Film and Cultural Dissent in Tunisia
The purpose of this chapter is to address the value of cultural politics in the gradual emergence of a dissident social imaginary. Perhaps because of the rigidity of censorship and the severity of self-censorship during the successive dictatorships of Bourguiba and Ben Ali, one of the remarkable constants of Tunisian cultural products is that much of what would count for political dissidence has been couched as forms of social or cognitive dissonance, in which the norms of social intelligibility collapse and with them all sorts of taboos, evident in postcolonial Tunisian films. This chapter seeks to disentangle the common genealogies of cultural resistance and dissidence that have characterized the artistic ventures of a number of filmmakers in postcolonial Tunisia. This chapter outlines the trajectory of Tunisian thanks to innovative and committed filmmakers whose neo-realist artistic vision shaped today’s cinematic landscape in Tunisia. The major part of this chapter is devoted to a discussion of select postcolonial dissident films, examining the critical latencies of each film along with the ways that each helped capture and articulate, at least retrospectively, Tunisians’ mass discontent with the authoritarian regimes of both Bourguiba and Ben Ali.