Content: wide and narrow

2018 ◽  
Author(s):  
Gabriel Segal
Keyword(s):  
Twentieth Century ◽  
Strong Tendency ◽  
Turn Of The Millennium ◽  
Psychological States ◽  
The World ◽  
Narrow Content ◽  
The Subject

Debates about wide and narrow content concern the representational contents of psychological states such as beliefs and desires. In the mid-twentieth century, it became common among philosophers to think of the primary kind of content of psychological states as being the things in the world that the states refer to, or as being relations to those things. This kind of referential or extensional content is essentially relational, requiring the subject to stand in some relation to an existing thing outside their skin. Hence the moniker "wide content." This was a radical departure from historically more common views according to which the primary content of psychological states does not depend on the subject standing in some relation to an existing thing outside their skin. That is, traditionally it has been more common to think of psychological content as being "narrow" rather than wide. Narrow content is content that is not wide. The question of whether verbal or psychological content is sometimes or always wide, narrow, or both is hotly debated among philosophers. As noted above, the middle of the twentieth century saw the ascension of wide theories of content, but by the turn of the millennium there was a resurgence of the narrow theory, particularly among those who hoped to explain the phenomena of consciousness in terms of psychological content. For there is a strong tendency to think that what a subject’s conscious experiences are like for her does not depend on distal facts about the world she inhabits.

Exploring Working-Class Consciousness: A Critique of the Theory of the ‘Labour-Aristocracy’*

2010 ◽  
Vol 18 (4) ◽  
pp. 3-38 ◽  
Author(s):  
Charles Post
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Alternative Explanation ◽  
World Market ◽  
Capitalist Class ◽  
Capitalist Production ◽  
Leading Role ◽  
Victorian Period ◽  
The World ◽  
The Subject

AbstractThe notion of the labour-aristocracy is one of the oldest Marxian explanations of working-class conservatism and reformism. Despite its continued appeal to scholars and activists on the Left, there is no single, coherent theory of the labour-aristocracy. While all versions argue working-class conservatism and reformism reflects the politics of a privileged layer of workers who share in ‘monopoly’ super-profits, they differ on the sources of those super-profits: national dominance of the world-market in the nineteenth century (Marx and Engels), imperialist investments in the ‘colonial world’/global South (Lenin and Zinoviev), or corporate monopoly in the twentieth century (Elbaum and Seltzer). The existence of a privileged layer of workers who share monopoly super-profits with the capitalist class cannot be empirically verified. This essay presents evidence that British capital’s dominance of key-branches of global capitalist production in the Victorian period, imperialist investment and corporate market-power can not explain wage-differentials among workers globally or nationally, and that relatively well-paid workers have and continue to play a leading rôle in radical and revolutionary working-class organisations and struggles. An alternative explanation of working-class radicalism, reformism, and conservatism will be the subject of a subsequent essay.

The Origin of the Judges’ Rules

2020 ◽  
pp. 33-53
Author(s):  
Mike McConville ◽  
Luke Marsh
Keyword(s):  
Twentieth Century ◽  
Critical Issue ◽  
Home Office ◽  
The World ◽  
The Subject ◽  
The Law ◽  
Police Forces

The point at which the liberty of the subject can be subject to interference by force of the law is a critical issue and one reliant on the integrity of judicial oversight. Focusing on the start of the twentieth century, this chapter addresses the discontinuities in the then existing rules relating to the interrogation of suspected persons (embodied by the Judges’ Rules of 1912, whose obscure origins are discussed) and the divergent responses of different police forces to the cautioning and questioning process. From this it explores how the need for closer formal regulation arose and the role of Home Office officials (the very same as those involved in the Adolph Beck case) in drafting the first revision of the Judges’ Rules in 1918 which were to remain in force for almost fifty years. These inapt and inexpertly drafted Rules thereafter laid the foundations for policing regulation in jurisdictions around the world.

The Limits of Possibility: Rand McNally in American Culture, 1898-1929

2000 ◽  
pp. 7-26
Author(s):  
Susan Schulten
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Large Share ◽  
Complex Interplay ◽  
History Of Cartography ◽  
The World ◽  
Commercial Market ◽  
History Of ◽  
The Subject

In the early twentieth century, Rand McNally held a large share of the commercial market for maps and atlases in the United States. How the company built its reputation as an American cartographic authority—by both accepting and resisting change—is the subject of this essay. Critical to the company’s success was its ability to design materials that reinforced American notions of how the world ought to appear, an indication that the history of cartography is governed not just by technological and scientific advances, but also by a complex interplay between mapmakers and consumers.

scholarly journals The interaction of theater and cinematography in Uzbekistan culture in the first half of the xx century

