scholarly journals LA DINAMICIDAD DE LOS TEXTOS LITERARIOS: HACIA UNA TIPOLOGÍA DE LA TRANSREFERENCIALIDAD

2022 ◽  
pp. 271-292
Author(s):  
José Ángel BAÑOS SALDAÑA
Keyword(s):  
Literary Theory ◽  
Direct Contact ◽  
Spanish Poetry ◽  
Literary Works ◽  
Semiotic Systems

Este artículo integra las aportaciones de la teoría de la literatura acerca de las relaciones entre los textos en un contexto más abarcador: el de la transacción de referencias. De este modo, se contemplan las particularidades de los vínculos que fomentan las obras literarias, incluyendo aquellos que se producen con elementos no textualizados –sistemas semiológicos distintos o esquemas formales o de contenido, por ejemplo–. En consecuencia, se propone una tipología sobre los procedimientos transreferenciales, que se estructuran en tres niveles: 1) el contacto directo, 2) las modalidades, y 3) las relaciones interdiscursivas. Esta clasificación, susceptible de aplicarse a todos los géneros, se ejemplificará a lo largo del artículo con textos pertenecientes a la poesía española contemporánea. Abstract: This paper integrates the contributions of literary theory about the relationships between texts in a wider context: that of the transaction of references. In this way, it contemplates the particularities of the links fostered by literary works, including those produced by means of non-textualised elements (different semiotic systems or formal or content schemas, for example). Consequently, a typology is proposed regarding transreferential procedures, which are structured on three levels: 1) direct contact, 2) modes, and 3) interdiscursive relations. This classification, which can be applied to all genres, will be exemplified throughout the paper with texts belonging to contemporary Spanish poetry.

scholarly journals TEORI HARMONI PENGANTAR KAJIAN SASTRA BERBASIS KONSTITUSI

Paramasastra ◽  
2017 ◽  
Vol 4 (1) ◽  
Author(s):  
Aprinus Salam
Keyword(s):  
Social Justice ◽  
Literary Theory ◽  
Point Of View ◽  
Literary Studies ◽  
Theoretical Point ◽  
Cultural Issues ◽  
The West ◽  
Literary Works ◽  
Safe Condition

Literary studies can not be separated from the literary theory initiated and developed by “Western” scholars. Indonesian Literature also refers to these theories in interpreting and explaining literary works. This paper intends to ask the historical contextuality and the theoretical independence of Indonesian literature as a nation that has a historicity different from the West. The main offer in this paper is the importance of a theory called the theory of harmony-constitution. The important objectives of the theoretical point of view of the theory of harmony-the constitution are 1) all efforts to build an independent society and social justice, 2) a happy and safe condition, and hence the freedom that has been achieved should always encourage unity, sovereignty and prosperity, and 3) the acknowledgment “on the blessings of almighty God and by the noble driven.” Methodologically, the theory of harmony-constitution is based on semantics. This theory can be used to analyze social and cultural issues, but in the case of this paper will be tested to study literary works, especially the poetry of Chairil Anwar.

Domestic Appropriation of Chinese Literature in Europe

2020 ◽  
pp. 1-12
Author(s):  
Shunqing Cao ◽  
Zhoukun Han
Keyword(s):  
Literary Theory ◽  
Chinese Literature ◽  
Literary Translation ◽  
Local Theory ◽  
Cultural Transfer ◽  
Literary Works ◽  
European Literature ◽  
The Core ◽  
Core Part ◽  
Cultural Rules

In this article, it is argued that in the process of cultural transfer, literary translation and reception, the recipient will often transform the cultural rules and literary discourse in the original texts to make them fit the rules and discourse of the recipient reader/audience to target the taste of new readers. This phenomenon, which we call literary ‘domestic appropriation’, is a kind of transformation on a deeper level. Domestic appropriation is what can we get from literary variation, and it is the core part of variation studies. In cultural and literary exchange and dialogue between Chinese and European cultures, it occurs in both literary works and literary theory. History has witnessed how Chinese literary works are translated and introduced to Europe, in the process becoming an integral part of the canon of European literature. Chinese literary theory, when interpreted by European theorists, blends with local theory and furnishes new perspectives.

