scholarly journals Olsztyńskie badania emigrantologiczne. Historia – stan obecny – perspektywy rozwoju

2019 ◽  
Vol 2 (XXIV) ◽  
pp. 15-24
Author(s):  
Iwona Anna Ndiaye
Keyword(s):  
Scientific Journal ◽  
Theory And Practice ◽  
Literary Translation ◽  
Related Research ◽  
The Status ◽  
Literary Relations ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Conducting Research

Olsztyn is an important center of emigrant-related research in Poland. The first works in this field were written at the beginning of the 1990s century. Currently, the results of research concerning the history of emigration literature are presented in the scientific series “The Luminaries of Russian Emigration”, “Theory and Practice of Translation”, “Between Words – Between the Worlds” and the scientific journal “Acta Polono-Ruthenica”.In 2018, at the Institute of Eastern Slavic Studies, UWM initiated a statutory subject Emigran-tion studies. Interpretation – Reception – Translation, which aims at conducting research focused on the description of history and heritage issues of cultural Russian emigration that can be assigned to such thematic areas as: history of the Russian literary process, issues of interpretation of the lit-erary text, Polish-Russian literary relations and literary translation. The essential focus the team is interdisciplinary research. The subject of the team’s research focuses on the most important aspects of emigration-related research, including the history of emigration, fate, the status of the emigrants and their spiritual, religious and political life.The author discusses the history, current state and perspective of Olsztyn’s emigration research, with particular emphasis on their international dimension.

BEOWULF IN RUSSIA. THE LANGUAGE OF THE OLD ENGLISH HEROIC EPIC IN RUSSIAN LITERARY TRANSLATION

2020 ◽  
pp. 226-239
Author(s):  
Natal'ya Yu. Gvozdetskaya ◽  
Keyword(s):  
Old English ◽  
Russian Translation ◽  
Literary Translation ◽  
Poetic Language ◽  
Heroic Epic ◽  
The Everyday ◽  
English Translations ◽  
Russian Literary ◽  
History Of ◽  
New Compounds

The paper is an attempt to analyze the methods of representing specific features of the language of the Old English poem Beowulf in the Russian literary translation of Vladimir Tikhomirov: alliterative collocations, synonymic groups, compounds and epic variations. These specific features of Old English poetic language are rendered in the translation through the diction of different stylistic coloring – both the high-style, even archaic words as well as the everyday words close to colloquialisms. Following the Old English poet, the translator uses the oral-epic manner of narration, neither reducing it to a limited stylization, nor turning it into an innovative experiment. The translator manages to convey the ability of the Old English poetic language to coin new compounds through creating ‘potential’ words that reveal the ‘open’ character of the Old English synonymic systems. The Russian translation of Beowulf is considered in the context of the history of English translations of the poem as well as studies of Old English and Old Scandinavian literature in Russia.

Metropolitan Platon (Levshin) — publicist

2020 ◽  
pp. 62-115
Author(s):  
Eduard L. Afanasyev ◽  
Keyword(s):  
18Th Century ◽  
Deep Understanding ◽  
Literary Traditions ◽  
The Road ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
On The Road ◽  
Educated Person ◽  
The Trinity

The article deals with the work of Metropolitan of Moscow Platon II (worldly surname — Levshin) (1737–1812), who became famous not only as an outstanding preacher of the second half of the 18th century, but also as a historical writer. The well-known facts of his life and the creative history of works receive a new sound in the context of a spiritual biography; first of all — a strong connection to the Trinity Lavra of St. Sergius and a deep understanding of the spiritual experience of venerable Sergius of Radonezh. A comparative analysis of the text “On the Road to Schism” (1767) and “Brief History of the Russian Church” (1805) was undertaken, illustrating the path of spiritual growth. The author is presented not just as a widely educated person, but as a hierarch, vigilantly expanding his spiritual horizon. Changes in genre priorities and lexical and stylistic features, adherence to certain literary traditions, the dominance of a national idea, proximity to Church Slavonic sources and ancient Russian literary tradition are traced. One of the key roles of the spiritual heritage of Metropolitan Platon II in the historical and literary process of the second half of the 18th century is confirmed.

