Metaphoric national accents in the novels by Ransom Riggs and Mariam Petrosyan (“Miss Peregrine’s Home for Peculiar Children”–“The House in Which...”)

2021 ◽  
Vol 7 (3) ◽  
pp. 407-415
Author(s):  
Andrey Gurduz
Keyword(s):  
Comparative Analysis ◽  
Literary Study ◽  
Artistic Process ◽  
Second Nature ◽  
First Time ◽  
Urban Fantasy

The article provides an aspectual literary assessment of R. Riggs's pentalogy and M. Petrosyan’s trilogy (“Miss Peregrine’s Home for Peculiar Children”–“The House in Which...”) based on a comparative analysis of the works. Demonstrates the relevance of the fantasy genre in modern literary study, in particular, the strengthening of myth-making processes and the corresponding growth of influence of the fantasy component in the literary and artistic process of the first decades of the XXI century. It is shown that urban fantasy as one of the most productive varieties of the genre subtly reflects the realities and prospects of the “second nature” of the contemporary and receives an increasing ideological load in the XXI century. For the first time the main configurative fantasy parameters of the cycle in the context of the crisis of mythmaking of the early XXI century are defined.

Intuitionistic fuzzy two-factor variance analysis of movie ticket sales

2021 ◽  
pp. 1-11
Author(s):  
Velichka Traneva ◽  
Stoyan Tranev
Keyword(s):  
Comparative Analysis ◽  
Real Data ◽  
Intuitionistic Fuzzy Sets ◽  
Real Numbers ◽  
Data Set ◽  
Important Method ◽  
Ticket Sales ◽  
Intuitionistic Fuzzy ◽  
The One ◽  
First Time

Analysis of variance (ANOVA) is an important method in data analysis, which was developed by Fisher. There are situations when there is impreciseness in data In order to analyze such data, the aim of this paper is to introduce for the first time an intuitionistic fuzzy two-factor ANOVA (2-D IFANOVA) without replication as an extension of the classical ANOVA and the one-way IFANOVA for a case where the data are intuitionistic fuzzy rather than real numbers. The proposed approach employs the apparatus of intuitionistic fuzzy sets (IFSs) and index matrices (IMs). The paper also analyzes a unique set of data on daily ticket sales for a year in a multiplex of Cinema City Bulgaria, part of Cineworld PLC Group, applying the two-factor ANOVA and the proposed 2-D IFANOVA to study the influence of “ season ” and “ ticket price ” factors. A comparative analysis of the results, obtained after the application of ANOVA and 2-D IFANOVA over the real data set, is also presented.

Comparative analysis of the effect of epibrassinolide and 6-benzylaminopurine on the key components of the glutathione complex in the roots of wheat seedling under salinity.

Biomics ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 20-26
Author(s):  
D.R. Maslennikova ◽  
F.M. Shakirova
Keyword(s):  
Comparative Analysis ◽  
Wheat Seedling ◽  
Glutathione System ◽  
Glutathione S Transferase ◽  
Wheat Seedlings ◽  
Comparable Level ◽  
Endogenous Cytokinins ◽  
Main Components ◽  
First Time

The study carried out a comparative analysis of the effect of 24 epibrassinolide (EB) and 6-benzylaminopurine (BAP) on the growth and state of the main components of the glutathione system in the roots of wheat seedlings under the action of 2% NaCl, which for the first time revealed the ability of these phytohormones to similarly stabilize stress-induced decrease GSH / GSSG ratio, positively regulate the activity of glutathione reductase and glutathione-S-transferase. A comparable level of protective effect of BAP and EB on root length was revealed. The data obtained indicate that endogenous cytokinins may play the role of hormonal intermediates in the implementation of the protective.

scholarly journals Prilog poznavanju djelovanja Mateja Andrijina Moronzona*

Ars Adriatica ◽  
2016 ◽  
pp. 103
Author(s):  
Barbara Španjol-Pandelo
Keyword(s):  
Comparative Analysis ◽  
Virgin Mary ◽  
Main Role ◽  
Huge Number ◽  
General Acceptance ◽  
Parish Church ◽  
Archival Documents ◽  
First Time ◽  
Selection Of

