scholarly journals Acculturation of islamic culture as a symbol of siraman rituals in java traditional wedding

2021 ◽  
Vol 5 (2) ◽  
pp. 221-244
Author(s):  
Suyadi Suyadi ◽  
Ahmad Fikri Sabiq
Keyword(s):  
Data Analysis ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Local Culture ◽  
Semiotic Analysis ◽  
Islamic Culture ◽  
Wedding Ceremony ◽  
Semiotic Theory

The purpose of this study was to determine the acculturation of Islam and local culture in the Javanese traditional wedding ceremony. This research uses a qualitative approach. Collecting data by interview, observation, and documentation. The location of this research is in Kedungjati, Grobogan. Data analysis using the semiotic theory of Roland Barthes. The result of this research is that the ritual of siraman in Javanese traditional wedding in Kedungjati has connotation, denotation, and myth meaning as in the semiotic analysis of Roland Barthes. The siraman ritual has sixteen stages of the process, namely the installation of bleketepe, sungkeman, ngracik toyo, praying, siraman, sesuci, pecah kendhi pratolo, pondhongan or gendongan, ganti busana, pangkas rikma, tanam rikma, pagas tumpeng, Dulang pungkasan, adol dawet, itung duwit, and simpen pedaringan.

scholarly journals Semiotics of Roland Barthes in Symbols Systems of Javanese Wedding Ceremony

2020 ◽  
Vol 3 (2) ◽  
pp. p22
Author(s):  
Mohamad Jazeri ◽  
Susanto Susanto
Keyword(s):  
Data Analysis ◽  
Instrumental Music ◽  
Participant Observation ◽  
Roland Barthes ◽  
Connotative Meaning ◽  
The Third ◽  
Marriage Ceremony ◽  
Depth Interview ◽  
Wedding Ceremony ◽  
Interactive Models

This study is aimed to explain the interpretation of symbols systems in Javanese wedding ceremony. The symbol patterns can be categorized into leaves symbols, vegetable symbols, flowers symbols, food and drinks symbols, Javanese traditional instrumental music (gending-gending), and thread of marriage processions. The data of this study were collected by in-depth interview techniques, participant observation, and documentation. The data were analyzed with the Miles and Huberman interactive models. Data analysis reveals that substantial meanings of the symbols in Javanese wedding ceremony are of advice, prayers, descriptions, parables, and responsibilities. The first, an advice for a bridge/a bridegroom is to have a well foundation, always to love each other, to become a reassuring spouse, to be considerate and think clearly, to have tender heart, and to respect their parents. The second, prayers are delivered in order that the bride and bridegroom have abundant lawful or halal fortune or wealth, have good offsprings, keep away from life barriers. The third, description means that the bridge looks like a beautiful queen and a bridegroom is associated to a handsome and dashing king. The fourth, a parable of marriage is alike to wade the ocean with big waves and storms. The fifth, a responsibility is due to a husband to make a hay or earn money and a wife to manage it then they work together to obtain the goal of marriage. The connotative meaning is flourished to become a myth that marriage ceremony is equipped with standard of symbols that will build the happy and everlasting marriage.

scholarly journals Representasi Pendidikan Seks dalam Film Dua Garis Biru (Analisis Semiotika Roland Barthes)

Koneksi ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 155
Author(s):  
Eartha Beatricia Gunawan ◽  
Ahmad Junaidi
Keyword(s):  
Data Collection ◽  
Sex Education ◽  
Research Method ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Literature Study ◽  
Role Of Parents ◽  
Descriptive Qualitative

