From Japan to China: Another Interpretation of Taiko

2021 ◽  
pp. 67-78
Author(s):  
Li Yujie

Musical instruments change all the time. When an instrument is played in different contexts, it will show different functions. The same is true of taiko. When taiko came to Shanghai, involved people established an emotional connection with taiko in the process of playing taiko for a long time, and give taiko a new cultural function under their personal understanding, bringing taiko to their life, building another connection with the life of other taiko enthusiasts. At the same time, taiko also affects the performers' thoughts. Involved people also look for the value and purpose of their own existence through taiko in the process of performing taiko.

2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>This research is a descriptive study of the phenomenon of Senjang art performance in the context of ceremonial events in the community of Sekayu city. This study used a qualitative approach, with data collection carried out by observation, interviews, and documentation, and data presentation techniques in the form of analytical descriptive writing. The results of this study are in the form of descriptions of the development of Senjang art in the city of Sekayu, and textual descriptions of the presentation of Senjang performances which include; the composition of the presentation of Senjang art, aspects of Senjang literary text, transcription of vocal music melodies, transcription of the main melody form of the musical instruments of Senjang, aspects of the players, the audience, and the place of the performance. </span><span>Senjang is one of the traditional arts that has developed in Musi Banyuasin district, especially the city of Sekayu. Senjang is an oral literature of the type of pantun and talibun which in its presentation is combined with music and dance. This art has been inherited from generation to generation for a long time by the Musi Banyuasin community, especially the city of Sekayu. Senjang art initially only developed in Sungai Keruh sub-district, but over time this art began to develop in other areas around it, including in Babat Toman sub-district, Sanga Desa sub-district, and Sekayu district. In terms of the performance, Senjang is presented by telling rhymes spontaneously either singly (one person) or spoken by two people (usually in pairs) in an integrated manner, and accompanied by music. The accompaniment music in Senjang presentation usually uses a single organ, and there are some who use a single guitar, with the playing of short melodies that are repeated. In its presentation, the Senjang vocal music speech with accompanying musical instruments is not played simultaneously, but is played alternately. </span></p><p><span>Keyword : </span><span>Presentation Form, Senjang, Sekayu City<br /> </span></p></div></div></div>


2020 ◽  
Vol 19 (4) ◽  
pp. 96-103
Author(s):  
M.V. Lavrik ◽  

this article pays the attention of teachers and students to some achievements of neurophysiology and psychology in the development of mental motor and human activity. The issue of the development of the mental and psychological process among students of musical instruments as a component of pedagogical activity for a long time in performing pedagogy was not properly touched upon. For a long time, the main goal in training performers in all specialties was the purely technical equipment of the student. Practice teachers were engaged only in the development of motor and motor techniques. It was believed that long mechanical repetitions of the musical text will contribute to the improvement of performing skills. Nowadays, the problem of the psychological activity of the spiritual musician, to which this work is devoted, is deeply studied.


2016 ◽  
Vol 40 (3) ◽  
pp. 22-40 ◽  
Author(s):  
Stefania Serafin ◽  
Cumhur Erkut ◽  
Juraj Kojs ◽  
Niels C. Nilsson ◽  
Rolf Nordahl

The rapid development and availability of low-cost technologies have created a wide interest in virtual reality. In the field of computer music, the term “virtual musical instruments” has been used for a long time to describe software simulations, extensions of existing musical instruments, and ways to control them with new interfaces for musical expression. Virtual reality musical instruments (VRMIs) that include a simulated visual component delivered via a head-mounted display or other forms of immersive visualization have not yet received much attention. In this article, we present a field overview of VRMIs from the viewpoint of the performer. We propose nine design guidelines, describe evaluation methods, analyze case studies, and consider future challenges.


2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Irfan Kurniawan ◽  
Juli Saputra

This research is a descriptive study of the phenomenon of Senjang art performance in the context of ceremonial events in the community of Sekayu city. This study used a qualitative approach, with data collection carried out by observation, interviews, and documentation, and data presentation techniques in the form of analytical descriptive writing. The results of this study are in the form of descriptions of the development of Senjang art in the city of Sekayu, and textual descriptions of the presentation of Senjang performances which include; the composition of the presentation of Senjang art, aspects of Senjang literary text, transcription of vocal music melodies, transcription of the main melody form of the musical instruments of Senjang, aspects of the players, the audience, and the place of the performance. Senjang is one of the traditional arts that has developed in Musi Banyuasin district, especially the city of Sekayu. Senjang is an oral literature of the type of pantun and talibun which in its presentation is combined with music and dance. This art has been inherited from generation to generation for a long time by the Musi Banyuasin community, especially the city of Sekayu. Senjang art initially only developed in Sungai Keruh sub-district, but over time this art began to develop in other areas around it, including in Babat Toman sub-district, Sanga Desa sub-district, and Sekayu district. In terms of the performance, Senjang is presented by telling rhymes spontaneously either singly (one person) or spoken by two people (usually in pairs) in an integrated manner, and accompanied by music. The accompaniment music in Senjang presentation usually uses a single organ, and there are some who use a single guitar, with the playing of short melodies that are repeated. In its presentation, the Senjang vocal music speech with accompanying musical instruments is not played simultaneously, but is played alternately.


