scholarly journals Keraton Indonesia Antara Pelestarian Budaya Dan Modernitas

2020 ◽  
Vol 3 (1) ◽  
pp. 86-98
Author(s):  
Anak Agung Ngurah Agung Wira Bima Wikrama
Keyword(s):  
Cultural Heritage ◽  
Cultural Adaptation ◽  
Social Life ◽  
Modern Society ◽  
Physical Structure ◽  
Cultural Preservation ◽  
Cultural Life ◽  
The Status ◽  
Three Stages ◽  
Client System

The palace as a traditional cultural heritage of Indonesia experiences cultural tensionalong with the occurrence of modernity in Indonesia. Modernization has marginalized the role andfunction of the Palace as the center of traditional power. Conversely, efforts to build the existence ofthe Palace can be questioned about its relevance or merely cultural romance. For this reason, thisstudy examines three main problems. First, why does the Keraton preserve the Keraton Culture inIndonesia? Second, how are the forms of preservation of Keraton Culture in Indonesia? Third, whatare the implications of the Keraton Cultural Preservation in Indonesia? These three problems areexamined with three theories, namely the theory of social change, cultural adaptation, and geneticstructuralism. The research method used is qualitative research with three data collection techniques,namely observation, interviews, and document studies. Data were analyzed with descriptiveinterpretativetechniques through three stages, namely data reduction, data presentation, and drawingconclusions. The results show that the reasons underlying the preservation of the Keraton Culture in Indonesia include rebuilding the existence of the Palace, maintaining the status quo, structuraldifferentiation, and the charm of modern life. The forms of preservation of Keraton Culture include(1) passive preservation, namely the construction of the physical structure of Keratondan andmaintaining the attributes of royal identity; (2) active preservation, i.e. optimizing capital owned bythe Palace with specific patterns and specific goals in the structure of modern society; and (3)Keraton network preservation, namely strengthening collegial collective systems and networkexpansion. Implications of Keraton Cultural Preservation in social life include reformulation ofsocial relations and shifting the patron-client system. The implication in cultural life is in the form ofstrengthening Keratonsas cultural heritage and strengthening Keratonsas the center of culturaldevelopment.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

scholarly journals The role of cultural industries in modern cultural life of the region (on the example of N. D. Neustroev's comedy “Tieteybit”)

2021 ◽  
pp. 47-52
Author(s):  
Nurgun Vyacheslavovich Afanasev ◽  
Ul'yana Valer'evna Titova
Keyword(s):  
Cultural Heritage ◽  
Social Life ◽  
Creative Industries ◽  
Creative Industry ◽  
Young Generation ◽  
Regional Culture ◽  
Classical Literature ◽  
Cultural Life ◽  
The Impact

The object of this research is the role of the comedy “Tieteybit” by N. D. Neustroev in cultural life of the Sakha Republic (Yakutia). The subject is the impact of modern creative industries upon cultural life of the region. On the example of Nikolay Denisovich Neustroev's comedy play “Tieteybit”, the authors examine the use of creative approaches towards preservation and popularization of cultural heritage of the Sakha people. It is noted that over the recent years, a major event in the development of spiritual culture and cultural life of the region overall has become the innovations introduced by the contemporaries in staging the Yakut comedies. Motifs of the comedy “Tieteybit” served as the prototype for staging the the first Yakut musical comedy, and even a film. A survey was conducted touching upon the following questions: are the innovations introduced in culture in form of a screen version of classical literature with the elements of innovation encourage the young generation to studying the Yakut cultural heritage?; what is the relevance of the work by N. D. Neustroev “Tieteybit”? The conclusions is made that in the XXI century, N. D. Neustroev's comedy “Tieteybit” has become one of the basics for the development of creative industry of the region. As an instrument for the development of regional culture, creative industry may play the strongest and highly effective role in the development of social life of the region.

scholarly journals Architectural Heritage Value Dispersed on Sensuous Thresholds in Kim Swoo Geun’s Arario Museum in Space, Seoul

2020 ◽  
Vol 12 (11) ◽  
pp. 4664
Author(s):  
Jiae Han
Keyword(s):  
Cultural Heritage ◽  
Physical Structure ◽  
Modern Architecture ◽  
Cultural Property ◽  
Architectural Heritage ◽  
Space Group ◽  
Spatial Features ◽  
The Status ◽  
Definition Of

