scholarly journals DESCRIPTION OF THE MENTAL STATE OF THE HERO IN THE WORKS OF RAY BRADBURY AND KHODJIAKBAR SHAIKHOV

2021 ◽  
pp. 22-36

The investigation of psyche problems in terms of artistic analysis of the study of psychology, artistic understanding of the complexity, contradictions, invisible mysteries of heroes’ state of mind, has always been attractive to study in the world literature. It is essential to reveal and solve problems associated with the confusion and boundless breadth of the subconscious, literary and poetic peculiarities, the specific features of the initial stage of fantastic literature development, the perfection of the directions of social, philosophical, fiction, the emergence of dystopia, apocalyptic, post-apocalyptic, steampunk or pro-punk, turbo-realism, post-cyberpunk, alternative directions of fiction, which are the basis of the psychoanalytic teachings of the twentieth century. In the field of research of the phenomenon of psychologism as a scientific and theoretical problem in world literature, it should be noted that, since the image of a person is in the center of fiction, the conducted research is aimed at revealing his/her spiritual world, describing uncontrolled evolutions in his/her inner world, studying the capabilities of the individual. In particular, special attention is paid to the development of scientifically based ideas about the problems associated with the appearance of psychologisms in fantastic works, their artistic tasks to reveal the character of the hero, the spiritual world of the writer in an artistic image, his spiritual worldview, his philosophical views on the world and a person. The purpose of the study is to identify the features of the concept of artistic psychologism in the works of Ray Bradbury and Khodjiakbar Shaikhov, to reveal the creative skills of writers in presenting the heroes’ psychology in their fantastic works in the context of a comparative typological study. The object of the research deals with the study of such problems disclosure heroes’ spiritual world, the direct or indirect depiction of the psychology of characters in the context of the artistic interpretation of universal values in works of Ray Bradbury and Khodjiakbar Shaikhov’s using the method of comparative typological analysis. The subject of this research is the concept of artistic psychologism in Ray Bradbury and Khodjiakbar Shaikhov’s works. The methods of structural analysis, comparative-historical, comparative-typological, psychological and biographical methods have been used for the research.

2020 ◽  
Author(s):  
Guzalkhan Mukhammadjonova

The article discusses the artistic interpretation of the concept ofcreative personality in the world of literature. The image of the artist, in particular, themusician, the issue of his spiritual world, his place in the composition of the work iscovered on the basis of the work of V. Korolenko's blind musician. The conclusions aredrawn on the similarities and uniqueness of the interpretations of the artist's image inUzbek and world literature.


The prose of American fiction writer Ray Bradbury is a vivid example of worldview moves in American prose of the twentieth century. The article investigates the role and significance of author's symbolic images influencing on the reader's thought-making and spiritual processes and plays a significant role in activating the ideological content of Ray Bradbury's story "Dark They Were, and Golden-Eyed". The study considered the functioning of symbolic images, their interaction and dynamics in the process of deployment of the plot. The author of the article highlights the opinion that the study of the symbolism of the work is a necessary prerequisite for understanding the author's outlook and an important component in decoding the ideological content of the story. The idea of the work, that spirituality is inevitable and research development in the world conquest is a false way, is disclosed according to the central moments of the story. There are such features of character modification at different levels: 1) at the level of characters consciousness through the description of the terrestrial flora and fauna regeneration; 2) at the level of physiology through the reflection of the sun and water influence on the human body; 3) at the level of the spiritual world metamorphosis of characters; 4) on the level of characters’ ideology; 5) at the level of psychology it is the reluctance to return from the Mars house to the Earth settlement. The author carries out the interpretation of the symbolic characters of the writer relying on the context and exploring the emotional psychological and philosophical hidden motives that allow understanding the author's plan more. Interaction of wind, rocket, river, mansion, language, tree and golden color symbolic images creates a field for interpreting the ideological content of the story. The complete decoding of the symbolic characters helps to read the philosophical subtext of the story allowing to identify the author's perception of the world. The study discovered that the characters in the story "Dark They Were, and Golden-Eyed" by Ray Bradbury are filled with new content. It specifies and activates the ideological content, and makes stronger the reader's intellectual and creative processes.


