scholarly journals REVITALIZATION OF DRUPADI’S FEMINISM IN THE NOVEL OF DRUPADI PEREMPUAN POLIANDRIS BY SENA GUMIRA AJIDARMA

Humanus ◽  
2019 ◽  
Vol 18 (2) ◽  
pp. 181
Author(s):  
Wiyatmi Wiyatmi ◽  
Afendi Widayat ◽  
Andrian Eka Saputra

Drupadi is one of the female characters who have important roles and positions in the epic Mahabharata or wayang purwa in Java. In the Indian version Drupadi married five Pandavas. However, in the Javanese version she was only married to Yudhisthira. This paper discuss Drupadi Perempuan Poliandris novel as one of the works which is the reception and transformation of Mahabharata version of India and Java, as a form of reception and transformation of Mahabharata version of India and Java, its existence is considered as a form of revitalization of the classic literary works, especially the character Drupadi using the perspective of feminist literary criticism. The results show that the Drupadi character depicted in the novel tends to return the identity of Drupadi in the Mahabharata of India as the wife of Pandawas after they won the competition held by King Drupada. This is in contrast to Drupadi in the Javanese wayang story depicting Drupadi as the wife Yudhisthira as the oldest Pandawa. In this  novel Drupadi figure is also described as a woman who not only has perfect beauty, but also very critical of her destiny that must be lived.

2021 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Tania Intan

Kelajangan dianggap sebagai hal yang tidak wajar pada perempuan dewasa. Penelitian dilakukan dengan tujuan mengungkap bagaimana perempuan lajang dan perjodohan ditampilkan di dalam novel “Jodoh Terakhir” (2016) karya Netty Vigiantini. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan sosiologi sastra dan kritik sastra feminis. Data berupa kata, frasa, dan kalimat dikumpulkan dengan teknik simak catat setelah melalui pemhacaan tertutup. Hasil penelitian menunjukkan bahwa perempuan lajang dianggap tidak wajar dan melanggar aturan, sehingga untuk mengembalikannya pada jalur normatif, perjodohan dijadikan solusi. Dalam novel, terungkap adanya resistensi dan negosiasi dari tokoh perempuan dalam menyikapi pernikahan yang dipaksakan kepadanya. Kecurigaan bahwa teks akan cenderung bersifat feminis tidak terbukti, karena wacana yang justru dikembangkan pengarang adalah kepatuhan anak perempuan pada konstruksi sosial yang ditanamkan melalui struktur keluarga.Katakunci: feminis, konstruksi sosial, lajang, perjodohan Abstract:Singleness is considered an unnatural thing for adult women. This research was conducted to reveal how single women and matchmaking are featured in Netty Vigiantini's novel Jodoh Terakhir (2016). The method used is descriptive qualitative with sociological literary approaches and feminist literary criticism. Data in the form of words, phrases, and sentences were collected using the note-taking technique after going through closed reading. The data are then classified, interpreted, and analyzed with relevant theories. The results of this study indicate that single women are considered unnatural and violate the rules, so to return them to the normative path, matchmaking is used as a solution. In the novel, it is revealed that there are resistance and negotiation from female characters in responding to the marriage that was forced on her. The suspicion that the text will tend to be feminist is not proven, because the discourse developed by the author is the obedience of girls to social constructs that are instilled through the family structure.Keywords: feminist, social construction, single, matchmaking


2018 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Najla R. Aldeeb

When Showalter (1981) coined the term gynocriticism to undermine feminist methodicide, feminist literary criticism established a clear methodological structure for application (as cited in Barry, 2009, pp. 17-20). However, as a result of technology, globalization and political changes, women suffer not only because of their gender but also because of their class, race or religion, which Crenchaw (1989) summarizes in the term “intersectionality” (p. 538). Shedding light on women’s multiple identities can help contemporary societies spot the discrimination that contemporary women suffer from; consequently, these societies can find solutions to eliminate the sources of women’s double marginalization. Race, class, ethnicity, religion and sexual orientation are intersecting loci of discriminations or privileges (McCall, 2005, p. 1771). Although this is a western paradigm, it can be applied to Saudi Arabian literature. The elements of gynocriticism and intersectionality are evident in the works of Raja Alem, a feminist writer from Mecca, Saudi Arabia and the first woman to win the International Prize for Arabic Fiction. Due to the dearth of structured feminist literary criticism in the Arab world, this paper traces the history of feminist literary criticism and applies a gynocritic-intersectional model to Raja Alem’s novel, The Dove’s Necklace (2012) in order to examine the projection of women and help close the research gap in Arabic feminist criticism. The researcher probes the biological, linguistic, psychoanalytical and cultural depiction of the female characters in the novel along with their intersectional identities. The findings show that women’s overlapping identities influence the way they experience oppression and discrimination.


