scholarly journals TRANSGRESI SEKSUAL DALAM NOVEL PARA PENEBUS DOSA KARYA MOTINGGO BUSYE (Sexual Transgression in Motinggo Busye’s “Para Penebus Dosa”)

2016 ◽  
Vol 7 (1) ◽  
pp. 35
Author(s):  
Ferry Fauzi Hermawan

Artikel ini bertujuan untuk menggambarkan transgresi seksual yang terdapat dalam novel Para Penebus Dosa karya Motinggo Busye. Metode yang digunakan dalam artikel ini adalah metode deskriptif analitis. Data dari novel dideskripsikan untuk memperoleh gambaran transgresi seksual. Dalam novel tersebut pelanggaran terhadap kebiasaan seksual, norma, dan kelas digambarkan melalui peristiwa seksual yang dialami oleh para tokoh, terutama tokoh perempuan. Hasil analisis menunjukkan bahwa tokoh perempuan digambarkan banyak melakukan tindak transgresi dibandingkan dengan tokoh laki-laki. Analisis juga menunjukkan bahwa narator dalam novel memiliki sikap bias gender dan mendukung nilai-nilai patriarki dengan lebih banyak memberikan hukuman terhadap tokoh perempuan yang melakukan tindak transgresi seksual dibandingkan kepada tokoh laki-laki.Abstract:The paper aims at describing sexual transgression in Motinggo Busye’s “Para Penebus Dosa”.  The research applies descriptive method. The sexual transgressions elaborated in the novel are presented through the deviance of sexual affairs, social norms, and class experienced by the characters, especially female character. The result of the research shows that  female characters described in the story committed a lot of sexual transgressions compared to male characters. The study also reveals that the narrator in the novel  has a gender bias act. Moreover, he supports values of patriarchy by giving more punishment to the female committing sexual transgression act than to the male.

2019 ◽  
Vol 13 (1) ◽  
pp. 11
Author(s):  
Citra Suryanovika ◽  
Irma Manda Negara

This research aimed at identifying the categories of slurs, presenting how swear words expressed in male or female characters of Bronte sisters’ novels, and examining the social status scale in presenting slurs. The research was a qualitative content analysis of which process was categorizing, comparing, and concluding. The researchers employed MAXQDA 2018.1 (the data analysis tool) for analyzing the samples of five female and male main characters of the novel of Emily Bronte (Wuthering Heights), Charlotte Bronte (Jane Eyre), and Anne Bronte (The Tenant of Wildfell Hall). The research has shown three out of nine Thurlow’s pejorative items (social personality, phallocentric, and sexist), the possible formation of social personality slurs, the identification of swear words for showing speakers’ emotional states, and the influence of social status scale on the expression of slurs. It proves that slurs and swear words are used to deliver a derogatory attitude. The sexist slurs are not only delivered from male characters to female characters, but it is also found in Catherine Earnshaw targeting Nelly although they have similar gender background (female). Slurs are found in the characters from both high and low social rank since the plot develops the relationship amongst the characters. One unexpected finding is the different swear words between the characters. Swear words found in the novel are not only dominated by the word devil, damn, or by hell, but also the word deuce and humbug. The varied swear words proves that the male characters do not dominantly produce swear words, but also euphemistic expression.


2019 ◽  
Vol 5 (1) ◽  
pp. 55-62
Author(s):  
Journal Journal ◽  
Maftuhah

Abstract: This study aims to describe and explain: (1) the struggle forgender equality of female characters in Ratih Kumala's novel KretekGirl, and (2) educational values in Ratih Kumala's novel Kretek Girl.This type of research is qualitative research. This study used descriptivequalitative method. Qualitative descriptive method is a researchprocedure that produces description data in the form of words. Theresearch data is a novel by Kretek Girl by Ratih Kumala.This study usesa feminism approach to describe the profile of female characters, thestruggle for gender equality, and the sociological approach of literatureto find out about the social conditions of the community in RatihKumala's novel Kretek Girl. The data collection technique used in thisstudy was to read the entire contents of the novel and document analysis.The results of this study are as follows: (1) The struggle for genderequality of female leaders in Ratih Kumala's novel Kretek Gadis isagainst forms of gender injustice in the form of (a) stereotypes, (b)marginalization of women, (c) subordination of work, and (d) internalviolence household. (2) Ratih Kumala's novel Kretek Girls educationalvalues include: (a) the value of religious education that emphasizesbetween humans and God, (b) the value of social education refers to therelationship of individuals to other individuals in a society (c) the valueof education morals that relate to the good or bad of human behavior,and (d) the value of cultural / customary education that is related totradition, people's habits.