As a representation of Korea’s modern architecture, Kim Swoo Geun described the Space Group of Korea Building as an “enclosed but endless space”. The Space Group Building is currently Korea’s Registered Cultural Heritage No. 586. Its name was changed to Arario Museum in Space; since 2013, it has been used as a museum. This study aims to reveal what spatial features of the Arario Museum have value as cultural heritage to make its sustainable architectural message. This research will analyze spatial traits within thresholds, beyond the general spatial traits of the architecture itself. The threshold gives Arario Museum meaning as a registered cultural property of Korea. The fundamental methodology to analyze the issue of threshold is to document the architectural experience based on the architect’s interviews, sketches and diagrams for design intention and strategy. Kim’s space displays the unification of physical structure and invisible phenomenon and cognition. The definition of threshold and the elements that constitute it discussed in this research were those that cover such multileveled concepts as materials that constitute the threshold. In addition, the phenomenon and status of these elements extracted in such manner being actually dispersed was verified, and the obtained characteristics of the threshold can result in the following: the concealment, juxtaposition, and flexibility are ultimately expanded to the ambiguity which is unique to Arario Museum in Space. Concealment started from observing the surface of threshold itself, and juxtaposition is the relational interpretation among the various elements. After the analysis on the dispersion and contacts, the status and phenomena of the building’s thresholds were concluded as a flexibility connection to its heritage value.

scholarly journals Cultural Preaching on Modern Society: A Phenomenological Study of an Islamic Foundation in Kudus

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Ravida Chauria Shavir
Keyword(s):  
Cultural Heritage ◽  
Phenomenological Study ◽  
Modern Society ◽  
Phenomenological Approach ◽  
Modern Education ◽  
Cultural Life ◽  
Rural And Urban ◽  
Rapid Changes ◽  
Four Levels ◽  
Qualitative Phenomenological

Rapid changes in both rural and urban societies require da’wa to be delivered more creatively. This paper aims at investigating the development of cultural da’wa by analyzing the dynamics of socio-cultural life in an Islamic da’wa institution named Yayasan Pendidikan Islam Kyai Thelingsing (YPIKT). This paper applies a qualitative phenomenological approach. Finding reveals that the cultural da’wa approach to the urban community was manifested in three ways: education, cultural heritage (grave pilgrimage), and recitation. On the education aspect, the YPIKT has four levels. The cultural heritage is shown by Haul Mbah Kyai Thelingsing activity, which attended whether Muslim and non-muslim (Chinese descendent) every Muharram. The recitation aspect has an ultimate goal this activity is happened every day after Maghrib or every Thursday night by the name of tahlilan.Keywords: Da’wa, Cultural, Community, Modern, Education

scholarly journals Basic stages of history of the underground gethsemane garden monastery in the context of monument protection

2020 ◽  
Vol 10 (27) ◽  
pp. 37-45
Author(s):  
Oleksii Prysiazhniuk ◽  
Keyword(s):  
Cultural Heritage ◽  
Modern Society ◽  
Historical Events ◽  
Legal Norms ◽  
Complex Process ◽  
The Status ◽  
History Of ◽  
Heritage Protection ◽  
Cultural Heritage Objects ◽  
Formal Procedures

This research examines and identifies the main stages of the history of an underground monastery in the Gethsemane Garden, from the appearance of the object to the status of a cultural heritage monument. The author draws conclusions about the legal norms enshrined in the regulations that form a system of requirements for procedural actions that turn a cultural heritage object into a monument. The article describes the legal acts that regulate the field of cultural heritage protection and directly influence the process of institutionalization of cultural heritage objects. The process of institutionalization of a monument selected as an example is considered against the background of the history of the object itself in the context of important historical events and historiography of its study. Turning cultural heritage into a monument that is governed by regulations in modern conservation legislation is a complex process. Examples of completing formal procedures and obtaining cultural heritage status are monuments. That is why the author, on the example of cultural heritage – monuments of history, architecture of the underground monastery in the tract «Gethsemane Garden» describes the process of institutionalization of such objects. The institutionalization of cultural heritage means the process of defining and consolidating legal norms, rules, statuses, bringing them into a system capable of acting in the direction of satisfying the need of modern society for the preservation of cultural heritage objects.

scholarly journals E. Ehrlikh’s "living law" and its current interpretation

1970 ◽  
pp. 61-67
Author(s):  
Dеnis Shchambura
Keyword(s):  
Social Life ◽  
Modern Society ◽  
The State ◽  
State Law ◽  
Social Law ◽  
Leading Role ◽  
The Status ◽  
Social Importance ◽  
Law Making ◽  
Rule Out

