scholarly journals Islamic Cultural Symbol in “Tabur Beras Kuning” Tradition in the Wedding Ceremony in Malang

2020 ◽  
Vol 11 (2) ◽  
pp. 14
Author(s):  
Syamsudin Syamsudin ◽  
Rina Sari

This Study is about Muslim cultural symbol in the tradition of tabur beras kuning in the wedding ceremony in Malang. This study aims at discussing the results of observation and in depth interview to the practitioners of tabur beras kuning tradition who still hold and practice this tradition in every wedding ceremony in Malang. This topic is interesting because there is a kind of acculturation between Islam and culture. Islam with its Islamic values has influenced tabur beras kuning tradition and it has worked for long time and it is still practiced up to now. Islamic values have colored the culture. This, further, brings to the arising of the Muslim cultural symbols. The Islamic values in tabur beras kuning tradition have affected people to depend on and get closer to God the Almighty so that the societies who do this tradition might always hope to live prosperously and peacefully. Therefore, it is important to maintain tabur beras kuning tradition so that this tradition would not be perishing in line with the coming of modern era.

2020 ◽  
Vol 9 (2) ◽  
pp. 118-128
Author(s):  
Hendrike Priventa ◽  
Redyanto Noor

Indonesian are less aware of the function of folklore in the modern era. When examined more deeply, folklore is a manifestation of local cultural values ​​that are not widely known. This is the background for the research of this article which intends to introduce the uniqueness of the Nusantara folklore through an analysis of the eating of cultural symbols. The purpose of this research is to describe and introduce the meaning of cultural symbols in the Nusantara folklore. The method used is literature using semiotic theory. The results obtained in this study are as follows. 1) Folklore is part of a culture, therefore in the structure of folklore found cultural elements represented in the form of symbols. 2) Cultural symbols in folklore cannot be interpreted directly, with a semiotic and cultural approach symbols can be interpreted according to the cultural origin of the folklore. 3) Literature, culture, and art are three things that cannot be separated. Cultural symbols do not only show cultural elements but also provide a moral message and aesthetic side in reading literary works. 4) Folklore can become an identity in culture from that it can be drawn that cultural symbols can show the progress of civilization in a culture. 5) The three folklores of the archipelago that have been studied have their own characteristics. Oheo with the influence of the elements of marriage and social stratification, Kaba Malin Deman with a touch of matrilineality, and Tujuh Bidadari with the influence of religious elements


2021 ◽  
Vol 11 (1) ◽  
pp. 52-60
Author(s):  
Muhammad Sophy Abdul Aziz ◽  
Hudzaifah Achmad Qotadah ◽  
Adang Darmawan Achmad

In order to control the movement of globalization throughout this modern era, one of it's key aspects is through deconstruction throughout the education sector. Undoubtedly, high quality education management was produced by integrating disciplines in practice with fundamental Islamic values within the learning process. Besides that, this approach had also been continuously used among reformist leaders to weaken the dangerous Western ideology that influenced significantly the global government system through colonialism mostly by poisoning the generation of youth through sole reference to materialism philosophy and rationalism. Based on that issue, numerous powerful leaders in Indonesia have intervened to rectify the problem among Muslims by reconstruction of the education systems rather than through political as well as other aggressive physical interaction. KH Ahmad Dahlan was the trustworthy figure in endorsing the concept of educational reform through the "Muhammadiyah" mass organization, which was formed in Yogyakarta in 1912. The conducted a study to examine the similarities amongst KH Ahmad Dahlan and Badiuzzaman Said Nursi in applying the Islamic Education Reform System in the region. In this research, the researcher uses full qualitative method and documentation related to the topic of this research, which then will be analyze descriptively.


2019 ◽  
Vol 15 (1) ◽  
pp. 95-116
Author(s):  
Dewi Anggraeni ◽  
Ahmad Hakam ◽  
Izzatul Mardhiah ◽  
Zulkifli Lubis