2019 ◽  
Vol 19 (2) ◽  
pp. 43
Author(s):  
Fachrina Azura ◽  
Haru Deliana Dewi ◽  
Rahayu Surtiati Hidayat

<p><em>This paper investigates the translation strategies used in translating profanity in the novel The Catcher in the Rye and their effects on the narrator’s characterization. The purpose is to see the effects that certain translation strategies have on characterization, an important literary element. This paper will focus on Chapter 25, the penultimate chapter where the climax takes place. This paper uses statistics to examine the number of translation strategies used and the qualitative-descriptive method to examine the effects on the narrator’s characterization. The strategies will be classified based on Baker’s (2018) proposed strategies, while Nida’s (2012) argument regarding the importance of characterization will be the framework for evaluating the characterization. This paper finds that the Indonesian translator overwhelmingly used the strategies of softening and omission. This results in a significantly different characterization of the narrator, in which he becomes less irreverent and more conscious of social norms.</em></p><p><strong>Keywords</strong>: <em>characterization, literary translation, translation strategies, profanity</em></p><p>_________________________________________</p><p>DOI &gt; <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190205">https://doi.org/10.24071/joll.2019.190205</a></p><p><em><br /></em></p>


Author(s):  
A. Hariharasudan ◽  
S. Robert Gnanamony

Objective - The aim of the research is to identify the feminist strains in the postmodern Indian Fiction The God of Small Things (TGST). The researcher has planned to investigate the text systematically for seeking feministic values. Methodology/Technique - The study reviews previous literature. Findings - Gender bias and feminism are relevant themes explored by postmodernists. Arundhati Roy portrays the predicament of women through her female characters belonging to three generations in this novel. In the novel, a sense of antagonism and division also infuse the difference senses of identity among the different generation of women. It also generates a line of the clash between the older and the younger generation. Family and political customs play a key role in disadvantaging women. Social constrains are so built up as to sanctify the persecution of women. This is because, in most of the civilizations, social structures are basically patriarchal. Arundhati's novel challenges this position, though her avowed feminist stance. Novelty - Women across the globe worldwide, nationwide, regionally and may be capable of holding the influential note of feminism and being capable of deconstructing a constructive implication of their own femaleness and womanhood after reading this paper. Type of Paper: Review Keywords: Feminism; Gender Bias; Patriarchal; Postmodernism; Downtrodden. JEL Classification: B54, H83.


Author(s):  
Brian Brems

Paul Schrader’s connection with director Robert Bresson is often explored through his male characters, the ‘man in his room’ of Light Sleeper and American Gigolo, but Taxi Driver before them and First Reformed most recently. However, Schrader’s two primary experiments with female characters, Cat People (1982) and Patty Hearst (1988), also follow a similar Bressonian trajectory and end with each female character incarcerated, yet finding a kind of spiritual freedom that helps them realize their identities. This chapter explores Schrader’s women primarily through close examination of Cat People’s Irina (Nastassja Kinski) and Natasha Richardson’s eponymous heroine in Patty Hearst, but use his representation of women in the male-driven films for points of comparison and contrast. In addition, this chapter approaches Schrader’s women as reflections of his male characters, many of whom are driven by existential anxiety that motivates them to seek self-actualization in redemptive violence.


2020 ◽  
Vol 9 (1) ◽  
pp. 19-30
Author(s):  
Ramesh Prasad Adhikary

This research paper is focused on how Willa Cather portrays the inner rebellion and the passion of a female character, Marian Forrester in her novel A Lost Lady. She walks against the social norms and she is presented as a rigid character who dismantles the male created hierarchy woman as a subordinate being in the society. Though she is married and living happily with her husband, somewhere deep down in her heart she is not happy with her husband. Marian seems to transcend her husband’s order. At that time female were not allowed to enjoy their freedom like the males. Marian goes against male hegemony and to create her separate identity. As a qualitative research, by using radical feminism as a tool of interpretation, the researcher collected textual evidenced from Cather’s novel and interpreted them to fulfill the objective of this research. This research concludes that Cather’s Marian has dismantled the social hierarchy created by the male superiority or patriarchy in the novel.