scholarly journals Fyodor Dostoevsky and the Arab World(About E.A. Ali-Zadе’s Book)

2021 ◽  
pp. 210-219
Author(s):  
Nikolay N. Podosokorsky
Keyword(s):  
Arab World ◽  
Russian Literature ◽  
Arab Countries ◽  
Fyodor Dostoevsky ◽  
Senior Researcher ◽  
Literary Relations ◽  
Russian Literary ◽  
History Of ◽  
Oriental Studies ◽  
Academy Of Sciences

The review is devoted to the second part of the second book Russian Literature and the Arab World (On the History of Arabic-Russian Literary Relations) (2020) by Elmira Abdulkerimovna Ali-Zade (1940-2019), Orientalist, Ph.D. in Philology, and Senior Researcher of the Institute of Oriental Studies of Russian Academy of Sciences. It examines the perception of Dostoevsky’s life and works in the Arab countries in the early 20th – early 21st centuries and analyzes the peculiarities of translations of the works by the Russian writer into Arabic.

scholarly journals RIVER IN THE WORKS BY M. F. ISTOMIN: ON THE PROBLEM OF MODELING THE IMAGE OF THE NORTH IN THE WORKS OF KOMI WRITERS OF THE XIX CENTURY

2021 ◽  
Vol 15 (4) ◽  
pp. 654-662
Author(s):  
Valentina Aleksandrovna Limerova
Keyword(s):  
Literary Work ◽  
Russian Language ◽  
The North ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Literary Portrait ◽  
Xix Century ◽  
Literature Material ◽  
Made In

The works of Mikhail Fedorovich Istomin (1821-1862) are part of the unexplored and, until recently, not included in the history of Komi literature material - essays created by Komi writers of the XIX century in Russian language. Meanwhile, the work of M. Istomin is very representative both in terms of the formation of General regional characteristic of all the literature of the North, and the ways of familiarizing Komi intelligentsia to literary work. The analysis of works of M. Istomin made in this work, allows to judge about actual for the writer-“foreigner” of the XIX century connection to all-regional and all-Russian literary process, and also about a problem of creation of a native literary portrait for different people of the North. The description of the territory, its geographical and climatic features, the creation of descriptions of places was chosen by the writer as a priority, the most important task of creativity. This allows him to embody fragments of the Northern world through the focus of view of autochthon, to identify and record the most important, especially important for the northerner, locations and objects of environment. The writer paid special attention to the rivers as the most important geographical and natural attractions of the region. In essence, the North in the essays of M. Istomin takes the form of world saturated with many waters. The writer is far from symbolizing natural objects, does not endow their images with figurative meanings, at the same time, many descriptions of different rivers in his essays indicate the movement of regional and Komi literature by the way of creation its own concept of the North as a natural environment-centered world.

scholarly journals Events in Ukraine 1914–1922 Their Importance and Historical Background (Part 2)

2019 ◽  
pp. 207-243
Author(s):  
Vitaliy Makar ◽  
Yuriy Makar ◽  
Vitaly Semenko ◽  
Andriy Stetsyuk
Keyword(s):  
20Th Century ◽  
Scientific Journal ◽  
Historical Background ◽  
Early 20Th Century ◽  
Peace Treaty ◽  
National Liberation Movement ◽  
The Status ◽  
History Of ◽  
Soviet Russia