This study aims to describe the representation of sex education in the film Dua Garis Biru by director Gina S. Noer. This study uses a descriptive qualitative approach. The research method uses Roland Barthes's semiotic analysis with two-way significance and the meaning of denotation, connotation, and myth. The subjects of this study are Dara and Bima, the object of this study is a sign of sex education represented in scenes, dialogues, and characters in films. Methods of data collection by observation, literature study, interviews, and documentation. The film Dua Garis Biru tells the story of how Dara and Bima, two teenagers, must be responsible for the consequences that they did not think of before due to free sex. This film also illustrates the important role of parents in communicating information about sex to children. The results of this study indicate that there is a picture of sex education in the film Two Blue Lines. It was concluded that the side or form of sex education is displayed in scenes, dialogues, or characters that insert the importance of knowing sex education and knowing the consequences of every action related to sex. Penelitian ini bertujuan untuk menggambarkan representasi pendidikan seks  dalam Film Dua Garis Biru karya sutradara Gina S. Noer. Penelitian ini menggunakan pendekatan kualitatif deskriptif. Metode penelitian menggunakan Analisis Semiotika Roland Barthes dengan signifikan dua arah dan pemaknaan denotasi, konotasi, dan mitos. Subjek penelitian ini adalah Dara dan Bima, objek penelitian ini adalah tanda pendidikan seks yang direpresentasikan dalam adegan, dialog, dan karakter dalam film. Metode pengumpulan data dengan observasi, studi pustaka, wawancara, dan dokumentasi. Film Dua Garis Biru bercerita tentang bagaimana Dara dan Bima, dua remaja harus bertanggung jawab atas konsekuensi yang tidak mereka pikirkan sebelumnya karena melakukan seks pranikah. Film ini juga menggambarkan pentingnya peran orang tua dalam mengkomunikasikan informasi tentang seks kepada anak. Hasil dari penelitian ini menunjukkan bahwa terdapat gambaran tentang pendidikan seks dalam film. Sisi atau bentuk pendidikan seks ditampilkan dalam cuplikan adegan, dialog, atau karakter tokoh yang menyisipkan pentingnya mengenal pendidikan seks dan mengetahui konsekuensi dari setiap perbuatan yang berhubungan dengan seks.

scholarly journals SEMIOTIC STUDY ON “TUGU SI RAJA BATAK” IN SAMOSIR ISLAND NORTH SUMATERA

LINGUISTICA ◽  
2021 ◽  
Vol 9 (4) ◽  
pp. 371
Author(s):  
TATAP HASRANI SINAGA ◽  
ZAINUDDIN ZAINUDDIN ◽  
ANNA RIANA SURYANTI TAMBUNAN
Keyword(s):  
Data Analysis ◽  
Traditional Medicine ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Sick People

The objectives of this study were to find out signs, the realization of signs in to denotative and connotative meanings, and the reasons for signs realization on Tugu Si Raja Batak in Sarimarrihit Village, Sianjur Mula-Mula sub-district, Samosir Regency. The study was conducted using a qualitative approach. The data of this study were taken from Tugu Si Raja Batak. The data of the study were statues and pictures on Tugu Si Raja Batak. The data analysis was taken by observing, interviewing, and then analyzed the data based on the theory proposed by Roland Barthes. The findings indicated that there were twenty-two signs on Tugu Si Raja Batak in four forms, namely human ornaments, animal ornaments, plant ornaments, and carving. The signs of human ornaments were the Si Raja Batak means descendants with different clans and some servants for different work. The signs of animal ornaments made to show that Si Raja Batak and his descendants used the animals around him as transportations. Then, the plant ornaments they were Lime (Pangir) and Banyan tree (Jajabi) appear because the Batak people are famous for traditional medicine that uses plants such as Lime (Pangir) and betel as medicine for sick people, possessed people, and also for offerings to their ancestors. Furthermore, in the Tugu Si Raja Batak, carvings made because the Si Raja Batak seat requires beautiful decoration and their culture to respect the kings

scholarly journals Kajian Semiotika Roland Barthes pada Poster Unicef

2020 ◽  
Vol 3 (2) ◽  
pp. 726-733
Author(s):  
Junisti Tamara
Keyword(s):  
Developing Countries ◽  
Data Analysis ◽  
United Nations ◽  
Qualitative Method ◽  
Humanitarian Assistance ◽  
Roland Barthes ◽  
Human Beings ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Art And Design

United Nations Children's Fund (UNICEF) is an organization from the United Nations that provides humanitarian assistance and welfare development to children and their mothers in developing countries. Until now, UNICEF has published numerous posters containing appeals and warnings to help fellow human beings who are experiencing difficulties. However, some of the posters are difficult to translate directly. This study aims to determine how best to understand the message conveyed by the UNICEF posters. As well as knowing the denotation, connotation and ideology in UNICEF posters. The method used in this research is descriptive qualitative method. The data analysis used is semiotic analysis based on Roland Barthes' theory, namely the meaning of the signifier, signified to determine the meaning of denotation, connotation and ideology on the UNICEF poster. The overall results in this study explain that by utilizing the semiotic analysis method, posters that look quite confusing can be easily understood. Semiotics presents a sequence of processes so as to deliver a work of art and design as steps that can be explained in a structured manner.

scholarly journals Semiotics Analysis in The Betawi Traditional Wedding "Palang Pintu": The Study of Semiotics Roland Barthes

2022 ◽  
Vol 2 (1) ◽  
pp. 01-07
Author(s):  
Iskandarsyah Siregar
Keyword(s):  
Qualitative Research ◽  
Roland Barthes ◽  
Interpretive Research ◽  
Spiritual Values ◽  
Semiotic Analysis ◽  
Family Ties ◽  
Traditional Art ◽  
Linguistic Research ◽  
Interpretive Approach ◽  
Wedding Ceremony

