El relato se basa en la construcción de un héroe que va de la soledad existencial al reconocimiento de sí mismo y de su pueblo. En función de ello, plantea diferentes dicotomías de índole político, racial, ideológico, de género e histórico, que se analizarán considerando su objetivo realista y testimonial, y su fuerte impronta relacionada con el nacionalismo romántico. El personaje, Ramón de Roquebert, en el contexto del fracaso de la nación liberal, que provocó la concesión a una potencia extranjera de parte del territorio panameño, narra su propio desencanto y su búsqueda de una respuesta individual y colectiva, primero como trabajador y luego como estudiante. En la unión de ambos roles yace la iniciativa que la nacionalidad espera para afirmarse a sí misma.Luna verde is a very influential narration within contemporary Panamanian literature. It has endowed and developed the topics of what is known as the «novela canalera». This subgenre denounces the events that occurred in the Panama Canal Zone, where the North Americans established a despotic regime. The story is based on the formation of a hero who goes from existential loneliness to the identification of his people and himself. Subsequently, the novel exposes various dichotomies of a political, racial, ideological, historical and gender character, which will be analyzed in the light of its realistic and testimonial purpose and its strong imprint related to romantic nationalism. The main character, Ramon de Roquebert, narrates his own disenchantment and his search for an individual and collective response, first as a worker and then as student. In the union of both roles lies the initiative that nationality hopes to assert itself. This should be analyzed from a specific point of view which takes into consideration the context of the failure of the liberal nation, that ultimately leads to the concession of part of the Panamanian territory to a foreign power.

scholarly journals ANALISIS STRUKTURAL OBJEKTIF DALAM NOVEL PESANTREN IMPIAN KARYA ASMA NADIA

EDU-KATA ◽  
2021 ◽  
Vol 7 (1) ◽  
pp. 9-16
Author(s):  
Zumrotul Ilmiyah
Keyword(s):  
Moral Education ◽  
Research Method ◽  
Point Of View ◽  
The Novel ◽  
Main Character ◽  
The Third ◽  
Analysis Technique ◽  
Rehabilitation Period ◽  
The Subject ◽  
Additional Figure

The research was conducted with the aim of (1) describing the objective structure aspects, (2) describing the value of moral education in the Asma Nadia Pesantren Impian novel. The object in this study is the aspect of objective structure and the value of moral education contained in the novel Pesantren Impian by Asma Nadia. The subject of his research was Asma Nadia's Dream Dream School. The instruments in this study were the researchers themselves, note books, ballpoint pens, and relevant books that could be used as reference material. Data collection techniques used by researchers used library techniques and note-taking techniques, namely by: (1) the researcher reads novel, (2) the author identifies the data, (3) records the results of the data relating to novel. The research method used by the researcher is the description method. The analysis technique used by researchers is the content technique of content analysis authors. The results of this study indicate that (1) the theme found in Asma Nadia's Pesantren Impian novel is the determination and effort of a woman to become a better person after undergoing a rehabilitation period in a pesantren. The main character is Girl, Rini is an additional figure, Teungku Umar, Teungku Hasan, Sinta and Santi. The background is divided into two types, namely the place setting and the time setting. The plot / groove used is a backlight or flash back. The point of view used is the third person's viewpoint of omniscience. (2) the value of moral education, namely respect, compassion and helpfulness.

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