The article explores the main ideas of the works of E. Ehrlich (1862–1922), where the concept of "live law" was gradually established. The prominent thinker gave the leading role in the law-making process to society, and therefore he called to study society, exploring direct survey of social life as an important source of law comprehension. It is proved that among the three types of law: state law, law of lawyers, social law – E. Ehrlikh preferred the latter. The interrelation of social law and state law in Ehrlikch’s concept is revealed. Ehrlikh’s idea of "live law" is proportional to the modern notion of "informal law". Informal law, like "live law", corresponds to the current everyday needs of social life, is formed by society itself or by certain social groups, and is not provided with state coercion. Nevertheless, the concept of “live law” should not be considered as anti-state one. E. Ehrlich did not recognize the dominant significance of the state law-making activity in the social legal life, but he never denied such a role at whole. He persuaded that coercion plays a secondary role in the existence of law. Indeed, the existence of informal law is largely independent of the state and its coercive apparatus. Continuing this E. Ehrlikh’s opinion, it can be argued that modern society as a plurality of peoples and communities recognize certain rules of conduct as compulsory, and, at least in general, subordinate their behaviour to these rules, guided by relevant internal convictions. The scholar's attitude to state law is refined and the opinion of Ehrlich's anti-etatism is refuted. The scholar did not rule out the possibility for the state law to obtain social importance and to acquire the status of a living law. The scholar's attitude to state law is refined and the opinion of Ehrlich's anti-etatism is refuted. The scientist did not rule out the possibility for state law to obtain social importance and to acquire the status of a living law.

What Is an Institution?

2007 ◽  
pp. 5-27 ◽  
Author(s):  
J. Searle
Keyword(s):  
Physical Structure ◽  
Necessary Condition ◽  
Collective Intentionality ◽  
Institutional Facts ◽  
Institutional Fact ◽  
The Status ◽  
The Creation ◽  
State Of Affairs ◽  
In Virtue Of ◽  
Typical Point

The author claims that an institution is any collectively accepted system of rules (procedures, practices) that enable us to create institutional facts. These rules typically have the form of X counts as Y in C, where an object, person, or state of affairs X is assigned a special status, the Y status, such that the new status enables the person or object to perform functions that it could not perform solely in virtue of its physical structure, but requires as a necessary condition the assignment of the status. The creation of an institutional fact is, thus, the collective assignment of a status function. The typical point of the creation of institutional facts by assigning status functions is to create deontic powers. So typically when we assign a status function Y to some object or person X we have created a situation in which we accept that a person S who stands in the appropriate relation to X is such that (S has power (S does A)). The whole analysis then gives us a systematic set of relationships between collective intentionality, the assignment of function, the assignment of status functions, constitutive rules, institutional facts, and deontic powers.

Victorian Pain

2017 ◽  
Author(s):  
Rachel Ablow
Keyword(s):  
Nineteenth Century ◽  
Victorian Literature ◽  
Social Life ◽  
Charles Darwin ◽  
Harriet Martineau ◽  
The Status ◽  
History Of ◽  
The Individual ◽  
Natural Philosophers ◽  
First Time

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.

MEDIA AND MODERNITY: THE ROLE OF THE PRINTING PRESS IN THE MODERNIZATION OF WESTERN SOCIETY

1970 ◽  
Vol 5 (2) ◽  
pp. 291-301
Author(s):  
Yuyun Sunesti
Keyword(s):  
Modern Society ◽  
Public Spaces ◽  
Influential Factors ◽  
Western Society ◽  
15Th Century ◽  
Cultural Life ◽  
Information Media ◽  
Printing Method ◽  
Important Milestone

One of the influential factors in the formation of modern society in the Westernworld and subsequently spread to over the world has been the discovery of printing presswhich can be found in the form of printing method, printing company and print media.Since it was firstly used by Gutenberg in about 15th century AD, information which waspreviously delivered through oral medium with a limited audience, then through a methodof printing can be reproduced in large quantities and can be read by more audience, acrossdistance and time. Printing method which encourages the emergence of large printingcompanies and then print media has contributed in transforming modern cultural life ofsociety.In addition, the advent of the printing industries which has transformed intotransnational corporations as well as the emergence of journals and regular newspapersalso contributes significantly in raising public spaces as a medium for discussion andcritical thinking amidst society. Ultimately, this information media transformation brings achange in the state system which is more open and leads to the emergence of ideas ofnationalism which becomes an important milestone in transforming traditional societiesinto modern societies.

MANAGING INFORMATION TECHNOLOGY APPLICATION IN TEACHING AT HIGH SCHOOLS IN VINH YEN CITY, VINH PHUC PROVINCE MEETS INDUSTRIAL REVOLUTION 4.0

2018 ◽  
Author(s):  
Vu Kha Thap
Keyword(s):  
Information Technology ◽  
Social Life ◽  
Industrial Revolution ◽  
Strong Impact ◽  
Surface Strength ◽  
Technology Application ◽  
Management Measures ◽  
The World ◽  
The Status ◽  
Information Technology Application

Entering the XXI century and especially in the period of the industrial revolution has entered the era of IT with the knowledge economy in the trend of globalization. The 4.0 mankind development of ICT, especially the Internet has had a strong impact and make changes to all activities profound social life of every country in the world. Through surveys in six high School, interviewed 85 managers and teachers on the status of the management of information technology application in teaching, author of the article used the SWOT method to distribute surface strength, weaknesses, opportunities and challenges from which to export 7 management measures consistent with reality. 7 measures have been conducting trials and the results showed that 07 measures of necessary and feasible.

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