2020 ◽  
Vol 4 (3) ◽  
Author(s):  
Irina Boyko ◽  

The theoretical problem (methodological aspect) of the content of the subject of acmeology is analyzed, namely the ratio of the concepts of professionalism and maturity through the prism of socio-cultural and personal components (interpretation of these components is given); emphasis is placed on the requirements related to the professional self-realization of the individual and on the problems of the criteria of professional maturity of the individual in a culturally pluralistic environment, which requires clarification of what is this environment. Attention is paid to the concepts that are basic to reflect the professional aspect of acmeology (the concept of philosophical and cultural nature) - the methodology of systematic analysis of activities: the place and features of different approaches to its content - philosophical, sociological, socio-psychological; activity in the system of substantial-attributive coordinates of different levels of existence; activity as a way of existence of society and a way of human existence in the world of culture; complication of the content of labor activity, its differentiation and specialization; professional, non-professional characteristics and socio-cultural grounds for distinguishing between "professional" and "non-professional"; attributiveness of the aspect, which is expressed in the interconnected concepts of professionalism, qualification and competence.


2019 ◽  
Vol 3 (4) ◽  
pp. 24-31
Author(s):  
Jessenia Paredes Bernal

En el ser humano el estado de ánimo puede ser normal, elevado o deprimido, el sujeto pierde la sensación de control sobre su ánimo y experimenta incomodidad general. Cuando estos se agravan se convierten en trastornos del Estado de Animo que se divide en bipolares y depresivos. La depresión es un sentimiento persistente de inutilidad, pérdida de interés por el mundo y falta de esperanza en el futuro, que modifica negativamente la funcionalidad del sujeto en ocasiones llevándolo a tomar decisiones equivocadas como el suicidio. En este estudio se pretendió analizar este trastorno desde los principios de la psicología clínica y de la salud para objetivar la desesperanza, las expectativas negativas con respecto al individuo mismo y a su vida futura en 42 estudiantes de bachillerato. Los resultados obtenidos permitieron observar que si existe una relación entre los trastornos de ánimo y los intentos de suicidio que se detectaron en la escala de evaluación. Como conclusión es necesario recalcar la importancia de la detección temprana de los cambios de estado de ánimo en los adolescentes puede evitar un suicidio la misma que es la segunda causa de muerte, según el informe de la Organización Mundial de la Salud. Abstract In the human being, the state of mind can be normal, elevated or depressed, the subject loses the feeling of control over their mood and experiences general discomfort. When these are aggravated they become disorders of the State of Animo that is divided into bipolar and depressive. Depression is a persistent feeling of uselessness, loss of interest in the world and lack of hope in the future, which negatively modifies the functionality of the subject at times leading him to make wrong decisions such as suicide. In this study, we tried to analyze this disorder from the principles of clinical psychology and health to objectify the hopelessness, the negative expectations regarding the individual himself and his future life in 100 high school students. The results obtained allowed to observe that if there is a relationship between mood disorders and suicide attempts that were detected in the evaluation scale. In conclusion it is necessary to emphasize the importance of early detection of mood swings in adolescents can avoid suicide which is the second cause of death, according to the report of the World Health Organization.


2021 ◽  
Vol 12 (3) ◽  
pp. 01-14
Author(s):  
Volodymyr Bekh ◽  
Viktor Vashkevych ◽  
Alla Kravchenko ◽  
Alla Yaroshenko ◽  
Valerii Akopian ◽  
...  