The Palang Pintu tradition is a tradition that is part of the Betawi wedding ceremony. In this study, the semiotic analysis of Roland Barthes was used. This study uses extra-qualitative research methods with an interpretive approach as a complement. This linguistic research is classified as interpretive research because it relies on interpreting texts that can be related to the context in it, such as ideological, moral, cultural, and spiritual values. In this study, the researcher aimed to analyze the meaning of the Palang Pintu procession in terms of semiotics. From the results of the study, it can be concluded that in Palang Pintu, there are 1) meanings of denotation in the procession of the Palang Pintu, processions are starting from the dustur prayer, greetings, rhyme contests, fighting, and reciting the holy verses of the Koran or chanting sike. In the denotative meaning of this Palang Pintu process, apart from explaining the literal meaning and describing the process. It also describes the stages of testing for the groom to marry his bride; 2) the connotation meaning in the Palang Pintu procession describes the practice of the teachings and laws of Islam and love for the Prophet Muhammad SAW and family ties; and 3) the myth in the Palang Pintu procession is that there are Betawi solid community principles, namely recitation, prayer, and silat. In addition, the dominance of solid Islamic teachings is evidenced by the existence of relevant verses of the Koran and hadith and the content of Betawi cultures, such as rhyming, where rhymes are used to advise on traditional art ceremonies.

scholarly journals Learning Local Wisdom through the Symbols of Ma’nene’ Rituals in North Toraja: A Semiotic Perspective

2020 ◽  
Vol 2 (3) ◽  
pp. 108-120
Author(s):  
M. Dalyan Tahir ◽  
Hunaeni Hunaeni ◽  
Sylver Tri Poetra
Keyword(s):  
Data Analysis ◽  
Religious Values ◽  
Note Taking ◽  
Semiotic Analysis ◽  
Qualitative Descriptive ◽  
Descriptive Approach ◽  
Semiotic Perspective ◽  
Two Stages ◽  
And Behavior ◽  
Semiotic Theory

This study examines the meaning of symbols and interpretations of local wisdom in ma’nene’ rituals in the Baruppu community of North Toraja Regency using a qualitative descriptive approach. Data regarding words and behavior in rituals were obtained through interview techniques, note-taking, recording, and documentation in the form of photos and videos. Data analysis used Pierce's semiotic theory. The results of this study indicate that the implementation of the ma’nene’ ritual is divided into two stages, namely: 1) Preparation (a) Ma'kongan ada', (b) Kapenomban pa'paranduk, (c) Manta'da, (d) Ma' pakande ada', (e) Umpasun bombongan; and 2) Implementation of (a) Ma'bungka', (b) Ma'kassa'i, (c) Massomba tedong, (d) Manglokko tedong sola bai, (e) Ma'pakande nene', (f) Mantutu', (g) Capenomban pa'paupu'. In carrying out the ritual, there are various symbols, including: (1) Tau-tau, (2) Bombongan, (3) Pangngan, (4) Kain ba'ru, (5) Tedong sola bai, (6) Bo'bo 'sola duku', (7) Punti leaves, (8) Tallang. Based on the semiotic analysis of the symbols in the ritual, several types of local wisdom were found, namely: (a) religious values, (b) brotherhood, and (c) unity.

scholarly journals REPRESENTASI DAKWAH MAGIS (ANALISIS SEMIOTIKA DALAM YOUTUBE KANG UJANG BUSTHOMI CIREBON)

MEDIAKITA ◽  
2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Lukman Al Farisi, Zidni Ilman Nafia, Moh Muslimin
Keyword(s):  
Social Media ◽  
Qualitative Approach ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Religious Symbols ◽  
Religious Rituals ◽  
The Media ◽  
Use Of Social Media

This study aims to describe the representation of the magical da'wah of Kang Ujang Busthomi Cirebon associated with the use of social media Youtube. The diversity of media used by da'i has also become a concern for researchers to re-examine the value of the effectiveness of the media as a medium of preaching. This study uses a qualitative approach using the semiotic analysis method of Roland Barthes. This method is used to read various signs and signs marking the magical da'wah of Ustad Ujang Busthomi which contains messages that are conveyed to viewers and subscribers. The results show that the representation of magical da'wah in various symbols refers to the battle of religious symbols and symbols of polytheism. This is shown through display symbols such as the use of magical objects, irrational and non-physical magical readings that are collaborated with religious rituals as seen in Islamic teachings.Keywords: Representation, Da'wah, Magis, Youtube. 