TOTOBUANG ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 43-60
Author(s):  
Zahrotun Ulfah

The practice of trafficking in women is still a phenomenon in various countries, including Indonesia. In fact, this problem has been raised into the literary work, Remi Silado's Mimi lan Mintuna. This novel tells the story of Indonesian women who were trafficked to Bangkok for the purpose of sexual exploitation. This study was conducted to reveal the practice of trafficking in women reflected in literary works as the author's response to the social realities that exist in society. This study uses the theory of socialist feminist literary criticism which considers that gender injustice experienced by women is caused by a marriage between patriarchy and capitalism. The method used is descriptive qualitative to understand the phenomenon on the subject of the study and use the assistive method of reading as a woman. Reading as a Woman is the awareness of gender differences in the process of reading literary works that also influence the meaning. The results of this study reveal that the practice of trafficking in women reflected in the novel, there are various gender injustices that are manifested in forms such as making women as objects of violence, sexual objects, economic marginalization, and the formation of stereotypes on women namely as submissive creatures and easily conquered. In response, this study also revealed feminist ideas as a rejection of gender injustice experienced. These feminist ideas include women's liberation from male domination, women who have strength and courage, women's ability to determine their destiny, women who are economically independent, and women who have intelligence. Praktik perdagangan perempuan masih menjadi fenomena di berbagai negara, termasuk Indonesia. Bahkan, masalah tersebut telah diangkat ke dalam karya sastra, Mimi lan Mintuna karya Remy Silado. Novel ini bercerita tentang perempuan-perempuan Indonesia yang diperdagangkan ke Bangkok dengan tujuan ekploitasi seksual. Kajian ini dilakukan untuk mengungkapkan praktik perdagangan perempuan yang tercermin di dalam karya sastra sebagai respons pengarang terhadap realitas sosial yang ada dalam masyarakat. Kajian ini menggunakan teori kritik sastra feminis sosialis yang menganggap bahwa ketidakadilan gender yang dialami perempuan disebabkan oleh perkawinan antara patriarki dan kapitalisme. Metode yang digunakan adalah deskriptif kualitatif untuk memahami fenomena pada subjek kajian serta menggunakan metode bantu yaitu reading as a women.Reading as a Women ialah adanya kesadaran perbedaan jenis kelamin dalam proses pembacaan karya sastra yang turut memengaruhi dalam pemaknaan karya sastra. Hasil kajian ini mengungkap bahwa praktik perdagangan perempuan yang tercermin dalam novel, terdapat berbagai ketidakadilan gender yang termanifestasikan ke dalam bentuk seperti menjadikan perempuan sebagai objek kekerasan, objek seksual, marginalisasi ekonomi, serta pembentukan stereotipe pada perempuan yakni sebagai makhluk penurut dan mudah ditaklukkan. Sebagai responsnya, kajian ini juga mengungkap  ide feminis sebagai penolakan atas ketidakadilan gender yang dialami. Ide-ide feminis tersebut, diantaranya pembebasan perempuan terhadap dominasi laki-laki, perempuan yang memiliki kekuatan dan keberanian, kemampuan perempuan dalam menentukan nasibnya, perempuan yang mandiri secara ekonomi, dan perempuan yang memiliki kecerdasan.


Author(s):  
Yanuar Bagas Arwansyah ◽  
Nanda Saputra

Women are so close to idioms such as adversity, oppression, even to the "concept" that is already accepted by most people, that they are "objects" not "subjects" for men. Gender inequality is manifested in various forms of injustice that occur at various levels of society. This study aims to analyze the personality of the female characters, the gender injustice experienced by the female characters, and the value of character education contained in the novel Bumi Manusia by Pramoedya Ananta Toer. This study uses a qualitative descriptive technique. The object of this research is the meaning of the existence of women in the novel Bumi Manusia by Pramoedya Ananta Toer, a review of feminist literary criticism. The data in the research are in the form of dialogues, paragraphs, and narrations contained in the novel Bumi Manusia by Pramoedya Ananta Toer. Based on the results of the analysis and discussion, the data shows that the author describes several female characters who experience gender bias treatment, namely Nyai Ontosoroh, Annelies, Maiko, Min Hwa, and Sie-sie. The novel Bumi Manusia tends to use socialist feminism. Gender injustice experienced by female characters is the marginalization of women, subordination of women, stereotypes of women, violence against women, and double workload against women.