Without exaggeration, learning problems are among the most complex and most controversial not only in pedagogical and philosophical science but also in other scientific areas. We are talking about the philosophy of education as a general paradigm of the organization and content of all that knowledge - scientific and non-scientific - that we pass on to pupils and students through education, about worldview values that are brought up, merged in the process of educational and educational activities, the certainty of the spiritual world of the individual which is formed at school and university and determines her personal position, role and ways of behavior in postmodern society. Education is an important stage in the formation of the human soul, his spiritual world. Consciousness, like other qualities of the human psyche, results from education and acquisition of social experience. An important means of forming a person's consciousness is the educational system, which contributes to the spiritual development of a person. Since it is education that is that social institution, it performs the functions of preparing and including the individual in various spheres of the life of postmodern society and attracting him to culture. Human consciousness is the ideological foundation of aim and reliable knowledge. In this context, consciousness is the possibility and condition of the world, the individual can perceive and develop his spirituality. Education in this case is the most effective way to form a person's spirituality. Since, besides a certain profession, education gives a person the opportunity to spiritually improve himself.


2020 ◽  
Vol 57 (06) ◽  
pp. 9-12
Author(s):  
Aynur Badalova

If psychologism artistic method has reached to the high level of development in Azerbaijani literature from the second half of the twentieth century, the development of psychologism in world literature dates back to the beginning of the previous century. Thus, the development of psychologism in Azerbaijani prose associates its roots to world literature. There are many artists in the world literature who write with psychologism method. Many of them can be named. But I would like to focus on the great classic writer Leo Tolstoy. He had influenced to readers' spirit and heart with his works, had an irresistible influence on the development of their personalities by cultivating in them the best human qualities, aroused love to the motherland, people, language, nature and the world. I think that Tolstoy, used the most unique methods of psychologism, also had an impact on Azerbaijani literature. It is more correct to evaluate the manifestation features of psychologism in Azerbaijani prose by conducting comparative analysis. And in this article research has been conducted on the subject of psychologism in L.N. Tolstoy and in the Azerbaijani prose of 1960-1980 within the comparative typological aspect. It had been considered legitimate here identification of not only similarities, but also inconsistencies during the interpretation of the analysis. In the article, in both Azerbaijani prose and Tolstoy's creativity the heroes' spiritual world have been characterized through expression possibilities of psychologism: internal monologues, dialogues, actions and behaviors, dreams and fantasy, writer's prose, etc., and the heroes' appearance have also been shown as part of the image, to create a fuller imagination. As a result, in both Azerbaijani prose and Tolstoy's creativity, different and similar features in the expression methods of psychologism have been extensively analyzed. Keywords: hero, psychologism, character, trait, spiritual world.


The author proposes to turn to a detailed consideration of such form of activity as “creativity”, proposing it as the main form of practical refraction of the spiritual appearance of the personality, as its essential effective component. The category “creativity” is viewed as a synthesis of creativity and a willingness to transform the world, a motivation to work for the benefit of humanity. In this respect, the semantic equivalent of this term, which is widely spread among various language groups, is somewhat broader than its English version of this category – the term “building” or “creativity”, which, we think, focus more on the external aspect of the activity, character and transformation results than in the inner spiritual impulse to collective altruistic work. We regard “creativity” as a category, which embodying creativity, but not reduced to it, largely taking into account the nature of the relationship with previous transformations, continuity, in essence, as a manifestation of culture in its original meaning of processing and improvement. In this context, the category of “creativity”, taking into account the nature of homeostasis, maintaining the stability of the system, can be considered as a necessary element of sustainable development, directing a noospheric society, overcoming the system of environmental, demographic problems. Like the English term “building,” the category “creativity” reveals the nature of achieving an intellectual goal through projective engineering, inventive activity, and modernization of production. At the same time, the term “creativity” takes into consideration the cumulative capital of achievements, accumulation, enrichment, and the systemic nature of doing business, expressed by the term “management”, as the art of system management. Creativity is considered as an organic unity of demonstration of social and personal and, therefore, can be considered as a kind of spiritual bridge connecting culture and civilization, the world of dreams, the world of imagination, the spiritual world and the world of everyday life. Creativity is not only an ontological expression of the “rootedness” of the individual in the system of personal and social being, such as the nature of life activity that guarantees survival, protection and security, but also a motivational readiness for a fundamental transformation of the world that can prevent the destructive impact on civilization of global present-day problems. We believe that Creativity should be considered as the leading concept of education, supporting in the personality’s aimed at self-affirmation and development that is being a condition for moving to the future.