scholarly journals RESEPSI PEMBACA TERHADAP TJERITA NJAI DASIMA (Reader Reception toward Tjerita Njai Dasima)

2016 ◽  
Vol 4 (2) ◽  
pp. 195
Author(s):  
Yulitin Sungkowati
Keyword(s):  
Literary Theory ◽  
Colonial Period ◽  
Musical Drama ◽  
Literary Works ◽  
New Era ◽  
Social Critic ◽  
Reader Reception ◽  
The Reformation ◽  
Film Series

Tulisan ini bertujuan mendeskripsikan bentuk dan perubahan resepsi pembaca terhadap Tjerita Njai Dasima dengan teori resepsi sastra dan metode resepsi diakronis. Penelitian ini menghasilkan temuan bahwa sejak era kolonial hingga era reformasi Tjerita Njai Dasima telah mendapat tanggapan berupa karya-karya baru dalam bentuk puisi, prosa, teks drama, skenario film, film, sinetron, dan drama musikal. Perubahan resepsi terjadi dari generasi ke generasi seiring dengan perubahan zaman dan perubahan horison harapan pembacanya. Resepsi pada masa sebelum kemerdekaan menunjukkan ideologi prokolonial dan pada era awal kemerdekaan sebaliknya, antikolonial. Resepsi pembaca yang muncul di era Orde Baru berisi kritik sosial terhadap pembangunan dan di era reformasi memperlihatkan semangat pluralisme dan kebebasan.Abstract:This paper is aimed  at  describing the  form and the change reader reception  toward Tjerita Njai Dasima by using reception of literary theory and diachronic reception method. This research  revealed that since colonial period until reformation period, Tjerita Njai Dasima got appreciation  in the form of new literary works such as poem, prose, drama text, film scenario, film, series, and musical drama. The change of reception  can be seen  from generation to generation, together with the development  and reader ’s horizon  expectation. The reception before indepen- dence showed procolonial ideology. While,  in the early independence period tended to be  antico- lonial. Reader reception emerged  in the new era period showed  social critic toward development, while  in the reformation period was  in the form of  spirit of pluralism and freedom.

scholarly journals RELASI ANTARTEKS DALAM PENGKAJIAN SASTRA

2016 ◽  
Vol 12 (2) ◽  
Author(s):  
Sumiyadi Sumiyadi
Keyword(s):  
Comparative Literature ◽  
Literary Theory ◽  
The Other ◽  
Literary Studies ◽  
Literary Study ◽  
Textual Studies ◽  
Literary Works ◽  
The Difference

Abstrak Relasi Antarteks dalam Pengkajian Sastra. Relasi antarteks terdapat dalam karya sastra yang di dalamnya membayangkan teks lain. Dalam mengkaji teks demikian, kita biasanya langsung mengkaitkannya dengan konsep intertekstual, padahal konsep tersebut berkaitan dengan teori pascastruktural sehingga dalam pengkajiannya, kita harus mengikuti prinsip-prinsip pascastrukturalisme. Relasi teks juga mensyaratkan kita untuk melakukan kajian bandingan, yang dalam kajian sastra dapat menggunakan konsep sastra bandingan. Kajian sastra bandingan tidak berkaitan dengan salah satu teori. Bahkan, teori apapum dapat dimanfaatkan untuk kepentingan sastra bandingan. Sehubungan dengan relasi teks dalam dunia sastra merupakan fenomena menarik, kemungkinan banyak pihak atau peneliti yang tertarik untuk mengkajinya. Oleh sebab itu, diperlukan landasan teori sastra yang kukuh dan relevan sehingga menghsilkan kajian sastra yang bermakna dengan kadar ilmiah yang dapat dipertanggungjawabkan. Penegasan ciri pembeda antara prinsip kajian sastra bandingan dan prinsip kajian intertekstual dalam tulisan ini merupakan upaya ke arah pengkajian sastra yang demikian.Kata kunci: teks, intertekstual, pascastruktural, sastra bandingan   Abstract Inter-textual Relation in Literary Studies. Inter-texts relation exista in literary works; one work shadows the other. In studying such texts we often immediately link them with the concept of intertextuality that belongs to post-structuralism. Texts relation also requires us to compare literary works using comparative literary study concepts. Comparative literary studies are not related with one specific theory. Any theory can be employed. Texts relation is an iteresting phenomenon that invites many to investigate. For this reason we need a grounded and relevant literary theory that will facilitate insightful and reliable literary studies. The difference between comparative literature principles and inter-textual studies principles are discussed in the article. Keywords: texts, intertextuality, post-structuralism, comparative literature.

