MAKNA KODE VISUAL DALAM SCENE FILM ANIMASI “ BATTLE OF SURABAYA”

The animated film "Battle of Surabaya" is one of the nation's children's work that is able to win various awards, both at national and international levels. In some scenes in this animated film, there is a visual code that contains information or messages delivered to the audience (audience). Through observing several scenes, it is found that there is a meaning of the visual codes contained in the scene. This study aims to analyze the aesthetic visual codes contained in the first, middle and end scenes of the animated film "Battle of Surabaya". Data collected through observation and literature study. Theories used as analysis are semiotics and postmodern aesthetic codes. The results of this study indicate that the meaning of the visual code in the animated film scene "Battle of Surabaya" namely: in the first scene, the action or action of the Indonesian government declared independence from the Dutch East Indies government as an act of the past that needed to be made; the scene is explaining the rejection of Indonesian independence, this action as the style of an animator in the sequence before and next; the final scene depicts the action of the main character (Musa) who unites the storyline sequence of the animated film "Battle of Surabaya", one of which implements the cultural value of please help as an act of popularizing Indonesian culture.

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POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

Dialektika Jurnal Bahasa Sastra dan Pendidikan Bahasa dan Sastra Indonesia ◽

10.15408/dialektika.v6i1.12767 ◽

2019 ◽

Vol 6 (1) ◽

pp. 95-113

Author(s):

Novi Diah Haryanti

Keyword(s):

Short Stories ◽

Short Story ◽

Main Character ◽

The Past ◽

Child Relationship ◽

Mother And Child ◽

Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun), Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.

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Shopping Centres, Cycling Accessibility and Planning—The Case of Nova Lund in Sweden

Urban Science ◽

10.3390/urbansci4040070 ◽

2020 ◽

Vol 4 (4) ◽

pp. 70

Author(s):

Till Koglin ◽

Lucas Glasare

Keyword(s):

Conflicts Of Interest ◽

Current Situation ◽

Decision Makers ◽

Power Structures ◽

Literature Study ◽

Shopping Centre ◽

The Past ◽

Whole Process ◽

The Subject

This paper evaluates the history and cycling accessibility of Nova, a shopping centre established in Lund, Sweden, in 2002. The current situation was also analysed through observation and a literature review. Moreover, the study conducted a closer analysis of the history and role of the municipality based on further literature study and interviews with officials. The conclusion of the analysis indicates poor and unsafe bikeways caused by conflicts of interest between politicians, officials, landowners and the general public. It also depicts a situation in which the municipality’s master plan has been ignored, and, in contrast to the local goals, cycling accessibility at Nova has seen no significant improvement since the shopping centre was first established. The reasons for this, arguably, are a relatively low budget for bikeway improvements in the municipality, as well as a situation in which decision-makers have stopped approaching the subject, as a result of the long and often boisterous conflicts it has created in the past. Lastly, it must be noted that it is easy to regard the whole process of Nova, from its establishment to the current situation, as being symptomatic of the power structures between drivers and cyclists that still affect decision-makers at all levels.

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Portrait of the artist as a philosopher

Adaptive Behavior ◽

10.1177/1059712321994688 ◽

2021 ◽

pp. 105971232199468

Author(s):

Jeannette Pols

Keyword(s):

Know How ◽

The Past ◽

Aesthetic Practice ◽

The Creation ◽

The Aesthetic ◽

The Relationship

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?

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Hajj Transportation of Netherlands East Indies, 1910-1940

Heritage of Nusantara International Journal of Religious Literature and Heritage ◽

10.31291/hn.v2i1.104 ◽

2016 ◽

Vol 2 (1) ◽

pp. 119-147

Author(s):

Erlita Tantri

Keyword(s):

Eighteenth Century ◽

Poor Condition ◽

East Indies ◽

Secondary Sources ◽

The Past ◽

Netherlands East Indies ◽

State Authority ◽

Historical Phenomenon

This article is about Hajj transportation of Netherland Indies in during the years of 1910-1940. The focus of this article is the mechanism of the Hajj transportation and its significance since eighteenth century. It is based on that historical phmomenon, that this paper will examine the hajj transportation in the past related to regulation and problem and why it was important to control hajj ship transportation by using archives and authorities' report as main sources and other secondary sources. Historically, since eighteenth century, even until today, going to hajj or pilgrimage was very interesting and attractive for native Muslim in Netherlands East Indies (Indonesia), especially for gaining religious requirement, social pride and Islamic ideas. The phenomenon can be seen from the increase and the stable number of the pilgrims from Indonesia which had attracted much interest from many parts of stake holders such as from Hijaz (Arabian government). In relation to that, it is worth noting that ship was an important transport to convey pilgrim from and to Indonesia and thus, business of hajj transportation become a field of contention between state authority and private ship businesses. It is based on that historical phenomenon, that this paper will examine the hajj transportation in the past related to regulation and problems and why it was important to control hajj ship transportation by using archives and authorities report as main sources and other secondary sources. Hajj transportation was a profitable business (even until today) that increased competition among British, Malay, Arabic, and Dutch shipping companies. Completion and regulation from ships and authority did not give better services for native pilgrims besides poor condition, discomfort and suffering of pilgrimage. However, hajj transportation had to be controlled, especially to restrain problems of moekimans and movement ideas from Hijaz.