2021 ◽  
Vol 5 (3) ◽  
pp. 50-59
Author(s):  
Ugiloy Mavlonova ◽  

Introduction. In world literature, a number of scientific investigations are being conducted on the classification of irony, its artistic manifestations, parody, paradox, grotesque and image. The role of irony and image in the structure of the work of art in the world literary science, in which the coverage and identification of the individual skills of the writer remains one of the urgent tasks. In modern Uzbek literature, there is an approach based on various research methods of world literature in the analysis of works of art, the coverage of the poetic skills of the author. Research methods. At the same time, as poetry and prose of the 1970s and 1980s emerged from ideological stereotypes, literary criticism seemed to lag behind.


2021 ◽  
Vol 18 (1) ◽  
pp. 26-35
Author(s):  
Nikolay Misyurov

The relevance and topicality of the study is determined by the crisis of personal existence, as well as the denoting sociocultural phenomenon of the category that has exhausted its epistemological significance at the historic moment of the “values shift” – the displacement of the classical paradigm by the paradigm of postmodernism and the transformation of traditional society into “open” one (or “consumption society", as one would say now). One of the results of such a global modification of communication strategies and tactics, cognitive practices and even certain stable constructs (such as national concepts, cultural meanings, and stereotypes of psychological and so-cial behavior) was the restoration of the priority of myth (as a form of worldview and a way of transforming the world) and, accordingly, a revival of interest in mythology and the mythological picture of the world. The subject of the study is the syncretic unity of philosophical consciousness and mythological consciousness. The article analyzes the “existential” problem of modern man’s existence, which is solved differently by different philosophical currents, which, however, share one common idea that the “essential” nature of human activity is revealed in a communicative act; the cognitive meaning of the individual’s will is refined and corrected in public discourse. We should agree with an almost axiomatic statement that orientation towards “genuine existence” is conditioned by freedom and independence, as well as by “critical reason”. The paper proves that activity – not in the sense of production, political, creative cultural or other activity, but in the sense of internal readiness for the productive use of human potency for the benefit of both the individual and the collective – is fundamental for such a special (mythological heroic) state of mind. It is stated that the modus of being in modern “anthropological” philosophy is opposed to the modus of possession; in order to “be”, a person must give up self-centeredness and gain his or her independence. The modern man’s freedom of choice is determined by the logic of culture, the institutions of “open” society and the factors of globalization; however, the cultural heritage of the past retains its significance, the “primitive power” of myth fertilizes mass culture, and the typological image of a hero (as immaculate as Siegfried) becomes a temptation for the “alienated” subject of conceiving the world.


2019 ◽  
pp. 25-41
Author(s):  
Myroslava Dovhanych

The image of home has been examined and the peculiarities of the artistic interpretation of this symbol in the novels of a British novelist of Japanese origin Kazuo Ishiguro have been revealed in the article. The essence of the category “image” has been determined; the symbolic significance of home in the life of a person has been analyzed; the differences between the interpretation of the archetypal image of home within the framework of European and Japanese cultures have been indicated; the role of the house in the literary works of K. Ishiguro has been considered, which makes it possible to understand the individual style of the author more deeply. Conducted investigation proved that the image of home belongs to the central spiritual and cultural concepts in any social environment. Home comfort is the dominant of people’s life, although not always realized. The house serves as sacred space for an individual or the whole family in the novels of K. Ishiguro. The loss of one’s own safe home leads to the feeling of loneliness, hopelessness, absurdity of existence, and also transmits the mood and state of spirit of the modern era. Representation of home is closely linked with the problem of identity, since the house embodies the loss of the unity of perception of the world and one’s place in it as a result of emigration. The feature of Ishiguro’s novels is that the house personal space exists only in the memories of heroes.


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