Indonesia is a multicultural country with a variety of the diversity has the potential to build a nation’s civilization based on knowledge of nationalism and local cultural values. In other side, the diversity that owned by Indonesian nation has the potential to split the unity specially when that implementation to broke tradition called by Islamic puritanism. Palang Pintu tradition in Betawi cultures is still preserving until now especially in wedding ceremony and has development at welcoming guests. The method of research is qualitative with ethnographic approach. The theory used of religion and culture. The results of this research show that the tradition of Palang Pintu in Betawi Cultures has contain of Islamic values. The values of religiosity in that tradition are such as glorifying the Prophet Muhammad, Silaturrahmi, Protecting with Silat, Manners. Local culture can build a civilization where the human as the actors of the builder civilization are be able to formulate a system of values contained in the tradition. So Far local culture can build national civilization when the local culture is formulating as the ontological level of culture. Keywords: Local Culture, Palang Pintu, Religiosity Abstrak Indonesia merupakan Negara majemuk dengan berbagai keanekaragaman memiliki potensi dalam membangun peradaban bangsa yang didasari pada pengetahuan wawasan kebangsaan serta nilai-nilai budaya local. Disisi lain, keanekaragaman yang dimiliki bangsa Indonesia memiliki potensi yang dapat memcah belah persatuan dan kesataun khususnya ketika anti tradisi melalui puritanisme Islam. Palang Pintu merupakan salah satu budaya Betawi yang hingga saat ini masih dilestarikan pada acara mantenan dan pada perkembangannya digunakan pada penyambutan tamu secara adat. Penelitian ini bertujuan untuk mengembangkan nilai-nilai religiusitas yang terdapat pada tradisi Palang Pintu yang dapat dikembangkan dalam membangun peradaban. Dengan pendekatan teori Agama dan Budaya. Metode penelitian yang digunakan kualitatif dengan jenis etnografi. Hasil penelitian ini menunjukan bahwa Tradisi Palang Pintu pada Budaya Betawi kayak akan nilai-nilai religious yang bersumber dari ajaran Islam. Nilai-nilai religiusitas tersebut seperti memuliakan nabi Muhammad Saw, Silaturrahmi, Melindungi diri atau menjaga diri, Sopan santun. Selanjutnya budaya local dapat membangun peradaban sejuah mana manusia sendiri sebagai pelaku budaya dan pembangun peradaban tersebut mampu memformulasiakan system nilai yang terdapat dalam tardisi.budaya local dapat dapat membangun peradaban bangsa ketika budaya local tersebut diformulasikan pada tataran ontologis budaya. Kata kunci: Budaya Lokal, Palang Pintu, Religiusitas


Author(s):  
Deliana Deliana ◽  
Masdiana Lubis

This paper is concerned with an oral tradition called Badoncek program which is usually performed at night after the invited guests of a wedding party have gone home. In this study, 20 informants of Pariaman community were interviewed in two different locations, that is at Pasar Sukaramai, Medan and Naras Hilir village in Pariaman district. These interviews generated a total of 6 forms of local wisdom in badoncek ceremony and 5 forms of its weaknesses which were then recorded, transcribed, and documented. This research used in-depth interview and focussed on group discussion. The focus of discussion was on finding the forms of local wisdom and the weakness of the oral tradition of badoncek. These forms of weakness were analyzed based on interpretation and comparison methods. It was found that the concept Barek samo dipikua jikok ringan samo dijinjiang ‘A heavy problem is to be lifted together, and a light problem is also to be carried together’ was implemented through badoncek tradition. The six forms of local wisdom of badoncek were mutual cooperation, harmony, deliberation and consensus, mutual help, openness, and entertainment. The five forms of weaknesses of badoncek were an old tradition, lack of socialization, lack of parents’ role in motivating young generation, lack of knowledge about oral tradition, and lack of empathy to contribute. A number of attempts have been made to preserve badoncek tradition by approaching the local government, custom leaders in Pariaman District, and Pariaman community associations. Badoncek tradition could also be applied to raise funds in order to support various programs of the local government.


2020 ◽  
Vol 21 (1) ◽  
pp. 130
Author(s):  
Darul Siswanto

<p><em>Hadith</em><em>s</em><em> or Prophetic traditions as primary sources after Quran in Islamic teachings are important to examine and criticize in terms of authenticity and contents. This research </em><em>aims at</em><em> discover</em><em>ing</em><em> the paradigm of matn hadith criticism used by hadith scholars by looking at the</em><em>ir</em><em> methodology. It is also an attempt to answer some Orientalist opinions about classical hadith scholars who only </em><em>focus</em><em> on the criticism of sanad and ignore the </em><em>matn </em><em>criticism. Through the inductive method</em><em>,</em><em> it can be said that the paradigm believed by hadith scholars in </em><em>matn </em><em>critique is the law of contradiction where it is impossible for two authentic hadith</em><em>s</em><em> to </em><em>oppose</em><em> each other as well as it is impossible for </em><em>sahih and daif </em><em>hadiths to be </em><em>different</em><em> </em><em>(</em><em>ikhtil</em><em>â</em><em>f</em><em>)</em><em>. Then this research also tries to discover the form of transformation of the matn hadith criticism in the modern era and that Islamic values </em><em>are still very relevant in all places a</em><em>nd times. This research</em><em> also</em><em> shows that there are two forms of transformation</em><em>, n</em><em>amely internal and external transformation, both of which are driven and influenced by the development and progress of the modern era.</em><em></em></p>


2021 ◽  
Vol 17 (3) ◽  
pp. 225
Author(s):  
Elkana Putra Tarigan ◽  
Amrin . Saragih ◽  
Siti Aisyah Ginting

