scholarly journals Artistic means of a silent film in I. Dniprovsky's psychological action «Zarady nei» («For Her Sake»)

2020 ◽  
Vol 13 (22) ◽  
pp. 31-38
Author(s):  
Lyudmyla Kulakevych ◽  
Keyword(s):  
Short Story ◽  
Silent Film ◽  
Urban Landscapes ◽  
Main Character ◽  
Happy Ending ◽  
Self Identity ◽  
Folk Tales ◽  
The Status ◽  
Collective Experience ◽  
Film Scripts

In the present paper a short story written by I. Dniprovsky's is analyzed. In accordance with the action canon, the main character has to find his beloved in the shortest possible time so that they could catch the train and escape from the enemy. In the twists and turns of the story the archetypal plot of lovers’ escape / rescue from the monster can be traced. It descends from folk tales and legends where a young man sacrifices himself for the sake of his beloved. By analogy with receptions in tense feature films (thrillers, horror films, catastrophes), the single-line plot «For Her sake» consists of annoyingly insidious concourse of circumstances. They create the feeling as if the whole world, even the closest people and character’s personal belongings, want to thwart his rescue. It is emphasized that, similar to the techniques in the action movies, a linear storyline in the short story consists of the treacherously irritating coincidences. However, while an action-adventure meta-genre normally has a happy ending, in the present short story the ending is more appropriate for a novella: the Bolsheviks shoot the hero as a deserter. It is established that the defining feature of the story is the lack of description of the characters’ appearances and their speech is reduced to minimum, which was a general feature of silent film scripts. A tense atmosphere of anxiety and fear is created through the acoustic and visual micro-images with the semantics of panic and horror. The gloomy urban landscapes, the hostility of the world and the sense of the fatal doom of the heroes refer to the German expressionist cinema of the early XX century. It is revealed that the story never mentions the struggle of ideologies or the enemy who seeks to seize Petro's native land. The enemy appears as an invisible and terrifying force, an element that creates chaos and makes it difficult to maintain human dignity. The key to understanding of this on border crazy motivation of the main character is the archetypal theory of C. G. Jung. In the story of I. Dniprovsky, a brave soldier (Persona Petra) in attempt to save himself together with Hanka (Anima), subconsciously seeks to save his Self-Identity. Moreover, a Wise Old Man (Hanka's father) and a Big Mother with a Child are present in the story as well. However, none of them is helpful to Petro and does not encourage the latter to make any attempts for escape. According to the artistic concept of the short story, when escaping from death, a person experiences tremendous stress, which breaks his psyche, so in a borderline situation collective experience fails, everyone tries to save himself. It is emphasized that the story's ending is unexpected: the hero finds himself in the city again, however, he is now in the status of unidentified enemy, whom he tried to escape and now he dies at the hands of the redhead leader.

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

Analisis Intertekstual Timun Mas dan Buto Ijo pada Iklan Marjan dan Cerita Rakyat Indonesia

2021 ◽  
Vol 9 (1) ◽  
pp. 1-8
Author(s):  
Ade Anggraini Kartika Devi ◽  
Ade Husnul Mawadah
Keyword(s):  
Descriptive Analysis ◽  
Data Sources ◽  
Great Strength ◽  
Happy Ending ◽  
Folk Tales ◽  
Similarities And Differences ◽  
The Difference ◽  
The Relationship

Abstract This study aims to analyze the intertextuality of Timun Mas and Buto Ijo in the Marjan advertisement with Indonesian folklore. The advertisement is considered as a text derived from the previous text because it uses the characters of Buto Ijo and Timun Mas, namely the legendary figures of folklore entitled Timun Mas and Buto Ijo. The data sources are the Timun Mas and Buto Ijo versions of Marjan advertisements and the Timun Mas and Buto Ijo folk tales. Descriptive analysis was carried out using an intertextuality approach to see the relationship between the two texts. The results showed that the character of Buto Ijo in the Marjan advertisement and Indonesian folklore had some similarities and differences. The similarity is Buto Ijo is tall, big, and green. Buto Ijo, as his name implies, is told as a giant green figure who has great strength. The difference lies at the end of the story. In the advertisement, Buto Ijo has a happy ending by joining the Timun Mas family to celebrate Eid. While in folklore, Buto Ijo has a tragic ending. Buto Ijo died from drowning in a sea of ​​shrimp paste that turned into embers in the ocean.

scholarly journals The esteem needs in the main character of ‘Me Before You’ movie

2021 ◽  
Vol 8 (3) ◽  
pp. 1285-1298
Author(s):  
Diana Anggraeni ◽  
Herland Franley Manalu ◽  
Desty Anggraini
Keyword(s):  
Data Analysis ◽  
Self Esteem ◽  
Psychological Effects ◽  
Main Character ◽  
Descriptive Data ◽  
Literary Works ◽  
Human Needs ◽  
Different Types ◽  
The Status