2020 ◽  
Vol 5 (4) ◽  
pp. 94-104
Author(s):  
Amina Azizova
Keyword(s):  
Twentieth Century ◽  
Individual Characteristics ◽  
Scientific Problem ◽  
The World ◽  
The Subject ◽  
Factors Of Influence ◽  
The Relationship ◽  
Image Type ◽  
Creative Life

The form, typology, essence and causes of the interaction between theater and cinema in the world is one of the priorities in the field, and a number of scientific studies have been conducted on the subject. In world experience, during the development of cinematography, it has been used the help of theatrical figures in overcoming the problems of acting, directing and dramaturgy. The study of theater and cinema as the main types of artistic worldview, in which the relationship between the two independent arts, exchanges of actors, process of interaction, individual characteristics were assessed, and it was considered as a new phenomenon. The article studies issues, causes and factors of influence of the same process in 1920–1930. The interaction of Uzbek theater and cinema, the study of creative ties, see it as a scientific problem has attracted attention in recent years. The article examines the role of Uzbek stage leaders in the development of screen art as a separate process, as well as the phenomenon of interaction between theater and cinema. The author explores a new creative life, a biography of a stage actor in cinema, opened for theater actors on the eve of the twentieth century. The art of filmmaking, which has been fighting for the actor for half a century, studies on facts that have attracted theater performers. Theatrical art has proven to be a model for cinematography in terms of decorating, makeup, music, lighting, and acting. Keywords: theater, actor, cinema, director, genre, image, type, role, phenomenon, screen art, character.

scholarly journals Central Asian Social Types as an Orientalism Pattern in Leonid Solovyov’s Prose

2021 ◽  
Vol 18 (1) ◽  
pp. 44-59
Author(s):  
Eleonora F. Shafranskaya ◽  
Tatyana V. Volokhova
Keyword(s):  
Twentieth Century ◽  
Literary Work ◽  
Soviet Period ◽  
The Novel ◽  
Research Focus ◽  
General Sense ◽  
Cultural Methods ◽  
Central Asian ◽  
The World ◽  
The Subject

The literary work of the Russian writer Leonid Solovyov (1906-1962) was widely known in the Soviet period of the twentieth century - but only by means of the novel dilogy about Khoja Nasreddin. His other stories and essays were not included in the readers repertoire or the research focus. One of the reasons for this is that the writer was repressed by Stalinist regime due to his allegedly anti-Soviet activities. In the light of modern post-Orientalist studies, Solovyovs prose is relevant as a subcomponent of Russian Orientalism both in general sense and as its Soviet version. The Oriental stories series, which is the subject of this article, has never been the object of scientific research before. The authors of the article are engaged, in a broad sense, in identifying the features of Solovyovs Oriental poetics, and, narrowly, in revealing some patterns of the Central Asian picture of the world. In particular, the portraits of social and professional types, met by Solovyov there in 1920-1930, are presented. Some of them have sunk into oblivion, others can be found today, in the XXI century. Comparative, typological and cultural methods are used in the interdisciplinary context of the article.

scholarly journals Anthropic turn to modernity

2018 ◽  
Vol 20 (91) ◽  
pp. 106-110
Author(s):  
O. V. Haletskyy
Keyword(s):  
Twentieth Century ◽  
Human Rights ◽  
Information Society ◽  
Theoretical Justification ◽  
New Science ◽  
Cultural Paradigm ◽  
New Process ◽  
The World ◽  
The Subject ◽  
Totalitarian Regimes

The anthropic turn of philosophy appears as a theoretical justification of the transition in the twentieth century from the state-totalitarian regimes to the globalization-information society, demo-liberal regimes and human rights. Since the middle of the twentieth century through so-called new science arises a new process-creative-centric image of the world in what the development of the anthroponomospherical tendency became the so-called socio-cultural paradigm, what is an increase in the conscious-spiritual factors of development. In the justifications of the anthropic principle of Carter, world-formation is concentrated in man as a personified creation of all cosmic, biological and social-spiritual forces, a continuation and continuater of world creation. The idea of a man as a cosmic being, but capable of his reconstruction, is further developed in a wide anthropocosmism. In the special anthropophilosophy of the first half of the twentieth century. The subject of reflection is the explanation and disclosure of the phenomenological meaning and the essence of human existence, the essence of which is that man is an animal, but is able to transcend himself, due to the spirit.

The Political History of Nigeria's New Capital

1984 ◽  
Vol 22 (1) ◽  
pp. 167-175 ◽  
Author(s):  
Jonathan Moore
Keyword(s):  
Twentieth Century ◽  
World Wide ◽  
National Development ◽  
Capital City ◽  
The Political ◽  
Military Government ◽  
The World ◽  
National Capital ◽  
History Of ◽  
The Subject

On 4 February 1976 the Federal Military Government of Nigeria promulgated Decree No. 6, initiating the removal of the national capital from Lagos to Abuja. Thus Nigeria followed Brazil, Botswana, Malawi, Pakistan, and Tanzania to become the most recent developing country to arrange for a transfer of its centre of government. The proliferation of new capitals constructed in the twentieth century has captured the world-wide attention of geographers, architects, planners, and demographers, but the literature on the subject examines these projects almost exclusively with a focus on planning for national development. This viewpoint too often neglects politics as the paramount force in the relocation of a nation's capital city.