Author(s):  
M. Iwatsuki ◽  
Y. Kokubo ◽  
Y. Harada ◽  
J. Lehman

In recent years, the electron microscope has been significantly improved in resolution and we can obtain routinely atomic-level high resolution images without any special skill. With this improvement, the structure analysis of organic materials has become one of the interesting targets in the biological and polymer crystal fields.Up to now, X-ray structure analysis has been mainly used for such materials. With this method, however, great effort and a long time are required for specimen preparation because of the need for larger crystals. This method can analyze average crystal structure but is insufficient for interpreting it on the atomic or molecular level. The electron microscopic method for organic materials has not only the advantage of specimen preparation but also the capability of providing various information from extremely small specimen regions, using strong interactions between electrons and the substance. On the other hand, however, this strong interaction has a big disadvantage in high radiation damage.


Author(s):  
YIQUN MA

For a long time, the development of dynamical theory for HEER has been stagnated for several reasons. Although the Bloch wave method is powerful for the understanding of physical insights of electron diffraction, particularly electron transmission diffraction, it is not readily available for the simulation of various surface imperfection in electron reflection diffraction since it is basically a method for bulk materials and perfect surface. When the multislice method due to Cowley & Moodie is used for electron reflection, the “edge effects” stand firmly in the way of reaching a stationary solution for HEER. The multislice method due to Maksym & Beeby is valid only for an 2-D periodic surface.Now, a method for solving stationary solution of HEER for an arbitrary surface is available, which is called the Edge Patching method in Multislice-Only mode (the EPMO method). The analytical basis for this method can be attributed to two important characters of HEER: 1) 2-D dependence of the wave fields and 2) the Picard iteractionlike character of multislice calculation due to Cowley and Moodie in the Bragg case.


Author(s):  
Yimei Zhu ◽  
J. Tafto

The electron holes confined to the CuO2-plane are the charge carriers in high-temperature superconductors, and thus, the distribution of charge plays a key role in determining their superconducting properties. While it has been known for a long time that in principle, electron diffraction at low angles is very sensitive to charge transfer, we, for the first time, show that under a proper TEM imaging condition, it is possible to directly image charge in crystals with a large unit cell. We apply this new way of studying charge distribution to the technologically important Bi2Sr2Ca1Cu2O8+δ superconductors.Charged particles interact with the electrostatic potential, and thus, for small scattering angles, the incident particle sees a nuclei that is screened by the electron cloud. Hence, the scattering amplitude mainly is determined by the net charge of the ion. Comparing with the high Z neutral Bi atom, we note that the scattering amplitude of the hole or an electron is larger at small scattering angles. This is in stark contrast to the displacements which contribute negligibly to the electron diffraction pattern at small angles because of the short g-vectors.


Author(s):  
M. G. Burke ◽  
M. N. Gungor ◽  
M. A. Burke

Intermetallic matrix composites are candidates for ultrahigh temperature service when light weight and high temperature strength and stiffness are required. Recent efforts to produce intermetallic matrix composites have focused on the titanium aluminide (TiAl) system with various ceramic reinforcements. In order to optimize the composition and processing of these composites it is necessary to evaluate the range of structures that can be produced in these materials and to identify the characteristics of the optimum structures. Normally, TiAl materials are difficult to process and, thus, examination of a suitable range of structures would not be feasible. However, plasma processing offers a novel method for producing composites from difficult to process component materials. By melting one or more of the component materials in a plasma and controlling deposition onto a cooled substrate, a range of structures can be produced and the method is highly suited to examining experimental composite systems. Moreover, because plasma processing involves rapid melting and very rapid cooling can be induced in the deposited composite, it is expected that processing method can avoid some of the problems, such as interfacial degradation, that are associated with the relatively long time, high temperature exposures that are induced by conventional processing methods.


Author(s):  
Shailesh R. Sheth ◽  
Jayesh R. Bellare

Specimen support and astigmatism correction in Electron Microscopy are at least two areas in which lacey polymer films find extensive applications. Although their preparation has been studied for a very long time, present techniques still suffer from incomplete release of the film from its substrate and presence of a large number of pseudo holes in the film. Our method ensures complete removal of the entire lacey film from the substrate and fewer pseudo holes by pre-treating the substrate with Gum Arabic, which acts as a film release agent.The method is based on the classical condensation technique for preparing lacey films which is essentially deposition of minute water or ice droplets on the substrate and laying the polymer film over it, so that micro holes are formed corresponding to the droplets. A microscope glass slide (the substrate) is immersed in 2.0% (w/v) aq. CTAB (cetyl trimethyl ammonium bromide)-0.22% (w/v) aq.


Author(s):  
K.-H. Herrmann ◽  
W. D. Rau ◽  
R. Sikeler

Quantitative recording of electron patterns and their rapid conversion into digital information is an outstanding goal which the photoplate fails to solve satisfactorily. For a long time, LLL-TV cameras have been used for EM adjustment but due to their inferior pixel number they were never a real alternative to the photoplate. This situation has changed with the availability of scientific grade slow-scan charged coupled devices (CCD) with pixel numbers exceeding 106, photometric accuracy and, by Peltier cooling, both excellent storage and noise figures previously inaccessible in image detection technology. Again the electron image is converted into a photon image fed to the CCD by some light optical transfer link. Subsequently, some technical solutions are discussed using the detection quantum efficiency (DQE), resolution, pixel number and exposure range as figures of merit.A key quantity is the number of electron-hole pairs released in the CCD sensor by a single primary electron (PE) which can be estimated from the energy deposit ΔE in the scintillator,


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