Matteo Moronzon, a member of the Venetian family of woodcarvers, was mentioned for the first time in 1407 according to the present known archival documents. Probably after being trained in his father's workshop in Venice, he moved to Zadar with his family – his wife Francisca and sons Pietro and Francesco. In 1418 he undertook the commission of furnishing carved choir stalls for the cathedral of St. Anastasia in Zadar. Various archival documents testify that Matteo lived and worked in Zadar for many years. Therefore it can be assumed that he probably founded his own workshop in Zadar where his son Francesco was trained too. Apart from the attempt to reconstruct Matteo's life and career, the aim of this paper is to interpret one important woodcarving work of art preserved in situ: choir stalls in the former cathedral of Rab, today the arch parish church of the Assumption of the Blessed Virgin Mary in Rab. Without doubt Matteo was the master carver in the production of the choir stalls in Zadar. Since he lived in Zadar it was not unusual that he had the main role in carving the stalls. In Zadar the selection of motives is more balanced and there are no significant differences in the modelling of decorative elements. However, the question whether Matteo carved absolutely everything or he had assistants arises. Considering the amount of work that had to be done it must be assumed that he had assistants who participated in work and helped him to shape the stalls. However, in literature Matteo was considered the only and undisputed author of the choir stalls in Zadar, mostly because of the preserved document. The analysis of the choir stalls in Rab by Ivo Petricioli as well as their evident formal and stylistic similarities with the stalls from the cathedral in Zadar have led to the general acceptance of the hypothesis that they were carved at the workshop of Matteo Moronzon. However, a comprehensive comparative analysis that could confirm that hypothesis was still missing. The analysis of the details and the whole led to the overall conclusion that there were a huge number of similarities between the choir stalls in Rab and Zadar. Therefore it was concluded that Matteo was the principal designer of the choir stalls in Rab who also carved the best parts in Rab, while others, less successful parts, were made by his apprentices and assistants who at the time lived on the island of Rab. In this respect, if Matteo was accepted as the author of the choir stalls of the cathedral in Zadar he must also be accepted as the author of the choir stalls from the excathedral in Rab.

scholarly journals Portraits of Undergraduate Discipline-Specific Thinking: Guiding Students from Novice to Proficient Learner

2020 ◽  
Vol 20 (2) ◽  
Author(s):  
Patricia Stovey ◽  
Tiffany Trimmer
Keyword(s):  
Undergraduate Students ◽  
Habits Of Mind ◽  
College Level ◽  
Student Centered ◽  
Cognitive Behaviors ◽  
Second Nature ◽  
Historical Methods ◽  
First Time

This case study presents our experiences, insights, and the pedagogical techniques used to guide undergraduate students toward discipline-specific thinking. It demonstrates the role of student-centered practices in moving students from what we categorize as novice to proficient, a common goal in rite-of-passage courses across the disciplines. Our study follows two semesters of students in undergraduate college-level Historiography and Historical Methods courses to identify common stumbling blocks encountered when learning contextualization (our discipline-specific thinking skill). We analyze students’ habits of mind, cognitive behaviors, and assumptions when learning to think differently. We present a qualitative portrait demonstrating the range of student cognitive behaviors as they attempt to move towards proficiency. As experts immersed in our fields of study and its practices, we can sometimes forget that what comes second-nature to us is far from natural to our students—regardless of their enthusiasm. We may overestimate the background knowledge that our students have, and underestimate the brain bandwidth required when trying—for the first time—to think differently.

scholarly journals TO THE QUESTION OF SUBSTANTIVISATION IN THE HUNGARIAN LANGUAGE IN COMPARISON WITH RUSSIAN

2021 ◽  
Vol 15 (2) ◽  
pp. 202-213
Author(s):  
Antonina Petrovna Guskova
Keyword(s):  
Comparative Analysis ◽  
Word Formation ◽  
Natural Phenomenon ◽  
Theoretical Point ◽  
Russian Linguistics ◽  
Parts Of Speech ◽  
Semantic Models ◽  
Different Types ◽  
Similarities And Differences ◽  
First Time