Indonesia was well known for the variety of tribes, traditional languages, society and culture. It triggered to conduct this research that concerned to social stratification and Karonese register in giving pedah pedah perjabun. The problem of this research was how far the Karonese register change in this modern era or whether there were any differences among society group in Karonese traditional wedding ceremony. Based on this problem, this research aimed to 1) investigate the types of social stratification in traditional wedding ceremony of Karonese, 2) describe the reflections of social stratification toward the Karonese register, and 3) explain Karonese register in traditional wedding ceremony. This research was conducted by using descriptive qualitative design. The data were taken from Karonese register in traditional wedding ceremony and the source of data was Karonese native speaker who involved in traditional wedding ceremony. This research showed that 1) the interaction of Karonese society in traditional wedding ceremony stratifies Karonese people into four divisions. They are kalimbubu and anak beru that categorized as closed social stratification and sembuyak and teman meriah that categorized as opened social stratification, 2) social stratification were reflected through the differences and similarity form of register .Kallimbubu and anakberu used formal register as the most dominant regiser while sembuyak and anak beru  used consultative register as the most dominant, and 3) the cause of Karonese register in traditional wedding ceremony was caused by register with reference to field that covered factor of arena and register with reference to tenor that cover formality and status. Keywords: Karonese Register, Pedah Pedah Perjabun; Social Stratification


2017 ◽  
Vol 2 (2) ◽  
pp. 271-286
Author(s):  
Djunawir Syafar

This research discusses bureaucracy and organizational behaviour and culture in Islamic education institute i.e., Roudlotul Athfal UIN Sunan Kalijaga Yogyakarta. This research aims to study the implementation of institutional bureaucracy and to build organisational behaviour and culture. This is a qualitative research applying three methods of data collection, namely: (1) observation, (2) in-depth interview, (3) emphasizing the value of dialogue ​​(small colloquium, discussion or sharing), (2) Integrating Islamic values ​​to build organizational behaviour such as honesty, discipline and mutual respect. (3) Cultural acculturation as part of the organizational cultural identity, such as maintaining the grassroots culture including how to behave, how to communicate in certain language and other social interactions. These aspects ​​turn into the basic values of institutional bureaucracy in facing various challenges, social changes as well as competition among numerous Islamic educational institutions.


2020 ◽  
Vol 3 (2) ◽  
pp. p22
Author(s):  
Mohamad Jazeri ◽  
Susanto Susanto

This study is aimed to explain the interpretation of symbols systems in Javanese wedding ceremony. The symbol patterns can be categorized into leaves symbols, vegetable symbols, flowers symbols, food and drinks symbols, Javanese traditional instrumental music (gending-gending), and thread of marriage processions. The data of this study were collected by in-depth interview techniques, participant observation, and documentation. The data were analyzed with the Miles and Huberman interactive models. Data analysis reveals that substantial meanings of the symbols in Javanese wedding ceremony are of advice, prayers, descriptions, parables, and responsibilities. The first, an advice for a bridge/a bridegroom is to have a well foundation, always to love each other, to become a reassuring spouse, to be considerate and think clearly, to have tender heart, and to respect their parents. The second, prayers are delivered in order that the bride and bridegroom have abundant lawful or halal fortune or wealth, have good offsprings, keep away from life barriers. The third, description means that the bridge looks like a beautiful queen and a bridegroom is associated to a handsome and dashing king. The fourth, a parable of marriage is alike to wade the ocean with big waves and storms. The fifth, a responsibility is due to a husband to make a hay or earn money and a wife to manage it then they work together to obtain the goal of marriage. The connotative meaning is flourished to become a myth that marriage ceremony is equipped with standard of symbols that will build the happy and everlasting marriage.


2021 ◽  
Vol 236 ◽  
pp. 05095
Author(s):  
Liu Chunyuan ◽  
Liu Li

With the vigorous development of the film industry, film posters, as the first impression of the film on the audience, break the language barrier and become an important medium for the output of cultural ideology. From the perspective of cultural symbols, this article explores the differences between the digitalization of Eastern and Western cultural symbols in the design of Chinese and foreign movie posters, and analyzes the digital symbols in the design of movie posters from a cultural perspective, providing a new thinking for the digital design of cultural symbols in movie posters.


2015 ◽  
Vol 13 (2) ◽  
pp. 112-122
Author(s):  
Bani Sudardi

This research is about ritual and Islamic value in Javanese folklore. The research shows that Islamic values are found in many Javanese ritual and mixed with the former ritual. The former ritual is added with Islamic values e.g. reciting Holly Quran, pray, or appeared with Islamic characters such as Nabi Sulaiman, Nabi Khidir and Syaikh Karim. The method is qualitative research method along with observation, in-depth interview, and content analysis. The Islamic rituals have growth rapidly since Islam became the ideology of Mataram Kingdom/ Kasunanan. Islam is legitimated by the story of Brawijaya (latest Majapahit’s king) who believe and convert to Islam and change his name to be Sunan Lawu. The forms of Islamic ritual are sadranan (ritual in cemetery), reciting Yaasin together, praying, marriage ritual, and grebeg in Kasunanan Palace.


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