scholarly journals ¿Es la ópera un género literario?

2011 ◽  
pp. 609
Author(s):  
Juan Carlos Pueo
Keyword(s):  
Literary Theory ◽  
Literary Work ◽  
Genre Theory ◽  
Specific Form ◽  
Literary Genre ◽  
Literary Genres ◽  
Semiotic Systems ◽  
Physical Presence ◽  
Language And Music

La ópera se considera comúnmente un género musical, pero su estatuto literario parece ser más bien dudoso. La intención de este artículo es poner en claro esta cuestión, tomando como referencia la teoría de los géneros literarios, la teoría teatral y la semiótica musical. La teoría literaria debe tener en cuenta la especificidad de ciertos géneros literarios cuya recepción ha sido destinada a ser acompañada por la música. Los géneros teatrales se definen por la presencia física de uno o más actores que representan sus personajes ante un público, de forma que dichos géneros pueden clasificarse por emplear o no el lenguaje y/o la música: esto significa que la ópera ocupa un lugar en la clasificación de los géneros literarios por su conjunción de lenguaje y música. Esta conjunción no es mera yuxtaposición, ha de ser pensada como simbiosis entre dos sistemas semióticos que colaboran para producir una forma específica de obra literario-musical que ha de considerarse un género literario y teatral con características especiales. Opera is generally considered a musical genre, but its literary statute seems to be rather uncertain. The aim of this article is to clarify this subject, taking as reference literary genre theory, theatrical theory and musical semiotics. Literary theory must take into consideration the specificity of certain literary genres whose reception is intended to be accompanied by music. Theatrical genres defines themselves by the physical presence of one o more actors that impersonate some characters for an audience, so this genres can be classified by the use or the disuse of language and/or music: this means that opera occupies a place in the classification of literary genres because of its conjunction of language and music. This conjunction is not mere yuxtaposition, it has to be thought as a symbiosis between two semiotic systems that collaborate to produce an specific form of musical-literary work that must be considered a literary and theatrical genre with special characteristics.

Poe the Critic

2018 ◽  
pp. 443-461
Author(s):  
Paul Hurh
Keyword(s):  
Literary Theory ◽  
Mass Culture ◽  
Literary Works ◽  
Literary Reputation ◽  
New Form ◽  
Print Reading ◽  
Periodical Publishing ◽  
Popular Audience ◽  
Textual Form

Edgar Allan Poe’s literary reputation was founded upon his sarcastic and negative reviews of current books. While Poe’s reviews have been studied for insights into his literary theory and his relation to the culture of periodical publishing, they have rarely been considered as literary works themselves. This essay analyzes the structure and tone of Poe’s earliest “tomahawk”-style reviews in The Southern Literary Messenger and finds that they innovate a new tone of sarcasm, which Poe referred to as “quizzing,” through the adaptation of a primarily textual form of irony. By making fun of prefaces, plots, and grammar, Poe employs a new form of humor that capitalizes on the emergence of print reading as mass culture. Such humor severs letter from spirit not only for the sake of criticism but also to open the practice and pleasure of critical judgment to a popular audience.

scholarly journals O egzystencji w dziele literackim i o egzystencji dzieła

2018 ◽  
Author(s):  
Jacek Wachowski
Keyword(s):  
Literary Theory ◽  
Social Reality ◽  
Physical Reality ◽  
Careful Study ◽  
Literary Works ◽  
The World ◽  
Literary Output