Recently transposition became the issue of many research papers for being a complicated and sophisticated language phenomenon, and its definition has been broadened. The issue of transposition and the degrees of verb transitivity are the most controversial and difficult ones both in Hungarian and Russian linguistics. This issue may be investigated on different language levels: lexical, syntactic, morphological and on the level of word formation. Taking into account the mobility of parts of speech boundaries in the compared languages we attempt to find the cause of words transitioning from one lexico-grammatical class into another, investigate transposition as a natural phenomenon both for the Hungarian and Russian languages, differentiate transition in parts of the speech system from other language phenomena, solve some contentious issues regarding parts of speech, for example ‘noun-adjective’ relations, and others. Despite having extensive literature concerning nominalization in Russian linguistics and some works in Hungarian linguistics, some aspects are not comprehensively covered in them. For example, different types of transitions from other parts of speech into nouns, thorough semantic and thematic categorization of substantivized words, characteristics of their functioning in texts of different functional styles, principles of creating lexicography, etc. In this article we compare the process of substantivation amidst the system of parts of speech in languages of such different structure as Hungarian and Russian. Comprehensive and comparative study of the process of transition of other parts of speech into nouns allows us to conduct a deeper investigation of each of these languages’ structure and also to reveal typological similarities and differences between them. These languages have not been explored this way so it provides scientific novelty to the research. For the first time we define the main conditions of a systematic process of transposition in Hungarian and Russian and reveal both specific and universal opportunities for transition in the compared languages. We use comparative analysis for researching semantic models of substantivized words, distinguish different types of transitions into nouns and describe structural and stylistic features. Thus, the topic of the research is the grammatical, semantic, structural and stylistic features of substantivized words in Hungarian and Russian. The objective of the study is to discover linguistic nature of substantivation of adjectives, verbs and verbal formations, numerals and pronouns, to find out specific and universal features caused by typological differences of the researched languages. To achieve this goal we need to solve the following problems: determining the place of substantivation in the system of word formation in Hungarian and Russian, discovering how much substantivation and conversion being productive ways of word formation are identical in Russian and Hungarian, distinguishing semantic models of substantivized words and compare them, comparing models of usual and occasional substantivation and determine its productivity, studying their structure which means showing peculiarities of substantivized words’ grammatical structure in Hungarian and Russian, discovering similarities and differences between them and finding adequate models. The research is based on data of dictionaries of Russian and Hungarian languages, examples of fictional texts, live speech and not the least on the idioms. Theoretical importance lies in the following: 1) the research develops the theory of transitivity as we study transposition in two languages of different structures using comparative analysis of substantivized words and taking into account grammatical, semantic and functional aspects; 2) using the materials of two languages of different structures we discover the main conditions of systematic transposition and distinguish its universal and specific features; 3) for the first time the problem of transposition is studied on the basis of Russian and Hungarian from a theoretical point of view (on the example of transition of other parts of speech into nouns); 4) we develop the methodology of a comprehensive approach to study substantivation in Hungarian and Russian which can be used when describing this phenomenon in other languages of different structures.

scholarly journals Pierre Boulez and Heinz Holliger: on the problem of transformation of a musical language

2020 ◽  
pp. 27-37
Author(s):  
Nadezhda Andreevna Petruseva
Keyword(s):  
Comparative Analysis ◽  
Music Perception ◽  
Comprehensive Approach ◽  
Cultural Authority ◽  
Musical Language ◽  
Pierre Boulez ◽  
Research Material ◽  
Solo Music ◽  
History Of ◽  
First Time

The article focuses on the problem of transformation of a musical language, the correlation between an esthetic guideline, an invention, a composition technique and a language. The author describes the two strategies of life and work of Pierre Boulez which allowed him to gain significant cultural authority, and enumerates the persons who had influenced Boulez’s esthetics. In a broad esthetic and philosophical context, the author shows the turn from the technique to the language in esthetical and theoretical texts of Pierre Boulez; describes the three concepts of the language, the period of synthesis following the period of rejection, and Boulez’s concerns about the problems of music perception. In the context of Boulez’s thesis about the unity of an invention, a technique and a language, the author considers the piece for viola “Trema” (1981) by Heinz Holliger, Boulez’s adherent. The author uses a comprehensive approach as a combination of elements of comparative analysis, musical phenomenology (focusing of mind on music structures), and hermeneutics (the process of understanding, interpreting). The research material is of a methodical importance for modern educational courses of theory and history of music. The author arrives at the conclusion that Boulez, as well as Kant, directs the concept of art towards Aristotle's category of “poiesis” as “craft and creation”; focuses on the overcoming of the esthetics of rejection (preceding the classic-romantic tradition) in Boulez’s turn to the period of “synthesis” which includes not only the turn from a technique to a language, but also electroacoustic “sound manufacturing”.  The following aspects of Hollinger’s “Trema” are considered for the first time: the idea, the principles of new solo music, the new technique. The author arrives at the conclusion about “Trema” belonging to the “multilayered music epoch” and that radical rethinking of a musical language sharpens communication.   