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California and Irony in Mad Men

Cultural Studies Review ◽

10.5130/csr.v18i2.2769 ◽

2012 ◽

Vol 18 (2) ◽

Cited By ~ 2

Author(s):

Rodney Taveira

Keyword(s):

Visual Rhetoric ◽

Soap Opera ◽

The Self ◽

Television Series ◽

The Past ◽

Mad Men ◽

Intimate Relations ◽

The Aesthetic

The combination of melodramatic and art cinematic techniques and influences in AMC’s television series Mad Men (2007¬–) reveals how a melodramatic televisuality can image novel modes of social and intimate relations and an alternative to the archetypal American narrative of the self-made man. Set in 1960s’ America, the series uses a contemporaneous and cosmopolitan California to triangulate the formal and narrative insistence of the past on the present. This triangulation is played out by Don Draper’s relations with his family, women, and his former identities and by the representation of homosexuality throughout the series. The application of Lee Edelman’s concept of “sinthomosexuality” and Richard Rorty’s “liberal ironist” reveal a queer, visual rhetoric to the show’s narrative and formal structures, forming a queer irony that allows the show to straddle the aesthetic extremes of “quality TV” (Jane Feuer) and soap opera, which, in turn, queers the exemplary American heterosexuality of Don Draper.

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Transitional Justice in the Middle East and North Africa – Taking Account of Islam

Muslim World Journal of Human Rights ◽

10.1515/mwjhr-2017-0010 ◽

2017 ◽

Vol 14 (1) ◽

Cited By ~ 1

Author(s):

Hakeem O. Yusuf

Keyword(s):

Middle East ◽

Significant Role ◽

North Africa ◽

Transitional Justice ◽

Social Transformation ◽

Cultural Value ◽

The Core ◽

The Past ◽

Justice Process ◽

Islamic Values

AbstractThe core of the argument of this article is that the integration of Islamic notions of justice into transitional justice mechanisms in the MENA makes for a more viable and sustainable transitional justice process in the region. This would mean a critical cultural value in the MENA is given a place in dealing with the past and mapping out a sustainable future in the region. The argument here is premised on the logic that a social transformation-focused enterprise like transitional justice ought to engage with Islam for sustainable outcomes in societies in the MENA where Islam is very influential. Given the significant role and influence of Islam on cultural, socio-political and legal institutions in the MENA, a process of transitional justice that takes account of Islamic values and practices is important for negotiating justice and institutionalising reforms in societies in the region.

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Ethical Code of Islamic Psychotherapy in Indonesia

Buletin Psikologi ◽

10.22146/buletinpsikologi.47661 ◽

2020 ◽

Vol 28 (1) ◽

pp. 85

Author(s):

Ahmad Saifuddin

Keyword(s):

Code Of Ethics ◽

Ethical Code ◽

Literature Study ◽

The Past ◽

Ethical Violations ◽

Islamic Religion ◽

Ethics Code ◽

Interesting Discussion ◽

Islamic Psychotherapy

Islamic psychotherapy has been an interesting discussion over the past few years. This is indicated by the number of studies on Islamic psychotherapy, both literature studies and experiments. As a method of psychotherapy, Islamic psychotherapy cannot be separated from ethics code. However, Islamic psychotherapy is based on two principles, namely the science of psychology and Islamic religion. It leads to debate about the form of ethical code of Islamic psychotherapy. This study aimed to provide suggestions for the formulation of a code of ethics in Islamic psychotherapy using literature study. The result is a clear formulation of ethical code of Islamic psychotherapy. The formulation is based on psychology ethics which is then interpreted according to the context of Islamic psychotherapy. It is intended that the perception and implementation of Islamic psychotherapy can be standardized and not leading to ethical violations

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CAGAR BUDAYA SANG PENUTUR MASA SILAM CULTURAL HERITAGE THE TELLER OF THE PAST

Kebudayaan ◽

10.24832/jk.v14i1.255 ◽

2019 ◽

Vol 14 (1) ◽

pp. 27-42

Author(s):

I Made Sutaba

Keyword(s):

Cultural Heritage ◽

Past History ◽

Literature Study ◽

The Past ◽

Past Life ◽

History Of ◽

Research Goal ◽

The Many ◽

Religious Aspects ◽

Typology Analysis

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past. Â AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.