LITERA ◽  
2020 ◽  
Vol 19 (3) ◽  
pp. 414-436
Author(s):  
Robiatul Adawiyah ◽  
Muakibatul Hasanah

Seiring berkembangnya zaman, tradisi yang mengengkang kebebasan kaum perempuan mulai diperjuangkan untuk dihapuskan melalui gerakan feminisme. Penyuaraan hak-hak perempuan tidak hanya dilakukan melalui gerakan-gerakan secara nyata, namun juga dilakukan secara halus dengan memasukkan ideologi-ideologi feminsime melalui karya sastra. Penelitian ini bertujuan mendeskripsikan bentuk ketidakadilan gender dan bentuk perlawanan perempuan terhadap stigma inferioritas yang selama ini melekat pada diri perempuan. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah novel Midah (Si Manis Bergigi Emas) karya Pramoedya Ananta Toer dan novel Di Balik Kerling Saatirah karya Ninik M. Kuntarto. Teknik yang digunakan untuk mengumpulkan data-data bentuk feminisme yang ada di dalam kedua novel tersebut adalah dengan membaca kritis dan membaca berkesinambungan. Analisis dilakukan dengan cara (1) kodifikasi data, (2) pengelompokan data, (3) interpretasi makna teks, (4) deskripsi bentuk ketidakadilan gender dan bentuk perlawanan gender, serta (5) penyimpulan hasil analsisis. Hasil penelitian sebagai berikut. Pertama, ketidakadilan gender dialami oleh dua sosok perempuan dalam dua novel berbeda, yaitu Midah dan Saatirah. Midah mendapatkan perlakuan tidak adil dari perjodohan yang dilakukan oleh orangtuanya dan dia juga mendapatkan ketidakadilan dari sosok pria yang menjadikannya budak pemuas nafsu. Saatirah mendapatkan perlakuan tidak adil dalam hubungan rumah tangganya. Kedua, bentuk perlawanan yang dilakukan oleh Midah dan Saatirah adalah dengan berusaha bangkit dari keterpurukan untuk membuktikan eksistensinya dan berusaha memperoleh kebahagian dengan cara yang mereka kehendaki tanpa ada campur tangan dari orang lain. Kata Kunci: stigma, inferioritas, marginal, feminismAGAINST THE STIGMA OF WOMEN’S INFERIORITY IN MIDAH (SI MANIS BERGIGI EMAS) A NOVEL BY PRAMOEDYA ANANTA TOER  AND DI BALIK KERLING SAATIRAH A NOVEL BY NINIK M. KUNTARTO AbstractAlong with the development of the times, struggles for traditions that curb the freedom of women began to be eliminated through the feminism movement. Voicing women's rights is not only done through real movements, but also subtly by incorporating feminine ideologies through literary works. This study aims to describe the form of gender injustice and the form of women's resistance to the inferiority stigma that has been attached to women. This study uses a feminist literary criticism approach. Sources of research data are the novel Midah (Si Manis Bergigi Emas) by Pramoedya Ananta Toer and the novel Di Balik Kerling Saatirah by Ninik M. Kuntarto. The technique used to collect data on the forms of feminism in both novels is critical reading and continuous reading. The analysis was carried out by (1) data codification, (2) data grouping, (3) interpretation of the meaning of the text, (4) descriptions of forms of gender injustice and forms of gender resistance, and (5) concluding the results of the analysis. The research results are as follows. First, gender injustice is experienced by two female figures in two different novels, namely Midah and Saatirah. Midah received unfair treatment from an arranged marriage by her parents and he also received injustice from a male figure who made her a slave to the satisfaction of lust. Saatirah received unfair treatment in her household relationship. Second, the form of resistance carried out by Midah and Saatirah is to try to rise from adversity to prove their existence and try to get happiness in the way they want without interference from others. Keywords: stigma, inferiority, marginal, feminine


Lire Journal ◽  
2019 ◽  
Vol 3 (2) ◽  
pp. 147-164
Author(s):  
M Afifulloh

This paper aims to describe the female characters in the novel Kabar Bunga by Marsiraji Thahir, the conflicts and its causes, and the impact of the conflicts experienced by women in the novel Kabar Bunga by Marsiraji Thahir. This novel is examined by a psychological approach in literature, a literary approach that emphasizes the psychological aspects of the types and laws of psychology that can be applied to literary works. The data is qualitative since the purpose of this research is to explain or describe the phenomena of the researches deeply. The data were obtained by categorizing all the related dialogues in the story, then psychologically analyzed. Triangulation was used to validate the data.  After finishing all the steps of analyzing data, the interpretations were made based on the data and the theory. The results of the research were, psychologically, the main character in this novel is described as a person who often feels worried, frightened, keeping the reality up, and she is burdened by the problems faced. This portrayal is the representation of Wulan as a woman and woman emotionally and mentally is depicted as a weakness persona without having the ability to solve the problems.