scholarly journals Comparative Analysis of Cognive Strategies of Nomination in Russian and English

2021 ◽  
Vol 4 (2) ◽  
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Lexical Semantics ◽  
Proper Nouns ◽  
Confectionery Products ◽  
The Mind ◽  
Structural Semantics ◽  
Linguistic Units ◽  
First Time ◽  
Confectionery Product

At this stage of the development of linguistics, proper nouns are considered to be linguistic units that are not adequately studied, and there is growing interest in proper nouns (or advertising names or commercial nominations), their structural semantics, functional semantics, linguistic culture, and psycholinguistic features, this paper for the first time conducts a comparative study of the material of confectionery product names that sell their Description of the main theoretical provisions on the concept of "ergonym", determine the on-name status of this language unit, consider and describe the names of confectionery products in terms of structure-grammar, lexical semantics and linguistic culture; conduct directional associative experiments to determine the validity of the mind actions of potential consumers on the names of confectionery products and check their informational.

Anton Grigoryevich Rubinstein and his Russian Publishers

2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
Historical Research ◽  
National Museum ◽  
Archival Documents ◽  
History Of ◽  
Publishing Houses ◽  
The 19Th Century ◽  
First Time ◽  
Extensive List

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.

Comparative analysis of the efficiency of oil–producing companies in Russia and the world

2020 ◽  
Author(s):  
Arina E. Link ◽  
◽  
Mikhail V. Mishenin ◽  
Keyword(s):  
Comparative Analysis ◽  
Oil And Gas ◽  
Distinctive Features ◽  
Foreign Companies ◽  
The World ◽  
Tax Deductions ◽  
Cost Of Production ◽  
Oil And Gas Companies ◽  
First Time ◽  
Oil And Gas Sector

The study compares domestic and foreign companies in the oil and gas sector for the first time and identifies the distinctive features of each group. The results of calculations showed that the profit of any large oil and gas company is affected by revenue, cost of production and the amount of tax deductions. Moreover, the refinancing rate of the country where the company is registered is important for the activities of oil and gas companies.

scholarly journals Dialect versions of the all-Russian phraseological units in dialects of Local Pechora

2020 ◽  
pp. 237-250
Author(s):  
I. S. Urmancheeva ◽  
Keyword(s):  
Comparative Analysis ◽  
Russian Federation ◽  
Komi Republic ◽  
Complex Investigation ◽  
Broad View ◽  
The North ◽  
The World ◽  
The Russian Federation ◽  
Research Objects ◽  
First Time

The paper presents a comparative analysis of the phraseological units of dialects of the Local Pechora and the all-Russian phraseological units of identical semantics (with a form variation) or an identical form (with a semantics variation). The Russian dialects of Local Pechora are a speech of aboriginals of the Ust-Tsilemsky Region of the Komi Republic of the Russian Federation. A complex description covers a big group of the Pechora phraseological units corresponding to the all-Russian phraseological units that are the research objects. The art features of dialect phraseological units are considered. Also, the analysis is made of the figura-tive basis reflecting a picture of the world of the inhabitant of the North. The relevance and scientific novelty of work is due to the fact that it is for the first time that this phraseological material is subjected to such a complex investigation. The main source of the study was the “Phraseological dictionary of the Russian dialects of the Lower Pechora”, with additional ma-terial taken from the “Dictionary of Russian dialects of the Komi Republic” and other dialect dictionaries. All-Russian phraseological units were taken from Russian phraseological dic-tionaries. The paper provides a broad view of the phraseological structure of the Russian lan-guage. The research has revealed phonetic, word-formative, morphological, syntactic, lexical, structural, quantitative and semantic dialectal variants of all-Russian phraseological units, as well as the phenomena of combined (mixed) variation. The comparative analysis allowed re-vealing the originality of the Pechora phraseological units that have preserved many archaic phenomena due to the long, isolated existence of a dialect in the conditions of interlingual contacts.

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