scholarly journals Biography of Things – A Ball

2021 ◽  
Vol 35 (2) ◽  
pp. 53-68
Author(s):  
Agnieszka Anita Zalewska-Meler

The presented text is a study of interest in ball as an element of formation and perception of childhood. The research project was embedded in the paradigm of qualitative, interpretative research, where the focus was on the language of the preschooler, which becomes a reflection of the world of physical culture present in the mind of the child – the narrator. The problem of research is focused on the question: To what extent is the ball and its meanings an element of material culture located in the area of physical culture, and in what circumstances is it a determinant of child-specific pre-school folklore? The resulting space of the presented analyzes is an element of the phenomenographic method, where the use of a partially structured interview with preschool children (N = 80) provided the basis for the analysis of the perception and use of a ball in the cognitive theory of a child’s language space. The main conclusions from the research are: 1) for younger children, the ball is more often an attribute of spontaneous play than conventional actions (governed by rules and patterns), 2) for 5- and 6-year-olds, the ball is an artifact of attractive motor activity, training complex motor skills and competition. In middle childhood, the ball is a domain of spontaneous emotionality and an attribute of children’s play, which becomes a material for perceiving, interpreting and situating oneself in a specific culture of movement. The research was conducted in ten municipal kindergartens in the city of Slupsk, Poland in 2016–2019.

1970 ◽  
Vol 5 (4) ◽  
pp. 13-19
Author(s):  
Cristiane Rosa Guedes ◽  
Bianca Del Ducca Alvarenga ◽  
Isabella Rotella ◽  
Débora Vitória Alexandrina Lisboa Vilella

RESUMOObjetivo: Identificar o significado para o enfermeiro em prestar cuidados para pacientes com Depressão.  Materiais e métodos: Estudo exploratório e descritivo com abordagem qualitativa, a amostra foi de 12 enfermeiras, o cenário de estudo foram Unidades Básicas de Saúde e Estratégias de Saúde da Família, urbanas da cidade de Itajubá-MG. A coleta de dados foi por meio do roteiro de entrevista semiestruturada composta por questionário contendo uma pergunta inerente ao assunto. Resultados: Encontramos oito categorias como estigma da depressão, suicídio, dificuldade em lidar, tempo escasso, envolvimento familiar, aceitação da doença, acolhimento e dar medicamento, de acordo com os discursos dos sujeitos coletados na entrevista. Conclusão: Os enfermeiros não estão em contato direto com portadores de depressão no seu trabalho, não entendem que é sua tarefa identificar e encaminha-los para tratamento especializado. Sugerimos que outros estudos sejam desenvolvidos sobre essa temática.Palavras-chave: Depressão. Relação Enfermeiro-Paciente. Assistência de Enfermagem. ABSTRACTObjective: To identify the meaning for nurses when providing care for patients with depression. Materials and Methods: exploratory and descriptive study with qualitative approach, the sample consisted of 12 nurses, the study scenario was the urban Unidades Básicas de Saúde e Estrategia de Saúde da Família, in the city of Itajubá. Data collection was done through semi-structured interview guides consisting of a questionnaire containing a question related to the subject. Results and Discussion: we found eight categories as stigma of depression, suicide, coping difficulties, scarce time, family involvement, acceptance of the disease, host and give medicine, according to the speeches of the subjects collected in the interview. Conclusion: nurses are not in direct contact with individuals with depression in their work, do not understand that it is their job to identify and refer them to specialized treatment. We suggest that other studies be developed on this theme.Keywords: Depression, Nurse-patient Relationship, Nursing care.


Author(s):  
Nora Goldschmidt ◽  
Barbara Graziosi

The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.


Author(s):  
Paul Niell

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.


2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.


2009 ◽  
Vol 51 (2) ◽  
pp. 426-459 ◽  
Author(s):  
Krisztina Fehérváry

In the two decades since the fall of state socialism, the widespread phenomenon ofnostalgiein the former Soviet satellites has made clear that the everyday life of state socialism, contrary to stereotype, was experienced and is remembered in color. Nonetheless, popular accounts continue to depict the Soviet bloc as gray and colorless. As Paul Manning (2007) has argued, color becomes a powerful tool for legitimating not only capitalism, but democratic governance as well. An American journalist, for example, recently reflected on her own experience in the region over a number of decades:It's hard to communicate how colorless and shockingly gray it was behind the Iron Curtain … the only color was the red of Communist banners. Stores had nothing to sell. There wasn't enough food… . Lines formed whenever something, anything, was for sale. The fatigue of daily life was all over their faces. Now… fur-clad women confidently stride across the winter ice in stiletto heels. Stores have sales… upscale cafés cater to cosmopolitan clients, and magazine stands, once so strictly controlled, rival those in the West. … Life before was so drab. Now the city seems loaded with possibilities (Freeman 2008).