scholarly journals Digging The Traces of Islam in Baritan Tradition

2018 ◽  
Vol 5 (3) ◽  
pp. 52
Author(s):  
Hanida Eris Griyanti ◽  
Sunardi Sunardi ◽  
Warto Warto
Keyword(s):  
Data Analysis ◽  
Local Culture ◽  
Islamic Culture ◽  
Literature Study ◽  
Cultural Changes ◽  
Islamic History ◽  
Analysis Techniques ◽  
The People ◽  
Descriptive Qualitative

This article aims to explore the traces of Islam in the tradition of "Baritan". The data were collected from observation, interview, documentation and literature study. The researchers here used data analysis techniques which developed by Miles & Huberman. This research was descriptive qualitative. Since religion and Islamic culture appeared in Indonesia, there was a process of Islamization of the people in Indonesia. Along with the process of Islamization, the socio-cultural changes occured towards the formation of a new culture which was based on Islam. Some traditions that are still used by some Islamic communities such as the grave, pilgrimage,charity, or traditional ceremony of Java which called as sekaten was also a proof of Islamic history in Indonesia that could not be forgotten. These traditions were born because of the influence of Islam which was acculturated with the local culture of the community at the time. One tradition that still exists today is the Baritan Tradition, which means the sea offering. This "Baritan" tradition, It was held every first suro of Javanese calendar or new year of Islam.

Commodification of Local Culture In Cigarette Commercials: Semiotic Analysis On Dji Sam Soe Commercial “Mahakarya Indonesia 2016”

2020 ◽  
Vol 2 (1) ◽  
pp. 31-37
Author(s):  
Emmanuel Putro Prakoso
Keyword(s):  
Cultural Values ◽  
Research Method ◽  
Time Characteristic ◽  
Roland Barthes ◽  
Local Culture ◽  
Semiotic Analysis ◽  
Long Time

Being restricted directly displaying cigarettes on commercials forces cigarette manufacturers and creative teams to work hard to create a cigarette commercial that can attract consumers’ attention. This is the reason why many cigarette manufacturers show scenes laden with local culture elements in their commercials as an effort to bring their products closer to the consumers. Local culture-themed commercials beginning to bloom on the television aim not only to preserve Indonesian local cultural values but also to protect them from being claimed by other countries. This research aims to get an overview of an alleged exploitation of Sumbawa local culture in Dji Sam Soe cigarette commercial Mahakarya Indonesia 2016 version. The research method used here is semiotic analysis with approaches from Roland Barthes, which are linguistics and connotative and denotative iconic message. Several vital scenes indicate practices of exploitation of Sumbawa local culture in the advertisement. These practices of local culture exploitation are marked by the emergence of scenes where Sumbawa people work together to build boats and houses (denotation), a long-time characteristic of Indonesian society, along with verbal and written message (linguistics) shown through the back sound of a man saying,“From the youths to the elders, to the youths.”and “One Nusantara collaborate to create an effort in which equal burden is bore on the shoulders!”.These sentences send both denotative and connotative messages that are important to be analyzed further.

scholarly journals ANALISIS SEMIOTIKA MAKNA KESENDIRIAN PADA LIRIK LAGU “RUANG SENDIRI” KARYA TULUS

2020 ◽  
Vol 19 (2) ◽  
pp. 41
Author(s):  
Axcell Nathaniel ◽  
Amelia Wisda Sannie
Keyword(s):  
Research Method ◽  
Qualitative Method ◽  
Roland Barthes ◽  
Semiotic Analysis ◽  
Know How ◽  
Love Relationship ◽  
Way Of Thinking ◽  
Semiotic Theory

This article explores the meaning of solitude in the lyrics of Tulus' song "Ruang Sendiri" using Roland Barthes' semiotic analysis. There are three expressed meanings namely  denotation, connotation, and myth. To explain all three meanings of solitude in the lyrics of the song are used Roland Barthes' semiotic theory. The research method used is interpretive qualitative method or inductive way of thinking, which is a way of thinking from special to general. To collect data are used study of document  by  searching and obtaining from various sources contained the required data. The results of a semiotic study of the lyrics to the song "Ruang Sendiri" are as follows. The denotation meaning  of the lyrics of the song "Ruang Sendiri " is the desire of the songwriter to feel alone, feel free, and without a lover. The connotation is  boredom to his partner,  not know how his feeling  to his lover. The meaning of the myth is the songwriter wants to convey that solitude, doing anything alone, not always together are something needed by everyone who builds a  love relationship. 

Sign in / Sign up

Export Citation Format

Share Document