Humans have gone through many incidents, both good and bad experiences, and sometimes these experiences are shared with others in the form of stories. The stories, as one of the forms of literary works, would be nothing without the created characters within them because they provide the viewers with a purpose and a reason for us to learn about what happens in the story. Besides, they act as one important element in the movie with various psychological effects. This research aims to analyze the characteristics and the hierarchy of human needs, especially esteem needs, that appear in the main character named Will Traynor in the ‘Me Before You’ movie directed by Thea Sharrock. This study uses descriptive data analysis which describes a phenomenon and the main character in the movie. The results revealed seven characters comprising the esteem needs hierarchy: sensitive, open-minded, friendly, kind, confident, humble, and stubborn. The esteem needs hierarchy is the desire to have the need to be approved, valued, and recognized to have some self-esteem. This is striking in the movie because of the status of the character, Will Traynor as a lord, and Louisa Clark who is only a maid and has no superiority over Will in her life. The findings imply the personality of humans differ in their characters and psychology as shown from the esteem needs hierarchy in Will’s personality expressing the different types of characteristics.

scholarly journals Tradition Versus and Modernity in Laila al-Juhani’s The Waste Paradise: An Intertextual Approach

2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami
Keyword(s):  
Cultural Heritage ◽  
Short Story ◽  
World Literature ◽  
Narrative Structure ◽  
The Novel ◽  
Saudi Women ◽  
The Core ◽  
The World ◽  
The Status ◽  
Story Writer

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.

scholarly journals A Love Story by a Distinguished Russian Old-Believer Storyteller from Latgalia

Folklorica ◽  
2017 ◽  
Vol 20 ◽  
Author(s):  
Jelena Koroleva ◽  
Tatiana Filosofova
Keyword(s):  
Short Story ◽  
Family Relations ◽  
Orthodox Christianity ◽  
Folk Tales ◽  
Folk Tale ◽  
Love Story ◽  
Local Dialect

The strong and vibrant Russian Old Believer community of Eastern Latvia (Latgalia district) produced many gifted artists, writers, poets and storytellers. Some of them went beyond the traditional topical limitations of Orthodox Christianity and wrote poetry and fiction on non-religious matters, such as love, family relations, history and the like. This research aims to bring to light one particular short story The Forced Love written by a self-madeauthor of Old Believer origin, Maria Pakhomovna Blokhina (1926-2010) to a broader readership. The story has been heavily influenced by Russian folk tales and contains valuable insights of the local ethnography and dialect. This study offers an examination of the story's origins, plot, characters and language and aims to demonstrate the literary and folk heritage of the story, to demonstrate the story’s ethnographic relevance of the period and to examine how the deliberate use of the local dialect by the author reveals her creativity in producing a text close to the style of a folk tale.

scholarly journals Metamorphoses of the Ob-Ugric ethnicity

2020 ◽  
pp. 176-183
Author(s):  
E.P. Martynova
Keyword(s):  
Ethnic Identity ◽  
Dominant Role ◽  
Soviet Period ◽  
Russian Government ◽  
Modern Approach ◽  
Self Identity ◽  
The North ◽  
Standards Of Living ◽  
The Status ◽  
Assimilation Policy

Modern approach to the study of ethnicity implies examination of its variability (drift, shifts and procedurality). This paper aims at the analysis of manifestations of ethnicity amongst the Ob-Ugrians in different historical peri-ods (traditional society, Soviet modernization and post-Soviet democracy). The author draws attention to explain-ing dominant role of one or another manifestation of ethnicity. The work is based on author’s observations made during the expeditions in the Khanty-Mansiysk Okrug (1980s-2000s) and publications by other researchers. Prior to the 1930s, the Ob-Ugric population was represented by a family of related languages and local ethnic groups with close cultures. The main factor of their self-identity was local ethnicity – names by a river. ‘People of the same river’ were bound by commercial, exchange and cultural-ritual bonds. In the official records, the Russian government registered, in the first place, social status of the indigenous population, calling its people ‘inorodtsy’ (‘non-Russians’) and ‘yasashnye’ (‘tributary’). Socialist transformations in the socio-economical, cultural and ideo-logical spheres marked the beginning of the assimilation policy with respect to the peoples of the North. As the all-Soviet standards of living were adopted, and social (including ethnocultural) uniformity achieved, ethnicity of the Ob-Ugrians continuously leveled out. At the same time, their ethnic identity was largely influenced by recording their nationality in the passports – Khanty and Mansy, coincident with the name of the okrug. In the post-Soviet period, ethnicity of the Khanty and Mansy, ‘hibernated’ during the Soviet time, ‘woke up’ suddenly and loudly turn-ing into a powerful creational factor. The ethnic mobilization unwrapped by the initiative of ethnic leaders signifi-cantly raised the status of the ethnic culture and people themselves. As a result, three levels of identity emerged. The first level is trans-ethnicity of ‘natives’ or ‘aborigines’, which is an important political instrument. The second level is official ethnic identity, which is reflected in the ethnonyms ‘Khanty’, ‘Mansy’ and ‘Nentsy’. Its representation in the ethnocultural politics of the okrug (organizing celebrations and festivals, folk group activities etc.) is given a high attention. Lastly, the third level is the traditional local ethnicity.

scholarly journals The Concept of “Thrownness” in Algis Budrys's Short Story “Wall of Crystal, Eye of Night”