2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.


LingVaria ◽  
2020 ◽  
pp. 31-46
Author(s):  
Aleksander Kiklewicz

CONCEPTUAL METAPHORS: PHENOMENA OF THE MIND OR COGNITIVE CONSTRUCTS? PART II The author reviewed experimental studies of language metaphor, starting with the pioneer publication of Roman Jakobson from 1965. It has been shown that experimental studies confirm the postulates of G. Lakoff’s and M. Johnson’s cognitive theory of metaphor to varying degrees (more or less). The author also presents the results of a psycholinguistic experiment involving 280 respondents. The experiment based on the verbal-nominal constructions of the modern Polish language showed low consistency of answers, as well as the lack of arguments that the interpretation of metaphorical expressions (i.e. with the participation of polysemant) by respondents is not based on so-called conceptual metaphors.


2020 ◽  
Vol 26 (2) ◽  
pp. 135-146
Author(s):  
Aurino Lima FERREIRA ◽  
Laila Anine Candida da SILVA ◽  
Sidney Carlos Rocha da SILVA ◽  
Marlos Alves BEZERRA

Spirituality as a human phenomenon presents itself as a significant aspect in the understanding and promotion of health, yet its study was neglected by psychological theories, with the exception of Jung's pioneering studies and the transpersonal approach. In this sense, we aim to present the vision of spirituality among psychologists from the city of Recife (in Brazil) who are guided by these theoretical lines, indicating how this phenomenon is experienced in their professional practices. We performed a phenomenological qualitative research that had as instrument the semi-structured interview with eight psychologists. The data were analyzed according to Bicudo's phenomenological approach and are in agreement with the scientific literature in this field, which indicates that there is no hegemonic definition of spirituality. There are visions of spiritualities, sometimes singular, sometimes common. Spirituality sometimes appears as synonymous with unconditional love, sometimes as access to the transcendent, without denying immanence. It also arises as internal energy and access to the Higher Self or just the Self. In the clinic it is considered as health promoter and approached from the demand in the Jungian perspective and seen as contextual in the transpersonal. We raised reflections on the importance of spirituality to the understanding of human being in its complexity.


2020 ◽  
Vol 208 ◽  
pp. 08008
Author(s):  
Lidya Shershova ◽  
Elena Golovina ◽  
Yulia Gurenko ◽  
Olga Tomashevskaya

The approach to the development of territories through the construction of sports facilities on the example of the city of Kaliningrad (Northwestern Federal District, Russia) is considered. The results of the implementation of state target programs for the formation of the urban environment are analysed. These programs provide the opportunity to engage in physical education and sports on equipped sports grounds. The results of monitoring the use of sports facilities for physical culture and sports in the city of Kaliningrad are presented. The conditions for increasing the volume of physical activity of young people through the system of attracting them to systematic physical culture and sports on doorstep sports grounds have been determined.


2014 ◽  
Vol 30 (1) ◽  
pp. 141-169
Author(s):  
Peter Christensen

No Mediterranean city witnessed as dramatic a demographic shift as Salonica following the expulsion of the Jews from Iberia in 1492. This article explores the specific concept of placemaking in the context of this transformation, examining how the industries, devotional spaces, mythology, and material traditions of Iberian Jews tactically engaged with extant forms of Ottoman multicultural governance and social systems. Drawing upon a broad array of visual and textual information, this article argues that under the evolving mechanics of the millet and dhimmi systems, the nimbler aspects of material culture–color, fabric, dress, spoliation–proved to be the most effective in articulating and developing diasporic Sephardic identity within both the city and the empire. This article further analyzes the ways in which this identity was capable of, if not inclined to, the delimiting of regional, class, and gender groups, ultimately contouring and challenging notions of a monolithic minority culture within the Ottoman Empire from the sixteenth through the early nineteenth century.


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