The concept of existence is rooted in (at least) two traditions: philosophical and literary theory. This does not mean, however, that it means the same for both fields. The first tradition is wide ranging because it includes diverse – physical, emotional and spiritual (as well as intellectual) – aspects of being. The second tradition is narrow and it closely refers to literary output. Literary existence – which is based on physical reality – is permanently separated from it. Literature refers to the representation and imagination of the world, not to the empirical experience of physical reality. In addition, literature does not apply the categories of truth and falsehood that we know from social reality (because literary existence stands, beyond the assertion). It is also imprisoned in genology – inscribed in the genre. Literary existence has more to do with poetry, style, artistic convention than what philosophers are examining. Sometimes great literary works deal with great philosophical problems, but sometimes do not and it do not detract from their artistic nature. Both of these tradition – literary and philosophical – however, have many common places, require careful study and analysis. The article is an attempt to show these places and characterize their features.

scholarly journals NILAI KEROHANIAN DALAM TUTURAN TRANSAKSI JUAL-BELI BERBAHASA BANJAR DI HULU SUNGAI NAGARA

2017 ◽  
Vol 3 (2) ◽  
pp. 161-175
Author(s):  
Rissari Yayuk
Keyword(s):  
Literary Theory ◽  
Moral Values ◽  
Spiritual Values ◽  
Moral Value ◽  
Descriptive Data ◽  
Literary Works ◽  
Data Collecting ◽  
Oral Speech ◽  
Collecting Techniques ◽  
Upper South

AbstrakNilai kerohanian adalah salah satu nilai yang lahir melalui proses yang panjang dalam sebuah masyarakat yang memiliki budaya beradab. Salah satu unsur nilai kerohanian adalah nilai mora- l. Nilai ini biasanya ditemukan dalam ragam karya sastra. Penelitian mengkaji nilai kerohanian dengan objek yang berbeda, yaitu dalam tuturan lisan pada transaksi jual-beli sebuah pasar di Kalimantan Selatan, Pasar Nagara, di Hulu Sungai Selatan.Teori yang digunakan adalah berhubungan dengan nilai kerohanian yang salah satunya unsur pembangunnya dari nilai moral. Metode yang digunakan adalah deskriptif. Teknik pengumpulan data adalah dokumentasi dan rekam.Hasil penelitian dalam tuturan transaksi jual-beli ini ditemukan nilai kejujuran, mandiri, tolong-menolong, dan kepedulian. Hal ini membuktikan bahwa nilai positif dalam kehidupan tidak hanya dapat digali dari karya sastra semata, tapi teori kesastraan yang berkaitan dengan nilai kerohanian ini dapat diterapkan dalam tuturan lisan sehari-hari, salah satunya pasar yang terdapat di tengah masyarakat. Kata kunci: nilai, kerohanian, transaksi  AbstractSpiritual value is one of the values that were born through a long process in a society that has a civilized culture. One element of spiritual values is moral value. This value is usually found in a variety of literary works. The present study is to examine the issue of spiritual value with different objects, namely the oral at a market in South Kalimantan, Nagara Market, at Upper South River. The theory used was related to spiritual values, one of which elements of the builder of moral values. The method used was descriptive. Data collecting techniques were documentating and recording. The results of research are that in speech of buying and selling is found the values of honesty, self-contained, helping, and caring. This proves that the positive values in life not only can be extracted from the literature alone, but literary theory related to spiritual values can be applied in everyday oral speech, one of which markets are in the community. Keywords: values, spirituality, transactions

scholarly journals PERKEMBANGAN SASTRA DI ERA BANI UMAYYAH (ANALISA KRITIS STRUKTURALISME-GENETIK)

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Akhmad Muzakki
Keyword(s):  
Literary Theory ◽  
Human Life ◽  
Literary Work ◽  
Social Condition ◽  
Literary Works ◽  
Culture Environment

Sociologically, literature is a reflection of culture environment and as a dialectical text between the author and his social condition. Due to this fact, to understand and interpret literary works, we not only need to know the literary theory but also the external problems, such as, those of religion, society, and politics. In other words, it can be said that a literary work is a very complicated work because basically it is the reflection of human life with various dimensions that influence it.

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