The editorial board continues to publish the most significant documents, which characterize the status and progress of the Ukrainian national liberation movement, its vision in other countries in the early 20th century. The documents from the first book «Events in Ukraine 1914–1922 their importance and historical background» were published in Volume 39 of the Scientific journal. We publish the papers from the second book in current volume. We have selected 10 documents that chronologically cover the period from January 17 to May 9, 1918, and reproduce the vision of the Ukrainian problem by the ruling circles of Austro-Hungarian Empire and Germany, as well as the efforts of Ukrainian public-political figures aimed at the election of Ukraineʼs independence, reproduce the atmosphere of negotiations in Brest-Litovsk. The Austrian drafts of the imperial manifesto on the occasion of the peace treaty with Ukraine and the protocols of meetings of the German, Austrian and Ukrainian delegations during the preparation of the peace treaty are presented as the first 4 documents. The text of the Brest-Litovsk Peace Treaty signed on 9February, 1918 is the fifth document. The following five documents characterize the attitude of Soviet Russia and Poland to the provisions of the Treaty, as well as Germany’s attitude to the state affiliation of the Kholmshchyna. These documents will be useful for both students and researchers of international relations and history of Ukraine in the early 20th century. Whereas we have selected documents from different parts of the book, we stored their serial numbers. Page numbers are shown in square brackets after the text. The language, style of the headings and captions, cursive and text selection are all preserved. Also, for convenience of possible use by interested persons, we submit to them a list of abbreviations from the second book in the original. Keywords: Austro-Hungarian Empire, Brest-Litovsk peace treaty, Galicia, Germany, Ukraine, The Ukrainian Peopleʼs Republic, Ukrainian national movement, Ukrainians, Kholmshchyna.

scholarly journals Studies on A.M. Remizov’s Creative Biography: 1926–1927. Part 1. “Aesthete-Degenerateˮ

Literary Fact ◽  
2020 ◽  
pp. 8-53
Author(s):  
Elena R. Obatnina
Keyword(s):  
Detailed Analysis ◽  
Active Participant ◽  
Literary Life ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Soviet Russia ◽  
Scholarly Discourse ◽  
Creative Tasks

The biographical essay is dedicated to the literary situation with Alexei Remizov in 1926 connected with his activities for the new journals — Blagonamerenny and Versty. Based on previously unknown materials from Remizov’s personal archive, correspondence and memoirs of his contemporaries involved in the events, the paper interprets Remizov’s position as an active participant of literary process. The paper describes the writer’s creative tasks that were realized in the above-mentioned periodicals, and his mission as a promoter of young talents in Soviet Russia and in emigration. Detailed analysis of the critical articles that accused the editors of both journals as well as their co-worker Remizov of destroying the Russian literary diaspora ideological integrity and aesthetic canons, allows to define the main contradictions in the émigré literary life that had accumulated by 1926. The essay also reconstructs previously unknown episodes in the history of Blagonamerenny and Versty using letters of Remizov, D.A. Shakhovskoy, L. Shestov, N. Berberova that are being introduced into scholarly discourse.

In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics

2021 ◽  
Vol 8 (1) ◽  
pp. 163-202
Author(s):  
Patricia Sieber ◽  
Mario De Grandis ◽  
Ke Wang ◽  
Hui Yao ◽  
Jingying Gao ◽  
...  
Keyword(s):  
Yuan Dynasty ◽  
Theory And Practice ◽  
Literary Translation ◽  
Short History ◽  
Translation Process ◽  
Translation Strategies ◽  
Distinctive Features ◽  
History Of ◽  
The Yuan Dynasty ◽  
Short Essays

Abstract This article consists of an introduction by Patricia Sieber and six short essays on translation approaches together with actual translations of sanqu songs by Mario De Grandis, Ke Wang, Hui Yao, Jingying Gao and Ian McNally, Xu Yichun, and Jenn Marie Nunes. The introduction provides a short history of the translation of sanqu songs into English, followed by a reflection on which distinctive features of the genre beg for attention in the translation process. In particular, it argues that the different sonic features of sanqu merit close consideration, the loss of the notational contours of the original tunes notwithstanding. Rather than bemoaning the absence of the underlying music, it suggests that, in keeping with Walter Benjamin's vision of the “task of the translator,” translation into another language can be an opportunity to reinvent that musicality in different ways. The six short essays that follow consider sanqu songs from the corpus of diasporic writers from the Yuan dynasty, with a view toward enriching the repertoire of translation strategies for sanqu in terms of musicality and other salient features of the genre. The six essays discuss, respectively, pronouns, rhyme, punctuation, language registers, allusion, and citational practice. In contextualizing such strategies theoretically and illustrating them with examples, the short essays seek to contribute more broadly to the theory and practice of the literary translation of Chinese poetic forms.