Imaginary Travels in Post- Socialist Mongolia

Inner Asia ◽  
2013 ◽  
Vol 15 (1) ◽  
pp. 135-164
Author(s):  
David Bade
Keyword(s):  
Twentieth Century ◽  
Political Orientation ◽  
The Political ◽  
Turn Of The Millennium ◽  
The Past ◽  
The World ◽  
Bernardo Carvalho

Until recently, when the Mongols have appeared in the world’s literature, they have usually appeared in the persons of chinggis Khaan or Khubilai, or as ‘Mongolian hordes’. Some recent writings are unlike earlier works of the twentieth century, regardless of the political orientation and situation of the writers. In this paper I examine three works published between 1992 and 2003 that exemplify radically different instances of that difference: Mongolski bedeker by Serbian novelist Svetislav Basara; Paměť mojí babičce by czech author Petra Hůlová; and Mongólia by the Brazilian writer Bernardo carvalho. With the certainties and stereotypes of the past discarded in these novels, contemporary Mongolia provides the setting for the authors’ encounters with the strangeness of the world at the turn of the millennium.

The Love Affair in Pope's Rape of the Lock

PMLA ◽  
1954 ◽  
Vol 69 (4-Part1) ◽  
pp. 887-902
Author(s):  
Hugo M. Reichard
Keyword(s):  
Twentieth Century ◽  
Young People ◽  
Love Affair ◽  
Common Life ◽  
Love Story ◽  
Natural Function ◽  
The World ◽  
The Subject ◽  
The Common ◽  
Heroic Poem

The love affair which has a title part in the Rape of the Lock was perhaps once so obvious as to need no comment; at least Dr. Johnson thought “the subject of the poem … an event below the common incidents of common life.” By the twentieth century the love story seemed so obscure as to defy analysis; at least Geoffrey Tillotson thought that the rejection of the hero by the heroine was unaccountable. A decade ago Cleanth Brooks refurbished the action as a neo-classic campaign in the unending “war of the sexes” over rites of possession. Some such pattern of pre-marital courtship is doubtless a norm assumed for the comedy of the poem, as it is—William K. Wimsatt reminds us—for Molière's Misanthrope, Congreve's Way of the World, and Meredith's Egoist. While suggestively approaching the plan of the action, however, Brooks has rather too closely assimilated Pope's particular campaign to the general war. If the comedy of the poem posits a norm, it also sets forth a divergence. One is free to speculate that in a hypothetical sequel to Pope's poem the Baron and Belinda might have gone on (like other gallivanting young people, indeed like Arabella Fermor and Lord Petre) to get married—he to another woman, she to another man. But as it stands the poem is not directly concerned with what Brooks calls “the elaborate and courtly conventions under which Belinda fulfills her natural function of finding a mate” (p. 84). Both Belinda and the Baron are at the age of exuberance where the armor of courtship fits rather loosely, like the helmet Swift stuck on Dryden. Feigning “death,” sophisticating love, and shunning marriage, they wage a mock war in a mock-heroic poem. Their maneuvers, I wish to show, make the plot of the poem a contest of wiles between commanding personalities—an uninhibited philanderer and an invincible flirt.

Conceptualism and Perceptual Knowledge

2019 ◽  
pp. 70-94
Author(s):  
Michael Ayers
Keyword(s):  
Twentieth Century ◽  
Analytic Philosophy ◽  
Phenomenological Analysis ◽  
John Mcdowell ◽  
Perceptual Awareness ◽  
Perceptual Knowledge ◽  
The World ◽  
The Subject ◽  
Order Reflection

Brief accounts of the motivation and form of some pre-Kantian conceptualist theories and of Kant’s transcendental idealism lead into discussion of the source of the conceptualist assumptions of much twentieth-century analytic philosophy. The arguments of a currently leading exponent, John McDowell, are critically examined, and his emphatic endorsement of two main conclusions of Chapter II are noted—that perception is direct cognitive contact with the world, and that perceptual knowledge is perspicuously so to the subject. But according to the phenomenological analysis in Chapter II these features are intrinsic to the content of preconceptual perceptual awareness, whereas McDowell sees concepts, coming only with language, as a necessary means to the former, and assigns the latter, in effect, to reason and the capacity for second-order reflection. Epistemological and logico–linguistic considerations relating to the identity, individuation and classification of material things present a further, arguably decisive challenge to conceptualist theory.

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