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ANALISIS GENDER FILM SALAH BODI MELALUI SEMIOTIKA CHRISTIAN METZ

Gelar : Jurnal Seni Budaya ◽

10.33153/glr.v16i1.2340 ◽

2019 ◽

Vol 16 (1) ◽

Author(s):

Mohammad Mahrush Ali

Keyword(s):

Sexual Orientation ◽

Data Collection ◽

Gender Identity ◽

Review Literature ◽

Main Character ◽

Literature Study ◽

Social Responses ◽

Qualitative Descriptive ◽

Document Review ◽

Christian Metz

ABSTRAK Tulisan ini membahas mengenai gender yang terdapat pada film Salah Bodi melalui semiotika Metz. Pengamatan gender pada tokoh utama yaitu Farhan (Andien) dan Inong (Indra). Metode yang digunakan adalah kualitatif deskriptif, dengan teknik pengumpulan data yaitu telaah dokumen, studi pustaka, dan wawancara. Hasil dari tulisan ini adalah (a). Menghasilkan pemaparan dari analisis menggunakan semiotika Christian Metz pada film Salah Bodi. Delapan grand sintagmatiknya yaitu Autonomous Shot, Parallel Syntagma, Descriptive Syntagma, Alternating Syntagma, Scene, Episodic Sequence, dan Ordinary Sequence terkandung dalam film Salah Bodi kecuali sintagma kurung (Bracket Syntagma). Rangkaian sintagmatik Metz mengungkap adegan-adegan yang berdasarkan atas gender dan bertujuan untuk menunjukkan kepada penonton identitas gender dari tokoh film (b). gender yang ditampilkan dalam film Salah Bodi memiliki kecenderungan berprilaku tersendiri seperti penampilan fisik, orientasi seksual, kebiasaannya, dan respon sosial dari masyarakat. Meskipun di akhir film ditunjukkan tokoh utama kembali ke kodrat aslinya. Dalam pembahasan ini juga didukung oleh argumen dari pelaku di luar film. Kata kunci: Gender, Film Salah Bodi, Semiotika Christian Metz. ABSTRACT This paper discusses about gender contained in film Salah Bodi through Metz semiotics. The observation of gender is focused on the main characters, Farhan (Andien) and Inong (Indra). The method used is qualitative descriptive, with data collection techniques namely document review, literature study, and interview. The re-sults of this paper are (a). A presentation of the analysis using Christian Metz’s semiotics on the film Salah Bodi. The eight grand syntagmatic namely Autonomous Shot, Parallel Syntagma, Descriptive Syntagma, Alternating Syntagma, Scene, Episodic Sequence, and Ordinary Sequence are contained in the film Salah Bodi except Brackets Syntagm (Bracket Syntagma). The Metz’s syntagmatic sequence reveals the scenes based on gender and aims to show the audience the gender identity of the film character (b). the gender shown in the film Salah Bodi has a tendency to behave in isolation such as physical appearance, sexual orientation, habits, and social responses from the community, even though at the end of the film, the main character is shown back to his original nature. This discussion is also supported by the arguments from actors outside the film. Keywords: Gender, Film Salah Bodi, Christian Metz Semiotics. .

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KAJIAN POTENSI KOLEKSI POHON LOKAL KEBUN RAYA CIBODAS UNTUK FUNGSI ESTETIKA DALAM LANSKAP

10.31226/osf.io/zqamh ◽

2019 ◽

Author(s):

Muhammad Amin Shodiq ◽

Tati Budiarti ◽

Nizar Nasrullah

Keyword(s):

Tree Species ◽

Botanical Garden ◽

Species Selection ◽

Survey Method ◽

Literature Study ◽

Species List ◽

Aesthetic Quality ◽

Native Tree ◽

Native Tree Species ◽

The Aesthetic

Trees in the landscape have many important roles; one of them is aesthetics function. Therefore, tree species selection must be considered well. Indonesia has big number of tree biodiversity that can use for tree selection purposes. The selection can be considered based on physical characteristics and ecological characteristics of the tree species. Therefore, purposes of this study are 1) to identify ecological distribution of native tree species in Java island, 2) to identify native tree species which have high aesthetic value, and 3) to arrange native tree species list that have potential to be developed for aesthetic use in the landscape. This study conducted in Cibodas Botanical Garden. The method used for this research is literature study from Botanical Garden Catalogue, direct survey method, aesthetic analyze using Key Performance Index for aesthetic quality assessment. The results of this research is there are 223 Java Island native tree species collection in Cibodas Botanical Garden. The habitat of these collections of tree species is evenly distributed throughout the island of Java. Most can grow well in tropical zones (0-1000 masl) and tropical-mountain zones (0-2400 masl). Based on the aesthetic criteria assessment there are 50 species belonging to the good category, 101 species are included in the moderate category, and only one species is categorized as bad.

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