scholarly journals PROBLEMS OF NARTOLOGY AND OSSETIAN LITERATURE IN THE SCIENTIFIC HERITAGE OF T.A. GURIEV

Kavkaz-forum ◽  
2021 ◽  
pp. 5-25
Author(s):  
Р.Н. АБИСАЛОВА
Keyword(s):  
Literary Criticism ◽  
Deep Understanding ◽  
Theory And Practice ◽  
Literary Translation ◽  
Literary Critic ◽  
Evolutionary Processes ◽  
Scientific Heritage ◽  
The Third ◽  
History Of

Объектом внимания в статье становится научно-публицистическое наследие выдающегося осетинского ученого, доктора филологических наук, профессора, лауреата нескольких престижных премий Тамерлана Александровича Гуриева. В статье исследуются проблемы осетинской нартологии, литературоведения, теории и практики художественного перевода. Объектом анализа в статье стали такие работы Гуриева, как «К проблеме генезиса осетинских нартовских имен», «Антропонимия осетинского нартовского эпоса», «Проблемы Нартиады», «Наследие скифов и алан», «Кто есть кто в аланской Нартиаде». В них освящаются особенности мотивов, сюжетов нартовского эпоса, их вариативность, связь с мировыми эпосами, образы героев, их характеры, мотивации поступков, эволюционные процессы их развития. Второй аспект содержания предлагаемой работы – проблема творчества К.Х. Хетагурова в научно-публицистическом наследии Т.А. Гуриева. В статье также анализируется та сторона Гуриева-литературоведа, которая связана с его талантом полемиста, способного отстаивать собственный взгляд на некоторые произведения Коста Хетагурова. Автор на основе глубокого понимания специфики басенного жанра, истории его формирования и развития убедительно опровергает мнение тех, кто считал басни Коста лишь переводами произведений его предшественников-баснописцев. Т.А. Гуриев, сопоставляя тексты басен К.Л. Хетагурова и И.А. Крылова, доказательно приходит к выводу, что великий осетинский поэт не прибегал к переводам уже известных басен, что его басни, если даже они основаны на мировых сюжетах, оригинальны, самобытны и глубоко национальны. Третий аспект научного наследия Т.А. Гуриева, нашедший отражение в настоящей работе, связан с анализом работ ученого, посвященных теории и практике художественного перевода. The object of attention in the article is that part of the scientific and journalistic heritage of the outstanding Ossetian scientist, doctor of philological sciences, professor, laureate of several prestigious prizes Tamerlan Alexandrovich Guriev. The article examines the problems of Ossetian nartology, literary criticism, theory and practice of literary translation. The object of analysis in the article was such works by Guriev as “On the problem of the genesis of Ossetian Nart names”, “Anthroponymy of the Ossetian Nart epic”, “Problems of Nartiada”, “The heritage of the Scythians and Alans”, “Who is who in the Alan Nartiada”. They sanctify the features of motives, plots of the Nart epic, their variability, connection with world epics, images of heroes, their characters, motivations of actions, evolutionary processes of their development. The second aspect of the content of the proposed work is the problem of K.Kh. Khetagurov in the scientific and journalistic heritage T.A. Guriev. The article also analyzes the side of Guriev as a literary critic, which is associated with his talent as a polemicist, able to defend his own view of some of the works of Kosta Khetagurov. The author, on the basis of a deep understanding of the specifics of the fable genre, the history of its formation and development, convincingly refutes the opinion of those who considered Costa's fables only translations of the works of his predecessors, fabulists. T.A. Guriev, comparing the texts of the fables of K.L. Khetagurov and I.A. Krylova, conclusively comes to the conclusion that the great Ossetian poet did not resort to translations of already known fables, that his fables, even if they are based on world plots, are original, distinctive and deeply national. The third aspect of the scientific heritage of T.A. Guriev, reflected in this work, is associated with an analysis of the scientist's works devoted to the theory and practice of literary translation.