2021 ◽  
Vol 40 (45) ◽  
pp. 111-121
Author(s):  
Svetozar Poštič
Keyword(s):  
Science Fiction ◽  
Short Story ◽  
Meaning Of Life ◽  
Literary Analysis ◽  
Being And Time ◽  
The Novel ◽  
Main Character ◽  
Physical Frailty ◽  
New Horizons ◽  
German Philosopher

This paper analyses the concept of thrownness and the related notions of immediacy and actuality in a 1961 short science fiction story “Wall of Crystal, Eye of Night” by Algis Budrys. It first defines the concept of thrownness (Geworfenheit), created and coined by the German philosopher Martin Heidegger in his classic book Being and Time, and it explains how this notion can be employed in literary analysis in general and applied to this work in particular. The article then analyses how certain stylistic devices in the short story, namely similes, change of pace and the presentation of an inner conflict in the main character, contribute to the feeling of authenticity. In other words, it attempts to exhibit the means used in a prose work to make it seem more realistic and immediate. Finally, the work also argues that science fiction is in many ways more real than other fictional works. Although it belongs to the genre that has traditionally been denied serious literary merit, the novel view and interpretation of this story aims to disclose new horizons of artistic expression that illuminate human mental and physical frailty and stimulate a valuable inquiry into the meaning of life.

scholarly journals Status dan Hak Anak Tak Sah Islam dalam Undang-Undang di Malaysia

2018 ◽  
Vol 10 (3-4) ◽  
Author(s):  
Zanariah Noor
Keyword(s):  
Islamic Law ◽  
Family Law ◽  
Civil Law ◽  
Birth Certificate ◽  
Biological Father ◽  
Self Identity ◽  
Illegitimate Child ◽  
Content Analysis Method ◽  
The Status ◽  
Islamic Family Law

Illegitimate child refers to a child conceived during sexual intercourse outside of wedlock. The jurists have different views regarding the gestation period of pregnancy that affects the legitimacy status of the child. The objective of this article is to analyze the different views of the jurists regarding the status as well as rights of the illegitimate child in Islam and current religious ruling implemented in Malaysia. This article also analyzes the rights of the illegitimate child towards a personal identity that involved lineage that effects on how his/her name and surname will be stated on birth certificate according to the Islamic and civil law in Malaysia. Issues on custody, maintenance, marriage guardianship of the illegitimate child and his/her relation with biological father that married to his / her mother will also be discussed according to the opinions of the jurists as well as Islamic family law in Malaysia. This study utilized content analysis method on discussions put forward by the jurists in authoritative jurisprudence books as well as contemporary jurisprudence books and law provisions that are provided in Islamic and civil law implemented in Malaysia to date. The findings show that Islamic family law protects rights of the illegitimate child in terms of self-identity (lineage), custody, maintenance and marriage guardianship. However, the issue regarding the surname of the illegitimate child was raised in Civil Court, arguing that he/she should be allowed to be named to his/her biological father who had married the mother. This issue needs to be scrutinized. The amendment should be carried out so that matters related to the Muslims' personal laws are implemented according to the Islamic law.

Introduction

2020 ◽  
pp. 1-24
Author(s):  
Elke D’hoker ◽  
Chris Mourant
Keyword(s):  
Nineteenth Century ◽  
Short Story ◽  
Short Fiction ◽  
Literary Form ◽  
Periodical Studies ◽  
The Status ◽  
Recent Developments ◽  
Material Turn ◽  
And Function ◽  
The Impact

This chapter provides an overview of the methodological and historical frames that inform the book’s analysis of the manifold interactions between the short story and British magazine culture, from 1880 to 1950. It discusses the material turn in short fiction studies which has led to a better understanding of the impact of publication contexts on the production, reception and development of the short story. This holds true in particular for the role magazines played in the emergence of the modern short story as a specific and successful literary form in the final decades of the nineteenth century. The chapter also presents an overview of recent developments in periodical studies, providing useful methodological tools for analysing the status, presentation and function of a particular genre within the heterogeneous, dialogic and time-bound format of the periodical.

scholarly journals In-ger-land, In-ger-land, In-ger-land! Exploring the impact of soccer on the sense of belonging of those seeking asylum in the UK

2016 ◽  
Vol 52 (8) ◽  
pp. 940-954 ◽  
Author(s):  
Donna Woodhouse ◽  
Dom Conricode
Keyword(s):  
Identity Formation ◽  
Host Country ◽  
Asylum Seeker ◽  
Exploratory Study ◽  
Sense Of Belonging ◽  
Sense Of Control ◽  
Self Identity ◽  
The Status ◽  
The Uk ◽  
The Impact

Utilising research conducted in Sheffield (UK) with people seeking asylum, this article explores the ways in which soccer might be used to create a sense of belonging in the host country. It explores participant feelings about soccer and its potential to alleviate the pressures that the status of being an ‘asylum seeker’ brings. The ways in which soccer may play a role in the identity formation of those seeking asylum is considered in relation to both self-identity and the perceptions of others. The findings of this exploratory study suggest that the various ways of interacting with soccer can provide participants with a sense of control, identity and belonging.

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