Author(s):  
Haalin Mawaddah ◽  
Suyitno Suyitno ◽  
Raheni Suhita

This study analysed the problems caused by the patriarchal culture and the Javanese women’s effort to get their existence in society. The novel Para Priyayi by Umar Kayam was one of the literary works that was thick with Javanese culture. This study used the theory of existentialist feminism Simone de Beauvoir (De Beauvoir, 1949). The result of this research was the Javanese female characters in the novel Para Priyayi by Umar Kayam experienced injustice due to the patriarchal culture. However, Javanese women leaders made efforts, so they could bring out their existence in the private and public. The existence raised by Javanese female figures in the form of women can become someone who can become an intellectual woman.


GERAM ◽  
2019 ◽  
Vol 7 (1) ◽  
pp. 81-89
Author(s):  
Noni Andriyani ◽  
Wilda Srihastuty Handayani Piliang

Environmental literary works appear as a form of literary sensitivity to society and the environment which has specific environmental tendencies. Studies using the theory of ecological literature began in around 2008 and above with a very limited number. Therefore, the development of studies of literary works with this theory is very necessary. The creation of public opinion about the importance of protecting the environment to reduce the impact of global warming is very necessary. Later, through several novels, authors have done it. However, not all messages in the novel are clearly conveyed so that they still need ecological literary criticism to understand them. Based on this, the problem raised in this study is "What is the ecological literary criticism of Indonesia's latest novels?". Data collection and data analysis is done by descriptive and content analysis methods. Data are classified and analyzed with ecological literary concepts according to Garrard including (1) pollution; (2) wilderness; (3) disaster; (4) housing / residence; (5) animals; and (6) earth. The research findings and discussion show that Indonesia's latest novels are friendly with their environment, want to describe as much detail as possible about the universe, worship nature, and are always interested in natural changes. Ecological literary concepts are contained in Indonesia's latest novels to describe the natural situation as well as to criticize human treatment of nature. Indonesia's latest novels teach that an attitude of compassion for nature gives rise to desire and behavior to protect and preserve nature as well as possible.


Author(s):  
Shokhikhatul Khasanah

This study was aimed to analyze the aspects of Romanticism manifested in the novel “The Revolt in Paradise” and behavior of character reflects Romanticism in “The Revolt in Paradise”. This study was based on the descriptive-qualitative research since the findings were going to be presented in a descriptive form. The data to be analyzed are gathered from two sources. The primary source is the novel itself; The Revolt in Paradise and the secondary sources includes many appropriate documents in the form of literary works, previous thesis, biography, theories and literary criticism, dictionaries and etc. Related to the instrument, the researcher employed herself as the human instrument. The data were analyzed through underlying and labeling. The result of the study found that there four aspects of Romanticism manifested in the novel; The Revolt in Paradise, they were: the love of nature, the memories of the past, the horror /gothic setting and the emotion; included; love, anger and hatred. This study also found that The Revolt in Paradise gave the vivid depiction of the Nationalism as the major behavior reflects Romanticism.


2018 ◽  
Vol 18 (1) ◽  
Author(s):  
Yulianeta Yulianeta

This research rests on the phenomenon that literary works are not born from cultural vacuum and social emptiness. The pre-Balai Pustaka Indonesian novels mark the public's awareness of the importance of education so that it cannot be separated from its social cultural system. The issue of the importance of women's education and equality discourse has been spawned in pre-Balai Pustaka Indonesian novels. This is important to be reflected as an effort to enrich the literary treasures of Indonesia that often side-stepped pre-Balai Pustaka literary works. Three pre-Balai Pustaka Indonesia novels that raise issues of women's education and equality discourse show the concern of Indonesian authors on issues related to women's education. This research seeks to explore the discourse of equality in three pre-Balai Pustaka Indonesian novels buried in the course of Indonesian literature. Therefore, feminist literary criticism and gender perspective are used. The results of this study contribute to the world of Indonesian literature, especially the activities of Indonesian literary criticism that reflect the presence of pre-Balai Pustaka Indonesia novels for the development of literary criticism in the present time and the future.


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