scholarly journals ON DRAMA POETICS AND MORE… THE HISTORIOGRAPHIC REVIEW OF SCIENTIFIC ACTIVITY OF PROFESSOR VALENTINA YE. GOLOVCHINER

2020 ◽  
pp. 206-227
Author(s):  
Оксана Николаевна Юрченкова
Keyword(s):  
Literary Criticism ◽  
Scientific Activity ◽  
Scientific Heritage ◽  
Specific Direction ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Scientific Context ◽  
Characteristic Features ◽  
First Time

Введение. Статья приурочена к 75-летнему юбилею профессора В. Е. Головчинер и посвящена анализу ее научной деятельности. Цель статьи – определить этапы и направления научно-педагогической деятельности ученого. Материалы и методы. Материалом исследования послужили научные труды (статьи, доклады, монографии) В. Е. Головчинер и ее учеников. Систематизация и описание результатов научной работы ученого осуществлялись в сопоставлении с ведущими концепциями отечественной филологии. Результаты и обсуждение. Впервые научное наследие В. Е. Головчинер рассмотрено как целостное явление; выявлены принципы, которыми руководствовался ученый в разные периоды научной деятельности; выделены ключевые идеи ее работ: 1) формирование эпической драмы как специфического направления в отечественном литературном процессе ХХ в., обусловленного культурно-историческими обстоятельствами и имеющего две типологические разновидности – метафорическую и метонимическую – с характерными чертами поэтики; 2) специфика художественного произведения во многом обусловлена родовыми чертами, поскольку каждый род литературы имеет свои выразительные возможности; 3) закономерная смена жанровой парадигмы в эпоху неклассической поэтики приводит к тому, что канонические жанры уступают место авторским моделям творчества, выступающим в качестве нового способа завершения художественного целого. Теоретическая значимость исследования: научное наследие В. Е. Головчинер введено в историко-научный контекст; освещены основные направления ее исследований; проанализирован эвристический потенциал теоретических положений и кратко охарактеризованы тезисы основных работ. Практическая значимость исследования: выводы и результаты исследования могут быть использованы при составлении рабочих программ филологических дисциплин, разработке учебных материалов, пособий по истории отечественного литературоведения. Заключение. Научные разработки профессора В. Е. Головчинер не только являются концептуальными в отдельных вопросах теории литературы, открывают интересные историко-литературные факты, но и отражают общие тенденции филологической науки, развивают достижения томской школы литературоведения, изучающей отечественную драму. Introduction. The article is devoted to the 75th anniversary of professor V. Ye. Golovchiner. Aim and objectives. The aim of the article is to determine the stages and directions of scientific and pedagogical activity of Professor V. Golovchiner. Material and methods. The research material (articles, reports, monographs) by V. E. Golovchiner and her students served as the material for the study. The systematization and description of the results of scientific activity was carried out in comparison with the leading concepts of Russian philology. Results and discussion. For the first time, her scientific heritage is examined as a whole; the principles are revealed by which the scientist was guided during the different periods of her scientific activity; the key ideas of her papers are selected: 1. the formation of an epic drama as a specific direction in Russian literary process of the 20th century caused by cultural-historical conditions and having two typological versions – metaphorical and metonymical – with characteristic features of poetics; 2. the specifics of an artwork is in many respects caused by ancestral features as each literary genre has its own expressive possibilities; 3. the natural change of a genre paradigm during the era of nonclassical poetics leads to that the initial genres give way to the author’s models of creativity which represent a new way to end of an artistic whole. The theoretical relevance of the research: V. Ye. Golovchiner’s scientific heritage is introduced into the historical scientific context; the directions of her scientific activity are studied; the heuristic potential of theoretical positions is analyzed and theses of the main papers are shortly characterized. The practical relevance of the research: the conclusions and results of the research can be used to develop work programs of subjects in different areas of philology, to develop the teaching materials, guide books on the history of Russian literary criticism. Conclusion. The author of the paper comes to conclusions that the scientific developments of the professor are not only conceptual in certain questions of the theory of literature, open interesting historical literary facts but also reflect general trends of a philology science, develop the achievements of Tomsk school of literary criticism studying Russian drama.

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