2020 ◽  
Vol 1 (2) ◽  
pp. 17-26
Author(s):  
Ramesh Prasad Adhikary

This research paper is focused on how Willa Cather portrays the inner rebellion and the passion of a female character, Marian Forrester in her novel A Lost Lady. She walks against the social norms and she is presented as a rigid character who dismantles the male created hierarchy woman as a subordinate being in the society. Though she is married and living happily with her husband, somewhere deep down in her heart she is not happy with her husband. Marian seems to transcend her husband’s order. At that time female were not allowed to enjoy their freedom like the males. Marian goes against male hegemony and to create her separate identity. As a qualitative research, by using radical feminism as a tool of interpretation, the researcher collected textual evidenced from Cather’s novel and interpreted them to fulfill the objective of this research. This research concludes that Cather’s Marian has dismantled the social hierarchy created by the male superiority or patriarchy in the novel.


Author(s):  
Dr Maha Farouk Abdul Qader Al-Hindaw

This research is an attempt to reveal the manifestations of (Homosexuality), which is any attitude, deed or language issued by both men and women that says the inferiority of the female, and how women resist it at different levels, the most important of which is (language) in an Iraqi novelist text (Al- Muhboobat) by (Aliyah). Mamdouh) published by Dar Al- Saqi in Beirut in 2003, and the recipient of the Naguib Mahfouz Prize for Novel from the American University in Cairo in 2004. The method followed in this study was the analytical method, which came on three levels: 1. Quantitative content analysis: in which the number of male and female characters as they appeared in the novelistic text was compared. 2. The qualitative analysis of the content: It included a comparison between the specifications given to the male and female characters in the novelistic text. 3. Analyzing the homosexuality of the dominant language in the text: by which we mean the way in which language is employed in this text. The research concluded that the number of female characters exceeded the male characters in the novel. Andthe heroine’s desire for rejection, Suhaila, to the reality of tyranny and the invasion that she suffered in the homeland and exile through the rejection letter that represented her in the novel, in contrast to the state of complacency, surrender, and weakness suffered by the son Nader, which was represented by the letter of his machine that he adopted in the novel.


2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Yuting Liang

On the Road is the masterpiece of Kerouac who is one of the most important writers of “Beat Generation” in America in the mid-20th century. It is acclaimed to be the Bible of “Beat Generation”. The novel narrates the stories of how Dean and his friends——some representative characters of the Beats travelled across continental U.S. several times and searched for new lifestyles and new faith on the road. In this novel, male characters are the main characters and the descriptions of all the female characters account for just one sixth of the whole book. Although the portrayal of the female characters is not profound like that of the male characters, the different personalities Kerouac endued the female characters are also the highlights of the novel. As a novel with strong nature of autobiography, Kerouac put his attitude and emotion into his portrayal. So it also can be a reflection of Kerouac’s female concepts. This paper aims at analyzing the female characters in On the Road by studying the types of the female characters in the novel and summarizing Kerouac’s female concepts reflected from the novel.


2021 ◽  
Vol 38 (2) ◽  
Author(s):  
Munaza Hasan Nasir

  AbstractThis research aims to explore the gender equality or lack thereof in the Urdu textbooks taught in Punjab, Pakistan.  Gender bias in textbooks is an important but almost invisible and overlooked problem.  Five Urdu textbooks taught in primary government schools in Punjab were selected for critical discourse analysis.  Both qualitative as well quantitative research methods were adopted.  The number of female and male characters, portrayal of domestic and professional roles by both genders, and cosmetic bias was taken into account.  In all five books analyzed, 28% characters were women whereas remaining were male characters.  Female characters were mostly found in domestic situations with insignificant roles in the stories who did not have a name or an identity except being mothers.    The text was highly biased towards the male characters associating valor and strength with men only.  Since textbooks play a crucial role in the development of the children, it is important to remove the concealed gender bias in textbooks and acknowledge the changing roles of women in the Pakistani society in order to create a society that treats men and women equally.


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